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c.c. o'hanlon

@ccohanlon.bsky.social
2.5K followers 2.9K following 2.3K posts

Un de ces féroces infirmes retour des pays chauds. "My past is everything I failed to be." Fernando Pessoa, from The Book of Disquiet. www.counterpunch.org/2026/10/09/no-…

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c.c. o'hanlon @ccohanlon.bsky.social · 10/10/2026
"CC and Given have spent years inhabiting the question most of us postpone: how little certainty can a life withstand and still remain a life freely chosen?" My wife and I are grateful to be profiled with Peter Bach's (@lyst.bsky.social) poetry and empathy. www.counterpunch.org/2026/10/09/n...
C.C. O'Hanlon and his wife, Given, at Café à l'Anglaise, Tangier, Morocco, 2024. Photo by Finn Lafcadio O'Hanlon.
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c.c. o'hanlon @ccohanlon.bsky.social · 05/10/2026
Outside la Chiesa di San Calisto, Piazza San Calisto, Trastevere, Rome, 2021.
A woman an child walk past the entrance of an old church, its high bronze doors shut. An old man sits on the steps, reading, another sits in a chair close by. On otherchairs, a young, attractive woman sits alongside an old man, talking to him, as he leans over with his hands clasped, as if in prayer. Two bikes rest against a nearby wall.
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c.c. o'hanlon @ccohanlon.bsky.social · 24/09/2026
In the medina at Asila, northwest Morocco, 2024.
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c.c. o'hanlon @ccohanlon.bsky.social · 21/09/2026
I'm a fan of @ianmcque.bsky.social's work: he has the classical skills to depict fragments of the present I live in now as well as the future I dreamed as a young boy.
Ramshackle rusty sky ships above medieval, European rooftops.
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c.c. o'hanlon @ccohanlon.bsky.social · 18/09/2026
Street art in Trastevere, Rome, 2020.
Paste up of Italian-style Superwoman within an arch on a peeling wall in Trastevere, Rome. Photo by C.C. O'Hanlon.
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c.c. o'hanlon @ccohanlon.bsky.social · 29/08/2026
Take some time out to read it: a dense, timely essay by Kate Soper, emerita professor of philosophy and a former researcher with the Institute for the Study of European Transformations at London Metropolitan University.
Another sign of popular resistance is increasing disenchantment with the consumer lifestyle itself: other conceptions of the “good life” are gaining hold, and affluence is now commonly seen as compromised by stress, time-scarcity, air pollution, traffic congestion, obesity, and general ill health. 3 In other words, consumerism is now questioned not only because of its ethical and environmental consequences, but also because of its negative impact on affluent consumers themselves, and the ways in which it compromises both sensual pleasure and more spiritual forms of well-being. This questioning underlies the many laments for what has gone missing from our lives under the pressure of neoliberal economic policies, and also the frequent expressions of interest in less tangible goods such as more free time, better personal relationships, and a slower pace of life.
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c.c. o'hanlon @ccohanlon.bsky.social · 22/07/2026
We had hoped to be able to gift our stalwart old sailboat to a new custodian who might voyage further with her, but organising the necessary paperwork has proven to be...a challenge. So we are offering her for sale, 'as is where is', at a significant discount. www.apolloduck.com/boat.phtml?i...
A blue-hulled, sloop-rigged yacht named Wrack, lying on a narrow pontoon in a marina.
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c.c. o'hanlon @ccohanlon.bsky.social · 16/07/2026
The next 24 hours. [sigh]
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c.c. o'hanlon @ccohanlon.bsky.social · 02/07/2026
"Six scientists and six crew will travel next month to Kirkenes, a remote Arctic town in Norway near the Russian border...there, they will climb onboard a futuristic, floating laboratory – the French-built Tara polar station." www.theguardian.com/environment/...
The Tara polar station silhouetted by the aurora borealis in Vassa, Finland. Photo by Maéva Bardy/Fondation Tara Ocean.
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c.c. o'hanlon @ccohanlon.bsky.social · 28/06/2026
"So many things lost in a life, my life, yours. So much left to articulate yearning." – Roger Rosenblatt, from Why Old People Cry www.nytimes.com/2026/06/27/o...
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c.c. o'hanlon @ccohanlon.bsky.social · 25/06/2026
"Some of humanity’s largest emergencies unfold in relative obscurity. History is full of such examples. Entire populations suffer while the rest of us scroll past." Bring Me Your Neglected Crises by Peter Bach (@lyst.bsky.social) www.counterpunch.org/2026/06/25/b...
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c.c. o'hanlon @ccohanlon.bsky.social · 24/06/2026
"Ask yourself who benefits from the encouraging the idea that people cannot have expectations that society is capable of managing diverse and complex needs but has to default to corporate and police power in order to survive..." – @andreapitzer.bsky.social degenerateart.beehiiv.com/p/turning-th...
