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Alyn Sparkes

@alyn.social.swordandfiddle.co.uk.ap.brid.gy
7 followers 2 following 43 posts

Company Director of Sword And Fiddle Productions Ltd. Often Producer or Exec Producer. Sometime Audio Recordist/Boom Op, sometime DoP. 🌉 bridged from ⁂ social.swordandfiddle.co.uk/@alyn, follow @ap.brid.gy to interact

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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 15/09/2026
We're really happy to have had the book @amysparkes wrote, and we published through our production company (to maintain rights), has been chosen by Kobo to be part of their "Diverse Stories" promotion this week. What does that mean, well, it means […] [Original post on social.swordandfiddle.co.uk]
Kobo's "Diversify Your Library with Free eBooks" promotion page. Subhead is "Celebrate the diversity of storytelling and discover stories of underrepresented groups with these free eBooks."
"The Players - Act 1" by Amy Sparkes is third from the left.
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 28/07/2026
Really pleased to have been invited to have our film BOOTED shown as part of the inaugural South West Independent Film (SWIF) Homegrown Cinema Showcase. I'm going up to take the introduce the film and take questions after they've all been shown […] [Original post on social.swordandfiddle.co.uk]
HOMEGROWN CINEMA SHOWCASE in collaboration with SWIF South West Independent Film
Your local film scene deserves a big screen.
Join us for an evening of independent shorts made and presented by South West filmmakers
Thursday 27th August
Doors 6:30 7-10pm
St Anne's House BS4Poster for BOOTED film. Logo of Sword and Fiddle Productions. Laurels for film festivals: Folkestone, WeMakeFilms International, and RS Film Fest.
"Booted: Love loss and walking boots, Starring Simon Alison & Olivia Edwards, with music by Sound of the Sirens."
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 26/06/2026
We got another one! Our short film, BOOTED has made Official Selection for RS Film Fest. The actual event is in Bristol in November, and they're still to judge the semi-finalist and finalist awards, so we might do better yet, but it's still nice […] [Original post on social.swordandfiddle.co.uk]
The laurels for the RS FilmFest 2026 Official Selection. They're a gold colour, and the two wreaths contain the words RS Film Fest 2026 on the left, and an image of half a cine-film cannister on the right. Underneath the laurels are the words Official Selection.Poster for the short film "BOOTED."
A brown walking boot with red laces is poised at the point of leaving the ground to walk out of frame right on a grassy surface.
The text in front reads:
"BOOTED
Love, Loss, and Walking Boots
Starring Simon Alison & Olivia Edwards, with music by Sound of the Sirens"
The sword and fiddle logo of the production company sits in the bottom right.
A set of laurels showing the film won an Honorable Mention at the Folkestone Film Festival 2026 is at the top right. Below that is a set of laurels showing the film was made a semi-finalist at the WeMakeFilms International Film Festival 2026. Below that is a set of laurels showing the film was officially selected for the RS FilmFest 2026.
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Cintrellium @cintrellium.com · 10/06/2026
Production on our feature, "When We Sleep" is going great! Here's a selection of rushes from our dailies thus far. We love how this is coming together! A small, skilled crew and beyond talented performers are bringing this story to life! #whenwesleep #independentfilm #filmmaking #kcfilm #filmkc
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 30/05/2026
Ooh, forgot that we got our second set of laurels for Booted! I know, kinda blasé about it now! Anyway, thanks to the "We Make Films" Festival for considering the film good enough to make it to semi-finalist! If you've not seen the film yet, it's […] [Original post on social.swordandfiddle.co.uk]
Clipped section of the film poster for "Booted". It shows a brown walking boot with red laces in the process of walking off to the right of a rough grassed area. In the top right a two (count 'em) festival award laurels. Highest is the Folkstone Film Festival 2026 Honourable Mention, and below that, the We Make Films International Film Festival 2026 Semi-Finalist.
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 02/04/2026
YAY! We got our first official Festival Laurels! Folkestone Film Festival chose Booted to receive an "Hono(u)rable Mention" in their festival taking place at the end of April.
Poster for the short film "BOOTED."
A brown walking boot with red laces is poised at the point of leaving the ground to walk out of frame right on a grassy surface.
The text in front reads:
"BOOTED
Love, Loss, and Walking Boots
Starring Simon Alison & Olivia Edwards, with music by Sound of the Sirens"
The sword and fiddle logo of the production company sits in the bottom right.Laurels from the Folkestone Film Festival.
