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guyrickards.bsky.social

@guyrickards.bsky.social
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Alexandra Coghlan @alexandracoghlan.bsky.social · 29/04/2026
All the emotions in an intense programme from O/Modernt at the Wigmore Hall last night: www.theguardian.com/music/2026/a...
theguardian.com
O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
The Stockholm-based chamber ensemble, led by violinist Hugo Ticciati, brought a programme that linked Auerbach and Janáček to Golijov – with clarinettist Christoffer Sundqvist the hypnotic soloist - a...
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Christian Hoskins @aquilanebula.bsky.social · 02/05/2026
This month's Gramophone has my review of the new Mahler 5 conducted by Runnicles. Superb playing from the orchestra, consisting of some of the most distinguished in north America and beyond.
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Alexandra Coghlan @alexandracoghlan.bsky.social · 22/05/2026
Loved the music, not so sure about the concept of the Monteverdi Choir's Dido & Aeneas at the Cutty Sark: www.theguardian.com/music/2026/m...
theguardian.com
Dido and Aeneas review – close your eyes and this was a tremendous performance
The Monteverdi Choir’s account of Purcell’s opera was delivered with devastating clarity, but it was somewhat smothered beneath a 200ft ship’s hull
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Mark Pullinger @larkingrumple.bsky.social · 23/05/2026
More gold than corn: María Dueñas’ silky Korngold at the Barbican with the BBCSO bachtrack.com/review-duena...
María Dueñas and the BBC Symphony Orchestra
© Mark Pullinger
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UK Critics' Circle Music @ccmusicuk.bsky.social · 25/05/2026
Gerhard’s Collages performed by Sir Simon Rattle and the LSO - reviewed for the Critics' Circle by @guyrickards.bsky.social criticscircle.org.uk/mysteries-ho...
criticscircle.org.uk
Mysteries, horrors, and the blast of 10,000 trumpets! | The Critics' Circle
Peter Mycroft, LSO, Sir Simon Rattle performing Gerhard’s Collages Photo (c) Mark Allan Lucy Crowe, soprano; Peter Mycroft, tape electronics; London Symphony Orchestra / Sir Simon Rattle Barbican Conc...
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Christian Hoskins @aquilanebula.bsky.social · 25/05/2026
I recently interviewed Nathalie Stutzmann for Gramophone about performing Bruckner in Atlanta. It was fascinating to hear about an orchestra that had never recorded the composer's music before.
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Mark Valencia 🇪🇺 🇺🇦 @markvalencia.bsky.social · 23/05/2026
My review of Dido and Aeneas (performed by the Monteverdis) is now published by @bachtrack.com
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UK Critics' Circle Music @ccmusicuk.bsky.social · 25/05/2026
Rossini's Il Turco in Italia at Glyndebourne reviewed by @seb-scotney.bsky.social for the Critics' Circle. criticscircle.org.uk/glyndebourne...
criticscircle.org.uk
GLYNDEBOURNE'S 'IL TURCO IN ITALIA' - A WINNER WITH LIGHTNESS AND LAUGHTER | The Critics' Circle
Members of the Glyndebourne Chorus, Prosdocimo (Matteo Mancini), Girlfriend (Anna-Marie Sullivan) and Donna Fiorilla (Elena Villalón). Glyndebourne Productions Ltd. Photo: ASH Rossini Il Turco in Ital...
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guyrickards.bsky.social @guyrickards.bsky.social · 19/02/2026
@aquilanebula Good wasn’t it? Btw, reviewed it for the Circle’s website, plus Mahagonny this week: criticscircle.org.uk/heartlessnes... Others from Claudia & Alexandra up as well
criticscircle.org.uk
Heartlessness, Hedonism, and a Tap-dancing Hurricane as Mahagonny breezes into town | The Critics' Circle
Kenneth Kellogg, Rosie Aldridge, Mark Le Brocq, ENO’s Rise and Fall of the City of Mahagonny © Tristram Kenton 2026 Weill: The Rise and Fall of the City of Mahagonny ENO / André de Ridder The Coliseum...
