An overachiever who had her life mapped out hits a roadblock in Mfoniso Udofia’s haunted, surreally comic new play at LCT3.

Andrew Scott stars in a “Sea Wall” being captured for the screen, and “In the Heights” gets a gala revival as New York City stages approach their autumn peak.

The men’s wellness niche, and men-only spaces, come in for a skewering in Max Wolf Friedlich’s gleefully weird follow-up to “Job.”

The writer-performer takes the country and its fractious multitudes to therapy in her new multicharacter solo show in Brooklyn.

Theatre told that Facebook and Instagram filter out ads mentioning ‘social topics’ such as civil rights or feminism

Former charity worker tells Big Brue festival in Somerset of the strange comforts that helped her during imprisonment It is a TV show about women confined to prison in the US, but Nazanin Zaghari-Ratcliffe found watching Orange is the New Black with her fellow inmates a strange comfort after smuggling episodes into her Iranian jail cell, downloaded on to an illegal USB stick. The British-Iranian former charity worker was detained in 2016 for more than five years and kept in the notorious Evin prison in Tehran. Continue reading...

Nothing has so thoroughly highlighted his indefatigable petulance.

Over the summer, 40 life-size bison puppets were handmade at St. Ann’s Warehouse in Brooklyn. This weekend, they’ll stampede through New York.

As audiences demand perfection from live performances, pitch correction technology has become an increasingly common way for singers to deliver.

On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”

This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”