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@differences.bsky.social
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a journal of feminist cultural studies | differencesjournal.org

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Jonathan Basile @jonothingeb.bsky.social · 23/09/2026
Quite honored to be part of such a line-up!
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Jean-Thomas Tremblay @jttremblay.bsky.social · 10/09/2026
My new essay—on prosopopoeia, late liberalism, nuclear colonialism and imperialism, and sexual difference—is out in the Sept. issue of @differences.bsky.social. With readings of Albert Serra's Pacifiction, Anohni's Hopelessness, and an ecodrama by Ontroerend Goed. A taste of the big-book-to-come.
read.dukeupress.edu
Calamity as Defacement
Abstract. Prosopopoeia defines legal and discursive efforts to cognize, and to exempt ourselves from, extinction. The figure of the Anthropocene, for instance, fits a human mask onto the modulation of...
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Elizabeth A. Wilson @elizwilsonemory.bsky.social · 05/09/2026
Some very favorite essays in this issue!!
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differences @differences.bsky.social · 05/09/2026
differences 37.2 is out now! — featuring essays from D. N. Rodowick, Jean-Thomas Tremblay, Jonathan Basile, Mylène Yannick Gamache, Sarah Cavar, Willa Smart, and Adam J. Frank. Read it here: read.dukeupress.edu/differences/...
Cover of differences: A Journal of Feminist Cultural Studies, volume 37, number 2. A pale yellow bar with the journal's title in black crosses over the top quarter of the darker yellow cover.
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Elizabeth A. Wilson @elizwilsonemory.bsky.social · 21/08/2026
David Hollingshead really leans in on New Materialism. Let us know what you think!
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differences @differences.bsky.social · 21/08/2026
"What does it mean to call oneself a 'new materialist' in the year 2026?" — read David Hollingshead's "Securitizations of the Self: Deviant Matter after New Materialism" on our online forum: differencesjournal.org/writing/secu...
A diagram from Bruno Latour's book We Have Never Been Modern is superimposed on a popular Internet meme, in which objects are difficult to identify.
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Duke University Press @dukepress.bsky.social · 23/05/2026
The Weekly Read is “Letters from Underground” by Rosalind C. Morris. The article appears in For Whom Do We Read, a special issue of @differences.bsky.social (37:1), edited by Peter Szendy. Read this article for free through 8/20: buff.ly/xbs7Zwc
Differences cover with bold yellow background and centered text asking For Whom Do We Read
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Duke University Press @dukepress.bsky.social · 21/05/2026
This special issue of @differences.bsky.social invites literary theorists and historians to engage with a question raised by this reader: For whom do we read? View the TOC and read the editor's introduction, made freely available: buff.ly/FYRFI0L
Differences cover with bold yellow background and centered text asking For Whom Do We Read
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differences @differences.bsky.social · 21/05/2026
differences 37.1 is out now — edited by Peter Szendy, "For Whom Do We Read?" features essays from Emily Apter, Leah Price, Thomas Schestag, Rosalind C. Morris, Emily Greenwood, Jesse McCarthy, Paul North, and Daniel Heller-Roazen: read.dukeupress.edu/differences/....
Cover of For Whom Do We Read, a special issue of differences: A Journal of Feminist Cultural Studies, volume 7, issue 1. A yellow cover with black text.
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Stanford University Press @stanfordpress.bsky.social · 17/02/2026
Behind Our Backs is out! "In this brilliant study of social forms, De'Ath shows how a surprisingly speculative strain of contemporary poetry explores unseen connections between the domination of value and the process of feminization." —Sianne Ngai, University of Chicago ow.ly/IJRh50YgW1o
Book cover of Behind Our Backs: Feminized Poetry and Capitalist Abstraction by Amy De'Ath
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differences @differences.bsky.social · 20/02/2026
"Digital networks, in fact, are largely walled. If the networked media space is often imagined as an open grid, then the wall is its containing surface" — read Jinying Li's "Toward a Genealogy of the Wall-Screen," freely available for the next two months: read.dukeupress.edu/differences/...
Screen capture of an empty page with an error message that displays the blockage of facebook.com by the Great Firewall.
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The Pembroke Center at Brown University @pembrokecenter.bsky.social · 06/02/2026
Join us Friday, March 6 for History under Siege!
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Elizabeth A. Wilson @elizwilsonemory.bsky.social · 16/01/2026
If you’re in the vicinity, we’d love to see you at Limits of Legibility #3!
