Sign in

Ian

@crossoverappeal.bsky.social
57 followers 302 following 28 posts

Intermittent critic and interviewer.

PostsRepliesMedia
Reposted by Ian
Ian @crossoverappeal.bsky.social · 5h
avlpb.bigcartel.com
Excerpt from Unbound in the Square, describing Punisher: P.O.V.: “As a longbox mainstay, P.O.V. is one of the best examples of what
the so-called Iron Age of comics had to offer. With the kinks pulled taut
and wrinkles ironed smooth in the late-eighties, the high-line, squarebound
format introduced by books like TDKR and taken up by books like The Cult,
was no longer an anomalous offering to the direct market. From an editorial
perspective, the squarebound format was a proven weapon in the battle for
respectability of the medium. For creators, it was a vehicle to drive hard-won
name recognition. For the marketing department, it was a tried and true sales
strategy.
With a good half-decade of steady coaching, consumers now knew
what to expect from these “prestige” books: more of the stories they loved,
less encumbered by the canonical concerns of their ongoing counterparts,
bound up in a nicer package. At Marvel, the Epic imprint provided a venue
for creators to push the boundaries of the genre even further. In the inter-
vening years, Miller and new collaborator Bill Sienkiewicz, fresh off of his
own groundbreaking run on New Mutants, delivered another installment
to his Daredevil canon in the graphic novel Daredevil: Love and War and the
fulsome Epic limited series Elektra: Assassin. On his own, Sienkiewicz pushed
the format further into the realm of the strange with the feverish and kalei-
doscopic avant-garde thriller Stray Toasters. And Walt and Louise Simonson
teamed with painters Kent Williams and Jon J. Muth to explore the waning
days of the Cold War in Havok and Wolverine: Meltdown. Creators found
new narrative territory and new possibilities for structuring their stories
in the ad-free, expansive format and an environment in which they could
pursue their passion projects with less editorial oversight, standing or falling
on their own visions.
002
Ian @crossoverappeal.bsky.social · 5h
avlpb.bigcartel.com
Excerpt from Unbound in the Square, describing Punisher: P.O.V.: “As a longbox mainstay, P.O.V. is one of the best examples of what
the so-called Iron Age of comics had to offer. With the kinks pulled taut
and wrinkles ironed smooth in the late-eighties, the high-line, squarebound
format introduced by books like TDKR and taken up by books like The Cult,
was no longer an anomalous offering to the direct market. From an editorial
perspective, the squarebound format was a proven weapon in the battle for
respectability of the medium. For creators, it was a vehicle to drive hard-won
name recognition. For the marketing department, it was a tried and true sales
strategy.
With a good half-decade of steady coaching, consumers now knew
what to expect from these “prestige” books: more of the stories they loved,
less encumbered by the canonical concerns of their ongoing counterparts,
bound up in a nicer package. At Marvel, the Epic imprint provided a venue
for creators to push the boundaries of the genre even further. In the inter-
vening years, Miller and new collaborator Bill Sienkiewicz, fresh off of his
own groundbreaking run on New Mutants, delivered another installment
to his Daredevil canon in the graphic novel Daredevil: Love and War and the
fulsome Epic limited series Elektra: Assassin. On his own, Sienkiewicz pushed
the format further into the realm of the strange with the feverish and kalei-
doscopic avant-garde thriller Stray Toasters. And Walt and Louise Simonson
teamed with painters Kent Williams and Jon J. Muth to explore the waning
days of the Cold War in Havok and Wolverine: Meltdown. Creators found
new narrative territory and new possibilities for structuring their stories
in the ad-free, expansive format and an environment in which they could
pursue their passion projects with less editorial oversight, standing or falling
on their own visions.
002
Ian @crossoverappeal.bsky.social · 5h
Reading the early Don DeLillo novels makes me believe that people really did put lampshades on their heads during raucous midcentury cocktail parties.