Two laurel branches with leaves curl around on the left and right framing a central circular logo.
The logo has text reading "FOLKESTONE" around the top section, and "HONORABLE MENTION" around the bottom section with single stars on the left and right.
In the centre is another, differently designed, set of curving laurel branches, with the year "2026" in the centre"
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 20/03/2026
#ScribesAndMakers 20 Mar: Self-promotion day. Shame optional. We released our first film that could properly be called a "short" twenty days ago and as of 12:30pm GMT on 2026/03/20 has been watched 120 times. _Booted_ takes the form of a parent's message to their child, narrated while […]
social.swordandfiddle.co.uk
Original post on social.swordandfiddle.co.uk
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 17/03/2026
This looks like good news for all creatives in the UK #noAI #UK #creators archive.ph/20260316201038/https://www.thetimes.com/uk/technology-uk/article/labour-ditches-plan-to-let-ai-firms-use-copyrighted-works-xkq7hmhrf
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Charles West @pseudo-isidore.bsky.social · 12/03/2026
I don't know if we need a Peasants' Revolt film, but it looks like we are getting one en.wikipedia.org/wiki/The_Upr...
en.wikipedia.org
The Uprising (2026 film) - Wikipedia
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Matthias Kirschner @kirschner.mastodon.social.ap.brid.gy · 10/03/2026
TheGuardian in "#AI (artificial intelligence) Revealed: UK’s multibillion AI drive is built on ‘phantom investments’". Would be interesting to know more about the situation in countries as well […]
mastodon.social
Original post on mastodon.social
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 02/03/2026
Also works with #IceShrimp - presumably thanks to Mastodon API support. blog.joinmastodon.org/2026/03/a-new-share-button/
blog.joinmastodon.org
A new Share button
Have you ever wondered why news articles around the web have buttons to share to some of those other social sites, but not on Mastodon? There used to be a legitimate reason for this: unlike legacy social, Mastodon isn’t a single monolithic website you can link to; there are over 8,000 places where a person could have a Mastodon account! Their account could be on `mastodon.social`, the large, official server run by us. Or `hachyderm.io`, a sizeable server for tech enthusiasts operated by Nivenly. Or `social.coop`, a Mastodon server operated like a co-operative, where all members pay towards the costs and vote on decisions together. Some people run their own Mastodon servers, on their hardware at home. The distributed nature of the network is the greatest strength of Mastodon, but it also means that having a share button that takes you to the “correct” Mastodon server for your account, is a lot more involved than a simple hyperlink. Third party solutions have existed before now, but none of them have become ubiquitous, or easy to discover for website owners. This changes today, with our new official Share tool. If you are a website owner, you can go to share.joinmastodon.org to find instructions describing how to integrate this on your website. Of course, we’ve also made the code available and open source, the same as the rest of Mastodon’s code. That means you can check how it works, and even host a share page of your own (you don’t need to host anything, but you can, if you don’t want to use the version that we’re hosting - it’s your choice). To try out what sharing something looks like right now, click “Share on Mastodon” on this very blog post (there’s a button to do it, at the top right of the page). The tool itself works entirely in your browser: there is no tracking data, and it does not store any information on the server. If you have multiple Mastodon accounts, you can add more than one, and choose which one to share to when you post. One more thing to mention here: back when we released Mastodon version 4.4, tucked away in the release notes, we mentioned that server administrators have the option to send a referrer header when a link is clicked. If the owner of your server has enabled that setting, then websites whose links get shared will see traffic coming from Mastodon - yet another way to share how the community is growing. We’re looking forward to seeing the Mastodon logo on more websites - possibly, alongside other social media platforms; and maybe even as the “main” sharing link, like here on our blog.
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 02/03/2026
Well, just started hawking _Booted_ around some film festivals in the UK. It does seems a little bit of a racket - you pay for them to just look at your film, with no guarantee of even selection, let alone an award, and they charge more the closer to the submission deadline you get. Why is that? […]
social.swordandfiddle.co.uk
Original post on social.swordandfiddle.co.uk
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 01/03/2026
So, in the interest of "fediverse-first" I've published our new film, _Booted_ something like five hours earlier to our federated video host than anyone on commercial media is going to see it. We also got asked a few questions my Devon and Cornwall Film, but our answers are going to have to wait […]
social.swordandfiddle.co.uk
Original post on social.swordandfiddle.co.uk
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 26/02/2026
Lovely to see our local Film Council (Screen Devon) have picked up on our new film _Booted_ coming out this weekend. They've used the image of the band who provided the music because they're much better known than us and probably more photogenic! […]
social.swordandfiddle.co.uk
Original post on social.swordandfiddle.co.uk
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 25/02/2026
Had a bit of fun this morning making a wide poster for our short film. It's released on Sunday afternoon on @swordandfiddle if anyone's interested. _Booted_ takes the form of a parent's message to their child, narrated while remembering the […] [Original post on social.swordandfiddle.co.uk]
Poster for the film "Booted" The main image is of a rough grassy area. A single brown walking boot with red laces on the end of a black-trousered leg is captured in the action of stepping to the right, going out of frame.