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differences @differences.bsky.social · 15/01/2026
join us in Providence on March 6th for Limits of Legibility: History under Siege — a colloquium featuring Joan Wallach Scott, Omnia El Shakry, Gary Wilder, and Korey Williams: events.brown.edu/pembroke/eve...
This image is a poster for a colloquium titled "Limits of Legibility: History under Siege." White and yellow text on black background. The description reads: "How does critical history address the impasse between conventional history, on the one hand, and aggressive authoritarian rewriting of history, on the other? Given critical history’s theoretical critique of the positivist understanding of facts, what is its response to the assertion of 'alternative facts'? And what impact, if any, can it have on current battles as to what counts as history?" Below this description is a list of participants: Joan W. Scott (Insitute for Advanced Study), Omnia El Shakry (Yale University), Gary Wilder (CUNY Grad Center), and Korey Williams (University of Chicago). The event will take place on March 6th from 2pm to 6pm at Brown University in Pembroke Hall 305.
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Duke University Press @dukepress.bsky.social · 27/12/2025
The Weekly Read is “The Americanity of the 'American Lyric': Claudia Rankine in Ibero-American Translation” by Whitney Devos. The article appears in Lyric beyond Containment, a special issue of @differences.bsky.social (36:2-3). Read it for free: buff.ly/hj5wL6r
Cover of Differences journal issue with yellow background, horizontal gray band, title Lyric beyond Containment, and contributor names listed.
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Duke University Press @dukepress.bsky.social · 10/12/2025
"Lyric beyond Containment," a special issue of differences edited by Sarah Dowling and Claire Grandy, is now available. View the TOC, read the intro, and "The Americanity of the 'American Lyric',"all freely available: buff.ly/3RkT2Hv
Cover of Differences journal issue with yellow background, horizontal gray band, title Lyric beyond Containment, and contributor names listed.
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Sarah Dowling @sarahmdowling1.bsky.social · 08/12/2025
Our special issue of differences is out! Claire and I were asked to suggest one article that would be open access, and (although it was VERY hard to choose) we picked Whitney’s, which is about Claudia Rankine’s “American lyric” in Ibero-American translation: read.dukeupress.edu/differences/...
read.dukeupress.edu
Volume 36 Issue 2-3 | differences | Duke University Press
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Keegan Cook Finberg @keegancf.bsky.social · 07/12/2025
I’m proud to be part of this issue
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differences @differences.bsky.social · 06/12/2025
differences 36.2–3 is out now — edited by Sarah Dowling and Claire Grandy, "Lyric beyond Containment" features essays from Jacques Khalip, David Marriott, Andrea Brady, Amy De'Ath, Whitney DeVos, Jan Mieszkowski, Ren Ellis Neyra, Susan Briante, more: read.dukeupress.edu/differences/...
Cover of Lyric beyond Containment, a special issue of differences: A Journal of Feminist Cultural Studies, volume 36, issue 2–3. A yellow cover with black text.
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Sarah Dowling @sarahmdowling1.bsky.social · 20/10/2025
If you’re ASAP-ing, join Claire & I & our assembled luminaries for the Lyric beyond Containment seminar on Friday! We’ll be sharing material from our forthcoming special issue of @differences.bsky.social, I’ll share a bit from Here Is a Figure, & there’ll be previews of some fab books in poetics!
Screenshot of proofs of the intro to the Lyric beyond Containment special issue of differences, by Sarah Dowling & Claire Grandy
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Zahid R Chaudhary @zahidrc.bsky.social · 13/08/2025
Publication date: Nov 4, 2025 🎉
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differences @differences.bsky.social · 07/08/2025
"Laughter […] lingers in the racialized, sexualized, and gendered spaces of abjection that drive the subject to the edges of meaning" — from our latest issue, read Iván A. Ramos's "Breaking Down, Breaking Together" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "My argument is not for a body emptied of its social markers, as these come to the fore in and thorugh Ibarra’s performance. As she tends toward the edge of meaning, Ibarra’s racialized and gendered body becomes resignified in multiple and sometimes surprising ways. Indeed, Ibarra herself has described the origin of the piece as an attempt to grapple with the ongoing burden of white womanhood that women of color must bear. Yet, as I will show, the ways in which laughter taxes and exhausts the body move beyond this intention to produce another set of meanings that have become apparent as Ibarra has continued to perform the piece. In other words, Nude Laughing also reveals how the fraught social relations of race and gender are reproduced and perhaps inevitably made abject. So even if the ways in which a laughing body exceeds the limits of subjectivity are at the heart of this essay, the social world we inhabit reveals that attempting to think beyond the violence of sociality is itself fraught and impossible."