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c.c. o'hanlon @ccohanlon.bsky.social · 22/06/2026
Our latest update to @liznangel3.bsky.social's appeal for us: We have found an affordable apartment, with rooms that, for old people used to the narrow confines of a small, vintage sailboat, feel almost palatial. We just need help and a little luck to secure it. www.gofundme.com/f/a-voyage-i...
An engraved 19th century nautical chart of the Bay of Palermo, on the north-west coast of Sicily..
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c.c. o'hanlon @ccohanlon.bsky.social · 19/06/2026
Our darling friend @liznangel3.bsky.social lit candles for us in a church in Newport, Co. Mayo, close by the gorgeous stained glass windows designed by the Irish artist and illustrator Harry Clarke (1889-1931). Photos by @liznangel3.bsky.social.
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c.c. o'hanlon @ccohanlon.bsky.social · 12/06/2026
A dear friend — superstitious in that way that a lot of lapsed Catholics (like me) are — lit two candles for Given and me in a church in Belfast. We need all the help we can get.
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c.c. o'hanlon @ccohanlon.bsky.social · 12/06/2026
#RIP David Hockney, aged 88.
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c.c. o'hanlon @ccohanlon.bsky.social · 08/06/2026
Yes!
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c.c. o'hanlon @ccohanlon.bsky.social · 06/06/2026
From left: Timothy Behrens, Lucien Freud, Francis Bacon, Frank Auerbach and Michael Andrews at Wheeler’s, in Soho, London, 1962. Photo by John Deakin.
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c.c. o'hanlon @ccohanlon.bsky.social · 01/06/2026
AI and the Rise of Mediocrity by Ray Nayler — a bloody huge and timely caveat. [thanks to @greatdismal.bsky.social] time.com/6337835/ai-m...
The problem for AI is that creative work is not predictable. It is not about statistical likelihood or simply mashing up the familiar—it is about leaps in logic and counterintuitive juxtapositions. It is about the unique experience of the individual, and seeking to do what has never been done before. It is about the least predictable next word or pixel. So the danger is not that AI programs will write the next great novel or create the next great painting, successfully replacing human inventiveness: they never will. The greater danger is that they won’t need to create great writing or art.

Because they cannot truly innovate, everything that predictive language and image models will produce will be a sequel to what came before: not an original idea, but a mash-up of our old tropes, repackaged for our consumption. This was already a dominant tendency in our commercial industries—to simply take what has been done before, tweak it a little, rebrand it, and call it new. As a result, AI will fill the world with grindingly average texts, passable but derivative illustration and video, and unoriginal but functional new product designs.
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c.c. o'hanlon @ccohanlon.bsky.social · 28/05/2026
"Democrats are getting it wrong again." Tina Brown's caustic, cautionary take on Trump and the looming mid-terms: not waning, winning. [sigh] tinabrown.substack.com/p/trumps-swe...

If there is any message that crystalizes the 250th anniversary of the U.S., it is not that America has changed but that Trump has changed America. There will be no snapback when he’s gone. Even as his approval ratings tank and the country is hurting, it feels as if his base has become wider and deeper and represents a new national state of mind. Tuned out on our phones, mesmerized by money porn, high on the idolatry of the big flashy win, we are getting used to the erosion of the rule of law, the threats to free speech, the banishment of government watchdogs, and the chasm of inequality. After ten years of Trump bludgeoning the first principles of the American experiment (ten because I don’t count the disappearing ink of Biden’s lame tenure when every headline was a new Trump indictment, scandal, or toxic blast from exile in Mar-a-Lago), Trump has refashioned the country in his image.
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c.c. o'hanlon @ccohanlon.bsky.social · 22/05/2026
After a few days of low-calorie rations, no fruit, no veg, an unexpected windfall allowed Given to shop for fresh groceries today and prepare a 'proper' lunch. Our metabolisms were unprepared — we've spent the afternoon laid out on our bunks, in 'food comas'. Photo by Finn O'Hanlon.
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c.c. o'hanlon @ccohanlon.bsky.social · 21/05/2026
Watchman, Cinecittà, Rome, 1956. Photo by William Klein.
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c.c. o'hanlon @ccohanlon.bsky.social · 21/05/2026
A morning lost in 'Irwin Klein and the New Settlers' by Bernard Klein (2016) and the late Irwin Klein's haunting b&w photographs of 'hippy' communities and homesteads in New Mexico between 1967 and 1971.
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c.c. o'hanlon @ccohanlon.bsky.social · 11/05/2026
"Jim Brodey was a messenger of chaos who blazed through the rock music and experimental poetry scenes of New York. What happened to him?" Differing Freak Wonder: a 2021 profile by Nick Sturm (@nicksturm.bsky.social) www.poetryfoundation.org/articles/155...