000
Reposted by Ian
Ian @crossoverappeal.bsky.social · 16h
Unbound in the Square: Superhero Auteurs in Reagan’s America 68 pages for $5.95 By Ian Thomas Edited by Austin English Cover by Johnny Damm All proceeds go to Asheville Prison Books Project. avlpb.bigcartel.com
Frank Castle escapes from a government helicopter by diving. From Punisher: P.O.V. (1991) written by Jim Starlin with art by Bernie Wrightson and colors by Bill Wray.
011
Ian @crossoverappeal.bsky.social · 16h
Unbound in the Square: Superhero Auteurs in Reagan’s America 68 pages for $5.95 By Ian Thomas Edited by Austin English Cover by Johnny Damm All proceeds go to Asheville Prison Books Project. avlpb.bigcartel.com
Frank Castle escapes from a government helicopter by diving. From Punisher: P.O.V. (1991) written by Jim Starlin with art by Bernie Wrightson and colors by Bill Wray.
011
Reposted by Ian
Ian @crossoverappeal.bsky.social · 29/09/2026
Miller, Janson, Varley, Starlin, Wrightson, Wray, and Reagan. Unbound in the Square. A 68 page chapbook benefit for Asheville Prison Book Project. avlpb.bigcartel.com
Detail from Batman: The Cult by Starlin, Wrightson, and Wray. An announcement is made that Gotham is in a state of emergency as a sniper aims his rifle out of a storm drain saying “you bet your ass it is.”
023
Ian @crossoverappeal.bsky.social · 29/09/2026
Miller, Janson, Varley, Starlin, Wrightson, Wray, and Reagan. Unbound in the Square. A 68 page chapbook benefit for Asheville Prison Book Project. avlpb.bigcartel.com
Detail from Batman: The Cult by Starlin, Wrightson, and Wray. An announcement is made that Gotham is in a state of emergency as a sniper aims his rifle out of a storm drain saying “you bet your ass it is.”
023
Reposted by Ian
Zack Quaintance @zackquaintance.bsky.social · 28/09/2026
i had a chance to check this out and it's a great project for a worthy cause take a look!
021
Reposted by Ian
Ian @crossoverappeal.bsky.social · 28/09/2026
Unbound in the Square: Superhero Auteurs in Reagan’s America. Dark Knight Returns. Batman: The Cult. Punisher: P.O.V. avlpb.bigcartel.com All proceeds go to Asheville Prison Books Project.
Detail from Batman: The Cult, written by Jim Starlin with art by Bernie Wrightson. Colored by Bill Wray.
073
Ian @crossoverappeal.bsky.social · 28/09/2026
Unbound in the Square: Superhero Auteurs in Reagan’s America. Dark Knight Returns. Batman: The Cult. Punisher: P.O.V. avlpb.bigcartel.com All proceeds go to Asheville Prison Books Project.
Detail from Batman: The Cult, written by Jim Starlin with art by Bernie Wrightson. Colored by Bill Wray.
073
Reposted by Ian
Ted Leo 🍉 @tedleo.bsky.social · 27/09/2026
Check out this cool fundraiser for Asheville Prison Books Project -
1186
Ian @crossoverappeal.bsky.social · 27/09/2026
In my interview with AVLPB and other books-to-prisoners groups, they emphasize the struggle against subjective rules and limited resources, and the need to push through those barriers in the name of solidarity with prisoners. Sales of Unbound will help offset those costs: avlpb.bigcartel.com.
tcj.com
Comics for Prisoners: A Roundtable - The Comics Journal
Do incarcerated people want to read comics? Absolutely. But how can they? Ian Thomas speaks with representatives of four organizations dedicated to getting books into the hands of American prisoners -...
