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Mark Pullinger

@larkingrumple.bsky.social
1.2K followers 185 following 1.3K posts

Music critic, editor, programme note writer. Happy to be ambushed by cake. Best when caffeinated. canzonetta.substack.com

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Mark Pullinger @larkingrumple.bsky.social · 04/10/2026
My third and final review from this year’s Festival Verdi in Parma. A visually striking Nabucco from 96-year old director Pier Luigi Pizzi and a vocally striking Abigaille from soprano Lidia Fridman: bachtrack.com/review-nabuc...
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Mark Pullinger @larkingrumple.bsky.social · 03/10/2026
Nile spectacular: Franco Zeffirelli’s intimate Aida revived in Busseto 🤩 bachtrack.com/review-aida-...
 Federica Vitali (Aida)
© Roberto Ricci | Festival Verdi
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Mark Pullinger @larkingrumple.bsky.social · 02/10/2026
Alzira: mining for gold at the Festival Verdi in Parma Review 👇 bachtrack.com/review-alzir...
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Mark Pullinger @larkingrumple.bsky.social · 01/10/2026
Carry On Up the Nile… (embarking on a new Gramophone Collection)
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Mark Pullinger @larkingrumple.bsky.social · 28/09/2026
“I’m not coming to destroy Wagner. That’s not my purpose.” Evgeny Titov on directing Parsifal at the Royal Opera (opens on Thursday www.opera-now.com/content/feat...
opera-now.com
Perspectives of belief: Evgeny Titov - Opera Now
As director Evgeny Titov prepares to stage Wagner’s Parsifal at the Royal Opera, he speaks about politics, perspective and criticism when it comes to the art...
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The Observer @theobserveruk.bsky.social · 27/09/2026
WNO’s rebel voices triumph in Bartók and Stravinsky After years of funding cuts and upheaval, Welsh National Opera opens its new season with two demanding works and formidable artistic energy ✍️ Fiona Maddocks bit.ly/4ynfBO8
bit.ly
WNO’s rebel voices triumph in Bartók and Stravinsky
After years of funding cuts and upheaval, Welsh National Opera opens its new season with two demanding works and formidable artistic energy
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Mark Pullinger @larkingrumple.bsky.social · 26/09/2026
Baroque’n’roll Vivaldi from Pekka Kuusisto: bachtrack.com/review-kuusi...
Pekka Kuusisto, Ale Carr and Aurora Orchestra
© Chuko Cribb
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Mark Pullinger @larkingrumple.bsky.social · 25/09/2026
Firing blanks: Tosca, the inaugural production by Oxford International Opera, underwhelms... bachtrack.com/review-tosca...
Sir Bryn Terfel (Scarpia) and chorus
© Alex Brenner
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Mark Pullinger @larkingrumple.bsky.social · 23/09/2026
The nominees for the 2026 International Opera Awards, to be held at MusikTheater an der Wien in November, have been announced: operaawards.org/archive/2026/
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Mark Pullinger @larkingrumple.bsky.social · 22/09/2026
I’m Bake-Off ready! Bring it on, @nigella.bsky.social ! 🍰
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Mark Pullinger @larkingrumple.bsky.social · 19/09/2026
“Have I just written sacred music, or rather, sacrilegious music?” More than a whiff of the theatre about the Monteverdi Choir’s performance of Rossini's Petite messe solennelle. Review 👇 bachtrack.com/review-rossi...