On the left from top to bottom are:
The production company branding for Sword and Fiddle Productions - a white circle with a blue fiddle, upon which a sword makes the strings and neck, with the company name in dark grey to one side.
The film title - "BOOTED"
Text - A film by Amy & Alyn Sparkes
Text - Starring Simon Alison & Olivia Edwards with music by Sound of the Sirens
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Terence Eden @edent.mastodon.social.ap.brid.gy · 11/10/2025
Excellent post by @arya on the @frameworkcomputer mess. crimier.github.io/posts/Framework-O…
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 09/08/2025
Incredibly tiring but rewarding two days just gone. As part of the biggest crew we've worked with so far (Director/Producer, Camera Operator, Sound Recordist, Drone Operator, Camera Assistant (me), Camera-Car driver, 2x "Hero" drivers and a […] [Original post on social.swordandfiddle.co.uk]
A "studio" film shoot of a Dino gt in Ferrari red. Far left of frame is the cameraman with a large digital cinema camera on a heavy tripod which is itself on a tri-wheeled trolley. We are looking at the rear of the car and can just see down the right side. A small radio mike is taped to the rear bumper of the car to record the exhaust note. On the left side of the car is a hanging black cloth absorbing some reflected light while two LED light panels in front and behind the car actually provide the light. A large, sturdy metal door is in front of the car closing off the view to outside.A panoramic view of the inside of the workshop where we filmed the indoor shots of the cars. On the far left is the camera man with a large digital cinema camera on a heavy tripod. Behind him is an Italian sports car in dark red sat on a four-post car lift (in the down position). There's a caravan with an old SHELL petrol station sign in front of it, a square wheeled trolley with approximately 75 hammers on, a Dino GT in Ferrari Red with a Sun Automotive Disagnostic system behind it, some lighting systems (LED and Tungsten) surrond the car. On the far right is another Italian sports car, this time in mid blue with a scaffold tower in front of it that has camera gear piled up around its feet.A shot of the two cars being filmed parked up in the workshop. A Ferrari 458 Pista in dark red fills the front of the frame with a Dino gts visible behind it. On the wall behind the Dino are many items of motoring memorabilia - old oil cans, enamel signs, etc.Taken by the driver of the Dino, this is the two cars parked up outside in a moorland area. The top half of the frame is Hawthorne bush silhouetted against the sky. The Dino gts is in the foreground with the Ferrari 458 Pista behind it.
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 04/08/2025
As de-facto publishers of @amysparkes.bsky.social@bsky.brid.gy new book, *The Players Act 1: All The World's A Stage*, we had an exciting "first" today. Book distribution to retailers in the UK is handled by one of a very few companies, of which […] [Original post on social.swordandfiddle.co.uk]
Multiple copies of the paperback version of "The Players Act 1: All The World's A Stage" by Amy Sparkes loosely piled in a cardboard box.A 3D rendering of the book "The Players Act 1 - All The World's A Stage" by Amy Sparkes.
Around the book are some key features of the text with curved and swirling arrows pointing towards the book.
