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🎃 a very frightful hoxgoblin 🎃

@kellenhoxworth.bsky.social
1.4K followers 763 following 119 posts

Associate Prof. of Theatre and Performance Studies at the University at Buffalo. Transoceanic Blackface: nupress.northwestern.edu/9780810147… “Blackface Geographies”: doi.org/10.1017/S1054204325101172

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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 16h
My review of Rhae Lynn Barnes’s “Darkology” is out in Theatre Journal:
dx.doi.org
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 20h
“This isn’t flying. This is falling with style!”
static.klipy.com
Buzz Lightyear and Woody: Falling with Style
ALT: Buzz Lightyear and Woody: Falling with Style
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 16/10/2026
We Don’t Talk About the History That Hurts
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 13/10/2026
My entire first book functions as a debunking of the Chortlemuffin Effect in the historiography of blackface minstrelsy.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 13/10/2026
@zunguzungu.bsky.social This is where I trace the likely theatrical origins of a British racist slur.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 13/10/2026
My essay “Intertheatrical Things” is now available open access: www.jstor.org/content/pdf/...
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 12/10/2026
Correction: Jeb!
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 12/10/2026
“What times are these, in which A conversation about trees is almost a crime For in doing so we maintain our silence about so much wrongdoing!”
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 12/10/2026
harpers.org
Brecht 'To Those Who Follow in Our Wake' , by Scott Horton
I Wirklich, ich lebe in finsteren Zeiten! Das arglose Wort ist töricht. Eine glatte Stirn Deutet auf Unempfindlichkeit hin. Der Lachende Hat die
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 29/09/2026
Liberté. Égalité. Sans fraternités.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 28/09/2026
It’s always some version of, “But AI helped me do this thing that I would normally have needed to interact with another person to accomplish, and so it is therefore intrinsically valuable.”
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 27/09/2026
Haha yes yes. I was riffing on Tobias’s post.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 27/09/2026
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 23/09/2026
How to make the something somethingy.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 21/09/2026
Surely there are no unforeseen consequences to adopting concepts that rely on viewing all interpersonal relationships as competitions measured only by one’s feelings of relative superiority or inferiority.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 18/09/2026
A full range of EMOTION.
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Dick Zoutman @dickzoutman.bsky.social · 17/09/2026
VERY important paper! This study detected SARS-CoV-2 in the air of common areas of 4 big US airports. SARS-CoV-2 detected in 98% of samples through the year. Influenza A was found during flu season. That’s why you want to wear an N95 respirator in an airport! And all indoor public spaces all year!
journals.plos.org
Multimodal genomic surveillance for respiratory pathogens at four U.S. international airports: A comparison of air, wastewater, clinical, and national surveillance data
Early detection of outbreaks and emerging pathogens is critical for public health and global biosecurity. Airports, as major international travel hubs with dense, enclosed populations, are high-risk s...
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 16/09/2026
Looking for Langston, indeed.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 16/09/2026
Happy to announce that my new essay “Intertheatrical Things” is out in the book “Theatre Things”!
The cover of “Theatre Things: Material Theories & Histories,” edited by Andrew Friedman and Eero LaineThe first page of “Intertheatrical Things” by Kellen Hoxworth
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 12/09/2026
Radicchiohead
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 25/08/2026
Freedom, historically, was a racial property of whiteness…
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 23/07/2026
books.google.com
Dance in US Popular Culture
This innovative textbook applies basic dance history and theory to contemporary popular culture examples in order to examine our own ways of moving in—and through—culture. By drawing on material relev...
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 23/07/2026
“The Invented Choreographies of the Tomahawk Chop” by Kellen Hoxworth

A bass drum begins a slow, constant rhythm. The brass layer a recurring melody.
Suddenly, tens of thousands of fans throughout the stadium add their voices to the cacophony, belting the "war chant" of the Florida State University (FSU) Seminoles while performing a simple, repeated physical gesture of a chopping motion. Holding their right arms forward perpendicular to their chests, they swing their forearms through the air with their hands held in flat vertical lines that mimic axe blades. This is the Tomahawk Chop, a ubiquitous feature of athletic compe-
titions at FSU that has spread throughout US sports, specifically among fans of teams featuring mascots based in stereotypes of Indigenous peoples. Through its easily repeatable actions, the Chop choreographs an "invented tradition" of
regional and national belonging while silencing Indigenous protests.

