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Kate Strasdin

@katestrasdin.bsky.social
6.8K followers 110 following 2.1K posts

Lecturer, dress & textile history. Author of The Dress Diary of Mrs Anne Sykes. Amateur stitcher Fellow of the Royal Hist Soc

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Kate Strasdin @katestrasdin.bsky.social · 11h
There is something curiously bird-like about this gown, with a layered plumage cascading at the back. It is sumptuously described as being made from raspberry coloured lace, and is beautifully layered, crafted in 1958 by Jean Dessés #philamuseumart #FashionHistory 🗃️🪡
Back view of a layered strapless red lace dress. It has a fitted bodice and a flat front with an expanse of layered lace at the back like the tail of a birdFront view of the red lace strapless 1950s evening dress showing the flat front and the layered sculpted back
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Reposted by Kate Strasdin
julieinstitches.bsky.social @julieinstitches.bsky.social · 12h
Could this be the perfect evening shoe? Designed by Roger Vivier for Dior, Paris, 1954. Description here: collections.vam.ac.uk/item/O138244...
Black silk satin evening pump with a tulle rosette on the toe and high stiletto heel. Long squared-off pointed toe, V&A
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Kate Strasdin @katestrasdin.bsky.social · 18h
The drama of the mid 18th century encapsulated in structured silk. Pale Gros de Naples was chosen for its distinctive ribbed weave structure supplemented with a riot of florals. It is sculpted in such a way, it seems it could stand up on its own #MuseodelTraje #FashionHistory 🗃️🪡
Side view of a short pale blue silk jacket with deep cuffed elbow length sleeves and colourful floral motifs. It has a pleated peplum at the back
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The Met: Costume Institute @metcostume.bsky.social · 20h
Pelerine botfrens.com/collections/223/conten…
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Ellen M. Austen, 1915
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Nicole Jenkins @frillseeker.bsky.social · 29/09/2026
Bookings are now open for my free floor talk about the Fabulous '70s fashion exhibition which opens next week at the Glen Eira art gallery. I'll be speaking about my frocks on display and my work as a collector. Hope to see you on Oct 14th! circavintageclothing.com.au/2026/09/29/_...
circavintageclothing.com.au
[Talk] 1970s fashion floor talk with Nicole Jenkins
Hi everyone, As part of the accompanying program for Glen Eira’s Fabulous ’70s exhibition (opens Friday next week), they’ve asked me to present a free floor talk about my passion …
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Kate Strasdin @katestrasdin.bsky.social · 28/09/2026
The exacting nature of Charles James and his extraordinary pattern cutting is apparent in his surviving designs but also in the photographs of him at work. Here the #1950s brings his petal dress and an image of him finessing an origami-like ensemble @metmuseum.org #FashionHistory 🗃️🪡
A short sleeved pale green silk evening dress whose full skirt and sculpted layers look like the greenery of a floral stemA black and white photograph of a model standing in a complicated looking skirt suit. Sitting on the floor is a designer Charles James, inspecting the hem at the back of the skirt
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Victoria Haddock @vickyhaddock.bsky.social · 28/09/2026
Dalmatian Italian fashion designer Mila Schön was born #OnThisDay in 1916. She designed this haute couture white embroidered net evening dress with crêpe petticoat for Marella Agnelli to wear to Truman Capote’s Black and White Ball in 1966. V&A collection. #fashionhistory
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Reposted by Kate Strasdin
The Met: Costume Institute @metcostume.bsky.social · 28/09/2026
Fichu botfrens.com/collections/223/conten…
Gift of Margaret S. Crane, 1977
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Kate Strasdin @katestrasdin.bsky.social · 28/09/2026
I’d like to propose an autumn filled with plummy crushed velvet which feels entirely appropriate as summer has given way to chill September mornings here in the South West of England. It would feel like hoiking around your own cosy sofa. Late #1880s #museumatFIT #FashionHistory 🗃️🪡
Side view of a deep purple velvet bustle dress with high collar, fitted button down bodice and ruched skirt
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Kimberly Chrisman-Campbell @hottycouture.bsky.social · 27/09/2026
www.thecut.com/article/the-....
thecut.com
The Shoe Is the Outfit
With Dior, Chanel, and Schiaparelli sending terrifically kooky clompers down the runway, this fall is all about fancy footwork.
