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Faine Greenwood

@faineg.bsky.social
101.5K followers 20.3K following 131.3K posts

civilian drone technology and GIS/spatial data consultant, journalist and writer, monitors small drones in the Ukraine war, humanitarian-aid adjacent, always annoying online. they/them pronouns. read my newsletter: little-flying-robots.ghost.io

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Faine Greenwood @faineg.com · 2h
the pretty nice springs of the Popoli area, north of Sulmona. (Ovid was from Sulmona and waxed poetic about the local water - they sell the bottled stuff now and it’s quite nice).
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Faine Greenwood @faineg.com · 2h
it’s cool how you can just hike to medieval towers above ghost towns in Abruzzo
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Faine Greenwood @faineg.com · 2h
that’s right
Saint Alf
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Faine Greenwood @faineg.com · 2h
there are approximately a gazillion red foxes in Abruzzo National Park
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Faine Greenwood @faineg.com · 18h
Super cool. My partner bought a lovely Safina-inspired necklace from a jeweler in Civitella Aufidena yesterday - I was trying to figure out how to hike up to the Aufidena necropolis site just now.
Safina inspired necklace
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Faine Greenwood @faineg.com · 16/10/2026
Roccacasale in Abruzzo is a real Minas-Tirith looking-ass place (the whole region is lousy with villages that look like this).
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Faine Greenwood @faineg.com · 16/10/2026
cats are commonly grown in flowerpots in Abruzzo
flowerpot black cat in a window flowerpot black cat in a window
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Faine Greenwood @faineg.com · 15/10/2026
here is a still image of Wolf Leaf
Wolf with a leaf on its nose
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Faine Greenwood @faineg.com · 15/10/2026
IMPORTANT: today we saw an Italian wolf with a leaf on their nose. (This one was in the enclosure at the wolf rescue center in Alfedena, but Abruzzo National Park has a pretty healthy wild population of wolves).
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Faine Greenwood @faineg.com · 15/10/2026
people like to ride motorcycles real fast around turns up here, which is fun to watch
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Faine Greenwood @faineg.com · 15/10/2026
think you can see the sea from up here. or at least a majestic view of the Appenines. At Punto Panoramico Olmo di Bobbi, a little north of Anversa in Abruzzo.
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Faine Greenwood @faineg.com · 15/10/2026
people moving around uncooperative sheep: a truly ancient tradition, still quite active in Abruzzo
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Faine Greenwood @faineg.com · 15/10/2026
find the Maremma sheepdog
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Faine Greenwood @faineg.com · 15/10/2026
transhumance waits for no man or vehicle in Abruzzo
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Faine Greenwood @faineg.com · 15/10/2026
this has been a two enchanted forests kind of day, which is what visiting Abruzzo is like I guess. at the Gorges of Sagittarius Riserva Naturale near Anversa. (What are these little purple flowers?)
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Faine Greenwood @faineg.com · 15/10/2026
hate it when you’ve got a bad case of The Snakes
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Faine Greenwood @faineg.com · 15/10/2026
This carved stone translates into something like “who couldn’t be happy when they see this tree,” which, yeah
carved stone about being happy about treeescarved stone about being happy about trees
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Faine Greenwood @faineg.com · 15/10/2026
I’ve never been anywhere with as many obviously enchanted forests as Abruzzo. This is a 600 year old beech tree (and it’s also very old companion) somewhere between Barrea and Scanno.
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Faine Greenwood @faineg.com · 15/10/2026
what are these creatures making exuberant sounds at night here in Abruzzo
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Faine Greenwood @faineg.com · 15/10/2026
M.C. Escher drew Pettorano sul Gizio back in 1929, and there’s a bench where you can view the angle that he used. escherinhetpaleis.nl/en/about-esc...
M.C. Escher, Pettorano sul Gizio, scratch drawing, October 1929Pettorano sul Gizio
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Faine Greenwood @faineg.com · 15/10/2026
Some better shots of the view from the Il Torchio terrace in Pettorano sul Gizio:
Piazza Rosario Zannelli, 14, 67034 Pettorano sul Gizio AQ, ItalyPiazza Rosario Zannelli, 14, 67034 Pettorano sul Gizio AQ, Italy
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Faine Greenwood @faineg.com · 15/10/2026
here’s a video of the general ambience at Il Torchio, which has what’s basically a national park view on a historic terrace
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Faine Greenwood @faineg.com · 15/10/2026
We visited @scarnecchia.net’s other impossibly scenic ancestral village, Pettorano sul Gizio, and had an amazing lunch at long-time local polenta specialists Il Torchio:
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Faine Greenwood @faineg.com · 15/10/2026
Good morning from Barrea, which is not aesthetically pleasing at all
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Faine Greenwood @faineg.com · 14/10/2026
When You were partying
I studied The Blade
When you were having premarital sex
I mastered
BLOCKCHAIP
While you wasted your days at the gym in pursuit of vanity
I cultivated Inpon
Strength
And now that the world is on fire and the barbarians are at the gate you have the audacity to come to me for help?
