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panke.gallery

@pankegallery.bsky.social
656 followers 159 following 358 posts

panke.gallery ➠ a dialogue between established & emerging artists dealing with digital & net-based art · /rosa project space in collaboration with @zfn.bsky.social

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panke.gallery @pankegallery.bsky.social · 17h
The End of the Internet – screening and Q&A with director Dylan Reibling and artist Sarah Friend @isthisa.com panke.gallery/event/the-en... panke.gallery, TUE, 6 OCT 2026, 7 PM The screening will be followed by a Q&A with director Dylan Reibling and artist Sarah Friend. theendoftheinternetfilm.com
A nighttime view of a large outdoor structure made of a tall central metal tower and numerous cables radiating outward to form a wide, tent-like geometric framework. A person in dark clothing stands in the foreground, reaching one arm upward toward the structure. A bright light shines behind the person, illuminating part of a chain-link fence and a white picket fence.An empty, white domed gallery interior with a large rectangular recessed structure occupying the center of the floor. A low white platform extends toward the viewer, while a glowing, tangled web of thin white lines or cables lies near its far end. A curved white light runs across the upper part of the domed ceiling.An outdoor concrete structure with a tall rectangular tower covered on one side by rows of circular openings. A red-and-blue flag flies from a pole on its roof. Large agave plants grow densely in the foreground. A masked person wearing a striped shirt stands on a paved path beside a wooden signpost and an information panel.An old computer sits on a pedestal in a dark room. Its monitor displays a bright green landscape beneath a blue sky with white clouds. A narrow beam of light illuminates the computer from above, while the surrounding darkness creates a sense of isolation and emptiness.
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panke.gallery @pankegallery.bsky.social · 30/09/2026
Thank you to everyone who came for the Dead Link Club special session on the occasion of Olia Lialina's Network Portraits! Final week of the show · open: Wed–Sat, 3–7 PM, through Oct 3, 2026 Dead Link Club is part of Damnatio Memoriae by @tomatocappelletti.bsky.social & Noemi Garay deadlink.club
A group of people sit around several wooden tables in a gallery, working on laptops and tablets. A projector screen on the left displays a web page, while another screen on the right shows a web page with a person suspended in the air. Papers, cables, glasses and electronic equipment are scattered across the tables. Several people are talking while others work on their computers.A group of people sit around wooden tables with laptops and tablets, participating in a collaborative workshop or discussion. On the white wall behind them are diagrams and timelines about net art, including the heading “Net Art Generations” and the year “1993.” A monitor at the left displays a blue-toned digital image. Some participants are working individually while others are talking with people across the table.Close-up of several people working on laptops around a wooden table. In the foreground, a person in black types on a silver laptop displaying a web page with multiple colored sections and text fields. Two other laptops are visible nearby. A smartphone, charging cables, a power adapter and two glasses of water are on the table.Close-up of a laptop displaying a web page titled “THE DEAD LINK CLUB CERTIFICATE.” The page contains a form for examining a deceased or disappeared online link, including fields for the name or URL, date of session and participant name. In the background, several people sit at a table in a workshop space, but they are out of focus.
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panke.gallery @pankegallery.bsky.social · 29/09/2026
🪦⛓️‍💥 Tonight at 7 PM – welcome!
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panke.gallery @pankegallery.bsky.social · 25/09/2026
An Interview with Olia Lialina by @postanikameier.bsky.social Right Click Save Magazine www.rightclicksave.com/article/an-i... The net art pioneer says the tech industry is working to make the digital world increasingly invisible, prompting her to demonstrate her belief in the care of digital art.
rightclicksave.com
An Interview with Olia Lialina - Right Click Save
The net art pioneer, who has always treated the web as a medium, says the tech industry is working to make the digital world increasingly invisible, prompting her to demonstrate her belief in the care...
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panke.gallery @pankegallery.bsky.social · 25/09/2026
Dead Link Club – special session on the occasion of Olia Lialina's exhibition Network Portraits 📍 panke.gallery 🗓️ TUE, 29 SEP 2026, 7 PM panke.gallery/event/dead-l... Dead Link Club is part of the research project and event series Damnatio Memoriae by @tomatocappelletti.bsky.social & Noemi Garay.