The features are:
Found family
Grey villain
Uplifting
Strong Females
Vengeance
Marginalised Characters
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Amy Sparkes @amysparkes.bsky.social · 31/07/2025
It's always nail-biting when you send something new out into the world, especially a 'first'. #Players1715 is my 1st book for adults & 1st #historicalfiction. Grateful for encouraging words from early readers. www.amazon.co.uk/Players-Act-... #Shakespeare #BookReview #BookSky Cover: Sarah Christie
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 29/06/2025
It's been "fun" actually getting deeply involved in the production process of a book. Getting cover art commissioned was a small learning experience, including licensing of fonts and images, and the second attempt at editing (thanks to Cat Camacho for stepping in) was much more effective than […]
social.swordandfiddle.co.uk
Original post on social.swordandfiddle.co.uk
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Amy Sparkes @amysparkes.bsky.social · 28/06/2025
Proof copies have just arrived! So happy to finally hold a copy. Thanks to my husband, Alyn, for formatting, Cat Camacho for editing & Ally Wilkes for proofreading. Cover: Sarah Christie 🎭🎻🥁💀🎲⚔❤️‍🩹 Paperback available: 29th July www.amazon.co.uk/Players-Act-... #BookSky #HistoricalFiction #Players1715
A smiling Amy Sparkes stands in front of a green curtain, holding a copy of her new historical fiction book: THE PLAYERS ACT 1: ALL THE WORLD'S A STAGE. One proof copy is closed and rests on a green curtain. The second copy is opened showing the title page, THE PLAYERS ACT 1: ALL THE WORLD'S A STAGE, Amy Sparkes. Two copies of THE PLAYERS ACT 1: ALL THE WORLD'S A STAGE rest against a green curtain.  The cover has a parchment-coloured background with the title spiralling down on a pale ribbon. Five commedia dell'arte character in purple are dotted around. There are various objects such as a hammer, a skull, a pocket-watch, the theatre masks and a fiddle visible on the cover. A grey proof copy ribbon runs across the cover saying 'Not for resale'.
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 10/06/2025
A year ago today we filmed "Things We Do For Love" with Sarah Lidstone, Josh Alexander and Molly Jackson. It was a lot of fun, shot in half-a-day and brings a little fun to a debate that still rages to this day. spectra.video/w/v8m5tUh6VgAdtC5UYYCzBm
spectra.video
Things We Do For Love
A loving couple meet with a counsellor to resolve a seemingly insurmountable problem in their relationship.
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@reiver ⊼ (Charles) :batman: @reiver.mastodon.social.ap.brid.gy · 06/06/2025
@_elena Wow! That the quality of @_elena 's Fediverse promo film is amazing! It is really good. #FediForum
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jaz :twt: :wales_flag: ⁂ @jaz.toot.wales.ap.brid.gy · 06/06/2025
I just witnessed the world premiere of an amazing four minute fediverse video. I am maniacally reloading the page where I expect the video to be made public, I cannot wait to share this. I'm not ashamed to say, I cried a little bit. Stay tuned. #FediForum
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Amy Sparkes @amysparkes.bsky.social · 03/06/2025
The characters stand behind the curtain, waiting for their turn on the stage... While they wait, here's a little teaser we made. 🎭🥁🎻⚔️💀🎲❤️‍🩹 Curtain rise: 29th July Cover: Sarah Christie Fiddle: Philip Belsham Filming: @swordandfiddle.co.uk adults.amysparkes.co.uk #historicalfiction #BookSky #HistFic
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Roberta Fidora @robertafidora.mastodon.social.ap.brid.gy · 24/05/2025
This went up two weeks ago. That’s 191 sheets of paper scanned in, over 400 assets and objects made and a whole lot of Fusion compositions! :blobsweats: youtu.be/-nP-nIF_SrU #Video #Videos #Music #MusicVideo #Davinci #DavinciResolve #MusicVideos #Visual #Visuals #Paper #PaperCollage
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 09/05/2025
OK, realising I've done a few of these "this time last year posts," but I still find them educative to put together. So a year ago, we were filming some parts of our short film "Booted." Still in post-prod while we sort some sound and VO (we know who we want, but availability is the thing).
An actor and cameraman in the process of setting up an outdoor shot on short, rough grass. We can only see the actor from the waist down and they're wearing brown walking boots with red laces and black cargo trousers.
The cameraman (Me) is facing away from the shot and we're looking over his shoulder at the camera on a thick neckstrap with a shotgun mic mounted above it. The camera is pointed at the walking boots.An actor lacing up walking boots viewed from above with the actor sitting and facing towards the camera. We can only see the boots, trousers, hands, and forearms of the actor. The boots are brown with red laces that have little flecks of black in them, the trousers are black cargo-style and the arms are bare - one thumb has the remains of some black nail polish on.