022
Reposted by Ian
The saddest girl to ever hold a martini @lifeisterrible.bsky.social · 21/09/2026
hello hi hey do it, everyone buy it it is a great cause please thank you ❤️ avlpb.bigcartel.com/product/unbo...
avlpb.bigcartel.com
Unbound in the Square: Superhero Auteurs in Reagan's America (AVLPB Benefit)
In “Unbound in the Square: Superhero Auteurs in Reagan's America,” critic Ian Thomas explores a lineage of titles from the early days of the squarebound comics format; a design-forward, creator-driven...
2104
Ian @crossoverappeal.bsky.social · 26/09/2026
For the weekend warriors who enjoy reading about grim and gritty superheroes while supporting the Asheville Prison Books project. All proceeds to avlpb.org! Read the excerpt at TCJ (linked below) and pick it up here! Avlpb.bigcartel.com
avlpb.bigcartel.com
AVLPB
Unbound in the Square By Ian Thomas Edited by Austin English Cover by Johnny Damm Available through October 16, 2026 All Proceeds Benefit AVLPB
000
Ian @crossoverappeal.bsky.social · 25/09/2026
Here’s the link if you want to read it at lunch. It’s a PDF, so really you can read it whenever! The future is here. Benefits Asheville Prison Books (avlpb.org) Avlpb.bigcartel.com
avlpb.bigcartel.com
AVLPB
Unbound in the Square By Ian Thomas Edited by Austin English Cover by Johnny Damm Available through October 16, 2026 All Proceeds Benefit AVLPB
000
Ian @crossoverappeal.bsky.social · 25/09/2026
Why not spend your Friday reading my chapbook, Unbound in the Square, instead of working? It’s about Miller’s Dark Knight Returns and Starlin, Wrightson, and Wray’s The Cult and P.O.V. Benefits Asheville Prison Books (avlpb.org) Excerpt here: www.tcj.com/excerpt-unbo...
tcj.com
Excerpt: Unbound in the Square: "Hunt the Dark Knight" - The Comics Journal
It's apparently Batman Day tomorrow, so here's an essay on Batman, courtesy of Ian Thomas, from a self-published charity zine.
042
Ian @crossoverappeal.bsky.social · 24/09/2026
I’m flying the flannel with Watt from Pedro.
Mike Watt and his thudstick
161
Reposted by Ian
Zack Quaintance @zackquaintance.bsky.social · 24/09/2026
listen to tim, tim has a great take here imo
023
Ian @crossoverappeal.bsky.social · 24/09/2026
Love reading about grim and gritty comics of the 1980s? Hate the dehumanizing carceral state of the present? Consider reading my chapbook about Dark Knight Returns, Batman: the Cult, and Punisher: P.O.V. 100% of Proceeds go to Asheville Prison Book Project avlpb.org www.tcj.com/excerpt-unbo...
tcj.com
Excerpt: Unbound in the Square: "Hunt the Dark Knight" - The Comics Journal
It's apparently Batman Day tomorrow, so here's an essay on Batman, courtesy of Ian Thomas, from a self-published charity zine.
1106
Reposted by Ian
Shane M. Bailey @shanembailey.com · 15/11/2024
Peter Kuper, Seth Tobocman, and Christof Kohlhofer's World War III Illustrated www.tcj.com/we-worry-abo...
tcj.com
'We worry about everything': A World War 3 Illustrated roundtable - The Comics Journal
Ian Thomas sat down with the editors of the latest issue – Susan Simensky Bietila, Nicole Schulman, Seth Tobocman, and Jordan Worley – to talk about the latest issue of the anthology, World War 3 Now,...
011
Reposted by Ian
Rocket Roc @rocketroc.bsky.social · 21/09/2025
www.tcj.com/systemic-cha... Know what I'm gonna read next.
tcj.com
"Systemic Change Is What Really Matters": An Interview with Bill Campbell - The Comics Journal
Publisher, editor and writer Bill Campbell talks with Ian Thomas about his new graphic novel with Bizhan Khodabandeh,The Day The Klan Came To Town, the historical riot that inspired it, the unfortunat...
