iiinova — where your digital self keeps evolving

Zentrum für Netzkunst Berlin @zfn.bsky.social · 30/09/2026

Today at 6 PM at /rosa – welcome! ROTBOTS – exhibition /rosa, Heidelberger Str. 28, 12059 Berlin distant.gallery/rotbots-exhi... Opening: WED, 30 SEP 2026 at 6 PM Exhibition: 1–17 OCT 2026, open THU–SUN Panel discussion "Tactical Rot": @vukcosic.bsky.social & #eeefff, SUN, 4 OCT 2026 at 4 PM

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 28/09/2026

ROTBOTS – exhibition 📍/rosa, Heidelberger Str. 28, 12059 Berlin distant.gallery/rotbots-exhi... Opening: 30 SEP 2026, 6 PM Exhibition: 1–17 OCT 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality · funded by the Stiftung Kunstfonds & Stimuleringsfonds Creatieve Industrie

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 27/09/2026

This Wednesday: ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin distant.gallery/rotbots-exhi... Opening: 30 September 2026 at 6 PM Exhibition: 1–17 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality · funded by the Stiftung Kunstfonds

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 24/09/2026

📢 From Web, Library, War to Fire, Garden, Feed — a project by @ezka-ter.bsky.social, Julia Kochanek, Anneliese Ostertag, Sasha Weber, supported by Prof. Dr. Elena Beregow www.medienwerk.nrw/projects/met... | Funded by the Ministry of Culture and Science of the State of North Rhine-Westphalia

A vertical graphic with a yellow-to-orange gradient background and a stylized map of the world in orange, purple and pink. Large dark blue serif text reads “Web Library War Fire Garden Fed,” arranged across the image in overlapping lines. Small outlined buttons at the top read “from” on the left and “→ to” on the right. Various areas of the map are overlaid with repeating geometric and textured patterns.

Four people pose together outside a building. Two people sit on a low step in the foreground, while two stand behind them. The person seated on the left wears a dark patterned jacket, brown trousers and black shoes. The person seated on the right wears a white shirt with a colorful tie, red decorative straps across the chest, gray knee-length trousers, lavender socks and beige sneakers. Behind them, one person wears a pale blue T-shirt and another wears a light blue shirt over a dark top, with glasses and a pearl necklace. A colorful horizontal abstract painting hangs on the wall behind them.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 24/09/2026

ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin distant.gallery/rotbots-exhi... Opening: Wednesday, 30 September 2026 at 6 PM Exhibition: 1–17 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality · funded by the Stiftung Kunstfonds

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panke.gallery @pankegallery.bsky.social · 23/09/2026

Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 SEP – 3 OCT 2026 panke.gallery/exhibition/n... 🗓️ open: Wed–Sat, 3–7 PM Curated by Noemi Garay & Sakrowski + more pics: instagram.com/panke.gallery ↓ Dead Link Club Session 🗓️ TUE, 29 SEP 2026, 7 PM panke.gallery/event/dead-l...

A red, apple-shaped Hannspree monitor mounted on a white gallery wall. The screen displays a fragmented digital image of a person in a red top and turquoise skirt, flanked by two abstract, distorted human figures. The monitor has green speaker grilles and a green stem and leaves, emphasizing its apple-like design.

A gallery wall installation featuring colorful, outlined labels and text arranged along a large curved blue dotted line. Visible labels include “Linking to each other,” “Web master,” “Making a page for your dog,” “Frontend developer,” “For UI,” “Scrolling the feed of generated cats and dogs,” “Undo,” and “Unlock.” Some labels contain web addresses and interface-related terms. The installation extends around a corner of the gallery wall.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 22/09/2026

ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin Opening: Wednesday, 30 September 2026 Exhibition: 1–17 October 2026 Panel discussion "Tactical Rot": @vukcosic.bsky.social, 4 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality

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panke.gallery @pankegallery.bsky.social · 20/09/2026

Dead Link Club – special session on the occasion of Olia Lialina's exhibition Network Portraits 📍 panke.gallery 🗓️ TUE, 29 SEP 2026, 19:00 panke.gallery/event/dead-l... We will start with One Terabyte of Kilobyte Age, based on the archive of GeoCities, and see where the investigation takes us.

A stylized graphic on a teal background showing a gray, pixelated tombstone with “RIP” carved into it. A broken piece of the tombstone lies beside it, with faint pixelated text reading “DEAD LINKS” above and “CLIQUE” below.

A vertical photograph of a large computer monitor mounted on a white gallery wall. The screen displays a web browser showing a woman in a black top and sheer skirt sitting on a swing suspended against a bright blue sky. Part of a framed text piece is visible on the wall to the right.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 19/09/2026

ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin Opening: Wednesday, 30 September 2026 Exhibition: 1–17 October 2026 Panel discussion "Tactical Rot": @vukcosic.bsky.social and Geert Lovink, 4 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 16/09/2026

ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin Opening: Wednesday, 30 September 2026 Exhibition: 1–17 October 2026 Panel discussion "Tactical Rot": @vukcosic.bsky.social and Geert Lovink, 4 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality

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panke.gallery @pankegallery.bsky.social · 14/09/2026

follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social 📍 panke.gallery, Tuesday, 15 September 2026 from 7 to 10 PM panke.gallery/event/follow... See you there! [pics] 🖼️ Images from artworks by Xian and Roth.