Jakob Lehmann conducts the Orchestre Révolutionnaire et Romantique
© Paul Marc Mitchell
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Mark Pullinger @larkingrumple.bsky.social · 18/09/2026
As if the album cover isn't inspired enough, take a peek inside the booklet of Cyrille Dubois' new Britten disc!! 🐸☂️
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Dan Sheehan @dansheehan.memyon.org · 13/09/2026
Happy Maurice Jarre's birthday! Let's celebrate with one of the great match cuts in cinema history paired with one of the great themes in film score history. A score written in just six weeks by Jarre (1924-2009) who was David Leans's THIRD composer choice! Goosebumps, every time. #filmsky #moviesky
vimeo.com
LAWRENCE OF ARABIA (1962) - The Match Cut
This is the famous match cut from LAWRENCE OF ARABIA (1962) directed by David Lean - followed by the segue to the desert and the sweeping main theme by Maurice Jarre
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Mark Pullinger @larkingrumple.bsky.social · 13/09/2026
“Asmik Grigorian... invests the soprano part with every bit of drama and intensity that she wrings out of her operatic roles” Review of the Cleveland Orchestra in Verdi's Requiem for Gramophone www.gramophone.co.uk/reviews/verd...
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Mark Pullinger @larkingrumple.bsky.social · 11/09/2026
Spinning around: Kasper Holten's Don Giovanni is back to open the new Royal Opera season bachtrack.com/review-don-g...
Gordon Bintner (Don Giovanni)
© RBO | Mihaela Bodlovic
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Mark Pullinger @larkingrumple.bsky.social · 08/09/2026
“I could have danced all night…” Well, Nadine Sierra could have sung all night… and very nearly did. EIGHT encores to open the @wigmore-hall.org.uk season in spectacular fashion!!
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Mark Pullinger @larkingrumple.bsky.social · 08/09/2026
This evening @wigmore-hall.org.uk!
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Mark Pullinger @larkingrumple.bsky.social · 08/09/2026
“I had hoped I wouldn't fall in love with another orchestra, but in fact I did.” It's easy to hear why. Simon Rattle and the Freiburg Baroque play Schumann at the Proms: bachtrack.com/review-rattl...
Sir Simon Rattle and Isabelle Faust
© BBC | Chris Christodoulou
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Mark Pullinger @larkingrumple.bsky.social · 06/09/2026
“Martha Argerich plays Beethoven”: four words guaranteed to fill the Royal Albert Hall. (Her Ravel encore with Lahav Shani was pretty special too). Review 👇 bachtrack.com/review-arger...
Martha Argerich and Lahav Shani
© BBC | Chris Christodoulou
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Mark Pullinger @larkingrumple.bsky.social · 04/09/2026
Et tu, Brute? A pocket-sized Giulio Cesare graces London’s East End #Grimeborn bachtrack.com/review-hande...
Sandro Rossi (Giulio Cesare)
© Julian Guidera
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Mark Pullinger @larkingrumple.bsky.social · 03/09/2026
Another in the occasional series, ‘Musicians who've forgotten their instruments...’
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Mark Pullinger @larkingrumple.bsky.social · 02/09/2026
This is always fun to put together... my pick of rising stars to watch out for on the opera and classical scene in the new season! bachtrack.com/feature-risi...
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Mark Pullinger @larkingrumple.bsky.social · 31/08/2026
Much espresso required after a deep immersion into Nielsen’s maverick, impetuous Clarinet Concerto, my latest Gramophone Collection assignment. Physical CDs represent the tip of the digital iceberg…!
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Mark Pullinger @larkingrumple.bsky.social · 29/08/2026
The most dramatically engaging Aida staging I’ve ever witnessed (I know, six of the productions I've seen have been in London, so that sets a low bar, but still...) My review of Noa Naamat's powerful Aida, opening the Finnish National Opera season 👇 bachtrack.com/review-aida-...
Finnish National Opera Chorus
© Emma Suominen
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Mark Pullinger @larkingrumple.bsky.social · 28/08/2026
Tonight’s entertainment… and the view from the back of the opera house! 🇫🇮
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Mark Pullinger @larkingrumple.bsky.social · 27/08/2026
“Sumptuous, hedonistic, highly calorific”: Yannick's back at the Proms, this time bringing his Met Orchestra and Elza van den Heever as a knockout Salome. bachtrack.com/review-nezet...