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guyrickards.bsky.social @guyrickards.bsky.social · 19/02/2026
My review of ENO’s Mahagonny: criticscircle.org.uk/heartlessnes...
criticscircle.org.uk
Heartlessness, Hedonism, and a Tap-dancing Hurricane as Mahagonny breezes into town | The Critics' Circle
Kenneth Kellogg, Rosie Aldridge, Mark Le Brocq, ENO’s Rise and Fall of the City of Mahagonny © Tristram Kenton 2026 Weill: The Rise and Fall of the City of Mahagonny ENO / André de Ridder The Coliseum...
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guyrickards.bsky.social @guyrickards.bsky.social · 25/12/2025
Fine conductor, Gerhardt. I recall a terrific album of music by Charles Griffes on RCA in the ?1980s, featuring The White Peacock and Kubla Khan, and Hanson’s “Romantic” Second Symphony
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guyrickards.bsky.social @guyrickards.bsky.social · 25/12/2025
Merry Christmas, One and All 🎄🥂
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guyrickards.bsky.social @guyrickards.bsky.social · 22/12/2025
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guyrickards.bsky.social @guyrickards.bsky.social · 22/12/2025
Golden Circle Tour: Thingvellir Park and the Notch, straddling tectonic plates, Gullfoss, Geysir/Strokkur, Kervid crater
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guyrickards.bsky.social @guyrickards.bsky.social · 22/12/2025
Also saw the Imagine Peace Lighthouse as we sailed by
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guyrickards.bsky.social @guyrickards.bsky.social · 22/12/2025
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guyrickards.bsky.social @guyrickards.bsky.social · 22/12/2025
Aurora over Reykjavík Harbour; the photos don’t catch the movement, like a curtain in a breeze.
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guyrickards.bsky.social @guyrickards.bsky.social · 21/12/2025
Hallgrimskirkja all lit up for sunset!
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guyrickards.bsky.social @guyrickards.bsky.social · 20/12/2025
Statues of Erling Blondal Bengtsson and the Sun Voyager with a terrific sunset
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guyrickards.bsky.social @guyrickards.bsky.social · 20/12/2025
Afternoon in Reykjavik: from Hallgrimskirkja via the Rainbow Street to Harpa Concert Hall
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Sarah Kendzior @sarahkendzior.bsky.social · 18/10/2025
"I've told the story of Akromiya for 20 years. I’m telling it again now, because today is No King’s Day, and I am afraid that 'Antifa' is the American Akromiya: a fabricated entity made by state propagandists to persecute anyone who opposes the government." sarahkendzior.substack.com/p/inventing-...
sarahkendzior.substack.com
Inventing Antifa
In 2005, the Uzbek government invented a group called “Akromiya” to justify massacring protesters. Now I worry the US government will do the same.
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guyrickards.bsky.social @guyrickards.bsky.social · 19/10/2025
When shall the usurers’ city cease?
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guyrickards.bsky.social @guyrickards.bsky.social · 18/10/2025
Another film enoperaed: At least it’s not Jake Heggie!!
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Fiona Maddocks @fionahmaddocks.bsky.social · 18/10/2025
observer.co.uk/music/classi...
observer.co.uk
Benjamin Britten’s oddball masterpiece | The Observer
Albert Herring is a subversive portrait of stuffy postwar England
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Alexandra Coghlan @alexandracoghlan.bsky.social · 03/10/2025
"A fascinating experiment" - review of Bushra El-Turk's Oum: A Son's Quest for his Mother @thestage.co.uk www.thestage.co.uk/reviews/oum-...
thestage.co.uk
Oum – A Son’s Quest for His Mother review at the Barbican Hall: Engrossing
Read our review of Oum – A Son’s Quest for His Mother at London's Barbican Hall. Bushra El-Turk and Wout van Tongeren’s opera is never less than engrossing
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UK Critics' Circle Music @ccmusicuk.bsky.social · 05/10/2025
English National Opera's new production of Rossini's Cinderella reviewed by Guy Rickards for the Critics' Circle: criticscircle.org.uk/a-cinderella...
criticscircle.org.uk
A ‘Cinderella for 2025’ that remains rooted in eighteenth century mores | The Critics' Circle
Love at first song: Deepa Johnny, Aaron Godfrey Mayes, ENO’s Cinderella (La Cenerentola) 2025 © Mark Douet-X4 ENO / Yi-Chen Lin The Coliseum, London, September 27, 2025 Despite its faults, La Cenerent...