A large gallery installation covers the walls and floor with thousands of small, colorful photographic and printed images arranged in dense grids and collages. A woman in a long black dress stands near the center, facing the wall and viewing the work.

A dark exhibition space contains a large installation of multiple vertical screens arranged in a loose, symmetrical composition. The screens display pink and red-tinted images of trees and landscapes, while cables hang from the screens to electronic equipment on the floor.

Three small humanoid robots are positioned on a rocky overlook above a turquoise lake surrounded by dense green forest and mountains. One silver robot sits in the foreground, another blue robot sits farther back on the left, and a white robot stands on the right.

An art installation resembling a bouquet of white and pale pink tulips stands in a transparent container. Green stems and leaves are interwoven with visible wires and electronic components, while a small transparent electronic control device rests on the white surface beside it.

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panke.gallery @pankegallery.bsky.social · 12/09/2026

Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 September – 3 October 2026 Curated by Noemi Garay & Sakrowski panke.gallery/exhibition/n... 🗓️ Open: Wed–Sat, 3–7 PM Welcome!

Olia Lialina stands in an exhibition space at panke.gallery in Berlin, in front of a large wall installation about net art generations. She wears glasses, a white T-shirt with a bright green circular graphic, loose black trousers, and white sneakers. Behind her, the white walls feature colorful outlined triangles labeled “1st,” “2nd,” “3rd,” “last,” “PANDEMIC,” and “AI,” alongside a diagram of interconnected interface-like labels and arrows headed “1993.” The dark gray floor and black baseboards contrast with the white walls.

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panke.gallery @pankegallery.bsky.social · 11/09/2026

The exhibition is now open! Thank you to everyone who came to the opening last night, to Olia for the presentation, and to everyone who helped make it happen. Come visit the exhibition Wed–Sat, 3–7 PM. We'd love to see you! Network Portraits – solo show by Olia Lialina panke.gallery/exhibition/n...

A crowded exhibition space with visitors gathered around a presentation. Olia Lialina stands near a wall-mounted screen and points toward a large diagram titled “Net Art Generations.” Fluorescent tube lights and exposed pipes run across the ceiling, with a projector mounted overhead.

A vintage beige Sony Trinitron CRT monitor sits on a wooden table beside a black computer or media device and mouse. The screen displays an early web page with two pixelated figures against a black background. A large printed flowchart is mounted on the wall to the left.

A wall-mounted Hannspree television in a distinctive red apple-shaped casing displays a digital artwork with fragmented, pixelated figures of people against a white background. The television has green speaker grilles and a brown stem at the top.

A diagram titled “Net Art Generations” shows several overlapping colored triangular outlines labeled “1st,” “2nd,” “3rd,” and “last.” A large blue inverted triangle and a large magenta upright triangle extend downward, with the words “PANDEMIC” and an upside-down “NET ART” near the bottom.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 10/09/2026

ROTBOTS – exhibition 📍 /rosa, Heidelberger Str. 28, 12059 Berlin Opening: Wednesday, 30 September 2026 Exhibition: 1–17 October 2026 Panel discussion "Tactical Rot": @vukcosic.bsky.social and Geert Lovink, 4 October 2026 @networked.work · distant.gallery · Fabian Hampelt · Networked Materiality

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transmediale/ @transmediale.bsky.social · 10/09/2026

Network Portraits Exhibition opening 10 September, 19:00 panke.gallery Olia Lialina’s solo exhibition Network Portraits opens tonight at @pankegallery.bsky.social , exploring the labour and transformations required to keep websites and digital cultures alive. ▶︎ www.panke.gallery/exhibition/n...

panke.gallery

Network Portraits · panke.gallery

panke.gallery seeks to open up a dialogue between established and emerging artists whose work comes out of the connections between digital or net-based art and club culture, especially in the recent h...

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panke.gallery @pankegallery.bsky.social · 10/09/2026

Tonight at 19.00: Network Portraits – solo show by Olia Lialina ➠ panke.gallery, opening: Thursday, 10 September 2026 at 19.00 panke.gallery/exhibition/n... Olia Lialina will be present and will introduce her works. Curated by Noemi Garay & Sakrowski. Welcome!

A swimmer wearing dark goggles swims freestyle in a bright indoor swimming pool, captured mid-stroke with one arm extended forward and the face partly submerged. Red, blue, and white lane dividers run horizontally across the pool, with reflections of windows shimmering on the water. The image is displayed in a web browser window.

A web browser new-tab page showing a grid of frequently visited websites. Several square tiles display large initial letters or small website icons, with site names such as “bram,” “sebastians…,” “anthonyan…,” “jonaslund,” “evan-roth,” “faithholland,” and “kimasendorf.” The browser interface and navigation bar are visible at the top.

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panke.gallery @pankegallery.bsky.social · 08/09/2026

follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social panke.gallery TUE, 15 SEP 2026, 7-10 pm panke.gallery/event/follow... Sofi Xian and Evan Roth come together to navigate their own work through the lens of a shared influence: pioneering net artist Olia Lialina.

