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Eli Bishop

@errorbar.bsky.social
265 followers 200 following 2.8K posts

Button-pushing by day, comics & theater by night. errorbar.net [he/him]

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Reposted by Eli Bishop
JP @jpbrammer.bsky.social · 23/09/2026
it's important to arrive at sturdy ethical principles that you can't be annoyed out of. people are annoying as shit
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Eli Bishop @errorbar.bsky.social · 23/09/2026
By the way, a group in Berkeley is having Jordan Lasker speak at their event next month (along with some other "race science" creeps), and the title of his talk, "Gathering Cognitive Ability Data from Medical Practices", seems pretty clearly aimed at whitewashing his specific abuses in this area.
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Eli Bishop @errorbar.bsky.social · 22/09/2026
Not to single out this one commenter, but I think this is a good example of a common misconception about museums and... art in general, I guess. "Art that tells a story in and by itself" is ALL art. That story may be literal or not. But it's also just a starting point - there's never "a" (1) story.
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Eli Bishop @errorbar.bsky.social · 11/09/2026
Tech money has really done a disservice to a lot of strange self-taught wannabe-philosopher dudes, keeping them from their true destiny-- which, in a better world, would've been monologuing at the slightly younger dudes they would've been selling weed to.
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Eli Bishop @errorbar.bsky.social · 11/09/2026
As I've told my friends ad nauseam, in the 90s I was a transcriptionist for various TV companies, which isn't very odd in itself, but some of the one-off clients were. I transcribed (for closed captioning, I guess?) some Dutch-made kung fu movies, Magical Mystery Tour, and several strip club shows.
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Eli Bishop @errorbar.bsky.social · 10/09/2026
Hey @adapalmer.bsky.social, in case you've received an invite to speak at something called the "Avalon Conference", you may want to take a look at their grandiose list of invited speakers & note who is one of the 2 actual confirmed speakers in the "letters" category. Massive red flags all over this.
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Eli Bishop @errorbar.bsky.social · 09/09/2026
I hope this is not a surprise or a problem for anyone who knows me, but: do not ever come near me with any kind of "jet fuel can't melt steel beams!" shit. If it's online I will instantly block you, if it's in person I will have a strong urge to physically fight you. This is not open for discussion.
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Eli Bishop @errorbar.bsky.social · 08/09/2026
I don't want to contribute to any more "what did Trump *really* say about his actions around 9/11" threads but I do want to say: even if he did not actually say he was in the rubble, there's no reason to think his statements are anything other than lies and confabulation. Any effort to parse... (1/)
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Eli Bishop @errorbar.bsky.social · 24/08/2026
Are you in the SF Bay Area or you know someone who is? Do weird, uncomfortable, inconvenient, and sometimes hilarious thought processes interest you? Come see our performance-art-sketch-variety-show special THE NEODIVERGENT WRENCH next month! I'm in it! sfneofuturists.org/neodivergent
Promotional graphic for The Neodivergent Wrench (not a typo-- it's "neo", not "neuro"), a show running September 18 & 19 at 9PM at Theater 33 (533 Sutter St.). The show title appears in multiple typefaces over a large line drawing in an antique style of a human head in profile, full of small illustrations labelled with abstract qualities like "constructiveness", "combativeness", and "suavity"; it's a phrenology diagram. Members of the SF Neo-Futurists ensemble are shown on stage below, with arrows pointing from their own heads to various areas of the diagram. Subtitle: "30 plays about our own neurodivergence, mental illness, and other spicy brain features."
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Eli Bishop @errorbar.bsky.social · 18/08/2026
I know these weren't the only people doing the thing, but I do hope this is a sign that it's not really a viable business model & that others will continue to go away. I get a little spike of rage every time I'm searching for something and land on one of these bullshit sites.
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Eli Bishop @errorbar.bsky.social · 02/08/2026
Hey, I started a Patreon page for my comics and other art. My main reasons for not doing this before included 1. I had a well-paying job so I felt stupid asking for subscriptions & 2. I'm unproductive; 1 is now untrue, and 2 is something I'm *starting* to change. www.patreon.com/cw/elibishop...
patreon.com
Eli Bishop | Posts | Patreon
Read the latest posts from Eli Bishop on Patreon. Join for free or become a member for just $1/month. Cartoonist/illustrator/writer driven by an…
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Reposted by Eli Bishop
Fortmax Headroom @hwhall.bsky.social · 02/08/2026
This seemed like it was worth boosting. www.kickstarter.com/projects/735...
kickstarter.com
His Name was Harvey Pekar
Saving the legacy of Harvey Pekar:Urgent mission to rescue four full storage units of American Splendor history before its lost forever
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Eli Bishop @errorbar.bsky.social · 29/07/2026
I don't know if anyone has any need for this information, but I just put up another one of my annotation webpages for a Thomas Disch horror novel, THE PRIEST (1994). I do this kind of stuff from time to time, unprompted, because I learn things that way. www.errorbar.net/nits/The_Pri...
errorbar.net
The Priest
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 25/07/2026
Excerpt from "The Cask of Amontillado", panel 9 of 9, the end (of the scene). I wasn't aiming to do the whole story, just wanted to do a panel at a time of this bit for drawing practice-- deliberately working in a big hurry & just throwing down ideas. Some day I'll do a whole gothic comic.