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c.c. o'hanlon @ccohanlon.bsky.social · 02/05/2026
We Live in a Time of Monsters, a powerful essay (from March, 2026) by my friend Lina Mounzer @warghetti.bsky.social, senior editor at The Markaz Review, in Lebanon. themarkaz.org/we-live-in-a...
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c.c. o'hanlon @ccohanlon.bsky.social · 26/04/2026
"The United States is being murdered, and it’s an inside job. Every department, every branch, every bureau and function of the federal government is being fatally corrupted or altogether dismantled or disabled." – Rebecca Solnit www.theguardian.com/commentisfre...
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c.c. o'hanlon @ccohanlon.bsky.social · 20/04/2026
Watermelon traders at a floating wholesale market along the Sandha River in Pirojpur, Bangladesh. Photo by Syed Mahabubul Kader.
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c.c. o'hanlon @ccohanlon.bsky.social · 20/04/2026
I tried to stand up, with the help of three 'marineros' (marina workers, but couldn't so I lay on the dock for 15 minutes, to regain my stability — and, it has to be said, my sodden dignity. Below, the livid souvenirs:
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c.c. o'hanlon @ccohanlon.bsky.social · 19/04/2026
When the then best-selling novelist Jay McInerney visited Paul Bowles in Tangier, 1985, for Vanity Fair, one of his most intriguing observations was that, "Bowles makes his way around town in a bronze 1967 Mustang." Photos by Mary Ellen Mark www.maryellenmark.com/bibliography...
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c.c. o'hanlon @ccohanlon.bsky.social · 08/04/2026
A long update posted to @liznangel3.bsky.social's appeal for us, about our efforts to settle ashore, repair Wrack, find regular income, and overcome the risk not just of being homeless but shelterless. Please read and if you can, help us. The appeal closes soon. www.gofundme.com/f/a-voyage-i...
Portrait of an elderly couple, C.C. and Given, sitting in front of a frayed wall hanging in a Tangier café, 2023.
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c.c. o'hanlon @ccohanlon.bsky.social · 20/03/2026
If you're thinking about what to do with your summer, my friend Peter Stridh (@pinoseed-connect.bsky.social) is offering berths aboard his engineless 10-metre sailboat/home on a series of daytrips and longer passages off the coast of Sardinia, between April and October. pinoseed.com
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c.c. o'hanlon @ccohanlon.bsky.social · 19/03/2026
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c.c. o'hanlon @ccohanlon.bsky.social · 18/03/2026
The train ferry, aboard which our entire train was sailed across the Strait of Messina, from mainland Italy to Sicily, while we were still in our bunks.
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c.c. o'hanlon @ccohanlon.bsky.social · 18/03/2026
A snapshot from a carriage window on the Rome-Palermo night train: approaching the Straits of Messina, with the smallest of the Aeolian Islands, Panarea, on the horizon.
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c.c. o'hanlon @ccohanlon.bsky.social · 27/02/2026
On the road across America with Ken Kesey and The Merry Pranksters, 1964: "It’s all a myth now, anyway. Tell it however you want." – Ken Babbs, one of the original Merry Pranksters ccohanlon.tumblr.com/post/6832138... Below: The Pranksters aboard the modified school bus, Furthur, and Ken Kesey
The heavily modified, psychedically painted school bus, named Further, with its perpex observation dome above the driver's seat and a roodtop sun deck.Ken Kesey inside the bus: looking more like a college frat boy than a hippie dopehead, the author Ken Kesey (famed for the 1962 novel, 'One Flew Over The Cuckoo's Nest') as a young man.
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c.c. o'hanlon @ccohanlon.bsky.social · 23/02/2026
Passenger boats at the port of Kinkole on the Congo River, on the outskirts of Kinshasa. Photo by Hugh Kinsella Cunningham.
An extraordinary view of a river port on the Congo, large riverine ships jammed in three or four deep, bow-first along the docks, the dark brown river itself so crowded it looks unnavigable.
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c.c. o'hanlon @ccohanlon.bsky.social · 22/02/2026
After all that's been written about Paul Bowles' life and its relationship to his novels, maybe the only surprise in this 1985 @vanityfair.com profile by Jay McInerney is the über-louche Bowles being chauffeured around Tangier in a bronze 1967 Ford Mustang. www.maryellenmark.com/bibliography...
Paul Bowles in a dressing gown, writing by hand, while sitting with his legs up on a daybed on the floor of his Tangier apartment.
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c.c. o'hanlon @ccohanlon.bsky.social · 21/02/2026
An ancient stone watchtower deep within the remote, wild shores of the Gulf of Teulada, in southern Sardinia. Photo by Finn O'Hanlon.
In b&w: a growing thunderhead over a thin rocky spit guarded by a 2,000-year old, low, stone tower.