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Mark Pullinger @larkingrumple.bsky.social · 06/10/2025
My review of an intense Rape of Lucretia for English Touring Opera @etopera.bsky.social www.thetimes.com/culture/clas...
thetimes.com
The Rape of Lucretia review — thrilling drama in a harrowing tale
Robin Norton-Hale’s intense production for English Touring Opera is a fine ambassador for Benjamin Britten’s ‘problem child’
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Alexandra Coghlan @alexandracoghlan.bsky.social · 06/10/2025
Tenderness and intimacy from @etopera.bsky.social new Rape of Lucretia: www.thestage.co.uk/reviews/the-...
thestage.co.uk
The Rape of Lucretia: intimate and tender
Read our review of The Rape of Lucretia: Robin Norton-Hale’s new production for English Touring Opera pulls the audience close
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UK Critics' Circle Music @ccmusicuk.bsky.social · 06/10/2025
The Cuore Chamber Orchestra, based in Yorksire, was founded in May by conductor William Dutton. Fiona Hook reviews their most recent concert for the Critics' Circle: criticscircle.org.uk/cuore-orches...
criticscircle.org.uk
Cuore Orchestra: Beethoven, Grieg, Mendelssohn | The Critics' Circle
By Fiona Hook Cuore Orchestra / William Dutton, Oxana Shevchenko, piano Royal Hall, Harrogate, Saturday 27 September 2025 Back in March, conductor William Dutton began to fulfil his apparently crazy d...
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Jessica Duchen @jessicaduchen.bsky.social · 06/10/2025
Coming up on Friday: Lara Melda and I tell the story of Myra Hess in the National Gallery, in, what else, a lunchtime concert. We will be in the same space she used, Room 36! Admission freeeeee. Please join us! www.nationalgallery.org.uk/events/myra-...
nationalgallery.org.uk
Myra Hess Festival: Lunchtime Concert 2025 - Jessica Duchen and Lara Melda | Events | National Gallery, London
Jessica Duchen, author of Myra Hess – National Treasure, joins forces with the award-winning pianist Lara Melda to tell the inspiring story of Myra Hess and her wartime National Gallery Concerts in wo...
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Peter Quantrill @peterquantrill.bsky.social · 06/10/2025
Sakari Oramo guided the BBCSO through a life-affirming Mahler 9 at the Barbican on Saturday - my ★★★★ review for Bachtrack here: bachtrack.com/22/296/view/...
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UK Critics' Circle Music @ccmusicuk.bsky.social · 11/10/2025
The Royal Opera's new production of Handel's Giustino reviewed by Claudia Pritchard: criticscircle.org.uk/royal-operas...
criticscircle.org.uk
Royal Opera's Giustino is just the ticket | The Critics' Circle
Half man, half machine, George Frideric Handel broke off in the autumn of 1736 from the composition of Giustino, three weeks in, to write Alcina, then went back to finish Giustino in five days. Within...