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Joey S. Kim (she/her) @joeykim.bsky.social · 28/07/2025
“What is a feminist theory of exhaustion?…We are exhausted from feminism but decidedly not taking a ‘break’ from its demands. We are doing it tired.” Incredible essay by Jennifer C. Nash & Samantha Pinto in @differences.bsky.social. Free to read: read.dukeupress.edu/differences/...
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differences @differences.bsky.social · 28/07/2025
"Kim’s work does not allow us to inhabit the virtual spaces we see before us. Instead, her rendering of space and the various ghosts that haunt those spaces seem to take possession of our bodies" — read Kriss Ravetto-Biagioli's "Spectral Forensics" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Rather than attempt to make a case for identifying with ghosts or being able to feel their trauma, I am interested in how the feeling of being immersed within such uncanny spaces produces its own sense of distance and proximity—a critical as well as an emotional understanding—without creating a form of individual subjectivity. In the case of Kim’s trilogy, this is an uncomfortable type of thinking-feeling, one that makes us grasp what both the South Korean and U.S. governments have tried so hard to render invisible: the patron-client relationship between South Korea and the United States, the relation of prostitution to military and global capital, and the historical silencing of women forced into sex trafficking and prostitution."
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Duke University Press @dukepress.bsky.social · 26/07/2025
The Weekly Read is "On Exhaustion: Toward a Post-Care Feminism" by Samantha Pinto and Jennifer C. Nash. The article was published in Dossier: Limits of Legibility—Questions of Blackness and Sexuality, a special issue of @differences.bsky.social (36:1). Read the article for free: buff.ly/XDrQAhF
Cover of differences: A Journal of Feminist Cultural Studies, Volume 36, Number 1 (May 2025). The background is solid yellow with a horizontal beige band across the middle containing the journal title "differences" in lowercase serif letters. Below the band, the issue’s featured dossier is titled "Limits of Legibility—Questions of Blackness and Sexuality," with contributing authors listed: Kriss Ravetto-Biagioli, Matthew Helm, Iván A. Ramos, Jennifer C. Nash, Samantha Pinto, Lee Edelman, David Marriott, and Selamawit D. Terrefe.
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The Pembroke Center at Brown University @pembrokecenter.bsky.social · 17/07/2025
We are delighted to welcome two new Center staff. Scott Jackshaw joins differences as Managing Editor; Erin Perfect joins the archives team as Processing Archivist. Read about Scott : pembroke.brown.edu/news/2025-07... Read about Erin: pembroke.brown.edu/news/2025-05... @differences.bsky.social
Text reads Welcome to our newest staff members and has an arrow indicating that there are more images to come.Headshot of Scott Jackshaw, Managing Editor of differencesHeadshot of Erin Perfect, Processing Archivist
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The Pembroke Center at Brown University @pembrokecenter.bsky.social · 03/07/2025
To read: this interview of Elizabeth Weed and Elizabeth A. Wilson, differences editors, by Eugenia Zuroski, president of the Council of Editors of Learned Journals. www.celj.org/featured-jou.... differences is CELJ's newest featured journal. @differences.bsky.social‬ ‪@elizwilsonemory.bsky.social‬
celj.org
Differences — Council of Editors of Learned Journals
Editors of differences were interviewed by CELJ Board members, Debra Rae Cohen and Eugenia Zuroski as CELJ’s newest featured journal!
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Duke University Press @dukepress.bsky.social · 05/06/2025
"Dossier: Limits of Legibility—Questions of Blackness and Sexuality," a special issue of @differences.bsky.social (36:1), is now available! View the TOC and read "Ce n’est pas ça: Blackness, Sex, and the Set of Illegibles" by Lee Edelman, freely available through 9/5: buff.ly/FhdR7Ft
Cover of differences: A Journal of Feminist Cultural Studies, Volume 36, Number 1 (May 2025). The background is solid yellow with a horizontal beige band across the middle containing the journal title "differences" in lowercase serif letters. Below the band, the issue’s featured dossier is titled "Limits of Legibility—Questions of Blackness and Sexuality," with contributing authors listed: Kriss Ravetto-Biagioli, Matthew Helm, Iván A. Ramos, Jennifer C. Nash, Samantha Pinto, Lee Edelman, David Marriott, and Selamawit D. Terrefe.