A wide view of an empty, industrial-style gallery space with white walls, exposed pipes, fluorescent ceiling lights, and a bare concrete floor. Large black text across the center reads “follow the link,” with smaller text underneath: “gallery surfing session with Sofi Xian & Evan Roth.” At the bottom of the image, white text reads: “15 September 2026 @ panke.gallery.”

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panke.gallery @pankegallery.bsky.social · 04/09/2026

Network Portraits – solo show by Olia Lialina 🗓️ panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... 🖱️ opening: Thursday, 10 September 2026 at 19.00 💾 curated by Noemi Garay & Sakrowski 🌐 Welcome!

Screenshot of a web browser displaying Olia Lialina's net.art work Summer. Against a smooth vertical gradient from deep blue at the top to pale grey at the bottom, a woman sits on a black swing suspended by two long chains from the top edge of the page. She faces forward, holding the chains with both hands, her legs together and bent slightly forward. The browser address bar shows https://emiliegervais.com/olia/summer/, while the bottom-left status bar displays kimasendorf.com.

Screenshot of a browser's New Tab page showing fifteen thumbnail previews of Olia Lialina's Summer distributed in a five-by-three grid. Each thumbnail shows the same blue-to-grey gradient background and the woman on a swing, but captured in different positions, including upright, sideways, and upside down. The tiles are labelled with different website domains, including raquelmyers.com, anthonyantonellis.com, sebastianschmieg.com, saskia-aldinger.com, entropy8.com, leegte.org, reas.com, ritual.technology, gli.tc, constantdullaart.com, k0ala.net, emiliegervais.com, thxalot.org, jamesbridle.com, and bukk.it.

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igor štromajer · intima.org @intima.bsky.social · 01/09/2026

This September is extra special at @pankegallery.bsky.social as we open a solo exhibition by Olia Lialina – an absolute must see! panke.gallery/exhibition/n... ➠ THU, 10 SEP at 19.00 🖥️ Olia's 'My boyfriend came back from the war' running in Netscape Navigator 2.02 (via WineVDM) on my Windows 11

Cropped screenshot (Olia Lialina’s net.art work My Boyfriend Came Back from the War) of Netscape Navigator 2.02 showing a black webpage with a small, heavily pixelated black-and-white photograph positioned toward the upper right. The photograph depicts a window or doorway divided into rectangular panes, with dark vegetation or indistinct objects visible in the lower sections.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 26/08/2026

Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc

Vintage mechanical calculating machine labeled “Mercedes,” with rows of black and white numbered keys, metal levers, and a mechanical number display. The machine is photographed at an angle on a small white table.

Open white LP record sleeve containing a black vinyl record and several black-and-white graphic inserts or sleeves. The upper artwork features dense vertical fields of fine white lines and numbers on a black background, while another visible design consists of large geometric white lines forming a cross-like pattern. The LP sleeve is placed on a purple surface.

Gallery installation with numerous large white sheets mounted on white walls. Each sheet contains dense arrangements of red graphic symbols, including human figures, buildings, industrial structures, objects, and repeated patterns. The works are displayed in rows across two adjoining walls.

Vintage Bondi Blue iMac G3 displaying an early web page for the Natural Selection search engine. A translucent turquoise-and-white keyboard is positioned in front of the computer, with several framed photographic portraits visible on the wall behind it.

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panke.gallery @pankegallery.bsky.social · 24/08/2026

Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski

A pixel-art woman with short light hair stands against a black background, wearing a black sleeveless top and a long flowing skirt. The skirt is composed of bright green computer-like symbols, letters, numbers, and geometric characters arranged in horizontal rows.

A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing blue skirt. The skirt is covered with bright blue computer-style characters, including numbers and rows of text-like symbols, creating a digital pattern.

A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing skirt. The skirt contains a colorful, low-resolution photographic image of a smiling person's face and upper body, surrounded by vivid red, orange, yellow, pink, blue, and purple areas.

A pixel-art woman with short light hair stands against a black background, wearing a sleeveless top and a long flowing gray skirt. The skirt is patterned like a Minesweeper game board, with gray grid squares, numbered cells, and black mine symbols, including one red-highlighted mine.

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panke.gallery @pankegallery.bsky.social · 20/08/2026

Network Portraits – solo show by Olia Lialina www.panke.gallery/exhibition/n... 📍 panke.gallery 🗓️ 10 September – 3 October 2026

Exhibition poster for "Network Portraits: Olia Lialina", showing a pixelated woman in a black top and silver skirt swinging beneath the large blue title "Network Portraits". The poster announces the exhibition from 10 September to 3 October 2026 at panke.gallery, Gerichtsstr. 23, Hof 5, 13347 Berlin. Opening: Thursday, 10 September 2026 at 19:00.

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panke.gallery @pankegallery.bsky.social · 03/08/2026

Just saying: Olia Lialina at panke.gallery this September! Network Portraits – solo show panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Olia Lialina is among the best-known participants in the 1990s net·art scene – an early-days, network-based art pioneer.