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LaurenCDeutsch @laurencdeutsch.bsky.social · 28/09/2026
#Ootd is this 1950 wool flannel Dior suit that Elizabeth Parke Firestone wore on her trips with her husband to Europe for business. The suit is expertly tailored and corresponds to her measurements. I mean look at those curves! #Fashionhistory #FabricofAmerica #thehenryford
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Kate Strasdin @katestrasdin.bsky.social · 27/09/2026
Two design powerhouses here with soft lemony drapery by Halston and a pearly tasseled belt by Diane Von Furstenberg combining into a mid #1970s gem #FIDMMuseum #FashionHistory 🗃️🪡
Partial view of a layered pale yellow evening dress with a deep v neck and side that is gathered in with a pearl tasseled beltFull length view of a pale lemon chiffony draped dress with a layered, fluted hem from the mid 1970sFabric detail of the mid 1970s pale yellow dress which shows the tasseled end of the pearly belt
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Worn On This Day @wornonthisday.bsky.social · 27/09/2026
Wool tweed "Peachy" dress worn #onthisday in 1962 by its designer, Mary Quant, while unpacking her J.C. Penney collection at the British Embassy in Washington D.C. #OTD 📷️ Victoria & Albert Museum
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Kate Strasdin @katestrasdin.bsky.social · 27/09/2026
Girolamo Giuseffi decided to throw it all at this gown. It needed cut velvet panels, lace, chiffon overlays, net, rhinestones and silk covered baubles. He also decided that electric blue & cream would make the most vivid impression & he wasn’t wrong. Gown c1912 #newfieldstoday #FashionHistory 🗃️🪡
Back view of a c1912 evening dress which has a complex arrangement of a central blue velvet panel at the back edged with net sleeves, the passementerie hanging from the elbows and the waist. It has a high collarSide view of the blue and cream c1912 evening dress with many layers of decoration including blue cut velvet, blue chiffon, cream lace and net and blue and silver passementerie
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The Met: Costume Institute @metcostume.bsky.social · 27/09/2026
Waistcoat botfrens.com/collections/223/conten…
Purchase, Irene Lewisohn Bequest, 1978
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Kate Strasdin @katestrasdin.bsky.social · 26/09/2026
If, in the late #1860s, you happened to be in the market for a pair of silk embellished heeled boots and you had the wherewithal to shop at Jean-Louis François Pinet, which boots are you choosing? Gold and burgundy, black floral embroidered or leafy brocade? #NGVMelbourne #FashionHistory 🗃️🪡
A pair of heeled burgundy silk boots embellished with a gold floral designA pair of heeled black silk boots with a multi coloured floral design embroidered over the surfaceA pair of heeled boots made from a cream silk brocaded with a busy leaf design. The boots button up one side
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Victoria Haddock @vickyhaddock.bsky.social · 26/09/2026
Singer and actress Dame Olivia Newton-John was born #OnThisDay in 1948. She wore this Fleur Thiemeyer designed floral embellished apricot silk chiffon gown and beaded spandex bodysuit to attend the 50th Annual Academy Awards in 1978. Sold by Juliens Auctions. #fashionhistory
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The Met: Costume Institute @metcostume.bsky.social · 26/09/2026
Nightgown botfrens.com/collections/223/conten…
Gift of Mrs. William Rosenfeld, 1943
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Kate Strasdin @katestrasdin.bsky.social · 24/09/2026
There is, as ever, immense skill in apparent simplicity. Balenciaga’s 1966 ensemble consists of this buttoned tunic cut in one piece on the bias so that it revolves from shoulder to hip. Lovely, yes please #PalaisGalliera #FashionHistory 🗃️🪡
Tunic detail of Balenciaga’s mid 1960s bias cut two piece ensemble in bright pink. It is sleeveless with buttons running diagonally from the v neck to the opposite hipFull length view of the two piece shift style Balenciaga daywear with sleeveless v neck tunic and straight calf length skirt
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julieinstitches.bsky.social @julieinstitches.bsky.social · 24/09/2026
🍁 Afternoon dress, French, cotton, ca 1855. Via The Met here: www.metmuseum.org/art/collecti...
