What’s that? You think a found footage anthology would hit the spot right now in your reading queue? I have just the one…(did you hear that?! Never mind I’m sure it’s just my imagination.)
Happy to be included, even if it means I keep hearing cryptic messages behind the static on my car radio.
![Todd Keisling
Just now
With regard to today's HWA/Newsletter discourse, here's something I had to say about Al in a recent interview:
"There's been a steady erosion of appreciation in the work that real artists do. Somehow, the work that entertains and enriches our lives has been deemed disposable and not worth actual effort. Personally, it's been disheartening to see a percentage of the populace embrace the soulless slop that Al produces; it's hurtful to see many non-artists shrug their shoulders and say, 'So what?' or 'It's not going away, so just use it.' It's infuriating to find many so-called 'Al artists' who are ripping people off by charging for their slop and passing it as a professionally-made cover; doubly so for the authors and publishers out there who are embracing it and feigning shock when they're called out, or worse, simply not caring about the negative impact it has on the world. Whenever I see an Al cover, I question the integrity of the author whose words are being represented. You can't claim to have pride in your work if you're using a system that was trained on the stolen work of thousands of other artists. It's malignant hypocrisy. ...] [We need to] educate the public on the dangers of Al usage and adjudicate the bad actors who insist on using it within creative spaces. To quote Batman, it is the weapon of the enemy. We do not need it; we will not use it."
So, there's that.
Furthermore, an organization that publishes a trustee's pro-Al rant to an audience of creatives whose work was literally stolen to train LLMs is not only questionable, but negligent and disingenuous as well--especially when the trustee is actively promoting their own Al-powered app. The author's false-equivalency comparing the matter to the struggles of indigenous folks is both ignorant and deceptive.
To the HWA: Fix your org. And to the author: Fix your heart.
At the bottom is an image of buildings from fallout, with "[Everyone disliked that.]" over top.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:yl6tapfiaxmq6megbp2vf322/bafkreibii4knbvheenegp7aqg62qmw7xc5a2b4gdtdtsalk3ouxx66btou)
!["A Memorandum on Military Etiquette in the Fourth Year of the Fae Crusade" by Nick Badot
"Helpdesk Ticket: Work Stoppage" by Bridget D. Brave
"NeuraCoat" by PS Cavanaugh
"The Last Episode of Captain Moonbeam’s Fun-Time Galaxy" by William R. Crichton
"Sleepless in the Notes App" by Megan Diedericks
"Case File 09987-296: Wildgrove Zoo" by Taylor Ellison
"Paracon 2026 Preliminary Schedule" by Dylan Freeman
"Witness Us Witness You" by Andreas Hort
"Mabaruga - the Ancient" by Diana J Kamieniarz
"The Seven Sins Of Selena Nielsen" by Hannya Kay
"The Old Mill" by Seoung Kim
"Side Effects" by Sam Logan
"The Man in the Leaves: an Index Case" by Aster Loxley
"The Pulling Hour" by Kieran McCaffrey
"The Masundanyika Files" by Masimba Musodza
"Cypress Hymns" by Jorja Osha
"Go Eat Some Worms with Callie Cooks" by C. H. Pearce
"What Follows Out of the Woods" by C. Piveral
"Federal Bureau of Ontology" by Rose Skye
"How to Breed Your Own Wish Fish - Babylon Curses Weekly, originally published October 31, 1899 [amended to include Sir Lamington’s letter to the Editor, 21 November 1924]" by Liv Strom
"Shelley’s System Data for the Play Test of Sinister Susurrations" by Catherine Tavares](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:urwbiqpcjwskrgmvxjfgddpj/bafkreiez6sdfk54f7tcivkyiva4mye7yhivrc6udjurffmavlmkatx74fy)