Three cutout views of the same woman on a swing are arranged across a plain white background, capturing different moments of a swinging motion. She has shoulder-length dark hair, wears a black sleeveless top with a small white pattern, a white skirt with broad gray and black stripes, and black shoes. In the left image she swings toward the viewer, in the center her hair flies sideways as she reaches the highest point, and on the right she leans forward as the swing moves back. Only the chains and the top swing attachments are visible, creating the impression that the three figures are suspended in empty space.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 30/07/2026

New book: Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc

A close-up photograph of the spine of a silver-gray hardcover book held between thumb and fingers. The title AKRIBIE is printed vertically in large gray letters. The top corner of the cover is slightly bumped and worn. In the blurred background is a weathered metal surface with raised diamond tread and scattered dry leaves, creating an industrial setting.

An open book rests on a worn metal diamond-plate surface covered with dry leaves. The visible page features a black-and-white typographic artwork made entirely from repeated letters and the word "INFORMATION," arranged into five circular forms aligned vertically against a dense field of tiny characters. A German caption beneath identifies the work as Information from the late 1970s.

An open book lies on an aged metal tread plate with scattered leaves. The page shows a color photograph of the famous CyberSyn operations room, featuring a circular arrangement of futuristic white swivel chairs with integrated controls facing wall-mounted display screens in a wood-paneled interior. Above the image is German text discussing the CyberSyn project.

An open book is photographed from directly above on a weathered metal diamond-plate surface. The two-page spread presents intricate diagrammatic artworks. The left page contains layered blue, orange, and gray geometric forms resembling sound wave structures, while the right page displays a dense vertical notation chart with hundreds of fine lines, symbols, and labels. Page numbers 94 and 95 are visible, along with captions referencing Roland Kayn's Score für Allotropie (1962-1964).

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 29/07/2026

Interview with Barbara Strebel conducted as part of the SNSF research project, Mediathek HGK Basel FHNW, Basel, 2024 (in English). mediathek.hgk.fhnw.ch/ink/detail/z...

mediathek.hgk.fhnw.ch

Mediathek -

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 17/07/2026

Installation view inside a spacious industrial-style gallery with unfinished concrete walls and high ceilings. In the foreground, a vintage mechanical calculating machine sits on a white pedestal. Suspended from the ceiling behind it is a row of hanging panels displaying black-and-white portraits and explanatory texts. Large black wall panels with framed minimalist artworks are mounted on the back wall, creating a dialogue between historical technology, archival material, and conceptual art.

A person with curly hair, glasses, and large white over-ear headphones sits indoors, looking attentively toward something outside the frame. Behind them, large windows reveal a city street with parked cars, buses, leafless trees, and apartment buildings. The image is embedded within a diagram, with German labels such as "Kybernetik, Sozialismus, Postkolonialismus," "ökonomische Schwierigkeiten," "Umwelt," and "5 Untersysteme" surrounding the portrait, suggesting a conceptual map relating cybernetics, politics, and systems theory.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 15/07/2026

📖 Akribie & Obsession – Ästhetiken und Praktiken der kybernetischen Konjunktur; Anneliese Ostertag, Tabea Rossol (Hrsg.) / Zentrum für Netzkunst; Spector Books, Leipzig, Juli 2026 www.spectorbooks.com/book/akribie... ISBN: 9783959055840, 120 Seiten

Fotografie einer aufgeschlagenen Buchdoppelseite mit dem Inhaltsverzeichnis. Links steht die Überschrift „Einleitung“, darunter folgen Beiträge von Birgit Schneider, Francis Hunger, Wolfgang Ernst, Alexander Amberger und Oliver Sukrow mit Seitenzahlen und mehrzeiligen Titeln zu Themen wie Schreibmaschinen, Kybernetik, Bürokratie, Medienarchäologie und Organisationswissenschaft. Rechts sind weitere Beiträge von Katharina Loeber, Christian Booss, Martin Supper, Roland Kayn, Michaela Wünsch und Maroš Krivý aufgeführt, unter anderem zu Cybersyn, Kybernetik, Fernsehen, Psychoanalyse und Stadtplanung. Am unteren rechten Seitenrand befinden sich die Einträge „Biografien“, „Anmerkungen“, „Bildnachweise“ und „Impressum“ mit römischen Seitenzahlen. Die Gestaltung ist typografisch klar, mit schwarzen und hellrosa Überschriften auf weißem Papier. Oben rechts ist die Seitenzahl 73 sichtbar.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 06/07/2026

Thank you to everyone who joined us for our 48h Reading Group at /rosa with @simonweckert.bsky.social, @evanroth.bsky.social, eeefff_org, and @bitnik.bsky.social, exploring the theme of Mapping the Internet. /rosa, 3–5 July 2026, part of 48 Hours Neukölln It was such a wonderful long weekend!

A group of people sit in a bright studio-like room during a reading group or workshop. Some are seated on chairs, others on beanbags or a sofa, arranged in a loose circle. One participant in the center gestures while speaking from printed notes as the others listen attentively. In the foreground, a participant reads from a tablet beside an open laptop on a low pink table cluttered with glasses, bowls, bottles, cables, and backpacks. Large windows reveal a street outside with parked bicycles, cars, and a visible "Heidelberger Str." street sign. Wooden floors, white walls, and books displayed on a small shelf create an informal, collaborative atmosphere.