A single comic panel by Eli Bishop. See panel 1 for context.
The view is almost the same as panel 1: Fortunato walking a little behind Montresor, both with torches raised, as they continue in their original direction with darkness behind them. Fortunato is standing up straighter and looking semi-cheerful, and he's switched his torch to the other hand to give his arm a rest. Montresor looks like he's moving a little more energetically toward his destination now, facing away from Fortunato, with maybe a tiny smile. The slightly different composition isolates Fortunato more in the background, partly obscured by Montresor's arm and word balloon.
The word balloon is a continuation from the previous panel, as Montresor repeats: "—True."
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 25/07/2026
Excerpt from "The Cask of Amontillado", panel 8 of 9.
A single comic panel by Eli Bishop. See panel 1 for context.
Similar view to panel 2, Fortunato resting partly against the wall, but now straightened up and smiling a little. He's transferred his torch to his left hand; with his right, he's pulling the ruffed collar of his jester costume a little away from his neck for comfort.
Montresor is in the foreground, looking toward the other man. He's in the light, but turned far enough away that we can't see his eyes, just part of his profile. His left arm is extended across the bottom of the panel and bent upward so the whole lower half of the panel is framed by his head and arm.
Fortunato says: "I shall not die of a cough."
Monrestor says: "True"
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 23/07/2026
Excerpt from "The Cask of Amontillado", panel 7 of 9. Yeah, I drew the torch handle too short. (When I started this sequence, I saw the text says they both have torches, which I knew might look more & more awkward as the dialogue goes on, especially since F. is drunk; decided to just go with it)
A single comic panel by Eli Bishop. See panel 1 for context.
Like panel 3, it's a medium close-up of Fortunato facing us-- more alert and irritable than before, but still pretty drunk. With his left hand he's reaching up and fixing his crumpled jester hat. His right hand is still holding the torch but he's resting it lower, pretty close to his head, so the right side of his face is strongly lighted and he's squinting his right eye.
He says: "The cough's a mere nothing; it will not kill me."
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 23/07/2026
Excerpt from "The Cask of Amontillado", panel 6 of 9.
A single comic panel by Eli Bishop. See panel 1 for context.
We're back to the same framing as panel 4, looking in the direction the men had been walking, with the narrow shadowy alcove ahead. At left, Montresor has turned a little further than he was in panel 4, looking past us and away from Fortunato. His right hand is still on Fortunato's shoulder, now pushing his friend to turn toward us too. This has gotten Fortunato's attention and the gesture is clearly unwelcome: Fortunato is looking down, a little more alert and angry, and raising his own free hand to protest.
Montresor says: "For me it is no matter. We will go back--"
Fortunato interrupts: "Enough"
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Eli Bishop @errorbar.bsky.social · 22/07/2026
If you're not following Gabrielle Bell's diary comics on Patreon, you should throw in a few bucks and do that. I just got her new minicomic collecting some of her depression-related stories from last year and holy shit it's great. www.patreon.com/GabrielleBell
patreon.com
Get more from Gabrielle Bell on Patreon
Get more from Gabrielle Bell on Patreon. Join for free or become a member for just $3/month. Welcome to my Patreon page for my secret comic diary for my…
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 16/07/2026
Excerpt from "The Cask of Amontillado", panel 5 of 9.
A single comic panel by Eli Bishop. See panel 1 for context.
Medium closeup of Montresor, face turned almost straight on to the viewer, lit much brighter than before as if he's moved the torch to make himself very clear. Behind him on one side is total darkness; on the other side, a little light on the wall. His face is gaunt, lined, and stubbly; his eyes have a glint of reflected light, and his mouth is in a tiny smile; he looks almost kind. He says, in a series of four word balloons:
"You are rich, respected, admired, beloved;"
"you are happy,"
"as I once was."
"You are a man to be missed."
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 15/07/2026
Excerpt from "The Cask of Amontillado", panel 4 of 9.
A single comic panel by Eli Bishop. See panel 1 for context.