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Nonilex @nonilex.masto.ai.ap.brid.gy · 05/05/2025
Moron did what now? #Trump announced a 100% #tariff on #movies produced outside the #US, saying #Hollywood was dying a "very fast death" due to the incentives that other countries were offering to draw American filmmakers. "This is a concerted effort by other Nations &, therefore, a National […]
masto.ai
Original post on masto.ai
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 03/05/2025
This time two years ago I was doing pre-production information gathering on our first paid commission - a documentary short film celebrating 50 years of a horse-drawn canal barge offering passenger trips in Mid-Devon. While there were challenges […] [Original post on social.swordandfiddle.co.uk]
On the tow-path of a canal. In the background, a decorated canal barge is pulled up under a short, steel fabricated bridge with stone abutments. In the foreground (and slightly unfocussed) is a pushbike handlebar with an orange plastic case open in front of it. Visible inside the case is a small camera with a extended zoom lens, and a nylon carrying bag - presumably full of other equipment (I think it was my sound gear).
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Amy Sparkes @amysparkes.bsky.social · 30/04/2025
A big thank you to Mary Ward and Bethany Malcolmson at Writers Online for inviting me onto the podcast today, talking about writing life, emotion, and what happens when you go digging up your Grandad's garden... Episode coming soon. Catch up with previous episodes here: rss.com/podcasts/wri...
rss.com
Write Club Podcast | Podcast on RSS.com
Welcome to Write Club, the ultimate podcast for anyone passionate about the written word. Brought to you by Writers Online, in each episode we'll give you an insight into the world of writing, creativ...
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 29/04/2025
Inspired by @ele (or @_elena) and her idea of making motion graphics for fediverse projects, I thought I'd have a crack at doing a simple one for #iceshrimp I'm not sure if @zotan will see this because the account's locked, but I hope she doesn't mind. I'm looking forward to seeing Elena's […]
social.swordandfiddle.co.uk
[Video] Original post on social.swordandfiddle.co.uk
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Greg Jenner (Historian) @gregjenner.bsky.social · 28/04/2025
A fine tribute to a comedic masterpiece (and one of the reasons I became a medieval historian) All hail Python! www.theguardian.com/film/2025/ap...
theguardian.com
Monty Python and the Holy Grail at 50: a hilarious comic peak
The endlessly quoted 1975 comedy remains both a clear product of its era and a timelessly funny masterwork
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 28/04/2025
#bookstodon #booksky #IndiePublishing #Players1715 Well, it's taken a little time, but we've got pre-orders for Players Act 1 (out July 29th) working on Kobo now as well as Amazon. Both versions will be **DRM-FREE** for your convenience, and […] [Original post on social.swordandfiddle.co.uk]
A 3D rendering of the book "The Players Act 1 - All The World's A Stage" by Amy Sparkes.
Around the book are some key features of the text with curved and swirling arrows pointing towards the book.
The features are:
Found family
Grey villain
Uplifting
Strong Females
Vengeance
Marginalised CharactersA wide image of a wooden stage with a green curtain. A copy of the book "The Players Act 1 - All The World's A Stage" by Amy Sparkes appears stood on the boards on the right-hand. Also shown are four "totems" - drawn depictions of aspects of the book. A pocket watch, peacock feather, skull, and comedy/tragedy masks.
Aligned left, text reads:
England, 1715.
A theatre company about to collapse...
An ex-member seeking revenge...
How far would you go to save what you truly love?
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 28/04/2025
(6 images on original post) You know you get those notifications from some mobile apps "On this day..." and it shows you some photos you took? Well, it turns out that today, three years ago I was on a location scout for the (at the time) TV […] [Original post on social.swordandfiddle.co.uk]
A straight, tree-lined single-track metaled road. The trees are newly in leaf, so are very bright green. The verge either side of the road is covered in ground ivy.An unmetaled track leading around to a yard gateway in an extremely old wall, covered in ivy. Just over the wall, the roof apexes and chimneys of a large, old house can be seen.A village street, concentrating on a public house. It has a hanging sign on it with a red lion passent depicted facing left, while above that, mounted on the same bar, is a cutout of a red lion passent, facing right.
The pub (and all the visible buildings) is thatched, painted a creamy yellow and clearly very old. The windows nearest the camera on the ground floor are a set of four, shallow arched & mullioned - the others a multi-paned using small glass squares of about 10cm. An arched entry porch is under the sign, about half-way down the building with two benches for seating on either side.And old bare stone building with a tiled roof (although with a thatched apex). It has a cobbled path just in front of it which used to be part of a yard that has been tarmaced over to make the road. The main house is rectangular with small windows and a doorway about half-way along the ground floor. On the gable-end nearest the camera, a stone-built lean-to with thatched roof is a low doorway into the end of it. Small bushes grow against the walls, and a larger rose climbs over the main doorway, although nothing is in serious leaf yet.