Elza van den Heever, Yannick Nézet-Séguin and the Met Orchestra
© BBC | Chris Christodoulou
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Jay Rayner @jayrayner1.bsky.social · 24/08/2026
This interview with Russ Abbott by @shattenstone.bsky.social is lovely. Abbott had a career, a good one. He had a lovely time. And then he stopped. And that's fine. www.theguardian.com/tv-and-radio...
theguardian.com
‘In 1984, I worked 363 days’: how Russ Abbot soared to success – then walked away
The comedian dominated Saturday night TV in the 1980s, with his sketch shows attracting 18 million viewers. Next came the West End musicals and sitcoms. But in 2016 he quietly disappeared from the lim...
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Mark Pullinger @larkingrumple.bsky.social · 21/08/2026
Interesting thoughts on the Salzburg Festival post Markus Hinterhäuser @nytimes.com www.nytimes.com/2026/08/15/a...
nytimes.com
The Salzburg Festival Navigates Uncertain Times Without a Captain (Gift Article)
The renowned classical music festival is at a turning point after ousting its artistic director as it prepares for a disruptive $600 million renovation project.
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Mark Pullinger @larkingrumple.bsky.social · 16/08/2026
Rumble! My Prom of the year (thus far...) The @londonsymphony.bsky.social shake the soul in Berlioz's Requiem: bachtrack.com/review-pappa...
The London Symphony Orchestra brass and percussion
© BBC | Chris Christodoulou
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Mark Pullinger @larkingrumple.bsky.social · 15/08/2026
Can seriously recommend Alexandra Richter's review of the AI Ring cycle at Bayreuth (now translated into EN): “404 Regie not found”: bachtrack.com/kritik-wagne... “What remains is an audience that is disappointed and rightly angry at being taken for fools.”
Das Rheingold
© Enrico Nawrath | Bayreuther Festspiele
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Mark Pullinger @larkingrumple.bsky.social · 13/08/2026
The final volume of bassoon concertos in Naïve's Vivaldi Edition has landed... and I've reviewed it for Gramophone 🥳 www.gramophone.co.uk/reviews/viva...
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Mark Pullinger @larkingrumple.bsky.social · 12/08/2026
“They lock you in, you know.” Oh this is a fun piece: The Guardian's Flora Willson made her debut visit to the Bayreuth Festival... www.theguardian.com/music/2026/a...
theguardian.com
‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
How does it feel to be locked into a venue notorious for its unpadded seating to experience a full-throttle Ring cycle and more? Our critic found out at the 150th anniversary of the mighty Bayreuth fe...
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Mark Pullinger @larkingrumple.bsky.social · 12/08/2026
The LA Phil took a wild ride into Thomas Adès' Inferno 🔥, but the Beethoven 6... 🥱 bachtrack.com/review-dudam...
Gustavo Dudamel conducts the Los Angeles Philharmonic
© BBC | Chris Christodoulou
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Mark Pullinger @larkingrumple.bsky.social · 10/08/2026
A postcard from Salzburg: reviews (Carmen, Ariadne, Saint François) and views from this year's festival canzonetta.substack.com/p/a-postcard...
canzonetta.substack.com
A Postcard from the Salzburg Festival
Festivals are a place for risk and innovation.
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Mark Pullinger @larkingrumple.bsky.social · 10/08/2026
Ariadne auf Mars, courtesy of Ersan Mondtag at the Salzburg Festival 🪐 🤔 www.opera-now.com/content/revi...
opera-now.com
Strauss: Ariadne auf Naxos at Salzburg Festival | Live Review - Opera Now
Mondtag’s Ariadne auf Mars mission should have been aborted soon after the design phase
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Mark Pullinger @larkingrumple.bsky.social · 10/08/2026
Ritualistic immersion into Messiaen: my review of Saint François d'Assise at the Salzburg Festival: www.opera-now.com/content/revi...
opera-now.com
Messiaen: Saint François d’Assise at Salzburg Festival | Live Review - Opera Now
At over six hours (including two lengthy intervals), some will find it an endurance test – an act of penance, if you will – but it is best approached as a me...