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Jennifer C. Nash @jennifercnash.bsky.social · 01/06/2025
New piece written with my most precious and treasured thinking partner, @samanthapinto.bsky.social. Thinking together about exhaustion, fatigue, and being feminist and bone tired.
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differences @differences.bsky.social · 02/06/2025
differences 36.1 is out now — featuring a dossier of essays from Selamawit D. Terrefe, David Marriott, and Lee Edelman, alongside writing from Jennifer C. Nash, Samantha Pinto, Kriss Ravetto-Biagioli, Matthew Helm, and Iván A. Ramos: read.dukeupress.edu/differences/...
Cover of differences: A Journal of Feminist Cultural Studies, volume 35, number 3. A pale yellow bar with the journal's title in black crosses over the top quarter. Below the title, black text on a yellow background offers the issue's subtitle: "Dossier: Limits of Legibility—Questions of Blackness and Sexuality."
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Samantha Pinto @samanthapinto.bsky.social · 01/06/2025
We thought we knew tired when we wrote this. Exhausted with @jennifercnash.bsky.social @differences.bsky.social doi.org/10.1215/1040...
doi.org
On Exhaustion: Toward a Post-Care Feminism
This essay is a critical response to the emergence of “care” as the antidote to the multiple crises that plague the present. The call for care— intramural care, radical care, mutual aid, etc.—has prol...
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The Pembroke Center at Brown University @pembrokecenter.bsky.social · 12/03/2025
Thanks to the panelists and moderator for the second differences colloquium: The Climate of Critique. Video coming soon! @jttremblay.bsky.social @elizwilsonemory.bsky.social
From left: Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), Jean-Thomas Tremblay (York), Lynne Huffer (Emory), and Elizabeth A. Wilson (Emory; moderator).
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differences @differences.bsky.social · 03/02/2025
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University.Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background.  The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
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The Pembroke Center at Brown University @pembrokecenter.bsky.social · 21/02/2025
Join us for The Climate of Critique in two weeks feat. Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson.
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differences @differences.bsky.social · 17/02/2025
"It was difficult to write Giving an Account of Oneself, since I included very little autobiographical detail" — from our latest issue, read Judith Butler's "Giving an Account: When, Where, for Whom, and Why?" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "The 'I' is not
something rhetorically convenient. It is a first-person register one cannot do without. There are disturbances in that register. It is at once utterly personal, if not existential, and linguistic, and the gap between those two registers is precisely the difficulty that the book meant to address: the abyss into which we sometimes fall, but also an opening that allows others to try out the same 'I' or substitute another one for mine. I do not know myself perfectly, but I sense that I am neither hiding behind abstraction for purposes of privacy nor am I fleeing into abstraction to escape a problematic embodiment. I am actually trying to connect with those who also tend to fail when they seek to give an account of themselves in a language that, strictly speaking, belongs to none of us."
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differences @differences.bsky.social · 10/02/2025
"If queer theory has struggled to think of narrative in these terms, it is perhaps because we have defined narrative as one line driven toward closure" — read @teaganbradway.bsky.social's "Renarratable Bonds: Queer Relationality in the Scene of Redress" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Generally, antinarrative theorists define queerness as a force of negativity that ruptures the illusory structures of identity (see Edelman, No and Bad). Narrative perpetuates these structures by promising a satisfying closure that will never arrive. Butler similarly challenges the desire for 'narrative closure for our lives' (Giving 64). They are especially critical of those who idealize a coherent, definitive life story as key to a healthy psyche. In fact, they go so far as to suggest that 'something we might tentatively call the truth of the person [ . . . ] might well become more clear in moments of interruption, stoppage, open-endedness—in enigmatic
articulations that cannot easily be translated into narrative form.' While
they embrace the enigmas that exceed narration, Butler nonetheless refuses 'to celebrate a certain notion of incoherence' as a queer ideal. Rather than opposing incoherence to identity, Butler defines incoherence as the existential price of our relational being. In their words, '[O]ur ‘incoherence’ establishes the way in which we are constituted in relationality: implicated, beholden, derived, sustained by a social world that is beyond us and before us.' We simply cannot do without incoherence. But too much incoherence can lead to painful or even unlivable states of fracture, and as Butler cautions, '[T]he suffering that belongs to conditions of dissociation should not be underestimated' (52). We need some measure of coherence to survive.