An evening discussion takes place in the same studio space, illuminated by warm indoor lighting. Participants sit on sofas, chairs, beanbags, and the wooden floor, facing a large monitor placed directly on the floor that displays a presentation. A low pink coffee table in the center is covered with laptops, bottles, glasses, snacks, and notebooks. One participant on the left appears to be speaking while others follow the discussion or read printed material. White walls, wooden floors, an abstract striped artwork, and tall translucent wall panels frame the relaxed workshop setting.

A larger group gathers in the studio during a presentation. Participants sit closely together on chairs, sofas, beanbags, and the floor, facing two presenters seated near a large monitor displaying a coastal scene. One presenter gestures while speaking, while another works on a laptop. Above them, a projected image shows the words “No beauty” over a photograph of an empty interior. The room features white walls, wooden floors, translucent wall panels glowing pink from outside light, an abstract striped painting, and a central pink table covered with laptops, papers, drinks, and personal belongings.

Two presenters sit side by side in a bright studio during a presentation. In the foreground, a bald person wearing glasses, earrings, tattoos, a rust-colored overshirt, and black trousers sits on a beanbag with a laptop on their lap, listening thoughtfully with one hand on their face. Beside them, another presenter wearing a black cap works on a laptop while speaking. A large monitor on the floor displays a slide reading, “What are the reading sessions of the leaked code?” with smaller explanatory text. Behind them hang an abstract striped artwork and white brick architectural details, while the spacious room with wooden floors extends into adjoining areas.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 04/07/2026

We're doing fine. 48h Reading Group, 3–5 July 2026 at /rosa, part of 48 Hours Neukölln panke.gallery/event/48h-re... ➠ Detailed program by day: cryptpad.bitnik.org/pad/#/2/pad/... Simon Weckert, Evan Roth, eeefff, and !Mediengruppe Bitnik are exploring the theme of Mapping the Internet.

A person with long dark hair tied in a bun sits on a dark beanbag in a bright gallery space, working on a laptop balanced on their lap. They wear a vivid blue overshirt over a light blue T-shirt, dark blue track pants with blue side stripes, white sneakers, and red socks. One hand rests on the computer while the other is raised with an extended finger, as if making a point during a presentation. In front of them, a large monitor placed directly on the wooden floor displays a blue slide titled "Power of Maps" with a world map. Behind them, a large abstract artwork of dense horizontal multicolored stripes hangs on a textured white wall. The open gallery space features wooden floors, white walls, and scattered furniture, creating an informal workshop atmosphere.

People gather around a low square table after a shared meal in a bright gallery. One person in a loose rust-colored shirt and black shorts stands on the left, serving food from a large metal bowl. Three others sit around the table, one working on a laptop, another looking toward them, and a third using a tablet. The tabletop is covered with used plates, bowls, glasses, bottles, mugs, and a large cooking pot, suggesting lunch or dinner during a workshop. A large abstract painting with horizontal multicolored stripes hangs on the wall in the background, while a monitor on the floor displays a black-and-white abstract graphic. Warm daylight filters through tall translucent orange curtains, giving the room a relaxed, collaborative atmosphere.

A person with short light brown hair relaxes on a large dark beanbag beside a wide window overlooking leafy green trees. They wear a black jacket over a beige patterned shirt, loose light blue jeans, and small hoop earrings, while reading from a handheld device with a stylus in hand. The large window fills the room with natural light. A white sign attached to the glass is visible in reverse from inside and reads "netzkunst.berlin / panke.gallery". A radiator runs beneath the window, reinforcing the calm atmosphere of focused reading in the gallery.

A close-up view from someone reclining on a beanbag shows an open MacBook Air resting on their lap inside a gallery. The screen displays a PDF titled "Atlas of Cyberspace", open to a page headed "Introducing cyberspace". A diagram labelled "Virtual geography" compares concepts such as Place, Space, Cyberspace, and Computer or CSpace, while several lines of text below are highlighted in orange. In the blurred background, another person lounges on a beanbag reading near large windows, with chairs, bags, shoes, and a table holding a metal bowl scattered around the wooden floor, conveying a quiet moment of study during an art residency or workshop.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 03/07/2026

We start today, and finish on Sunday: 48h Reading Group, 3–5 July 2026 at /rosa ➠ Detailed program by day: cryptpad.bitnik.org/pad/#/2/pad/... Participants are welcome to stay overnight at /rosa, provided they register in advance via info@netzkunst.berlin. panke.gallery/event/48h-re...

A close-up photo of several books spread across a bright green fabric surface. Visible book covers include Uncomputable and other publications related to digital culture and media theory. Overlaid in the center is bold white text with a black outline announcing: “48h Reading Group ‘Mapping the Internet’ 3–5 July at /rosa with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert.” The image has an informal, documentary feel, with the books partially overlapping and serving as a backdrop for the event information.