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Mark Pullinger @larkingrumple.bsky.social · 10/08/2026
Carmen get it: the most hotly anticipated production at this year’s Salzburg Festival, reviewed for Opera Now: www.opera-now.com/content/revi...
opera-now.com
Bizet: Carmen at Salzburg Festival | Live Review - Opera Now
There is much here that proves riveting, but as much that fails
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Mark Pullinger @larkingrumple.bsky.social · 09/08/2026
Favourite lunchtime view in Salzburg
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Mark Pullinger @larkingrumple.bsky.social · 08/08/2026
Three years ago, Asmik Grigorian told me that if she was ever going to sing Carmen, it should be sooner rather than later. Tonight, at the Salzburg Festival…
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Mark Pullinger @larkingrumple.bsky.social · 06/08/2026
Opening night of the (expanded) revival of Christof Loy’s Così fan tutte staging at the Salzburg Festival
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Mark Pullinger @larkingrumple.bsky.social · 05/08/2026
Perspectives of belief: ahead of his new production of Parsifal for The Royal Opera, my Opera Now interview with director Evgeny Titov www.opera-now.com/content/feat...
opera-now.com
Perspectives of belief: Evgeny Titov - Opera Now
As director Evgeny Titov prepares to stage Wagner’s Parsifal at the Royal Opera, he speaks about politics, perspective and criticism when it comes to the art...
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Mark Pullinger @larkingrumple.bsky.social · 05/08/2026
A swift leaving the nest
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Mark Pullinger @larkingrumple.bsky.social · 05/08/2026
Early morning hike up the castle (where Richard the Lionheart was once imprisoned)
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Mark Pullinger @larkingrumple.bsky.social · 01/08/2026
Jerry Lee Lewis meets Beyoncé: Omer Meir Wellber enjoys an energetic workout with DKam at the BBC Proms bachtrack.com/review-wellb...
Omer Meir Wellber conducts the Deutsche Kammerphilharmonie Bremen
© BBC | Chris Christodoulou
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Mark Pullinger @larkingrumple.bsky.social · 27/07/2026
Elin Pritchard a world class Amelia in @operahollandpark.bsky.social's excellent Ballo in maschera revival Review: www.opera-now.com/content/revi...
opera-now.com
Verdi: Un ballo in maschera at Opera Holland Park | Live Review - Opera Now
Pritchard’s lirico-spinto soprano is supple and has poise, power and finesse, the perfect cocktail of ingredients required for mature Verdi
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Alan Baxter @alanbaxter.bsky.social · 25/07/2026
You can kill a French vampire with a baguette. It's a painstaking process but it works.
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Mark Pullinger @larkingrumple.bsky.social · 25/07/2026
Loved the Sinfonia of London's Roman holiday at the Proms (even if Audrey Hepburn was nowhere to be seen) bachtrack.com/review-wilso...
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Mark Pullinger @larkingrumple.bsky.social · 24/07/2026
This was a fascinating chat... a deep dive into Mozart soprano roles – especially Susanna and the Countess – with Louise Alder: bachtrack.com/interview-lo...
Louise Alder as the Countess (© Glyndebourne Productions Ltd. Photography by Richard Hubert Smith) and Susanna (© RBO | Mihaela Bodlovic)
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Mark Pullinger @larkingrumple.bsky.social · 20/07/2026
Love on the Rocks: Laurent Pelly leaves Ariadne high and dry at Glyndebourne www.opera-now.com/content/revi...
opera-now.com
Strauss: Ariadne auf Naxos at Glyndebourne | Live Review - Opera Now
Music Director Robin Ticciati injected the score with life and colour
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Josh Spero @joshspero.ft.com · 20/07/2026
"the piece is always going to be greater than any performance you can give of it, and you are always striving to find the perfect truth": lovely interview with John Wilson as.ft.com/r/431c2c17-c...
as.ft.com
Conductor John Wilson: ‘I make no apologies for my love of light music’
He and his Sinfonia of London range from Ravel and Rachmaninov to Broadway tunes — and are a hot ticket at the BBC Proms
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