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Mark Pullinger @larkingrumple.bsky.social · 12/10/2025
A very fine house debut from Marie Jacquot in this excellent Royal Opera Magic Flute revival My @thetimes.com review is now online: www.thetimes.com/culture/clas...
thetimes.com
The Magic Flute review — misogyny, Freemasonry and some fine singing
Marie Jacquot makes a splendid Royal Opera House debut conducting a wonderful cast in this delightful Mozart revival
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UK Critics' Circle Music @ccmusicuk.bsky.social · 13/10/2025
Bizet's Carmen at ENO reviewed by Guy Rickards: criticscircle.org.uk/carmen-is-ba...
criticscircle.org.uk
Carmen is back—door slams, machismo and great tunes | The Critics' Circle
Niamh O’Sullivan, ENO’s Soldier Chorus, Carmen production photo taken on October 6 2025 at ENO, London Coliseum, © Ellie Kurttz ENO / Clelia Cafiero The Coliseum, London, October 8, 2025 Calixto Bieit...
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Gavin Dixon @saquabote.bsky.social · 13/09/2025
My profile of composer Elena Firsova in the October issue of Gramophone: www.gramophone.co.uk/features/art...
gramophone.co.uk
Contemporary composer: Elena Firsova
Gavin Dixon explores the powerful music of this poetic modernist
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UK Critics' Circle Music @ccmusicuk.bsky.social · 02/10/2025
Here's Claudia Pritchard's write up of the Critics' Circle Music Awards 2025: criticscircle.org.uk/music-awards...
criticscircle.org.uk
Music Awards 2025, celebrating a year of outstanding achievement | The Critics' Circle
More than 80 leading figures from across Britain’s musical landscape came together at the sparkling Critics’ Circle Music Awards, held at the London Coliseum, a ceremony that honoured musicians who ma...
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guyrickards.bsky.social @guyrickards.bsky.social · 29/09/2025
Once again the Critics’ Circle Music Awards ceremony took place on Wednesday evening in ENO’s Sky Bar at the Coliseum - see criticscircle.org.uk/music-awards... #CCMusicAwards
criticscircle.org.uk
Music Awards 2025, celebrating a year of outstanding achievement | The Critics' Circle
More than 80 leading figures from across Britain’s musical landscape came together at the sparkling Critics’ Circle Music Awards, held at the London Coliseum, a ceremony that honoured musicians who ma...
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Christian Hoskins @aquilanebula.bsky.social · 05/08/2025
Now listening to Gál's Symphony 3 conducted by Kenneth Woods. Lots of beautiful writing for oboe here. Hans Gál born in Lower Austria on this day in 1890.
Cover of the recording of the four symphonies by Hans Gál conducted by Kenneth Woods on Avie Records.
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guyrickards.bsky.social @guyrickards.bsky.social · 25/08/2025
😱
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guyrickards.bsky.social @guyrickards.bsky.social · 13/06/2025
No. It’s tofu, food of the Devil!
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guyrickards.bsky.social @guyrickards.bsky.social · 03/06/2025
Well, I won’t be blocking you!!
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guyrickards.bsky.social @guyrickards.bsky.social · 03/06/2025
You’ve not turned, have you @rachey.bsky.social ?
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MidwestHedonist @midwesthedonist.bsky.social · 03/06/2025
Spread the love and acceptance #pridemonth
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guyrickards.bsky.social @guyrickards.bsky.social · 03/06/2025
Blocked? Why?
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guyrickards.bsky.social @guyrickards.bsky.social · 30/05/2025
Depends how much the Orchestre de Paris are happy to carry him, I guess!
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guyrickards.bsky.social @guyrickards.bsky.social · 16/05/2025
Which is a good thing, except in the case of The Gothic, which is not a note too long!
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guyrickards.bsky.social @guyrickards.bsky.social · 14/05/2025
Nielsen or Sibelius, for me : can’t choose between them!
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Neil Fisher @neilfisher81.bsky.social · 13/05/2025
No performances of “Palestrina” in the Palestrina (and conclave) year? Me in the Sunday Times
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guyrickards.bsky.social @guyrickards.bsky.social · 22/04/2025
Can’t imagine your batting garb being picked up by the England team!
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guyrickards.bsky.social @guyrickards.bsky.social · 21/04/2025
…by Albeniz, Ravel, Granados, Turina, & De Falla. Scintillating playing from Scott Borg, Adam Levin & Matthew Rohde. 2/2
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