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Elizabeth A. Wilson @elizwilsonemory.bsky.social · 03/02/2025
Really looking forward to this event. See you there!
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differences @differences.bsky.social · 03/02/2025
join us in Providence on March 7th for Limits of Legibility: The Climate of Critique — a colloquium featuring Lynne Huffer, Axelle Karera, Dixa Ramírez D’Oleo, and Jean-Thomas Tremblay, moderated by Elizabeth A. Wilson: events.brown.edu/pembroke/eve...
Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background. Logos in the bottom corners indicate that the event is sponsored by differences: A Journal of Feminist Cultural Studies and the Pembroke Center at Brown University.Poster for a colloquium titled "Limits of Legibility: The Climate of Critique." White and yellow text on black background.  The description reads: "Ecocriticism has been seduced by metaphors of entanglement. Four critics challenge the increasingly dominant logic of relationality to think the climate crisis without displacing the social and racial antagonisms that found it." Below this description is a list of participants: Lynne Huffer (Emory), Axelle Karera (Emory), Dixa Ramírez D’Oleo (Brown), and Jean-Thomas Tremblay (York), with Elizabeth A. Wilson (Emory) moderating. The event will take place on March 7th from 2pm to 6pm at Brown University in Pembroke Hall 305.
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Duke University Press @dukepress.bsky.social · 25/01/2025
The #WeeklyRead is “On Receiving Accounts from Others” by Sara Ahmed. The article appears in "Unaccountably Queer", a special issue of @differences.bsky.social (35:3) edited by Teagan Bradway Read this article for free through March 31, 2025:
buff.ly
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differences @differences.bsky.social · 08/01/2025
"Another way of cohabitating and coming to justice out of historical conflicts will remain elusive so long as we turn to gender to change the world" — from our latest issue, read Jules Gill-Peterson's "Who Is the Subject of Gender Self-determination?" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Yet, as a historian, I doubt that self-determination through a radical politics of gender genuinely bonds people ontologically across time, geography, race, class, language, kinship, and religion, precisely because gender’s sovereignty is the historical product of colonial, anti-Black, and settler projects of domination. A multitude of colonial and capitalist histories remind us that the wish to kill ontological transness and its built-in failure do not produce a symmetrical, common condition worth
affirming. In fact, histories of state power suggest the opposite."
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Jean-Thomas Tremblay @jttremblay.bsky.social · 19/12/2024
Some things I enjoyed writing—in some cases, a while ago—that were published in 2024 (or just before). (1) In December: "Basically the Same: Todd Haynes's May December," about repetition-compulsion and the “romance of intractability," on @differences.bsky.social's online forum.
differencesjournal.org
Basically the Same: Todd Haynes’s May December — differences: a journal of feminist cultural studies
Haynes delights in imitation, as is his custom. His filmography comprises deconstructive approaches to the musical personae of David Bowie, Bryan Ferry, Marc Bolan, and Bob Dylan (Velvet Goldmine, I’m...
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Leigh Gilmore @lgilmore.bsky.social · 12/12/2024
This special issue is filled with extraordinary essays and, in response to them, Butler explores more autobiographical territory than is their norm. Brilliantly edited by @teaganbradway.bsky.social. You can read my essay here and I wholeheartedly recommend the entire issue.
read.dukeupress.edu
Giving an Epistolary Account of Oneself: Hannah Arendt and Mary McCarthy
This article reads the decades-long correspondence between Hannah Arendt and Mary McCarthy as an account, following Judith Butler. Specifically, it argues that an epistolary subject emerges through th...
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Teagan Bradway @teaganbradway.bsky.social · 12/12/2024
It's here!!! I'm extremely excited to share “Unaccountably Queer,” the special issue of Differences: A Journal of Feminist Cultural Studies that I edited in honor of Judith Butler’s groundbreaking “Giving an Account of Oneself." read.dukeupress.edu/differences/...
read.dukeupress.edu
Volume 35 Issue 3 | differences | Duke University Press
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differences @differences.bsky.social · 12/12/2024
differences 35.3 is out now! — edited by @teaganbradway.bsky.social, "Unaccountably Queer" features essays from Gila Ashtor, Cassius Adair, Sara Ahmed, Judith Butler, Jules Gill-Peterson, and more: read.dukeupress.edu/differences/...