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Faine Greenwood @faineg.com · 13/10/2026
the very medieval feeling streets of Barrea, in Abruzzo
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Faine Greenwood @faineg.com · 13/10/2026
more majestic gorge views from Barrea in Abruzzo, Italy. (It’s so deep you can’t see the water, but you can hear it).
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Faine Greenwood @faineg.com · 13/10/2026
Well, my partner’s ancestors really, really could have chosen an uglier looking Italian village to be from - up above Barrea in Abruzzo.
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Faine Greenwood @faineg.com · 13/10/2026
We also had Arrosticini (traditional Abruzzo lamb skewers) and a pear and ricotta dessert:
ArrosticiniPear and ricotta
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Faine Greenwood @faineg.com · 13/10/2026
it’s cool how when you get truffle pasta at a restaurant in Abruzzo, they are very generous with the truffle. (my partner and I shared a single primi serving, so this is just one half of the standard portion, too). At Ristorante Luci in Pescasseroli.
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Faine Greenwood @faineg.com · 13/10/2026
Lamb and pecorino burger with chicory + a plate of assorted meats and cheeses at the extremely good-vibes Ninkasi Pub in Pescasseroli (Abruzzo)
Lamb burger Meat and cheese board
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Faine Greenwood @faineg.com · 13/10/2026
Dario Amodei of Anthropic is Very Normal and Can Be Trusted With the Future of Humanity: “…in my case I'd say that I think an adult death is perhaps 2 or 3 times worse than an infant's death.” blog.givewell.org/2010/06/03/m...
GiveWell makes explicit cost effectiveness estimates (based in part on those of the Disease Control Priorities report) for both organizations: ~$545 per infant death averted for Village Reach, and ~$150-750 per death averted for Stop TB. These are roughly comparable, but don't take into account the fact that Stop TB mainly treats adults, while VR mainly treats infants and children. I feel that adults are capable of deeper and more meaningful experiences than are infants, and also deeper connections with other people, so an adult death seems worse to me than an infant death (though both are of course bad). Trying to quantify exactly how much worse is very subjective and can also seem calculating ("how many babies would you kill to save an adult?i, but on a practical level one is forced to make difficult decisions with limited funds, and in my case I'd say that I think an adult death is perhaps 2 or 3 times worse than an infant's death. Thus, adjusted for my personal values, Id say that Stop TB is ~2-3 times more cost-effective than VR, though I understand that others may validly disagree with this subjective assessment.
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Faine Greenwood @faineg.com · 13/10/2026
good morning from Barrea (the crows are also having a good morning)
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Faine Greenwood @faineg.com · 12/10/2026
tonight while driving to dinner in Abruzzo we have seen a red deer stag, two foxes, and this very unbothered cow
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Faine Greenwood @faineg.com · 12/10/2026
as seen wandering by in Barrea in Abruzzo (wonder what’s up with his knees, though?)
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Faine Greenwood @faineg.com · 12/10/2026
Well, Barrea is rather nice so far. (In Abruzzo).
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Faine Greenwood @faineg.com · 12/10/2026
the dumbest men-who-look-like-thumbs in the world are being absolutely intellectually ravaged by the sudden arrival of consumer AI. gazillions of similar men doubtless now agree with this
Joe Rogan Podcast News • @joeroganhq
• Commentary account
X.com
Joe Rogan: "Jesus was born out of a virgin mother. What's more virgin than a computer?
If Jesus does return, you don't think he could return as artificial intelligence? Al could absolutely return as Jesus."
