iiinova — where your digital self keeps evolving

Samuel Andrade @andradesamuel.bsky.social · 14/09/2026

a view from the booth: 'The Color of Money' (1986, Martin Scorsese) – great effing print!

Samuel Andrade @andradesamuel.bsky.social · 28/12/2025

para o @filmspot.pt.web.brid.gy: em 2025, Portugal acolheu 40 filmes rodados em película, mas continuamos sem ver cinema nesse suporte — não haverá mesmo, no nosso país, a iniciativa comercial que o possibilite? filmspot.pt/artigo/resum...

filmspot.pt

Resumo do ano: a película vive!

Em 2025, Portugal acolheu 40 filmes rodados em película, mas continuamos sem ver cinema nesse suporte.

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Reposted by Samuel Andrade

Internet Archive @archive.org · 26/12/2025

When the clock strikes midnight on January 1, creative works from 1930 & sound recordings from 1925 will enter the public domain in the US, like: 💄 Dizzy Dishes, first Betty Boop cartoon 🕵️♀️ First 4 Nancy Drew novels 🚂 The Little Engine That Could 🎩 Morocco 🍑 Georgia on My Mind and many more! 🧵👇

Montage of creative works entering the public domain in the US in 2026.

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Reposted by Samuel Andrade

amianet.bsky.social @amianet.bsky.social · 23/12/2025

Jonathan Furmanski has been digitizing the battered, often unlabeled, relics of the International Videoletters, a feminist video exchange network that ran from 1975 to 1977. loom.ly/LvDOoow

getty.edu

Saving Lost Feminist Video Letters

A Getty conservator preserves rare pieces of guerrilla media

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Samuel Andrade @andradesamuel.bsky.social · 28/11/2025

"plain folk." (folk horror, shot in Super 16mm, with a Brueghelian touch; will always be ready for that). #JustWatched 'Harvest' (2024, Athina Rachel Tsangari) #ShotOnFilm

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Reposted by Samuel Andrade

Grise l’Indécis @wildobliquities.bsky.social · 24/11/2025

a film walks into a cinema. the projectionist says, why the long running time?

en.wikipedia.org

List of longest films - Wikipedia

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Samuel Andrade @andradesamuel.bsky.social · 25/11/2025

it's a pity that you can't (or shouldn't 🤭) actually project this to an audience. #filmleaders #rcaindianhead #smpte #smpteleader #35mm #35mmfilm #projectonfilm #filmisnotdead

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Samuel Andrade @andradesamuel.bsky.social · 21/11/2025

"Bet your bottom dollar you'll lose the blues in Chicago, Chicago" #JustWatched 'Roxie Hart' (1942, William A. Wellman) #35mm

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Reposted by Samuel Andrade

Alex Kittle @alexxkittle.bsky.social · 20/11/2025

Saw Peter Hujar’s Day last week and loved it, and I’m excited we got it on 35mm for a short run at @brattletheatre.bsky.social Fri-Tues! Shot on 16mm, there’s a lovely warmth and texture to this movie, evocative of the mid-70s setting, it’s gonna look so great on film

Backlit filmstrip magnified under a loupe showing the title card for Peter Hujar’s Day.

Backlit filmstrip magnified under a loupe showing Ben Whishaw in Peter Hujar’s Day.

Backlit filmstrip magnified under a loupe showing Rebecca Hall in Peter Hujar’s Day.

Backlit filmstrip magnified under a loupe showing Ben Whishaw smoking in Peter Hujar’s Day.

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Reposted by Samuel Andrade

amianet.bsky.social @amianet.bsky.social · 20/11/2025

Adam Savage tours through the Paramount Pictures film archives, where Executive Director Chuck Woodfill shows us the many types of media inventoried and preserved for digitalization and restoration. loom.ly/JNapBWA

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Samuel Andrade @andradesamuel.bsky.social · 20/11/2025

looking like an 80's college girl – leader lady found in a 35mm print of 'The Man I Love' (1929, William A. Wellman). #leaderladies #themanilove1929 #williamawellman #35mm #35mmfilm #filmleaders #projectonfilm #filmisnotdead

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Samuel Andrade @andradesamuel.bsky.social · 19/11/2025

"Displaying both the most extreme artifice in self-presentation and the most authentic emotion in performance, she exemplifies Hollywood’s paradoxes in concentrated form." www.newyorker.com/culture/the-...

newyorker.com

“Joan Crawford: A Woman’s Face” Brings a Star’s Genius to Light

A new biography traces the self-transformative creation of the most movie-made actress of classic Hollywood.