We're now behind the two men, with Montresor on the left, turning again toward Fortunato with a concerned expression and putting a hand on his shoulder. Fortunato is looking down at that hand awkwardly. The torches are on the other side of of them so they're mostly in silhouette to us, but ahead of them we can see some of the walls and floor; the passage seems to be narrowing and there's an alcove ahead.
Montresor says: "Come. We will go back; your health is precious."
Medium close-up of Fortunato, who is straightening up and turning toward the viewer again, holding his left hand to his chest and still managing to keep the torch aloft in his right hand. His jester cap is flopping over in a different direction than before. He looks uncomfortable and drunk.
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 14/07/2026
Excerpt from "The Cask of Amontillado", panel 3 of 9. Don't worry about Fortunato's cough, he'll be fine
A single comic panel by Eli Bishop. See panel 1 for context.
Medium close-up of Fortunato, who is straightening up and turning toward the viewer again, holding his left hand to his chest and still managing to keep the torch aloft in his right hand. His jester cap is flopping over in a different direction than before. He looks uncomfortable and drunk.
A small word balloon contains one more cough symbol. Then another word balloon: "It's nothing"
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Reposted by Eli Bishop
Eli Bishop @errorbar.bsky.social · 11/07/2026
Excerpt from "The Cask of Amontillado", panel 2 of 9. Poe rendered this coughing fit verbally as follows: "'Ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh!' "My poor friend found it impossible to reply for many minutes."
A single comic panel by Eli Bishop. See panel 1 for context.
Fortunato has twisted around toward his right so we see his face in profile and his torso from behind. His left arm is bent and his left hand is touching the wall, while his right hand holds the torch up out of rame. He is coughing with effort, eyes closed, in a series of five word balloons, each of which has three of the same noise symbols but they are increasingly chaotically drawn. At the right side of the panel we see Montresor's profile in black silhouette, just a little light around the edges of his face and shoulder, as he watches neutrally.
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Eli Bishop @errorbar.bsky.social · 10/07/2026
An excerpt from "The Cask of Amontillado" by Edgar Allan Poe, panel 1 of 9. I haven't read all of Poe, but as far as I'm concerned this is his funniest work. I'm doing this as my daily drawing practice for the next week or so.
A single comic panel by Eli Bishop, drawn in a loose hatching style with a thin pen.
Two men are walking in a dark space, each carrying a torch. The man in back, Fortunato, is wearing a jester costume: a floppy conical hat with rows of bells, a neck ruff, big buttons on the front. Fortunato has a mustache and sideburns. He looks a little out of it. He's holding up his free hand to catch a cough. A small word balloon indicates his cough wordlessly with a little symbol, a cluster of short lines.
The man in front, Montresor, has a long gaunt face, short hair, and a little stubble. His face is lit from one side and from behind by the torches as he looks slightly back at Fortunato. He is wearing a not very fancy cloak with a little fur lining around the neck. The whole front of his body is in shadows. In a word balloon, he asks: "How long have you had that cough?"
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Eli Bishop @errorbar.bsky.social · 05/07/2026
Was watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's the documentary HUNKY JESUS (2026). [drawn in 32 minutes] Last movie drawing for now.
A scribbly pencil-drawn free-form comic by Eli Bishop. Upper left: Sister Roma, a drag nun with an indescribable headdress, says "It's the single most important decision a human being can make." Caption: "That is, choosing a winner of the annual San Francisco pageant known as-- HUNKY JESUS. (2026) by Jennifer M. Kroot".
Upper right: Sister Vish-Knew, another drag nun with an indescribable headdress, raises one hand nonchalantly and says "I thought I might get tired of the butch look."
Upper middle, around and below the title, a drawing of a line of trees at the top of a hill, with sunshine and fluffy clouds, and the suggestion of a lot of people picnicking on the hill. Caption: "It would take me all day to draw the crowd scene in Dolores Park for the Easter party by the Sisters of Perpetual Indulengce. Let's just pretend I did.
Lower left, caption: "Partly a concert movie capturing a fair amount of the event in 2023 (and the many challenges of MC'ing it..." Drawing: Sister Roma takes a microphone from a Hunky Jesus pageant contestant who is trying to hold onto it, and says: "I'll just take that mic back now." The contestant, with wide eyes and a big grin and a halo, says "[Long explanation of my costume theme]"
Lower middle: paper-doll-style series of decorative items that one might mix and match to produce a Hunky Jesus contestant: halos, crown of thorns, bunny ears, various hair and beard styles, a tunic, some big fur or feather top pieces, a jockstrap, various shoes and boots.
Lower right, caption: "Partly a history of the Sisters, their philosophy, and their charitable work. Includes some fairly friendly comments by more official Church folks."