011
Reposted by Ian
Jake "Fracadactyl" Palermo @gutternaut.substack.com · 06/03/2024
I really can't help but appreciate when someone can look at a topic and not get caught up in the rush of it. #comics #punisher www.tcj.com/notes-on-a-c...
tcj.com
Notes on A Cultural History of the Punisher - The Comics Journal
Ian Thomas presents his notes on A Cultural History of the Punisher, a recent book from veteran writer-on-comics Kent Worcester which seeks to analyze the shifting context of Marvel's inescapable vigi...
044
Reposted by Ian
Aditya Bidikar @adityab.net · 31/03/2024
Notes on A Cultural History of the Punisher: www.tcj.com/notes-on-a-c...
tcj.com
Notes on A Cultural History of the Punisher - The Comics Journal
Ian Thomas presents his notes on A Cultural History of the Punisher, a recent book from veteran writer-on-comics Kent Worcester which seeks to analyze the shifting context of Marvel's inescapable vigi...
012
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 18/10/2023
Ian Thomas reviews I Am Stan: A Graphic Biography of the Legendary Stan Lee, the second of artist Tom Scioli’s renditions of the architects of Marvel Comics after a 2020 book on Jack Kirby: “not purely a litany of sins, nor is it solely an apologia.” www.tcj.com/reviews/i-am...
032
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 04/08/2025
‘I just wanted to do my version of an H.P. Lovecraft story’: Will Menaker of Chapo Trap House interviewed by Ian Thomas www.tcj.com/i-just-wante...
tcj.com
'I just wanted to do my version of an H.P. Lovecraft story': a talk with Will Menaker of Chapo Trap House - The Comics Journal
Will Menaker of Chapo Trap House on the new anthology Year Zero (Bad Egg, 2025), political podcasting, and the opportunity of weakening Trump support in the face of the Epstein files, interviewed by W...
082
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 05/11/2024
World War III is in it‘s 45th year- issue 54’s editors Susan Simensky Bietila, Nicole Schulman, Seth Tobocman, and Jordan Worley talk with Ian Thomas about putting it all together: www.tcj.com/we-worry-abo...
tcj.com
'We worry about everything': A World War III Illustrated roundtable - The Comics Journal
Ian Thomas sat down with the editors of the latest issue – Susan Simensky Bietila, Nicole Schulman, Seth Tobocman, and Jordan Worley – to talk about the latest issue of the anthology, World War 3 Now,...
041
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 06/03/2024
Ian Thomas presents notes on A Cultural History of the Punisher, a recent book from veteran writer-on-comics Kent Worcester which seeks to analyze the shifting context of Marvel’s inescapable vigilante character. www.tcj.com/notes-on-a-c...
043
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 29/05/2026
This week on The Comics Journal: Ian Thomas talked with "Antifa Comic Book" creator Gord Hill about politics and comics.
tcj.com
A talk with 'Antifa' cartoonist Gord Hill on capitalism, fascism, resistance and comics - The Comics Journal
For most politically-minded creators seeking success in a commercial milieu, to be an artist-activist means to lean more heavily on the artist designation and couch the activism in subtext and signifi...
1134
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 20/12/2024
Where Comics Can Take Their Rightful Place as Righteous Trash: A Look at Matt Seneca’s Pure Evil By Ian Thomas: www.tcj.com/where-comics...
091
Reposted by Ian
boban @boban4.bsky.social · 26/08/2026
Η πρώτη αμερικανικη κριτική για το "Φάντασμα". Και τι κριτική! Έχω ψιλοτρελαθεί όπως μπορείτε να καταλάβετε. www.tcj.com/reviews/the-...
tcj.com
The Spectre - The Comics Journal
The Spectre (Kersplebedeb Publishing, 2026) by Lefteris “Boban” Papathanasis, Mauro Vanetti, Vangelis Zikos, reviewed by Ian Thomas.