Promotional graphic for the Dead Link Club at panke.gallery. A glittering dark-blue book or tomb-like object decorated with rhinestones, hearts, roses, a cross, and the letters “RIP” stands in a moonlit cemetery surrounded by stars and blue flowers. Pixelated white text at the top reads “DEAD LINK,” while the bottom reads “CLUB” and “Tuesday 29th September 2026 @panke.gallery.”Minimalist white promotional graphic for the Dead Link Club. Large pale-blue pixelated text reads “AN EVENING OF INTERNET ARCHAEOLOGY, COLLECTIVE MEMORY AND SPECULATION ABOUT DIGITAL AFTERLIVES.” Small text at the bottom reads “Dead Link Club, Tuesday 29th September 2026, @panke.gallery.”Black promotional graphic with a starry background and large yellow text. It announces a special Dead Link Club session held in connection with Olia Lialina’s exhibition “Network Portraits” at panke.gallery. The text explains that works from the exhibition will be used as a starting point to examine how the infrastructures of the web have changed. “Dead Link Club” appears in gray at the bottom left.White promotional graphic for the Dead Link Club. Large blue pixelated text reads “BRING A DEAD LINK TO THE FUNCTION.” Below, blue serif text invites visitors to bring an Olia Lialina-inspired dead link, select a few links during the session, and conduct a “dead link autopsy” together. “Dead Link Club” appears in small pale-blue text at the top.
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panke.gallery @pankegallery.bsky.social · 24/09/2026
┗ #Sakrowski, head curator at panke.gallery, Berlin Photo: Eva & Franco Mattes, September 2026
Exterior of panke.gallery in Berlin at dusk. The gallery entrance is set in a dark, heavily graffitied brick facade, with a large illuminated “panke.gallery” sign above the doorway. Curator Sakrowski stands just inside the open entrance, dressed in dark clothing and looking down at a smartphone. The glass door and surrounding walls are covered with layers of graffiti and tags, while warm interior light contrasts with the dark blue tones outside.
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panke.gallery @pankegallery.bsky.social · 23/09/2026
Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 SEP – 3 OCT 2026 panke.gallery/exhibition/n... 🗓️ open: Wed–Sat, 3–7 PM Curated by Noemi Garay & Sakrowski + more pics: instagram.com/panke.gallery ↓ Dead Link Club Session 🗓️ TUE, 29 SEP 2026, 7 PM panke.gallery/event/dead-l...
A red, apple-shaped Hannspree monitor mounted on a white gallery wall. The screen displays a fragmented digital image of a person in a red top and turquoise skirt, flanked by two abstract, distorted human figures. The monitor has green speaker grilles and a green stem and leaves, emphasizing its apple-like design.A gallery wall installation featuring colorful, outlined labels and text arranged along a large curved blue dotted line. Visible labels include “Linking to each other,” “Web master,” “Making a page for your dog,” “Frontend developer,” “For UI,” “Scrolling the feed of generated cats and dogs,” “Undo,” and “Unlock.” Some labels contain web addresses and interface-related terms. The installation extends around a corner of the gallery wall.
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panke.gallery @pankegallery.bsky.social · 20/09/2026
Dead Link Club – special session on the occasion of Olia Lialina's exhibition Network Portraits 📍 panke.gallery 🗓️ TUE, 29 SEP 2026, 19:00 panke.gallery/event/dead-l... We will start with One Terabyte of Kilobyte Age, based on the archive of GeoCities, and see where the investigation takes us.
A stylized graphic on a teal background showing a gray, pixelated tombstone with “RIP” carved into it. A broken piece of the tombstone lies beside it, with faint pixelated text reading “DEAD LINKS” above and “CLIQUE” below.A vertical photograph of a large computer monitor mounted on a white gallery wall. The screen displays a web browser showing a woman in a black top and sheer skirt sitting on a swing suspended against a bright blue sky. Part of a framed text piece is visible on the wall to the right.
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panke.gallery @pankegallery.bsky.social · 18/09/2026
Thank you to everyone who came, and especially to @sofixian.bsky.social and @evanroth.bsky.social for their presentations! 📷 Fenja Cambeis follow the link – Gallery Surfing Session with Sofi Xian & Evan Roth panke.gallery/event/follow... panke.gallery, 15 September 2026
Two presenters stand in front of a white wall covered with colorful outlined shapes, arrows, and text resembling elements of an early web interface. The wall is marked “1993” in large black letters. The presenter on the left wears a black turtleneck, wide black trousers, and white sneakers. The presenter on the right wears a plaid shirt, dark trousers, gray sneakers, and a patterned cap.Two presenters sit behind a white table during a presentation, each holding a microphone. Several laptops, an audio mixer, cables, and speakers are visible around them. A large green screen fills the background. The presenter on the left wears black clothing and white sneakers, while the presenter on the right wears a plaid shirt, dark trousers, gray sneakers, and a patterned cap.A large white projection structure displays a computer desktop and a web browser showing a grid of colorful images. In the background, a presenter sits at a table with a laptop and microphone in front of a large green screen. A bottle and other equipment are on the table.A presentation is taking place in a gallery space. One presenter sits behind a table with a laptop and microphone in front of a large green screen, while another presenter is partially visible beside them. Several people sit and stand in the foreground watching the presentation. Two speakers on stands flank the presentation area.