Caption: "But thankfully very little of this kind of thing..." Drawing: a little angry guy on a TV screen with a Fox logo, saying "Outrage!" and "Filth"
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Eli Bishop @errorbar.bsky.social · 03/07/2026
Was watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's SOMETHING YOU SHOULD KNOW ABOUT ME (2026). [drawn in 31 minutes]
A scribbly pencil-drawn free-form comic by Eli Bishop. Title: "Something You Should Know About Me (2026) by Andy Fidoten"
Drawing of a very anxious-looking young man with curly hair and big eyes (played by EJ Marcus). Caption: "What could make this guy happy?"
Caption: "Drawing comics?" Drawing: a more stylized cartoon line drawing of the same character (his own self-portrait).
Caption: "A best friend/crush?" Drawing: The same character, and a taller young man, smiling and standing bare-chested in a lake at night under a full moon, splashing water playfully.
Caption: "Drawing comics in a week-long workshop full of other 20-something queer and trans artists including your best friend/crush?" Drawing: Eight people with various genders and hairstyles, including the friend from the lake, all staring skeptically over at the main character who is cringing and sweating profusely. Caption: "Alas, no."
Side caption: "Suffering through the worst workshop critique session I can imagine. Seriously, do not run critiques like this."
Caption: "Movie is a little vague on who the other people are, and what drawing comics is like... but full of vivid moments of joy and awkwardness. (And very funny animation.)
Drawing: The two people from the lake, laughing and holding each other, surrounded by a mix of little hearts, little broken hearts, and little stars.
Caption: "Finding community is a start; finding a cute way to draw yourself is a start." Drawing: same simplified cartoon character as before, but looking more uncertain. Caption: "Still have to figure out what you want to show people."
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Eli Bishop @errorbar.bsky.social · 01/07/2026
Watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's EN EL CAMINO (2025). [drawn in 30 minutes]
A scribbly pencil-drawn free-form comic by Eli Bishop. Title: "EN EL CAMINO (2025) (On the Road) - written/directed by David Pablos"
Top: many strings of little lights dangle from the top of the panel, along with an unplugged electrical cord.
Top right: stacks of dozens of truck tires.
Caption: "An endless world of just-barely adequate stuff; hustlers, truckers, everyone's lonely and wasted and improvising."
Caption: "Lots of vehicles and ruins, lots of land"
Drawing, left to right across center of panel: inside the cab of a truck; a gaunt bearded man in a trucker hat and woolly jacket is in the driver's seat, looking over toward the passenger, a younger man with short hair and a neutral expression; a barren landscape and hills visible through the windshield; a dashboard full of many instruments.
Further down, left: drawing of several lines of cocaine. Caption: "Lots of drugs"
Drawing of a pool of blood.
Caption: "Eventually lots of flesh." Drawing: a plain black rectangle tilted at a 30-degree angle. Caption: "Use your imagination here."
At bottom, a landscape of blocky shapes suggesting trucks in a lot. Caption: "Love story, crime story, vivid and scary and humane"
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Reposted by Eli Bishop
Jesspooka Kant 🎃 @jessdkant.bsky.social · 30/06/2026
The Supreme Court yet again tells trans kids that their lives, safety and needs don't matter. Put aside how you feel about sports, this isn't about that. It isn't even about politics. It's about the violence of adults forcing children to be people they aren't, and punishing them for having dreams.
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Reposted by Eli Bishop
ElieNYC @elienyc.bsky.social · 30/06/2026
See, people always want to make this just about "sports," but the real upshot here is that, 6-3, trans women can't make a claim under the Equal Protection Clause. And if they can't do that, it's hard to see how they have constitutional rights.
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Eli Bishop @errorbar.bsky.social · 29/06/2026
Watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's CARAVAGGIO (1986). Can't believe I never saw this wild weird heap of mysterious loveliness before. [drawn in 29 minutes]
A scribbly pencil-drawn free-form comic by Eli Bishop.
Title: "CARAVAGGIO (1986) written/directed by Derek Jarman"
Top left: four blurry figures striking various poses in a dramatic pattern of light and shadow. Caption: "Staying still for a painting is hard to do..."
Top right: pale feet stretched out on a slab. Caption: "But if you can really stay still, you might be dead."
Caption: "Our boy Caravaggio doesn't get much peace, and neither do the various misfits who form a loose family in his orbit. Is it all worth it? Yes."
Middle left: a knife with writing on it: "nec spe, nec metu"; caption translates this as "no hope, no fear"
Center: face of Nigel Terry as Caravaggio, a haunted-looking man with shaggy dark hair and a goatee, wearing a black hat. Five smaller faces are in a semicircle around him, bound together by vague shadowy textures and circular lines. At left, a rough-looking blond man wearing a headband, and a sharp-featured woman in a head scarf, labeled "young Sean Bean" and "young Tilda Swinton"; they have their own separate orbit lines around each other. At right, a serious-looking young man with a buzz cut, and an androgynous pixie-like youth. At bottom, an old man wearing the uniform of a cardinal; caption: "What's queerer than artists? The church."