The Tomahawk Chop has become a popular ritual for US sports fans, with its
chant and its minimalistic choreography thoroughly woven into the fabric of US sports and popular culture. Attesting to its permeation of US popular culture, in 2003, hip hop artists P. Diddy, Nelly, and Murphy Lee released the song "Shake Ya Tailfeather" which sampled the Tomahawk Chop war chant in its chorus. Most recently, during the 2020, 2021, and 2023 NFL Super Bowl championship games featuring the Kansas City Chiefs and the 2021 MLB World Series featuring the Atlanta Braves, spectators reveled in raucous performances of the Chop that were broadcast to over 100 million households across the United States.

Despite (or because of) its ubiquity, the Chop is often framed as a cherished tradition vital to fans' communal identities: as a former student at FSU asserted in its defense during a class discussion, "It's just something we do." I responded to this student by sharing my own experiences as a white Canadian-American settler who grew up in Kansas City…
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 21/07/2026
You can read it here!
doi.org
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 21/07/2026
Humbled to receive an Honorable Mention for the Association for Theatre in Higher Education’s 2026 Outstanding Article Award for my essay “Alice Childress’s Troubling Method: Theatrical ‘Truth’ and the Cold War Politics of Rehearsing Racial Authenticity.” www.athe.org/page/article...
athe.org
ATHE 2026 Outstanding Article Awardees - Association for Theatre in Higher Education
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 03/07/2026
“throwing down the kangaroo”
static.klipy.com
Rachael Gunn's Breaking Dance at Paris 2024
Alt: Rachael Gunn's Breaking Dance at Paris 2024
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 26/05/2026
My new essay is out in the Journal of American Drama and Theatre’s special issue on “100 Years of Du Bois.” It’s open-access, so you can read it here:
thesegalcenter.org
An Expansive “Us”: W. E. B. Du Bois’s “Pan-Negro” Theatrical Vision
Kellen Hoxworth
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Olúfẹ́mi O. Táíwò @olufemiotaiwo.bsky.social · 06/05/2026
the best part of post-tenure academia has been having the career space to slow down. the damage done by the contraction of tenure track positions + poor security/working conditions of non tenure track faculty + quantification of academic contributions is incalculable
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 31/03/2026
The worst is when they lie to you. I once got duped because a guy offered an aisle seat for aisle seat trade, and only after I’d moved did he tell me he actually had the middle seat.
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 30/03/2026
A significant amount of the popularity of blackface minstrelsy stems from this proslavery anxiety about interracial sexuality. Almost everything written about Othello for two centuries is dripping with proslavery anxieties and fears about amalgamation. For more:
nupress.northwestern.edu
Transoceanic Blackface - Northwestern University Press
A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century A material history of ra...
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Forgot I can tag you here @chrisrodelo.bsky.social!
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Thanks, Kyla! Please share widely!
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
This special section runs alongside Camille Owens's review of "Transoceanic Blackface," which shares a review essay with Chinua Thelwell's "Exporting Jim Crow," Bethany Hughes's "Redface," and Danielle Roper's "Hemispheric Blackface."
doi.org
Reorienting Blackface | TDR | Cambridge Core
Reorienting Blackface - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
And, Danielle Roper on blackface in Colombian performance and installation art:
doi.org
Enunciating a Black Geography | TDR | Cambridge Core
Enunciating a Black Geography - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Soo Ryon Yoon on blackface in the attention economy of present-day Korean popular culture:
doi.org
The Bubble Sisters and Hong Hyeon-hee | TDR | Cambridge Core
The Bubble Sisters and Hong Hyeon-hee - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Hanna Järvinen on the figure of the "blackamoor" across ballet, past and present:
doi.org
Blackamoors on Ballet Stages | TDR | Cambridge Core
Blackamoors on Ballet Stages - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Rudrani Sarma on the recurrence of the blackface dandy figure in South Asian theatre and film:
doi.org
From Blackface “Baboos” to Bollywood | TDR | Cambridge Core
From Blackface “Baboos” to Bollywood - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Caroline H. Yang on the global career of the figure of the "Heathen Chinee":
doi.org
The Transnational “Heathen Chinee,” the Minstrel Form, and the Afterlife of US Slavery | TDR | Cambridge Core
The Transnational “Heathen Chinee,” the Minstrel Form, and the Afterlife of US Slavery - Volume 70 Issue 1
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🎃 a very frightful hoxgoblin 🎃 @kellenhoxworth.bsky.social · 05/03/2026
Other essays include: Christofer Rodelo on the inter-imperial minstrelsy of a Cuban expatriate:
doi.org
A.M. Hernandez and the Global Details of Blackface Minstrelsy | TDR | Cambridge Core
A.M. Hernandez and the Global Details of Blackface Minstrelsy - Volume 70 Issue 1
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