A graphic poster with a pink background featuring black-and-white pixelated abstract shapes resembling fragmented digital graphics or a distorted map. Light blue sans-serif text reads: “48 STUNDEN READING GROUP” near the top and “MAPPING THE INTERNET” in the lower half. The minimalist composition combines glitch aesthetics, pixel art, and soft pastel colors, reinforcing the theme of digital networks and internet culture.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 27/06/2026

Next weekend at /rosa: 48h Reading Group, 3–5 July 2026 Detailed program by day and artists: cryptpad.bitnik.org/pad/#/2/pad/... Register via info[at]netzkunst[dot]berlin or panke.gallery/event/48h-re... Mapping the Internet w/ Simon Weckert, Evan Roth, eeefff, !Mediengruppe Bitnik. Welcome!

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 25/06/2026

ROTBOTS Workshop with @bitnik.bsky.social: THU, 2 July at /rosa, Berlin distant.gallery/rotbots Can automated content become a form of resistance? Initiated by @networked.work with Fabian Hampel + @realclusterfuck.bsky.social, @lav.io, @tega.bsky.social, @iocose.bsky.social, !Mediengruppe Bitnik.

A surreal digital artwork showing the interior of an empty house transformed into a dreamlike landscape. The walls and ceiling are covered with a bright blue sky and white clouds, while the entire floor is densely filled with orange flowers resembling California poppies. Several doorways create a recursive view into more rooms with the same sky-and-flower environment. On the right is a white-curtained window and a white brick fireplace. Across the center of the image, large bold pink capital letters spell “ROTBOTS.” The overall palette is vivid blue, orange, white, and pink, creating a striking contrast between domestic architecture and an endless flowering field.

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Reposted by Zentrum für Netzkunst Berlin

transmediale/ @transmediale.bsky.social · 22/06/2026

transmediale open studio June 24, 18:00 Presentations 19:00 Come and meet our residents Ahreum Lee, Martyna Marciniak, @aaa-e-ee.bsky.social , and Laura Benech this Wednesday at the open studio! Join us from 18:00 and learn more about their ongoing research .ೃ࿔ ▶︎ transmediale.de/en/event/ope...

A promotional poster for a transmediale open studio event on a vivid orange background. Large black text at the top reads "transmediale/ open studio" with two crossing diagonal lines between the words. A large circular image, duotone-printed in lavender and orange, shows an overhead or wide-angle view of a studio workspace with equipment, screens, and objects scattered across it. Over the circle, the names of four participating artists are listed in large black text: Martyna Marciniak, Amanda E. Metzger, Ahreum Lee, and Laura Benech. At the bottom, a lavender banner displays the event details: 24.06.2026, 18:00, free admission, transmediale studio.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 22/06/2026

48h Reading Group, 3–5 July 2026 at /rosa ➠ Detailed program by day and artists: cryptpad.bitnik.org/pad/#/2/pad/... Participants are welcome to stay overnight at /rosa, provided they register in advance via info@netzkunst.berlin. panke.gallery/event/48h-re...

Poster with a pink background overlaid by a pixelated, glitch-like black-and-white abstract pattern resembling fragmented maps, pathways, or digital circuitry. Large light blue text near the upper left reads: "48 STUNDEN", with the number 48 much larger than the word STUNDEN. Below it, centered, the same light blue text reads: "READING GROUP". In the lower half, the title "MAPPING THE INTERNET" appears in three lines, split as "MAPPING", "THE INTER", and "NET", with the word "INTERNET" visually broken across two lines. The overall aesthetic evokes early digital graphics, low-resolution computer imagery, and internet glitch art.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 20/06/2026

Join us for the 48h Reading Group at our project space /rosa as part of 48 Hours Neukölln, 3-5 July 2026. 48-stunden-neukoelln.de/de/programm/... Throughout the weekend, sessions w/ artists Simon Weckert, Evan Roth, eeefff, and !Mediengruppe Bitnik will explore the theme of Mapping the Internet.

A close-up photograph shows several books and publications arranged on a bright green fabric surface with visible folds and wrinkles. The books overlap each other and are partly obscured by large promotional text placed in the centre of the image. On the left side, a publication with a purple and grey cover featuring a geometric pattern is partially visible. Fragments of white text can be read, including "...L VOI" near the top and "...idopolit..." and "...del Ver..." lower down. In front of it lies a white book with the title "UNCOMPUTABLE" printed in dark blue capital letters along the top edge. The lower part of its cover shows an abstract black-and-white illustration and the partial text "R. G..." near the bottom. To the right is another book with a predominantly dark blue and turquoise cover featuring rows of small white text resembling computer code or data tables, overlaid with abstract streaks of cyan, purple, and pink. A cream-coloured page or book edge peeks out from behind it on the far right. Superimposed over the books is large, bold white text with a thick black outline that reads: "48h Reading Group "Mapping the Internet", 3-5 July at /rosa, with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert". The overall impression is of an announcement for a reading group focused on internet culture, media art, and digital practices, presented against a vivid green textile background.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 10/06/2026

There are still a few spots available for the workshops this Saturday! 13 June: workshop w/ @iocose.bsky.social ROTBOTS – a collaborative workshop series examining robotic art and the boundaries between human and machine expression distant.gallery/rotbots RSVP: rotbots@distant.gallery 📍/rosa, Berlin