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Chris Woodyard @chriswoodyard.bsky.social · 24/09/2026
What to wear for #NationalPunctuationDay Patrick Kelly's Question Mark dress, 1985, in wool and rhinestones. FIDM Museum Exclamation point gloves, Bonnie Cashin, 1974, Metropolitan Museum Collection. Moschino Question Mark pumps, former Poshmark listing
Short black dress on mannequin with long sleeves, mock turtleneck, with three large rhinestone question marks.Blue knit glove with decorative red stitching and an appliqued red leather question mark. Red pumps with a silvery lining and a Moschino label. The backs of the heels have a black question mark printed on them.
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The Met: Costume Institute @metcostume.bsky.social · 24/09/2026
Fan botfrens.com/collections/223/conten…
Gift of Mrs. Arthur Wolf, 1943
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Kate Strasdin @katestrasdin.bsky.social · 24/09/2026
Mourning but make it fashion. Whilst this c1820 gown is indicative of loss written into the very black of its seams, it also demonstrates an awareness of prevailing style with puff sleeves & gauzy layers. Is this a grieving wife or a Merry Widow? @metmuseum.org #FashionHistory 🗃️🪡
A long black silk dress with short puff sleeves and long black gauze over sleeves. It has a high waist with self coloured decoration
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iTEXTILIS | The IK Workshop Society @itextilis.eurosky.social · 24/09/2026
NEW ESSAY: A Travel Cushion dated 1817 – A Case Study of Double Interlocked Tapestries in Sweden. www.ikfoundation.org/itextilis/a-...
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Kate Strasdin @katestrasdin.bsky.social · 23/09/2026
I often think of this as a sunrise dress, its fiery layers of tulle replicating the striations of early morning. Today I was treated to this display on my stroll through the lanes, mirroring the Callot Soeurs colours of c1910 #madparisfr #FashionHistory 🗃️🪡
A full length image of a c1910 evening gown made from layers of pink and orange tulle and with gold embellishment at the bodice and hem. It has a darker pink stoleA photograph that I took this morning of a fiery sunrise in shades of yellow orange pink and purple with the silhouettes of trees in the foreground
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The Met: Costume Institute @metcostume.bsky.social · 23/09/2026
Coat botfrens.com/collections/223/conten…
Hoeschst Fiber Industries Fund, 1981
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Worn On This Day @wornonthisday.bsky.social · 23/09/2026
Givenchy gown and bolero of ivory brocade trimmed with faux pearls, gold braid, and coffee-colored rhinestones worn #onthisday in 1991 by Mercedes Kellogg to the 25th Anniversary Performance at the Metropolitan Opera House in New York, NY. #OTD @gettyimages.com 📷️ Texas Fashion Collection
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Kate Strasdin @katestrasdin.bsky.social · 22/09/2026
Oh this old thing? Just a spiralling ruche and casual drape of pink silk velvet broken up by a gold encrusted strapless bodice. Nothing to it really….. It is a 1948 design by Jacques Fath, post war glamour writ large #madparisfr #FashionHistory 🗃️🪡
Front view of slim draped pink velvet skirt with a strapless gold bodice embellished all over with gold sequins and beads. The pink velvet attaches to the bodice and then drapes over one shoulder to hang down the backBack view of the late 1940s pink velvet Jacques Fath gown which shows the drape of the skirt and the fit of the bodice but also the way the velvet hangs down over one shoulderA detail of the gold embellished bodice of the 1940s Jacques Fath gown edged top and bottom with the pink velvet
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Victoria Haddock @vickyhaddock.bsky.social · 22/09/2026
American singer-songwriter, musician, and actress Joan Jett was born #OnThisDay in 1958. She wore this Audrey Carter cropped jacket with multi-coloured sequin embellishments when David Bowie visited her backstage in New York in 1989. Sold in aid of Musicares by Juliens Auctions. #fashionhistory
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The Met: Costume Institute @metcostume.bsky.social · 22/09/2026
Dressing gown botfrens.com/collections/223/conten…
Gift of the family of Thomas Coutts, 1908
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Kate Strasdin @katestrasdin.bsky.social · 22/09/2026
The c19th aesthetic obsession with all things ferny, scrolls across the brocade of this c1887 gown, the green panels interspersed with dashes of greenery around the bodice and layer of skirt. Some fancy smocking completes the decorative display #museumatFIT #FashionHistory 🗃️🪡
A view of the bodice of a late 1880a dark sage green bustle dress showing its high plain collar, smocked central section and then white silk brocade with a green fern design creating a lapel effectFull length view of the dark sage green silk bustle dress which shows how the white fern decorated brocade sections break up the green at the bodice, waist, cuffs and underskirt
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The Met: Costume Institute @metcostume.bsky.social · 22/09/2026
Dress botfrens.com/collections/223/conten…
Purchase, Mrs. Annie C. Kane Bequest, 1926
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Kate Strasdin @katestrasdin.bsky.social · 21/09/2026