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Stephen Sekula @steve.mastodon.cooleysekula.net.ap.brid.gy · 27/04/2025
The key differences between #Mastodon and #Bluesky: one is resilient against - may, resistant to - #enshittification ... the other is ripe for it. phillipjreese.com/the-social-networ…
phillipjreese.com
The Social Network That Can’t Sell Out: Understanding Mastodon vs. Bluesky
In 2012, Facebook abandoned its experiment with user democracy, demonstrating how profit-driven platforms prioritize control over community input. Since 2009, the site had begun allowing users to vote on __certain__ new policy proposals for the site, establishing a sort of light democracy. Many heralded this move toward openness and user control. But when it came time to vote on maintaining this democratic system, Facebook set an impossible bar: they required 300 million votes to keep user governance alive. Despite 88% of voters supporting democracy, only 650,000 users participated. Democracy at Facebook was over. Over and over again, we see examples of our commercial, profit-driven institutions choosing dictatorship over democracy. And that only makes sense. The profit motive is baked into the DNA of commercial social media. That’s why tech-savvy users have long been suspicious of corporate behemoths controlling our digital town squares. Enter the Fediverse, a network of decentralized social platforms built by and for users (If you’re new to this concept, check out my introduction to the Fediverse). Now, as Donald Trump partners with X (formerly Twitter) CEO Elon Musk, users are once again searching for alternatives to the old social kingpins. Two major contenders have emerged: Mastodon and Bluesky. While both promise user control, their foundations tell very different stories about their futures. ****Meeting the Contenders – Mastodon and Bluesky**** Both platforms promise to give users more control over their data, and both offer refuge from the chaos of Twitter/X. But while they might seem similar on the surface, their fundamental structures tell very different stories about their futures. Mastodon–built as a non-profit and run by independent communities–has essentially made it impossible for itself to fall into the familiar pattern of social media “enshittifiction,” where platforms gradually become worse as they chase profits. Bluesky, despite its innovative technology and good intentions, is built on the same venture-capital-backed foundation that has led so many promising platforms to eventually prioritize shareholders over users. This structural difference isn’t just a technical detail, it’s the key to understanding why Mastodon–despite being slightly more challenging to get started with–represents our best chance at building a truly open “town square” of the internet that benefits everyone. ****The Power of True Decentralization**** Briefly, decentralization is what I’m talking about here. In 2024, it might seem strange to imagine services not driven by profit. But since the beginning of the internet, millions of people have been building the technologies that power your digital life not for money, but for the love of creation. Linux, the open-source operating system running most servers (including this website’s), is a perfect example. The early social networks like LiveJournal and Friendster were passion projects, not profit centers. This same spirit drives Mastodon and the Fediverse. Think of it like email: independent servers communicating through shared protocols, giving users complete control over their data and interactions. Decentralized, and non-commercial. _**You can follow me atMastodon AND at Bluesky!**_ ****Mastodon vs. Bluesky: A Tale of Two Futures**** Founded in 2016, Mastodon represents this ethos fully. Anyone can set up their own Mastodon server (called an ‘instance’), invite people to set up profiles on these instances (like email inboxes on a domain), and these servers can talk to each other, like emails from different domains talking to one another. Each instance is like a small community with its own rules and culture, but users can still follow and interact with people on other instances, just like you can email people that use different providers. This structure is maintained by a German non-profit organization that develops the core software but–crucially–doesn’t control the network itself. Think of it like a community garden rather than a corporate farm: while individual garden plots (instances) are tended by their own gardeners with their own rules, they’re all using the same basic tools and can share with each other. This community-driven approach means that no single entity can make sweeping changes that affect everyone else. And if users don’t like how their instance is being run, they can simply move to a different one, or start their own. Bluesky emerged in 2019 as a project initiated by then-Twitter CEO Jack Dorsey, who envisioned creating a new standard for social media. While it shares some open utopian aspirations with Mastodon, Bluesky takes a different approach. It operates through the Authenticated Transfer Protocol (AT Protocol), which uses Personal Data Servers to store user information and allows users to move between providers, similar to how you might switch cell phone carriers while keeping your phone number. The platform is intentionally built to feel familiar to Twitter users, from its interface to its algorithmic ‘What’s Hot’ feed (more on this later). While the AT Protocol is offered free and open source to developers, Bluesky itself is a centralized venture-backed startup, following the traditional Silicon Valley model that produced Facebook, Twitter, and Instagram. This means that there’s one place to go to sign up for Bluesky, just like Twitter or Facebook (more on this later). However, this