Surreal digital collage of an empty house interior transformed into an outdoor landscape. The walls and ceiling are covered with a bright blue sky and white clouds, while the entire floor is densely filled with blooming orange flowers stretching through multiple connected rooms. Several doorways create a recursive view into repeating spaces lined with the same sky imagery and flower-covered floors. A large window with sheer white curtains stands on the right, next to a white-painted brick fireplace. Across the foreground, oversized bold pink capital letters spell “ROTBOTS,” partially obscuring the flowers. The scene combines domestic architecture with an impossible natural environment, creating a dreamlike, immersive atmosphere.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 08/06/2026

Workshop w/ @realclusterfuck.bsky.social at /rosa. ROTBOTS focusses on building semi-autonomous ‘content machines’: systems that generate and distribute artistic brainrot across social media. distant.gallery/rotbots [@networked.work] + 13 June w/ @iocose.bsky.social 2 July w/ @bitnik.bsky.social

A group of people gathers around a rectangular table in a bright workshop or meeting space with white walls and large windows. Several participants work on laptops while a bearded man in a light grey short-sleeved shirt stands beside a monitor, appearing to lead a discussion. The monitor displays a green presentation slide with a circular portrait and text, alongside a small video-conference window showing remote participants. In the foreground, a person wearing a black sweatshirt with a large white circuit-like graphic on the back sits facing away from the camera. Another participant wears a blue-and-white jersey-style shirt with a large gold “10” on the back and a beige cap marked “POLO.” Power strips, cables, glasses of water, and laptops are scattered across the table. Sunlight enters through tall windows on the left, revealing parked cars and neighbouring buildings outside. A yellow shelving unit and a translucent ribbed partition stand on the right side of the room.

A workshop or group meeting takes place in a bright corner room with wooden floors and large windows on two sides. Around a rectangular table, several people sit with open laptops while a bearded man in a light grey shirt stands and gestures as he speaks. In the foreground, two participants are seen from behind: one wears a black sweatshirt with a large white graphic resembling a circuit board or technological diagram, and the other wears a blue-and-white jersey-style shirt with a large gold “10” on the back and a beige “POLO” cap. Another participant on the right drinks from a glass while seated at a laptop. Along the left wall, additional attendees sit on chairs and benches, some using devices and one reading a magazine. On the table are laptops, drinking glasses, and notebooks. Through the windows, green trees, parked vehicles, and a street sign reading “Heidelberger Str.” are visible outside. The atmosphere suggests a collaborative workshop, seminar, or working session.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 08/06/2026

What's the Difference Between a Conceptual Hack and Rage Bait? www.sleek-mag.com/de/article/w... In conversation w/ @postanikameier.bsky.social, Liz Haas, Luzius Bernhard, and Billie Bernhard speak about the evolution of @ubermorgen.bsky.social and the relationship between art and uncertainty.

sleek-mag.com

What's the Difference Between a Conceptual Hack and Rage Bait? What's the Difference Between a Conceptual Hack and Rage Bait?

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 08/06/2026

The Internet After Failed Utopias www.sleek-mag.com/article/the-... @vukcosic.bsky.social looks back at the promises that once surrounded the internet and their afterlives. In conversation with @postanikameier.bsky.social, he speaks about browser art, and the institutionalization of net culture.

sleek-mag.com

The Internet After Failed Utopias The Internet After Failed Utopias

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 20/05/2026

Rotbots distant.gallery/rotbots 3 more workshops: 5 June w/ @realclusterfuck.bsky.social 13 June w/ @iocose.bsky.social 2 July w/ @bitnik.bsky.social Feel free to apply! – initiated by @networked.work, Fabian Hampel, Zentrum für Netzkunst, and the Networked Materiality class at AdBK Nürnberg

distant.gallery

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 16/05/2026

Workshop w/ @lav.io & @tega.bsky.social at /rosa. ROTBOTS focusses on building semi-autonomous ‘content machines’: systems that generate and distribute artistic brainrot across social media. Can automated content become a form of resistance? More workshops: distant.gallery/rotbots @networked.work

A group of people sits around tables and benches in a bright corner room with large windows facing the street. A man stands near the doorway speaking to the group while holding a drink and gesturing with one hand. Several people listen attentively, some seated at the tables with glasses, coffee cups, and plates of pastries in front of them. Daylight fills the minimalist space with white walls, wooden floors, and large street-facing windows showing trees, bicycles, and parked cars outside.

A workshop session takes place around a dark table with laptops, glasses, cables, and a projector. Two seated participants work at laptops while a man stands beside them speaking with one hand on his chest. A bright green computer interface is projected onto the wall behind them, casting green light across the scene. Other participants sit around the table listening and taking notes in a sparse room with white walls and technical equipment spread across the table.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 13/05/2026

We invite artists, designers, and critical makers to join workshops in Berlin on automated content production as an artistic and political tool: 16 May with Sam Lavigne & Tega Brain 5 June with Clusterduck 13 June with IOCOSE 2 July with !Mediengruppe Bitnik docs.google.com/document/d/1...