Lower left: A hand with the index finger pressing on a mess of textures; caption: "toxic paint." Another hand spreading dark splotches over someone's face; caption: "blood." Shadows on the hand and face are labeled "dirt". Another "dirt" caption has arrows pointing in every direction.
Lower right: A dour person (labeled "some unhappy critic" sits in a bathtub, typing on an old manual typewriter (labeled "gloriously anachronistic typewriter"). Word balloon: "Conspiracy between church and gutter... a sad reflection of our time!"
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Eli Bishop @errorbar.bsky.social · 27/06/2026
Watching moves at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's SCORE (1973). [drawn in 28 minutes]
A scribbly pencil-drawn comic by Eli Bishop.
Title: "SCORE" (drawn in Cooper Black typeface), "1973, written/directed by Radley Metzger". Caption: "Title isn't really in this typeface, but Cooper Black means 1970s to me."
Row of four head-and-shoulders portraits of the movie's main characters: Elvira, a haughty-looking woman with long curly hair and arched eyebrows; Betsy, a prim-looking woman with long straight hair, making a concerned face; Eddie, a hyper-wholesome-looking man with blond hair and a neck kerchief, looking a lot like Fred from Scooby-Doo; Jack, a dark-haired man with a lot of chest hair, wearing a sailor hat and a necklace and no shirt. Elvira and Jack are looking knowingly at the other two.
Caption: "Will the swinging skills of our our charming (if predatory) heroes be able to overcome the total cluelessness/denial of our other heroes? Rhetorical question."
Drawing, lower left: a smiling rugged man with medium-long dark hair and a trucker hat, holding up a chunky tabletop push-button phone.
Drawing, lower right: a cute little porcupine. Caption: "Porcupine is mentionen but does not appear in this film."
Drawing, bottom: Mediterranean-style houses and trees by the water. Caption: "Mythical town of 'Leisure', really filmed in Croatia, so if you watch 'Game of Thrones' you can imagine this is happening in some other, mellower area of King's Landing."
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Eli Bishop @errorbar.bsky.social · 26/06/2026
Watching moves at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's BOUND (1996). [drawn in 27 minutes, sort of... I did need some extra time to fill in the lettering because obviously all of those quotes had to be included]
A scribbly pencil-drawn comic by Eli Bishop. Title, in big shadowed block letters: "BOUND". Caption: "1996, written/directed by The Wachowskis. Super dramatic title lettering because everything in this movie will be big even when small."

Caption: "The several small voices of Jennifer Tilly:"
Four horizontal panels. 1. Caption: "Somewhat seducing Gina Gershon." Drawing: Tilly's glamorous character Vivian looks shyly away from Gershon's tough plumber character Corky and says, in shaky thin letters: "The walls are so terribly thin!"
2. Caption: "Mega-seducing Gina Gershon." Drawing: Corky is using a pipe wrench under a sink while Vivian's legs & skirt are very visible behind her; Vivian is saying from above, in even more stylized letters, "If you won't take money, how about a drink?"
3. Caption: "No nonsense?" Drawing: Vivian sitting up in bed looking serious, saying, in more ordinary letters, "You make certain choices in life."
4. Caption: "Bamboozling boys." Drawing: Vivian batting her eyelashes absurdly and saying, in widely-spaced small letters: "Poor boy, works so hard"

Two side-by-side portraits. Left, caption: "Joe Pantoliano... Before". Drawing: Pantoliano's character wearing a suit, hair slicked back, saying "Baby, that's what I love about you... yer so fuckin' sensitive." Right, caption: "After." Drawing: he's wearing a tank top and freaking out, hair wet, sweat flying everywhere, saying in big shaky letters "Where is it???"

Drawing: Movie screen surrounded by darkness. On screen, Gershon is sneaking around carrying a gun. A big labrys tattoo is on her arm. Caption: "A stone cold classic that must be seen in a theater (30th anniversary screening at the Castro)... even if a fan might yell:" Word balloon from below: "Aaa she is so hot!"

Lower left corner is decorated with a crinkled-up land-line telephone cord. Lower right corner has a clothesline hung with dollar bills.
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Eli Bishop @errorbar.bsky.social · 25/06/2026
Watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's BLACK BURNS FAST (2025). [drawn in 26 minutes... which was way too short for this one, sorry]
A scribbly pencil-drawn collage-style comic by Eli Bishop. Title: "Black Burns Fast (2026), written/directed by Sandulela Asanda."