Printed leaves become appliquéd leaves the higher up the dress they travel. Blurry pastels become more defined and the edges frame the shoulders, finished with a pale pink bow. Pierre Balmain, 1954 #V_and_A #FashionHistory 🗃️🪡
Back view of a form fitting pastel shaded silk strapless dress with a pale pink sash and appliquéd bodiceFront view of the pastel leaf Balmain dress with the pink silk sash which covers one side of the bodice. It has a draped ruched front to the skirtPartial view of Balmain’s mid 1950s pastel coloured leaf dress which shows part of the silk bow and the way that the leaves were appliquéd around the bodiceThe original sketch of the Balmain dress shown here in a different colour way with a pink stole
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LaurenCDeutsch @laurencdeutsch.bsky.social · 21/09/2026
@thehenryford's #FabricofAmerica exhibit had a subsections was called "Abundance," which charted the progression of textiles as a person's most valuable possessions to the fast fashion of today. An example, is this 1947 wedding dress made of a WW2 parachute. Women used
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julieinstitches.bsky.social @julieinstitches.bsky.social · 21/09/2026
🍂 Echoes of the past. Jacket designed by Elsa Schiaparelli, winter 1934 collection. More here via The Met: www.metmuseum.org/art/collecti...
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Kate Strasdin @katestrasdin.bsky.social · 21/09/2026
This feels like a quietly appropriate approach to autumn dressing, a loose early #1880s ‘at home’ kind of gown in reddy brown challis, a lightweight blend of wool & silk. The Watteau pleat at the back & panels at the front are embroidered with pale forget-me-nots #newcanaanmuseum #FashionHistory 🗃️🪡
Partial view of the back of a reddish brown loose gown of challis. It has a high collar, slightly puffed sleeves at the shoulder and a broad pleat centre back embroidered with small pale flowersFull length view of the red brown early 1880s at home gown. Long sleeved, with high collar. The floral embroidery continues down centre panels and around the collar, cuffs and pockets
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Worn On This Day @wornonthisday.bsky.social · 21/09/2026
Worn #onthisday in 1940 by English actor David Niven, who had paused his Hollywood career to serve as a captain in the Rifle Brigade, and his first wife, Primula Rollo, an officer in the WAAF (Women's Auxiliary Air Force), at their #wedding at St. Nicholas Church in Huish, UK. #OTD @gettyimages.com
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Kate Strasdin @katestrasdin.bsky.social · 20/09/2026
The wearer of this dress sounds as glamorous as the garment itself, Mrs Opal Halt, a Canadian who liked to buy her clothes in London. This is a mid #1930s Vionnet gown of black velvet with streamers on either side of the shoulders which look like a mini superhero cape #V_and_A #FashionHistory 🗃️🪡
A slim, long black velvet gown with a bias cut skirt and a crossover bloused bodice. A coloured silk streamer is visible hanging down the back of one shoulder like a mini cape
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The Met: Costume Institute @metcostume.bsky.social · 20/09/2026
Wedding dress botfrens.com/collections/223/conten…
Gift of William Kelly Simpson, Helen-Louise K. Simpson Seggerman, Elizabeth Simpson Bennett and Sarah P. F. Simpson French, in memory of their parents, Mr. and Mrs., Kenneth F. Simpson, 1983
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Kate Strasdin @katestrasdin.bsky.social · 19/09/2026
It reveals and it covers, the sequinned mesh dress worn with a silver trimmed matelasse coat with a self coloured geometric design. The ensemble reflects the era of the space age and its effects on #1960s fashion, created in Milan by Mila Schön #V_and_A #FashionHistory 🗃️🪡
A silver and white ensemble that consists of a net dress covered in broad vertical strips of silver sequins worn with a long whote coat trimmed with a silver sequinned band around its edgesThe back of the silver and white 1960s ensemble that show the geometric pattern repeats obviously across the expanse of the white coatA detail of the silver and white 1960s ensemble that shows the arrangement of the sequins across the top of the dress and the coat
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Kate Strasdin @katestrasdin.bsky.social · 18/09/2026
Shrug off the short, crossover red satin jacket to reveal a strapless, many petalled cocktail dress in the same fabric. Mainbocher had made a name for himself two decades earlier but in the mid #1950s was still creating drama in evening wear @metmuseum.org #FashionHistory 🗃️🪡
A red satin ensemble shown here with a short jacket with crossover fastening and a roll necked collar with tie dress beneath consisting of a layered petal shaped skirtThe red satin cocktail ensemble shown without the matching jacket showing the strapless bodice above the many petalled layered skirt
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Worn On This Day @wornonthisday.bsky.social · 18/09/2026
White satin slippers worn #onthisday in 1834 by Eleutera du Pont at her #wedding to physician Thomas M. Smith at Eleutherian Mills, the du Pont family home in New Castle County, DE. #OTD 📷️ Hagley Museum & Library
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Kimberly Chrisman-Campbell @hottycouture.bsky.social · 18/09/2026
www.instyle.com/clothing-qua...