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 08/05/2026

ROTBOTS – Workshop Series & Exhibition, 2026 distant.gallery/rotbots Initiated by Constant Dullaart, in collaboration with Fabian Hampel. A collaborative project by distant.gallery, Zentrum für Netzkunst and the Networked Materiality class at AdBK Nürnberg, supported by Stiftung Kunstfonds.

Poster for “ROTBOTS: Building Content Machines, Artistic Brainrot Workshops.” The design features a dark, collage-like background with multiple AI-generated imagery panels: close-up hands with long purple nails touching a red object under microphones, a large cartoonish monkey face in the center, black-and-white cinematic street scenes, surveillance-style graphics, and repeated portraits of two men in a warm orange-toned studio setting. Across the middle, the word “ROTBOTS” appears in huge white block letters outlined in bright pink. Below it reads: “Building Content Machines” and “Artistic Brainrot Workshops.” Event dates listed are 16 May, 5 June, 13 June, and 2 July at Zentrum für Netzkunst Berlin. Additional text says “more info distant.gallery.” The overall aesthetic combines internet culture, AI imagery, media overload, and cyber-surveillance visuals.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 01/05/2026

Open call docs.google.com/document/d/1... What happens when work is automated? ROTBOTS invites artists & critical makers to build content machines that don't optimize labor, but disrupt it. @lav.io @tega.bsky.social @realclusterfuck.bsky.social @iocose.bsky.social @bitnik.bsky.social @networked.work

A layered collage-style image. In the background, a large close-up of an animated elderly monkey’s face with white hair and a stern expression fills the frame. Across the center, bold white capital letters outlined in bright pink spell “ROTBOTS.” At the top left, a close-up shows strawberries shaped like small mice being sliced with a knife on a wooden surface, with red juice spread like liquid. At the top right, a small inset shows hands with painted nails tapping or pressing on an object in an ASMR-style setup with microphones nearby. At the bottom right, another inset shows a person wearing a head-mounted device and holding a microphone near a window, while smaller fragmented video clips appear to the left, including a performer speaking and abstract digital imagery. The overall composition mixes playful, unsettling, and media-art elements.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 10/04/2026

"forgetting is also a form of care" Netstalgia Not Acceptable – The Internet We Want ~ an essay by Noemi Garay Murcia error417.expectation.fail/406/netstalg... Netstalgia is not a harmless longing for a better internet, it is the cultural symptom of platform capitalism in crisis.

error417.expectation.fail

Error 406 [Netstalgia] Not Acceptable | Netstalgia Not Acceptable Essay

Essay on the topic of the open call Error 406 Netstalgia Not Acceptable.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 29/03/2026

Akribie und Obsession; Anneliese Ostertag, Tabea Rossol (Herausgeber), Spector Books Autor*innen: Alexander Amberger, Wolfgang Ernst, Maroš Krivý, Katharina Loeber, Birgit Schneider, Oliver Sukrow, Michaela Wünsch www.lehmanns.de/shop/kunst-m... 120 Seiten, Designer: Anna-Luise Lorenz

lehmanns.de

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 28/03/2026

Transformation Digital Art 2026 – @li-ma-media-art.bsky.social symposium on the preservation of digital art, Amsterdam, 26–27 Mar 2026 li-ma.nl/article/tran... @ezka-ter.bsky.social & Sakrowski spoke about Inserting Net Art; how early internet artworks can be preserved without losing their context.

Audience members converse between sessions in a blue-seated auditorium during a digital art symposium. In the foreground, two people face each other in conversation, one with bright red braided hair and a pale scarf, the other wearing a yellow striped shirt and glasses while holding a drink. Around them, people sit scattered across the rows, chatting, checking phones, or watching the room. The image captures an informal social moment during the event.

A panel discussion on stage at “Transformation Digital Art 2026,” viewed from the audience. Five speakers sit in bright red chairs beneath a large projected program slide that reads “Collaborative preservation in Technical Environments.” Rows of blue auditorium seats fill the lower half of the image, with audience members watching the discussion. The setting is a contemporary screening room or lecture theater with a digital arts conference feel.

A crowded auditorium scene at the “Transformation Digital Art 2026” symposium. Dozens of people stand together at the front of the cinema-style room beneath a large projection screen displaying the event title and pastel abstract graphic shapes. Blue theater seats fill the foreground, while the stage floor features a bold black-and-white geometric pattern. The atmosphere feels lively and communal, like a group gathering at the close of a session or event.

A woman stands on stage with a microphone and a sheet of paper, speaking in front of a large projection screen at “Transformation Digital Art 2026.” Behind her, part of a slide is visible with the name “Annet Dekker” and the phrase “Framing: Collaboration and Trust.” Two bright red chairs sit empty on the patterned black-and-white stage floor, one with a microphone resting on it. The scene suggests an introduction or moderation before a panel discussion.

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Zentrum für Netzkunst Berlin @zfn.bsky.social · 26/03/2026

Transformation Digital Art 2026 — LI-MA's 10th anniversary international symposium on the preservation of digital art, 26–27 March 2026 li-ma.nl/article/tran... – Tereza Havlíková @ezka-ter.bsky.social & Sakrowski

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