Center column, caption: "Lesbian teen romance in an Anglican girls' school in South Africa. Things happen!" Top to bottom:
1. Two teenage Black South African girls recline on a very large beanbag. One is holding a lit cigarette, looking upward and speaking; the other is snuggled up nearby, arms awkwardly at her sides, looking at her. Caption: "smoking on a beanbag in a storage room".
2. A hand holding a pencil writing repeated lines: "mentioning apartheid in class is divisive". Caption: "detention assignment".
3. Caption: "It's a movie full of stuff! Overstuffed and bubblegummy in a good way. I ran out of time to draw the stuff. Lots of heart, the kids will be ok."

Left column, caption: "How people are decorated". Top to bottom:
1. A school uniform with a dark blazer and light shirt, and two rectangular badges on the lapel. A blow-up of the badges shows that they say "Academics" and "Choir".
2. A jaunty straw hat with a ribbon, labeled "cool hat".
3. A white frilly dress, labeled "prom dress".
4. A black bowtie, labeled "dream drag bowtie".
5. A lumpy terrycloth bathrobe with a pattern of squares, labeled "self-love bathrobe".

Right column, caption: "How the universe is decorated". Top to bottom:
1. A bunch of little paper hearts dangling down on strings. Another paper heart being held out sideways on a stick.
2. Several people sitting at tables with a big X over one table and a big checkmark over the other. Caption: "cafeteria icons"
3. A group of three horizontal-thermometer-style gauges labeled "cute", "smart", "cool". Caption: "videogame stuff"
4. A circular radar-style graphic with three little hearts on it. Caption: "literal gaydar"
5. A cucumber with a condom on it. Caption: "sex ed cucumber"
6. A placard with a portrait of a hamster named Bucky. Caption: "hamster funeral"
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alex @nonmodernist.com · 24/06/2026
i wrote about my friends, two of whom were sentenced yesterday to 50 years in prison each. hotel-florida.ghost.io/the-seeds-of... if you read it, or even if you don't, please donate to @dfwsupportcommitt.bsky.social
hotel-florida.ghost.io
The Seeds of Prairieland
The first time I met Savanna, Liz, and Ines, they gave me seeds for my garden. I don’t actually have a garden, but I love plants, and so I took the seeds in the hope that I’d get to plant them before ...
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Eli Bishop @errorbar.bsky.social · 23/06/2026
Watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's DESERT HEARTS (1985). [drawn in 25 minutes]
A scribbly pencil-drawn comic by Eli Bishop. Title: "How to be very romantic as shown in Desert Hearts (1985) - written by Natalie Cooper, directed by Doona Dietch"
1. Drawing: wide shot of Nevada landscape, hills and clouds and sagebrush, crossed by a road with a 1950s car on it.
Caption: "Take a ride in a convertible, across an amazing landscape, in between your cool new young friend" [arrow pointing to right-hand character] "and the nice person you found in her bed" [arrow pointing to left-hand character].
Drawing: Three women in the front seat. The one at left is cheerful and has windblown hair. The one in the middle (Vivian, played by Helen Shaver) looks more professional, with a small hat, blond hair, and a skeptical expression; she has a little thought balloon with a question mark. At right, driving, Patricia Charbonneau's character Cay has sunglasses and dark hair and a big smile.
2. Caption: "Later, on a rainy day, when she tells you to roll down the window..." Drawing: Vivian, inside a car, looks dubious (again thinking a question mark) as Cay knocks on the window while smiling outside in the rain.
3. Caption: "...Do so." Drawing: Cay leans through the window and kisses Vivian, who is now thinking an exclamation point.
4. Caption: "But, importantly, also be wearing awesome Western shirts." Drawing: A Western shirt with floral embroidery (an arrow points to Vivian in the previous panel) and one with fringes and rhinestones (an arrow points to Cay).
5. Caption: "The movie also makes a strong case that the ideal man makes dinner and drinks for his wife and her special friend when they are taking a bath." Drawing: smiling middle-aged man in a tank top hands a cocktail to a cheerful big-haired woman who's in a bubble bath; he has another drink on a tray for Cay who is also in the bath.
6. Caption: "It's real good"
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Eli Bishop @errorbar.bsky.social · 23/06/2026
Watching movies at @framelinefestival.bsky.social and doing time-limited drawings about them. Here's SUPERSTAR: THE KAREN CARPENTER STORY (1987). [drawn in 24 minutes]
A scribbly pencil-drawn comic by Eli Bishop. Title: "Superstar: the Karen Carpenter Story".
Top: drawing of a suburban 1960s nuclear family sitting in front of the TV. They look rudimentary because they're drawn fast, but also because they're all Barbie and Ken dolls. The small young dark-haired woman near the middle, looking particularly trapped, is Karen.
