With misplaced horse heads, violin case guns and as many mafia gags as you could hope for, Scottish Opera’s Merry Widow may not be subtle but it looks and sounds gorgeous.

We speak to John Savournin, director of Scottish Opera's new productions of The Merry Widow and Trial by Jury, on the updating of classic operetta for modern audiences and the experience of…

⭐️⭐️⭐️⭐️ A bonafide classic proves once again why it's so enduringly popular.

Jo Davies’ 2010 production of Gilbert and Sullivan’s fast-paced comic opera is dusted down for a well-deserved airing by Revival Director James Hurley, with the action reset in the 1920’s and the era ...