A quiet anchorage at the northernmost end of the Gulf in all but southerly winds, it's well protected from the mistral. Wrack lay here happily for a week after a 328-mile passage from Ibiza.
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c.c. o'hanlon @ccohanlon.bsky.social · 19/02/2026
"William S Burroughs ready to leave Obie Benz's loft 33 Greene Street, Manhattan, December 16, 1986." Photo by Allen Ginsberg. [via @ginsbergpoem.bsky.social]
Old man with long fingers, wearing a trench coat and fedora, in front of a high, sash window looking out on a New York street.
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c.c. o'hanlon @ccohanlon.bsky.social · 17/02/2026
A debt of gratitude to @sysop.ooo (aboard the classic Lyle Hess 28-footer, Indigo) and @pinoseed-connect.bsky.social for sorting out the lines and tidying the foredeck and cockpit of our storm-damaged floating vardo before the next big blow comes through on Thursday and Friday. Hugs to you both.
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c.c. o'hanlon @ccohanlon.bsky.social · 13/02/2026
Six months ago: sunrise sou'west of the Gulf of Cagliari, Sardinia, motoring through calm waters after a 330-mile, open sea passage from Ibiza.
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c.c. o'hanlon @ccohanlon.bsky.social · 10/02/2026
Look... A video collage — shot and edited by our son, Finn O'Hanlon — during our voyage across the Western Mediterranean, from Andalucia, Spain, to southern Sardinia, last summer. www.instagram.com/p/DUl1r5OjRWD/
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c.c. o'hanlon @ccohanlon.bsky.social · 07/02/2026
Superwoman, Via della Luce, Trastevere, Rome, 2021.
A paste-up in an alcove of an old wall of a dark-haired woman in a black dress with the Superman logo emblazoned on her bare upper chest. Photo by C.C. O'Hanlon.
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c.c. o'hanlon @ccohanlon.bsky.social · 03/02/2026
On the Mediterranean Sea, 2025. Photo by Finn O'Hanlon.
The interior of a small boat: through the portlight, an empty sea; a ray of light illuminates a wooden bulkhead with a large ship's clock and an emergency beacon.
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c.c. o'hanlon @ccohanlon.bsky.social · 31/01/2026
Guise, oil on canvas, 2022, by South Korean artist Jae Ho Jung.
A hyper-realistic painting of an abandoned, decaying high-rise building on waste ground at the edge of a dense urban area.
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c.c. o'hanlon @ccohanlon.bsky.social · 29/01/2026
A correspondence with my dear friend @catingrams.bsky.social about where my wife and I might settle when — inevitably, soon — we have to move ashore and plainly, William S. Burrough's City of Interzone (Naked Lunch, 1959) is the only place that really makes sense for us.
“Panorama of the City of Interzone. Opening bars of East St. Louis Toodleoo... at times loud and clear then faint and intermittent like music down a windy street.... The room seems to shake and vibrate with motion. The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian -- races as yet unconceived and unborn, combinations not yet realized pass through your body. Migrations, incredible journeys through deserts and jungles and mountains (stasis and death in closed mountain valleys where plants grow out of genitals, vast crustaceans hatch inside and break the shell of body) across the Pacific in an outrigger canoe to Easter Island. The Composite City where all human potentials are spread out in a vast silent market. Minarets, palms, mountains, jungle... A sluggish river jumping with vicious fish, vast weed-grown parks where boys lie in the grass, play cryptic games, Not a locked door in the City. Anyone comes into your room at any time. The Chief of Police is a Chinese who picks his teeth and listens to denunciations presented by a lunatic. Every now and then the Chinese takes the toothpick out of his mouth and looks at[…]”
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c.c. o'hanlon @ccohanlon.bsky.social · 27/01/2026
Aboard Wrack in Tangier, 2024.
A cluster of motorboats and sailboats on mirror-like water  in front of the modern skyline of downtown Tangier. A Union Jack is in the foreground.
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c.c. o'hanlon @ccohanlon.bsky.social · 26/01/2026
An unsettling snapshot of our current crisis from @sarahkendzior.bsky.social's book, Hiding in Plain Sight, published five years ago. Read the book and subscribe to her substack: sarahkendzior.substack.com
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c.c. o'hanlon @ccohanlon.bsky.social · 23/01/2026
“People expect you to be who you were yesterday. And I don’t want to be who I was yesterday. I want to be smarter and better.” – Kathleen Hanna [via Creem magazine, 2022] www.creem.com/fresh-creem/... Below: a young Kathleen Hanna with writer Kathy Acker, New City Theatre, Seattle, 1989.
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c.c. o'hanlon @ccohanlon.bsky.social · 31/12/2025
Given and our youngest on a cold (1ºC) New Year's Eve in Rome.
A monochrome self-portrait of black-clad mother and daughter.
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