167144
Reposted by Ian
Ian @crossoverappeal.bsky.social · 23/09/2026
100% of proceeds to Asheville Prison Books Project avlpb.org. Buy here: avlpb.bigcartel.com
avlpb.bigcartel.com
AVLPB
Unbound in the Square By Ian Thomas Edited by Austin English Cover by Johnny Damm Available through October 16, 2026 All Proceeds Benefit AVLPB
001
Ian @crossoverappeal.bsky.social · 23/09/2026
“The Center wants to recruit Paige!”
Matt Rhys and Kerri Russell wearing bad wigs in The Americans
000
Ian @crossoverappeal.bsky.social · 23/09/2026
100% of proceeds to Asheville Prison Books Project avlpb.org. Buy here: avlpb.bigcartel.com
avlpb.bigcartel.com
AVLPB
Unbound in the Square By Ian Thomas Edited by Austin English Cover by Johnny Damm Available through October 16, 2026 All Proceeds Benefit AVLPB
001
Ian @crossoverappeal.bsky.social · 23/09/2026
Re: The wigs on The Americans were they just keeping them in a hamper? In a pile on the floor? Did anyone evaluate them in any way before rolling the cameras?
000
Reposted by Ian
Johnny Damm @johnnydamm.bsky.social · 18/09/2026
An excerpt from Ian Thomas's Unbound in the Square up today in The Comics Journal (@comicsjournal.bsky.social)! I quite enjoyed making this cover... Read the excerpt and consider buying the chapbook. 100% of proceeds go to Asheville Prison Books! www.tcj.com/excerpt-unbo...
tcj.com
066
Reposted by Ian
The Iron Age of Comics @ironageofcomics.bsky.social · 21/09/2026
I made a donation last night and am eager to read this. Please consider supporting what I think is a very worthy cause! avlpb.bigcartel.com/product/unbo...
avlpb.bigcartel.com
Unbound in the Square: Superhero Auteurs in Reagan's America (AVLPB Benefit)
In “Unbound in the Square: Superhero Auteurs in Reagan's America,” critic Ian Thomas explores a lineage of titles from the early days of the squarebound comics format; a design-forward, creator-driven...
034
Ian @crossoverappeal.bsky.social · 21/09/2026
Bumping for the Monday commuters. Spend that bus or train ride with a PDF about prestige format comics in the eighties instead of staying abreast of current events. Dwell in the past! Lose yourself in nostalgia! Benefits Asheville Prison Books Project (avlpb.org)!
042
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 19/09/2026
By the way, you can purchase Ian's zine here: avlpb.bigcartel.com
avlpb.bigcartel.com
AVLPB
Unbound in the Square By Ian Thomas Edited by Austin English Cover by Johnny Damm Available through October 16, 2026 All Proceeds Benefit AVLPB
054
Reposted by Ian
The Comics Journal @comicsjournal.bsky.social · 19/09/2026
FRIDAY FRIDAY FRIDAY: We provide an excerpt from @crossoverappeal.bsky.social 's new zine, which is all about Batman (OK, it's about a lot more than that). Proceeds go to the Asheville Prison Books Program
tcj.com
Excerpt: Unbound in the Square: "Hunt the Dark Knight" - The Comics Journal
It's apparently Batman Day tomorrow, so here's an essay on Batman, courtesy of Ian Thomas, from a self-published charity zine.
2167
Ian @crossoverappeal.bsky.social · 18/09/2026
@comicsjournal.bsky.social has an excerpt of my chapbook, Unbound in the Square, covering Frank Miller’s Dark Knight Returns and Starlin, Wrightson, and Wray’s Batman: The Cult. www.tcj.com/excerpt-unbo...
tcj.com
Excerpt: Unbound in the Square: "Hunt the Dark Knight" - The Comics Journal
It's apparently Batman Day tomorrow, so here's an essay on Batman, courtesy of Ian Thomas, from a self-published charity zine.
176