Caption on the back of the TV: "1987, written/directed by Todd Haynes"
Caption below TV: "Best MFA student film I've ever seen... also, maybe best biopic?"
Next caption below: "Gorgeous miniatures and Barbie-doll puppetry (it's not stop-motion, so they're just barely alive, and it works)."
Lower left: drawing of bombs falling toward an explosion, from Vietnam War newsreels. Caption: "Also newsreels, also everything else Haynes could think of."
Lower middle, caption: "And oh my God the lighting effects." Drawing: the Karen doll standing at a microphone in a dark space, dramatically lit by the row of stage lights behind her.
Right: drawing of a box of Ex-Lax pills, saying "For gentle overnight relief."
Lower right, caption: "Lots of beautiful music which brought about a lawsuit, so good luck seeing it in a theater. But I did! At the Roxie. [little heart icon]"
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Eli Bishop @errorbar.bsky.social · 23/06/2026
I was thinking about times when I am really glad to see the US flag, and... it's the post office! When you're looking for the post office and you know it's around here somewhere, and then you see a flag, yay, it's the post office! Maybe this could just be the flag of the post office.
Photo of the sidewalk in front of a small post office in San Francisco, with a US flag flying above it.
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Eli Bishop @errorbar.bsky.social · 21/06/2026
Watching movies at the Frameline festival and doing time-limited drawings about them. Here's FLAMING CREATURES (1963). I felt bad about not liking this more, but I promise to try watching another Jack Smith film. [drawn in 23 minutes]
A scribbly pencil-drawn comic by Eli Bishop.
1. Upper left: An angry-looking bald middle-aged man with glasses, a mustache, and a button-down shirt, sitting in a theater seat. Caption: "At the 'Banned Retro Shorts' screening, a guy behind me was very annoyed that Un Chant d'Amour was a silent movie. At full volume, he complained..." Word balloon from the man: "This should've had a soundtrack!"
2. Caption: "Well, be careful what you wish for, because you know what does have a soundtrack?"
3. Big cursive title lettering (based on how the title card looks in the movie): "Flaming Creatures (1963), written/directed by Jack Smith." Partly overlapping the title is a word balloon saying "SHRIEK! SHRIEEK! SHRIEEEEEEEK" which is connected to a panel below.
4. Middle left. Caption: "Sometimes Flaming Creatures looks like this:" Drawing: three figures with dark lipstick and glamorous eye makeup, gazing in different directions.
5. Middle. Caption: "Sometimes it's like this:" Drawing: A screaming woman's face is poking out of a heap of intertwined bodies and limbs. Two aggressive-looking faces are visible around her. A small caption on one of them says "Judith Malina!" The word balloon of the woman's shrieks extends up to overlap with the title.
6. Middle right. Caption: "Very often, it's like this." Drawing: a mess of light scratchy pencil lines, suggesting overexposed damaged film, with some shadows just barely visible that might be a face.
7. Lower left. Caption: "There's one pretty funny (audio-only) joke about lipstick and fellatio. Maybe there's a vampire?? Maybe there's an earthquake???"
8. Lower middle. Caption: "I get why it's historically significant and trangressive but... alas, I was mostly not into this at all."
9. Lower right. Smaller head of the same man from the beginning, looking distressed, saying "Make it stop". Caption: "But still, don't talk in the damn theater, dude."
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Eli Bishop @errorbar.bsky.social · 21/06/2026
Watching movies at the Frameline festival and doing time-limited drawings about them. Here's UN CHANT D'AMOUR (1954). I know I accidentally wrote "1950" in the drawing. [drawn in 22 minutes]
A scribbly pencil-drawn comic by Eli Bishop titled "Un Chant d'Amour (A Love Song) (1950), written/directed by Jean Genet."
1. Drawing: Dark-haired man in a tank top standing half-turned away from us, caressing the tattoo on his shoulder. Smoke is entering the space near him from a little straw. Caption: "Genet's only film. It's gorgeous."
2. Drawing, immediately to the right: Another dark-haired man, with harsher features, is bending toward the wall between them, blowing cigarette smoke into that straw. Caption: "(Silent) Sad attempts at connection and comfort, but better than not having them."
3. Drawing, at center below the first two: a man in a dark uniform with many buttons on his jacket and a military-style hat. His expression is neutral. Caption: "Better than being this guy - the guard - a voyeur, pathetic, but dangerous, but pathetic."
4. Drawing, to the left of the guard: four tiny panels floating against a dark background, each with one stick figure in a different pose. One is standing with a hand between his legs, one is turned away, one is dancing, one is reclining. Caption: "Glimpses of a tiny world of solitary rituals."