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Samuel Andrade @andradesamuel.bsky.social · 16/11/2025

the bureaucracies of memory. #JustWatched 'O Agente Secreto' (aka 'The Secret Agent', 2025, Kleber Mendonça Filho)

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Reposted by Samuel Andrade

Krista @trashcelluloid.bsky.social · 15/11/2025

The heads and tails of film reels, sometimes wildly etched into, sometimes hastily written on, sometimes graciously labeled, always feel like private discoveries we make on the inspection table or while threading up. Here is beautiful Reel 4 leader from Kurosawa’s Drunken Angel.

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Samuel Andrade @andradesamuel.bsky.social · 14/11/2025

'One Battle After Another' will never be my PTA's favourite film. but I will love the technical wizardry ("long live VistaVision!" – and that Jonny Greenwood score!) of this sequence for as long as I live. youtube.com/watch?v=h9Wh...

youtube.com

One Battle After Another, Car Chase Sequence

YouTube video by Aaaand Action!

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Samuel Andrade @andradesamuel.bsky.social · 13/11/2025

'Eyes Wide Shut' (1999, Stanley Kubrick) Top: Old Blu-ray Middle: New Criterion Bottom: 35mm scan

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Reposted by Samuel Andrade

Neckties of Noir @neckties-of-noir.bsky.social · 11/11/2025

#filmsky #moviesky #filmnoir #Noirvember Robert Ryan #BOTD as Earl Pfeiffer, a film projectionist in, Clash By Night, 1952

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Samuel Andrade @andradesamuel.bsky.social · 12/11/2025

about last night projection (plus, as a gift, my hands recording it). Portuguese Experimental Cinema: The Cinema of the Artists, 1960s and 70s 'Sem Título II' (1973, Luís Noronha da Costa) 16mm . colour . 1.37 : 1 (18 fps) #cinematecaportuguesa #16mm #projectionbooth #projectonfilm #filmisnotdead

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Samuel Andrade @andradesamuel.bsky.social · 11/11/2025

"Barbara Stanwyck as Joan Gordon" 'The Purchase Price' (1932, William A. Wellman) www.cinemateca.pt/Programacao.... 35mm . colour . 1.37 : 1 #thepurchaseprice1932 #williamawellman #barbarastanwyck #cinematecaportuguesa #35mm #35mmfilm #eastmanfilm #projectonfilm #filmisnotdead

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Samuel Andrade @andradesamuel.bsky.social · 10/11/2025

"The collection of film includes Terry's personal 16mm copies of the Python feature films, a 35mm print of his film adaptation of The Wind In The Willows (1996) and early sketches from series including The Late Show (BBC, 1966-67)."

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Samuel Andrade @andradesamuel.bsky.social · 09/11/2025

social malaise. #JustWatched 'Entroncamento' (aka 'Night Passengers', 2025, Pedro Cabeleira)

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Samuel Andrade @andradesamuel.bsky.social · 07/11/2025

pain and punishment. #JustWatched 'Sono yo no tsuma' (aka 'That Night's Wife', 1930, Yasujirō Ozu)

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Samuel Andrade @andradesamuel.bsky.social · 06/11/2025

"You belong to Chinatown now. No decent woman ever goes out of here unless on feast days." #JustWatched 'Chinatown Nights' (1929, William A. Wellman) #CinematecaPortuguesa #35mm

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Samuel Andrade @andradesamuel.bsky.social · 06/11/2025

"you're supposed to go too far." #JustWatched 'Chain Reactions' (2024, Alexandre O. Philippe)

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Samuel Andrade @andradesamuel.bsky.social · 05/11/2025

Takashi Miike, addressing 'The Texas Chain Saw Massacre', in 'Chain Reactions' (2024, Alexandre O. Philippe).

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Samuel Andrade @andradesamuel.bsky.social · 04/11/2025

long-exposure photography shot on 16 mm film (warning: strobe lighting effects). Takashi Ito is my new experimental cinema power animal. youtube.com/watch?v=YFjU...