Cover of "Unaccountably Queer" a special issue of differences: a journal of feminist cultural studies, volume 35, number 3. Yellow background with black text. A pale yellow bar with the journal's title in black crosses over the top quarter.
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differences @differences.bsky.social · 05/12/2024
"To hold, to feel, to touch Black women’s sexualities, we must imagine and reimagine the event horizon of the ship’s hold and, for a moment, speculate" — read Kimberly Bain's "HOLD : SPACE" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "Trapped in the hold—surrounded by the dead and dying, perhaps, too, dead and dying—Blackness, Black women, and Black women’s sexualities were alive. In some ways, reading for that aliveness, that ongoingness inside Black female sexualities, is a question of method."
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differences @differences.bsky.social · 21/11/2024
"What openings does spacetime provide that the maritime, perhaps, cannot as readily support?" — from our latest issue, read Petal Samuel's "Black Gravity, or a Hidden History of Empire" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "If maritime metaphors grapple continuously with how to map Blackness’s trajectories—our relationships to space, the environment, our history, and each other—spacetime metaphors may be more interested in sensing and, thereby, elaborating new ways of knowing: they press on the ways we fail to adequately know and name the fullness of Blackness’s meanings, locations, enactments, and possibilities."
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differences @differences.bsky.social · 31/10/2024
After 35 years of publication, we’re updating our advisory board! The scholars gathered here share the journal’s commitment to critical thinking about difference, and we are thrilled to have their support. Take a look at the new masthead here: differencesjournal.org/about
A list of the new advisory board members, which includes Aliyyah Abdur-Rahman, Eugenie Brinkema, Wendy Brown, Judith Butler, Anne Anlin Cheng, Rey Chow, Joan Copjec, Penelope Deutscher, Mary Ann Doane, Lee Edelman, Mike Fortun, Alexander R. Galloway, Leela Gandhi, Lynne Huffer, Lynne Joyrich, Wendy Allison Lee, Elissa Marder, David Marriott, Emily A. Owens, Thangam Ravindranathan, Denise Riley, Jacqueline Rose, Darieck Scott, Joan Wallach Scott, Jared Sexton, Sara-Maria Sorentino, Gayatri Chakravorty Spivak, Suzanne Stewart-Steinberg, Peter Szendy, Samo Tomšič, Jean-Thomas Tremblay, Robyn Wiegman, and Alenka Zupančič.
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differences @differences.bsky.social · 15/10/2024
"Black scientists have been here the whole time" — read @chanda.bsky.social's "The Cosmos Is a Black Aesthetic" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: "This requires, as with black hole space-times, seeing what is not always obvious in a colonial academy: science is already part of Black thought. Black scientists are not a figment of Afrofuturist imagination. We are an Afrofuture, already arrived and still arriving. There is no need to transform the cosmos into a Black aesthetic. The cosmos is a Black aesthetic, has long been so, and will continue to be so. Using the framework provided by Hammonds in “Black (W)holes,” I write now to urge us to read ourselves where we already are, lovingly, as a story that never stopped unfolding. We are, as Sylvia Wynter has declared us, homo narrans, bios and mythoi (Wynter and McKittrick)."
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differences @differences.bsky.social · 07/10/2024
"What does it mean to labor in a field (figuratively and literally) under constant and reoccurring erasure?" — from our latest issue, read Sharon P. Holland's "Black (W)holes: A Problem for Feminist Thought" here: read.dukeupress.edu/differences/...
An excerpt from the linked article, which reads: ""For my work, both in this essay and elsewhere, the questions that Hammonds asks throughout her remarkable essay on the unfathomable 'Black (W)hole' pinpoint not a political problem (though the exclusion of “us” would be considered as a political one for the better part of a decade), but a theoretical one, or a problem for queer thought. The construction of bodies outside of queerness proliferated popular theoretical paradigms like queer of color critique as an interventionist strategy—one that for all of its rigor and charm still produced itself in opposition to a vacant space masquerading as an impenetrable brick wall. There was simply no there, there. There is no 'queer theory,' no talk of sexuality without the imprint of centuries of commerce in bodies that mattered."
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differences @differences.bsky.social · 01/10/2024
differences 35.2 is out now! — edited by Shoniqua Roach, "Inside the Black (W)hole" features essays from Moya Bailey, Sharon P. Holland, Amber Jamilla Musser, Chanda Prescod-Weinstein, Tiffany Willoughby-Herard, and more: read.dukeupress.edu/differences/...
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