Reposted by Bill KnightAliceInTheSky @theotheralice.bsky.social · 01/11/2025Can I like that photo very much without coming across as VERY creepy? Do I get some indulgence points for it being After-Halloween-Day - which I don’t give a toss about, but that’s nobody’s business :D 111
Reposted by Bill Knighttheartsdesk @theartsdesk.bsky.social · 30/10/2025★★★★ Photography all over the town: Photo Oxford 2025 ranges over the genre in a most satisfactory way, finds @billknight.bsky.social theartsdesk.com/visual-arts/...theartsdesk.comPhoto Oxford 2025 review - photography all over the townPhoto Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new talent, spread over the town at 26 venues in colleges, g... 012
Reposted by Bill KnightDavid Nice @davidnice.bsky.social · 09/10/2025Came back early from Dublin to see how marvellous mezzo Niamh O'Sullivan fared in her first Carmen. Voice often lost in the Coliseum vasts and wide-open big stage, but dramatically perfect. So many good shots by @billknight.bsky.social for @theartsdesk.bsky.social; hard to choose.theartsdesk.comCarmen, English National Opera review - not quite dangerous“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if they’re AI generated. Everything intimacy director Haruko... 012
Reposted by Bill KnightDavid Nice @davidnice.bsky.social · 22/09/2025@billknight.bsky.social, who takes wonderful photographs of opera productions, inter alia, for @theartsdesk.bsky.social, came round to document the compelling horror of the fire in my flat, before the clear-up begins. Which it still hasn't, after five weeks. We kick and prod the insurers daily. 2104
Bill Knight @billknight.bsky.social · 30/06/2025A few more snaps from Figaro. I feel like a wedding photographer... 010
Reposted by Bill KnightDavid Nice @davidnice.bsky.social · 30/06/2025So many classy pleasures in Mariame Clément's new Figaro at Glyndebourne, with a splendid cast led by Louise Alder and Huw Montague Rendall, but the conducting throws a few rocks in the way. Otherwise, sheer delight. theartsdesk.com/opera/le-noz...theartsdesk.comLe nozze di Figaro, Glyndebourne review - perceptive humanity in period settingOver 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been amazed to see it arrive on the main stage this year. But emigres... 152
Bill Knight @billknight.bsky.social · 24/05/2025Details from Cabaret l'Enfer at the Royal Opera production of Faust 000
Bill Knight @billknight.bsky.social · 19/05/2025Read Richard Fairman's review in @financialtimes.com of Parsifal at Glyndebourne www.ft.com/content/e9d7...ft.comGlyndebourne’s Parsifal is musically enthralling — reviewThe staging of Wagner’s opera is problematic, but floating clouds of sound unfold from the orchestra conducted by Robin Ticciati 020
Bill Knight @billknight.bsky.social · 02/05/2025Read Richard Fairman's review in @financialtimes.com of Die Walkure at the Royal Opera www.ft.com/content/a577...ft.comRoyal Opera’s new Die Walküre deftly untangles Wagner’s epic — reviewDirector Barrie Kosky’s London staging has a clear theme, while the cast tackle their roles with conviction 020
Bill Knight @billknight.bsky.social · 02/05/2025Read @davidnice.bsky.social from @theartsdesk.bsky.social on a thrilling Die Walküre at The Royal Opera House www.theartsdesk.com/opera/die-wa... More snaps below 152
Bill Knight @billknight.bsky.social · 04/03/2025Do go and see Charles Court Opera's Magic Flute at Wilton's Music Hall. 010
Bill Knight @billknight.bsky.social · 16/02/2025Read @davidnice.bsky.social from @theartsdesk.bsky.social on Mary Queen of Scots at English National Opera see theartsdesk.com/opera/mary-q... snaps here 010
Bill Knight @billknight.bsky.social · 11/12/2024I took this picture in 2013 as part of my exhibition The Refugee's Gift. Hasan has been in my thoughts in the last few days. I hope he has been able to find his family. 000
Bill Knight @billknight.bsky.social · 09/12/2024Read David Nice from@theartsdesk.bsky.social on Pirates of Penzance at English National Opera. He liked it. More snaps below www.theartsdesk.com/opera/pirate... 010
Bill Knight @billknight.bsky.social · 03/12/2024Here's a snap from the current production of Gilbert and Sullivan's Pirates of Penzance at English National Opera. The Pirate King (John Savournin) and Ruth (Gaynor Keeble) are discussing a paradox with Frederick (William Morgan) 042