instyle.com
Are Clothes Actually Worse Now? An Investigation
Many shoppers are complaining that fashion (designer, mall brand, and otherwise) seems worse than it was 20 years ago—less natural fabrics, poor fit, a lack of good design—even as prices stay the same...
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Kate Strasdin @katestrasdin.bsky.social · 18/09/2026
An injection of yellow like a fizz of sherbet fountain to cheer the end of the week with this #1750s striped robe à la française. Bright and breezy and sunny perfect for welcoming the weekend #coraginsburg #FashionHistory 🗃️🪡
Back view of a bright yellow and white striped silk satin gown with deep central Watteau pleat and fitted elbow length sleeves
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LaurenCDeutsch @laurencdeutsch.bsky.social · 18/09/2026
@thehenryford's #FabricofAmerica included a special display on LGBTQ rights in their Liberty subsection. The phrase "The Gay Nineties are back" references the 1890s Gilded Age and advertises for the Gay Chicago Magazine, which was founded in 1976. The 1993 shorts were made by
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Kate Strasdin @katestrasdin.bsky.social · 17/09/2026
It is an eye wateringly bedazzling pattern, a weave of dizzying drama in stylised leafy motifs that speaks to the techniques of late c19th textile production. No quiet, demure-ness here but rather boldness of design in late #1890s fashion. Sold via #KerryTaylorAuct #FashionHistory 🗃️🪡
Bodice detail of a late 1890s black and white patterned dress. The white motifs are like the dashes of an artist drawing leaf shapes across the black. It has a lace jabot at the neckAlternatively detail view of the late 1890s black and white dress that shows part of the skirt and the lace trimmed cuff of the long sleeveFull length view of the black and white late 1890s dress showing the effect of the bold design on the fashionable silhouette
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Kate Strasdin @katestrasdin.bsky.social · 16/09/2026
The difference between front & back is barely discernible, such is the cool drama of Molyneux’s mid #1930s velvet gown. A slight dip at the neck & opening at the front of the floor length sleeves, otherwise it is a mirror of itself as she stands in velvety majesty #PalaisGalliera #FashionHistory 🗃️🪡
A long slim dress of blue velvet, form fitting but otherwise plain with long floor length sleevesBack view of the long blue velvet 1930s evening dress almost identical to the front apart from the slightly higher cut around the shoulders and back of the neck
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Kate Strasdin @katestrasdin.bsky.social · 16/09/2026
The name alone conjures visions of delectable treats, Poiret’s 1912/13 Sorbet gown. It offered a new silhouette that reimagined womenswear at this transitional time, illustrated too by George’s Lepape’s drawings @chicagomuseum.bsky.social #FashionHistory 🗃️🪡
A mannequin posed in Poiret’s distinctive sorbet gown consisting of black and white satin in panels embroidered with stylised floral motifs around the bell shaped bodice. It has a pink silk sash and a draped asymmetric skirtA fashion drawing of the Poiret Sorbet gown with the figure striking the same pose as the mannequin wearing the striking black, white and floral dress
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julieinstitches.bsky.social @julieinstitches.bsky.social · 15/09/2026
☔️ Get ready for autumn in this splendid American silk raincoat, 1914-20. Via The Met here: www.metmuseum.org/art/collecti...
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The Met: Costume Institute @metcostume.bsky.social · 16/09/2026
Cap botfrens.com/collections/223/conten…
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Mrs. Nelson A. Kenworthy, 1968
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