just watched Chris Joslin switch tre flip revert during his SLS Paris run and i still can’t believe my eyes. feels like the only person on here who would understand how insane that was is @coachfinstock.bsky.social
Jesse Raub
@jesseraub.online
19K followers 1.3K following 2.5K posts
writer and coffee professional, Bon Appétit, Serious Eats, Bright Wall/Dark Room, Vulture, HAD, Polygon, and other places. I also have a newsletter: jesseraub.online
![- When Vincent Hanna ([link=nm0000199]) returns to the restaurant to pick up Justine
([link=nm0893204]), they have a low-key argument about his obsessive police work and how it is affecting the marriage. In the Theatrical Cut, Justine says, "You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through." In the Blu-ray cut, the line "You sift through the detritus" has been removed. To cover this edit, the camera cuts to Hanna rather than staying on Justine for the entirety of her monologue (which was how the scene played out in the Theatrical Cut).
- When Hanna is speaking to Alan Marciano ([link=nm00002791), Marciano questions why he got involved with Charlene Shiherlis ([link=nm0000171]) at all, and Hanna shouts, "Cause she's got a great ass...and you got your head all the way up it!" The camera cuts to a stunned Marciano, and we hear Hanna say, "Ferocious, aren't I?" The camera then cuts to Hanna and he says, "When I think of asses, a woman's ass, something comes out of me." In the Blu-ray cut, the line "Ferocious, aren't I?" has been removed from the audio track.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:dwmbf5ymwm2qa5ewenbhzey5/bafkreigkr2gj53hc5nr534jn7fepeomzqcih2q2fxoivetybjj7zw3ays4)
