Entangled Objects, Living Histories Richard Vokes   Since the turn of the millennium, ties between Africa and Australia have grown substantially. However, connections between the two continents are no...

Dr Eva Namusoke, Senior Curator, African Collections Futures, McDonald Institute for Archaeological Research Focused on a return to Uganda, Afterlives of Return is a project within African Collections...

by Alison Bennett

This Early Career Researcher's Workshop provides an interdisciplinary forum for doctoral and postdoctoral scholars from across the Arts, Humanities and Social Sciences to present their research and to participate in debate constructive toward the completion of their projects.

November 13, 2026 | Jonathon Earle and Rahab Kinyanjui, Colloquiarchs

The artist’s work resurfaces skills and knowledge that colonialism buried. She explains how her drawings and sculpture weave botanical illustration and traditional craft to engage with generational tr...

The University of London is both the UK’s largest provider of international distance and online learning and the convenor of a federation of 17 renowned higher education institutions.

New directions in the study of ivories from the Islamic world: A talk and handling session

Abstract. The Caribbean, with its focus on cash crop production, played a major role in the rise of England’s Atlantic trading system and the making of mod

Discussion of teaching East Africa Africa in World History

"We have a world-spanning collection of art, and it is our mission to represent a diversity of cultures," a Yale Art Gallery spokesman said.

Published in The Journal of Imperial and Commonwealth History (Ahead of Print, 2025)

Abstract. Faith in the Town explores the ways in which religious faith affected the lives of men, women, and children in the increasingly urban and industr

Find out the Simon and Hallsworth Fellowships at Manchester, our Faculty of Humanities funding scheme for early career researchers with a doctoral degree.

The piece, one side of which is an enamel copy of a 16th-century woodcut, the other side crafted in Ethiopia, reveals how European icons became incorporated into the African country’s traditions