also means that, despite its good intentions, Bluesky will eventually face the same pressures that have led other social platforms to prioritize engagement and monetization over user experience – the very issues that drove many users to seek alternatives in the first place. ****The Real Difference: Algorithms vs. Agency**** Let’s be honest: getting started with Mastodon takes more effort. You need to choose an instance (though mastodon.social now offers easier sign-up), understand new concepts like federated timelines, and possibly set up a mobile app. But this complexity isn’t a bug, it’s a feature–and it’s a direct result of putting real power in users’ hands. Once you understand these basics, which typically takes just a few days of regular use, you’ll find yourself with something remarkable: a social media experience you can actually control, free from the manipulation of engagement algorithms and sponsored content. Immediately after setting up Bluesky, and following the few people I knew, my “Discover” feed was all half naked men. Not that I MIND half-naked men, but I don’t need help discovering pictures of half-naked men. I’m on a social network to CONNECT with people over things we have in common and things we’re interested in. Not for porn. But this is the stuff that my friends were clicking “like” on on Bluesky, so the algorithm thought that’s what I’d be clicking “like” on. So the silo-ing begins immediately on Bluesky, just like on all of the commercial networks. Unlike Bluesky’s algorithmic “Discover” feed, Mastodon lets users control what they see through local and federated timelines. There’s no algorithm trying to build a psychographic profile based on weights and rules and delivering brainrot slop to serve you “engaging” (i.e. profitable) content, just genuine connections and discoveries. ****Why Structure Matters**** Mastodon’s structure as a non-profit foundation isn’t just a legal technicality, it’s a shield against the forces that typically degrade social platforms online. The software is funded through community donations and grants, meaning it answers directly to its users rather than shareholders or advertisers. Remember when Facebook pretended to do that for three years and some change? This is the real deal. Each independent instance can set its own funding model, whether through user donations, institutional support, or community subscriptions, but crucially, there’s no central authority that can force instances to implement ads or algorithm changes. This distributed funding model might seem less ‘efficient’ than venture capital, but that’s exactly the point: it prevents any single entity from gaining enough power to override user interests in pursuit of profit. By contrast, Bluesky’s venture-backed structure follows a familiar and concerning pattern. While it’s currently free and experimental, history has shown us what happens when venture capital meets social media. The same story has played out repeatedly: a platform launches with bold promises about user empowerment, gains massive investment, and initially focuses on growth and user experience. But eventually, those investors expect returns. First comes algorithmic feeds to boost engagement, then targeted advertising, then increasingly aggressive data collection and monetization. We’ve seen this transformation happen to Facebook, Instagram, Twitter, and countless others. Bluesky’s technical protocol might be decentralized, but its corporate structure contains the same seeds of eventual enshittification that have spoiled so many promising platforms before it. ****The Path Forward**** While I appreciate that Bluesky has introduced many people to the concept of decentralized social media, it doesn’t solve the structural problems that plague commercial networks. It’s a friendlier interface over the same profit-driven system that gave us news feed enshittification, algorithmic brainrot and surveillance capitalism. The future of social media lies in true community ownership. By choosing Mastodon, we’re not just picking a Twitter alternative, we’re supporting a fundamentally different vision of what social media can be. The future of social media depends on us. By choosing platforms like Mastodon, we champion community-driven technology over profit-driven manipulation. Let’s build a better digital town square together—join the Fediverse today!
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Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 26/04/2025
Although I'm relatively adept at editing footage with #DavinciResolve I'm quite a neophyte when it comes to 3D compositing in #Fusion. I've been putting together some promo films for my wife's new book (available for pre-order now DRM-free on Kobo […] [Original post on social.swordandfiddle.co.uk]
A 3D rendering of a book on a wooden stage in front of a green curtain. The book is "The Players - Act 1" by Amy Sparkes and we're looking at the spine.
The wooden planks of the stage are created from a photograph of scaffold planks and in this image the stage is created simply by making the photograph into a floor.
There is also text on the image which is not important, but reads:
The Players Act 1
All The World's A Stage
England, 1715.
When society doesn't understand you,
and your family is out of the picture,
a strolling theatre company
could be your perfect home...A 3D rendering of a book on a wooden stage in front of a green curtain. The book is "The Players - Act 1" by Amy Sparkes and we're looking at the spine.
The wooden planks of the stage are created from a photograph of scaffold planks and in this image the stage has been given texture and looks much more like rough wood than the other image.
There is also text on the image which is not important, but reads:
The Players Act 1
All The World's A Stage
England, 1715.