5. Drawing, to the right of the guard: a grove of quickly-sketched trees, brightly lit, with two figures running through. Caption: "Glimpses of a world of freedom. Dream? Memory? It's theirs."
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Eli Bishop @errorbar.bsky.social · 21/06/2026
Maybe I'll start posting some more sketchbook/comics stuff here. I've been doing daily/semi-daily time-limited drawings, and now I'm watching movies at the Frameline festival, so here's one about the opening-night feature: LADY CHAMPAGNE (2026). [drawn in 21 minutes]
A scribbly pencil-drawn comic titled "Lady Champagne (2026), written/directed by D'Arcy Drollinger". In a loose layout:
1. Drawing: D'Arcy Drollinger as an angry drag nun brandishes a nunchaku at two thugs with 1970s mustaches. Caption on the nun: "yes it is a 'nunchucks' joke." Caption on the taller thug: "Ryan Patrick Welsh, about to get beat up."
2. Caption only: "Shamelessly goofy exploitation parody. Starring basically every drag artist around here."
3. Drawing: very squiggly street with a running stick figure, a crudely drawn car, and another stick figure on a skateboard. Caption: "Lombard Street chase scene!"
4. Caption: "They're all great but (as in their last movie) Mathew Martin steals the show as the supervillain." Drawing: Matthew Martin as a scowling drag villain, in a suit with massive shoulder pads and a low-cut blouse. Behind her is a framed portrait of herself in the same pose.
5. Caption: "Seen at the Castro Theatre of course."
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Jennifer Camper @jennifercamper.bsky.social · 07/06/2026
I’m devastated over the loss of Marjane Satrapi. This is my 2004 book review of her brilliant and ground breaking comics. (Published in Women’s Review Of Books.)
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Johanna Bishop @johannabishop.bsky.social · 03/06/2026
Right in time for Pride Month! My, did it give me flashbacks to the 2000 World Pride in Rome. They went all out to stop it but failed; there were more than half a million people and I still get a little choked up remembering it. We knew we were making history and hey, here it is
Box of hardcover copies of The Unspeakable Vice: The Catholic Church and Homosexuality in the Twentieth Century, by Francesco Torchiani, translated by me (and my name's on the cover, yay)
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Eli Bishop @errorbar.bsky.social · 13/05/2026
On the one hand, this is some of the most heinous evil shit I've heard from a US government official (and I grew up in the 80s!). On the other hand, Gorka is a pathetic joke of a man and he can kiss the collective ass of my radically pro-transgender community.
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Eli Bishop @errorbar.bsky.social · 01/04/2026
For #tdov I was lucky to catch a special screening of this very very good documentary that's been at some festivals - hoping it gets distribution soon, it's important work and it'll make you warm & weepy & angry. www.thefilmcollaborative.org/films/justkids
thefilmcollaborative.org
Just Kids
JUST KIDS is a documentary that follows three teens in states that restrict gender-affirming care. Over the course of a year, these families endure impossible challenges and show unparalleled strength...
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Eli Bishop @errorbar.bsky.social · 07/03/2026
I imagine that one reason for the large overlap between just-asking-questions contrarians and AI superfans is that a bot will never, ever get tired of their musings or tell them they don't really have a point.
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Eli Bishop @errorbar.bsky.social · 28/02/2026
Being an American who grew up in the 80s & 90s, I've seen my country threatening to go to war with Iran for pretty much my whole life, and up till today I took some comfort in that being one of the disastrous things we had managed not to do. I'm sorry my country is so sick and dangerous.
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Eli Bishop @errorbar.bsky.social · 21/02/2026
Maybe I shouldn't give it clicks, but I do think this bit of Vox/Atlantic goofballery is useful as an example of rhetorical evasiveness, and hand-waving at real leftist concerns that the pundit doesn't really give a crap about, because there is no real goal, just "you're wrong to care about ___".
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Eli Bishop @errorbar.bsky.social · 11/02/2026
Todd Haynes's POISON. I walked into it randomly, as a teenager who was just getting used to being able to go to random arthouse movies in the big city. Had no idea what I was in for, ended up still not being sure what I'd seen but loving it.
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Elle Ess @viamarsala18.bsky.social · 07/01/2026
I need people to wrap their minds around the fact that here in Minneapolis, ICE broke the window of a vehicle yesterday, pepper sprayed the occupants, and arrested them, and shot another observer in the face today, and OBSERVERS ARE STILL GOING OUT TO PROTECT THEIR NEIGHBORS AT MASSIVE PERSONAL RISK
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Eli Bishop @errorbar.bsky.social · 11/12/2025
What if there was a feature on this website where if you wrote "I guess I'm not allowed to have an opinion" and "sorry if the truth hurts your feelings" in the same post, your phone would throw up on you
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