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Faine Greenwood @faineg.com · 10/10/2026
god, do I hate it when I’m just stepping outside to take the air and I find myself having to defend the homies from Christ Lasers
saints (plural) being fucked up by Christ lasers
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Faine Greenwood @faineg.com · 10/10/2026
The forecast is sunny and clear outside, with a 80% chance of sudden assault by Christ lasers.
a saint being fucked up by Christ lasers
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Faine Greenwood @faineg.com · 10/10/2026
speaking of Destroyable Twinks in Western European Art:
Anima beata
1640 - 1642
olio su tela - oil on canvas (cm 252 x 153)
PC 106
Il dipinto, uno dei più famosi esempi dell'ultima produzione di Guido Reni, si caratterizza per l'essenzialità compositiva, il vibrante e sottile gioco di luci e la tavolozza quasi monocroma, interrotta qui solo dal drappo rosa che avvolge il nudo.
Destinata ad Alessandro Sacchetti, la cosiddetta
Anima beata fu tra le opere trovate nello studio dell'artista al momento della sua morte.
The painting, one of the most famous examples of
Guido Reni's later production, is characterized by its compositional essentiality, the vibrant and subtle play of light, and the almost monochrome palette, bere interrupted only by the pink drapery enveloping the nude. Intended for Alessandro Sacchetti, the so-called Blessed soul was among the works found in the artist's studio at the time of bis death.
Provenienza/Provenance: Studio di Guido Reni fino al 1642; Collezione Sacchetti dal 1688; Pinacoteca Capitolina dal 1748Anima beata
1640 - 1642
olio su tela - oil on canvas (cm 252 x 153)
PC 106
Il dipinto, uno dei più famosi esempi dell'ultima produzione di Guido Reni, si caratterizza per l'essenzialità compositiva, il vibrante e sottile gioco di luci e la tavolozza quasi monocroma, interrotta qui solo dal drappo rosa che avvolge il nudo.
Destinata ad Alessandro Sacchetti, la cosiddetta
Anima beata fu tra le opere trovate nello studio dell'artista al momento della sua morte.
The painting, one of the most famous examples of
Guido Reni's later production, is characterized by its compositional essentiality, the vibrant and subtle play of light, and the almost monochrome palette, bere interrupted only by the pink drapery enveloping the nude. Intended for Alessandro Sacchetti, the so-called Blessed soul was among the works found in the artist's studio at the time of bis death.
Provenienza/Provenance: Studio di Guido Reni fino al 1642; Collezione Sacchetti dal 1688; Pinacoteca Capitolina dal 1748Anima beata
1640 - 1642
olio su tela - oil on canvas (cm 252 x 153)
PC 106
Il dipinto, uno dei più famosi esempi dell'ultima produzione di Guido Reni, si caratterizza per l'essenzialità compositiva, il vibrante e sottile gioco di luci e la tavolozza quasi monocroma, interrotta qui solo dal drappo rosa che avvolge il nudo.
Destinata ad Alessandro Sacchetti, la cosiddetta
Anima beata fu tra le opere trovate nello studio dell'artista al momento della sua morte.
The painting, one of the most famous examples of
Guido Reni's later production, is characterized by its compositional essentiality, the vibrant and subtle play of light, and the almost monochrome palette, bere interrupted only by the pink drapery enveloping the nude. Intended for Alessandro Sacchetti, the so-called Blessed soul was among the works found in the artist's studio at the time of bis death.
Provenienza/Provenance: Studio di Guido Reni fino al 1642; Collezione Sacchetti dal 1688; Pinacoteca Capitolina dal 1748
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Faine Greenwood @faineg.com · 10/10/2026
what’s with this helicopter circling right over the Termini station area in Rome right now
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Faine Greenwood @faineg.com · 10/10/2026
I can forgive a painter from the 1500s for not knowing what a lion or a giraffe looks like, yes, but not knowing what a *wolf* looks like?
janky looking lupa wolf from Rome
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Faine Greenwood @faineg.com · 08/10/2026
Great to hear from Mike Gillis of @theonion.com to close out #Disinfo2026! It’s been an absurd yet invigorating time.
CLOSING OF #DISINFO2026:
PEELING OFF THE LAYERS OF BULLSHIT: THE ONION, INFOWARS, AND MAKING FUN OF DISINFORMATION IN THE DIGITAL AGE DAY 2 - 8 OCTOBER 2026
•12:10-1:30
#DISINFO
2026
CHAIR
Greg Rohde
EU DisinfoLab
Mike Gillis
The Onion
#DISINFO
2026
pata
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Faine Greenwood @faineg.com · 06/10/2026
The old city of Vilnius has a lot of ambience, especially at night
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Faine Greenwood @faineg.com · 06/10/2026
Our friend @thesharlinator.bsky.social kindly sharing the beauty and wonder of fine French cheese with us in Paris:
Fine French cheeses Cheese selection Cheese selection at a shop in Paris
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Faine Greenwood @faineg.com · 06/10/2026
Vilnius is pretty charming.