When society doesn't understand you,
and your family is out of the picture,
a strolling theatre company
could be your perfect home...
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Reposted by Alyn Sparkes
Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 19/04/2025
#bookstodon #booksky #IndiePublishing We've been quiet for a while now, because while we're working on stuff, it's not really public, and indeed may never happen. However, one thing that's definitely happening is that we've made the decision to […] [Original post on social.swordandfiddle.co.uk]
Image of a book called "The Players - Act 1 : All the world's a stage" by Amy Sparkes showing the front cover and spine. The front cover has the author's name at the top, then a wide looped ribbon with the title and subtitle written on it. Along the ribbon at different points are characters from the Commedia Del-arte tradition dressed in purple costumes. Also around the ribbon are various items related to the story or characters - a hammer, skull, pocketwatch, comedy/tragedy masks, fiddle, and peacock feather. At the bottom a key line reads "How far would you go to save what you truly love?"
On the spine is the author's name at the top again, and a ribbon runs down with the title and subtitle on, separated by the pocketwatch graphic. At the very base is the Sword and Fiddle logo in blue on a white circle. The background of the spine resembles a loose-bound bundle of papers like a poorly organised script.
In the background of the image, a man beats an archaic drum (to drum-up interest), a bright peacock feather shows behind the book and a green curtain hangs behind all. A small amount of smokey texture is starting to obscure things.A "what to expect" image. The book cover and spine for "The Players - Act 1 : All the world's a stage" by Amy Sparkes is shown with a series of short texts surrounding it describing aspects of the book with arrows pointing from the words to the book. Some curve gently, others do a loop.
The words around the outside are:
Found family
Grey villain
Uplifting
Strong females
Vengeance
Marginalised characters.
041
Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 19/04/2025
#bookstodon #booksky #IndiePublishing We've been quiet for a while now, because while we're working on stuff, it's not really public, and indeed may never happen. However, one thing that's definitely happening is that we've made the decision to […] [Original post on social.swordandfiddle.co.uk]
Image of a book called "The Players - Act 1 : All the world's a stage" by Amy Sparkes showing the front cover and spine. The front cover has the author's name at the top, then a wide looped ribbon with the title and subtitle written on it. Along the ribbon at different points are characters from the Commedia Del-arte tradition dressed in purple costumes. Also around the ribbon are various items related to the story or characters - a hammer, skull, pocketwatch, comedy/tragedy masks, fiddle, and peacock feather. At the bottom a key line reads "How far would you go to save what you truly love?"
On the spine is the author's name at the top again, and a ribbon runs down with the title and subtitle on, separated by the pocketwatch graphic. At the very base is the Sword and Fiddle logo in blue on a white circle. The background of the spine resembles a loose-bound bundle of papers like a poorly organised script.
In the background of the image, a man beats an archaic drum (to drum-up interest), a bright peacock feather shows behind the book and a green curtain hangs behind all. A small amount of smokey texture is starting to obscure things.A "what to expect" image. The book cover and spine for "The Players - Act 1 : All the world's a stage" by Amy Sparkes is shown with a series of short texts surrounding it describing aspects of the book with arrows pointing from the words to the book. Some curve gently, others do a loop.
The words around the outside are:
Found family
Grey villain
Uplifting
Strong females
Vengeance
Marginalised characters.
041
Alyn Sparkes @alyn.social.swordandfiddle.co.uk.ap.brid.gy · 11/02/2025
We’ve got some **GREAT** news! Sword and Fiddle Productions recently signed an agreement with fantastic Exeter-based singer-songwriter duo Sound of the Sirens to use “The Part Where You’re Gone,” one of the tracks from their 2025-released album […] [Original post on social.swordandfiddle.co.uk]
Mid-gig photo of Sound of the Sirens. Abbe is on the left playing an acoustic guitar with a fantastic bird motif on the scratchguard, a small bass drum with the band's logo on the floor, and singing into the microphone sideways while she looks across at Hannah. Hannah's on the right of shot also playing an acoustic guitar with a bright pearl design on the scratchguard. She's slightly stretching a leg out to play a tambour-box on the floor while singing into a mic with some gusto! The bands logo (a pair of stylised 'S' letters front to front) has been super-imposed on the image.A still image showing the title and writers of a film called "Booted by Amy & Alyn Sparkes". A grass field is shown close up, with just the lifted heel of a walking boot leaving shot to the right. The production company logo for Sword and Fiddle Productions is top left.
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