Vilnius government building of some kind Vilnius cathedral Vilnius towerVilnius old arsenal museum
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Faine Greenwood @faineg.com · 06/10/2026
European cathedral ambience-maxing in Vilnius
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Faine Greenwood @faineg.com · 06/10/2026
Lithuanians really are on to something vis a vis “serving fried bread with cheese and mayo sauce with beer.”
Fried bread at a Lithuanian pub
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Faine Greenwood @faineg.com · 04/10/2026
may you be filled with the confidence and verve of this “corpulent rearing steed”
DIEGO RODRÍGUEZ DE SILVA Y VELAZQUEZ (1599-1660)
Caballo blanco
1634-1638
Oleo sobre lienzo
Este corpulento caballo con las manos alzadas en posición de corveta viene identificándose con el que aparece en el inventario de bienes que dejó Velázquez a su muerte en su estudio de la Casa del Tesoro, junto al Alcázar de Madrid. Está dibujado con la destreza y el estilo propios del pintor de cámara de Felipe IV, demostrando la gran capacidad del sevillano para conseguir una representación natural con una gran economía de medios técnicos. El acabado de la obra permite confirmar su terminación, a la espera de que se incluyera un jinete sobre la silla de montar, o quizá se trataba de un modelo para otros retratos ecuestres.
Hasta 1700 se documentó en el citado Alcázar, pero en fecha imprecisa desapareció de las Colecciones Reales, incorporándose de nuevo en 1848 por la compra de Isabel Il al marqués de Salamanca.
DIEGO RODRÍGUEZ DE SILVA Y VELAZQUEZ (1599-1660)
White Horse
1634-1638
Oil on canvas
This corpulent rearing steed with both forelegs off the ground has long been considered the one listed in the inventory of assets that Velázquez left in his studio at the Casa del Tesoro, a building beside the Alcazar in Madrid, after his death. It is drawn with the skill and style that characterised Philip IV's court painter, demonstrating his ability to produce a lifelike representation with a minimum of technical resources. It is clearly a finished work, pending the addition of a rider in the saddle, although it may have been intended as a model for other equestrian portraits. The picture is documented in the Alcazar until 1700, but at some point it disappeared from the Royal Collections and was not recovered until 1848, when Isabella II bought it fromDIEGO RODRÍGUEZ DE SILVA Y VELAZQUEZ (1599-1660)
Caballo blanco
1634-1638
Oleo sobre lienzo
Este corpulento caballo con las manos alzadas en posición de corveta viene identificándose con el que aparece en el inventario de bienes que dejó Velázquez a su muerte en su estudio de la Casa del Tesoro, junto al Alcázar de Madrid. Está dibujado con la destreza y el estilo propios del pintor de cámara de Felipe IV, demostrando la gran capacidad del sevillano para conseguir una representación natural con una gran economía de medios técnicos. El acabado de la obra permite confirmar su terminación, a la espera de que se incluyera un jinete sobre la silla de montar, o quizá se trataba de un modelo para otros retratos ecuestres.
Hasta 1700 se documentó en el citado Alcázar, pero en fecha imprecisa desapareció de las Colecciones Reales, incorporándose de nuevo en 1848 por la compra de Isabel Il al marqués de Salamanca.
DIEGO RODRÍGUEZ DE SILVA Y VELAZQUEZ (1599-1660)
White Horse
1634-1638
Oil on canvas
This corpulent rearing steed with both forelegs off the ground has long been considered the one listed in the inventory of assets that Velázquez left in his studio at the Casa del Tesoro, a building beside the Alcazar in Madrid, after his death. It is drawn with the skill and style that characterised Philip IV's court painter, demonstrating his ability to produce a lifelike representation with a minimum of technical resources. It is clearly a finished work, pending the addition of a rider in the saddle, although it may have been intended as a model for other equestrian portraits. The picture is documented in the Alcazar until 1700, but at some point it disappeared from the Royal Collections and was not recovered until 1848, when Isabella II bought it from
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Faine Greenwood @faineg.com · 04/10/2026
the chateau, it is sprouting flowers
Yellow flowers on stone chateau and flowers
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