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panke.gallery @pankegallery.bsky.social · 16/09/2026
Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 SEP – 3 OCT 2026 panke.gallery/exhibition/n... Curated by Noemi Garay & Sakrowski 📷 Fenja Cambeis + more pics: instagram.com/panke.gallery 🗓️ Open: Wed–Sat, 3–7 PM
A wide view of Olia Lialina’s solo exhibition at panke.gallery in Berlin. A large white exhibition wall features a colorful diagram of interconnected web-related terms and a dotted blue line, with several digital screens displaying webpages and online artworks. A small red, heart-shaped screen is mounted on the right. The gallery has white walls, exposed ceiling pipes, fluorescent lighting, and a gray floor.A wide view of Olia Lialina’s exhibition installation. Against a white gallery wall are printed diagrams and documents, a vintage beige computer on a wooden desk with a black chair, and a large vertical screen displaying a woman sitting on a swing against a white background. Additional small printed works are mounted on the wall, with a long printed document extending down from the right side.Close-up of a red, heart-shaped handbag mounted on a white gallery wall as part of Olia Lialina’s exhibition. The handbag is decorated with small multicolored studs and has a small rectangular screen embedded in its center, displaying a webpage. A long gold-colored chain hangs from both sides, forming a loop below the bag.A wide view of Olia Lialina’s exhibition installation. A wall-mounted screen on the left displays an image of a swimmer in a pool. In the center, colorful overlapping geometric shapes form a diagram labeled “Net Art Generations,” with “1993” above it. On the right, a large diagram of interconnected web-related terms continues across the wall. Printed documents are mounted and displayed on the far left and right.
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panke.gallery @pankegallery.bsky.social · 15/09/2026
Thank you to everyone who came to tonight's surfing session, and to both artists for the amazing presentation. follow the link – Gallery Surfing Session with @sofixian.bsky.social & @evanroth.bsky.social – 15 September 2026 panke.gallery/event/follow... 📍 panke.gallery
A wide photograph of a gallery event with an audience seated on black benches facing two presenters at a table. The presenters sit behind laptops in front of a large green screen, with two speakers on stands on either side. A projected browser window is visible on a white screen in front of the audience. The industrial gallery space has white walls, exposed ceiling pipes, and cables.A closer photograph of two presenters seated behind laptops at a white table in front of a large green screen. One presenter is looking at a laptop, while the other holds a microphone. Two speakers on stands flank the green screen, and audio equipment and cables are visible around the table. Several audience members are partially visible in the foreground.
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Reposted by panke.gallery
𝘴𝘰𝘧𝘪𝘢 @sofixian.bsky.social · 15/09/2026
this is today! please tune in or stop by if you are in Berlin (at 19h) @evanroth.bsky.social @pankegallery.bsky.social www.panke.gallery/event/follow...
panke.gallery
follow the link · panke.gallery
panke.gallery seeks to open up a dialogue between established and emerging artists whose work comes out of the connections between digital or net-based art and club culture, especially in the recent h...
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panke.gallery @pankegallery.bsky.social · 14/09/2026
Interview with Olia Lialina on the occasion of her exhibition at panke·gallery: Net·Art Pioneer Olia Lialina on the Practice of Preservation · by Shanti Escalante-De Mattei www.artnews.com/art-news/new... September 14, 2026
artnews.com
Net.Art Pioneer Olia Lialina on the Practice of Preservation
Olia Lialina is the subject of "Network Portraits”, a three-decade-spanning survey now on view at Berlin’s Panke Gallery through October 3.
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panke.gallery @pankegallery.bsky.social · 14/09/2026
follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social 📍 panke.gallery, Tuesday, 15 September 2026 from 7 to 10 PM panke.gallery/event/follow... See you there! [pics] 🖼️ Images from artworks by Xian and Roth.
A large gallery installation covers the walls and floor with thousands of small, colorful photographic and printed images arranged in dense grids and collages. A woman in a long black dress stands near the center, facing the wall and viewing the work.A dark exhibition space contains a large installation of multiple vertical screens arranged in a loose, symmetrical composition. The screens display pink and red-tinted images of trees and landscapes, while cables hang from the screens to electronic equipment on the floor.Three small humanoid robots are positioned on a rocky overlook above a turquoise lake surrounded by dense green forest and mountains. One silver robot sits in the foreground, another blue robot sits farther back on the left, and a white robot stands on the right.An art installation resembling a bouquet of white and pale pink tulips stands in a transparent container. Green stems and leaves are interwoven with visible wires and electronic components, while a small transparent electronic control device rests on the white surface beside it.
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panke.gallery @pankegallery.bsky.social · 13/09/2026
follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social 📍 panke.gallery, TUE, 15 SEP, 7-10 PM panke.gallery/event/follow... See you there! ↓↓↓ Network Portraits – solo show by Olia Lialina 📍 panke.gallery, Wed–Sat, 3–7 PM panke.gallery/exhibition/n... Welcome!
A wide view of an empty, industrial-style gallery space with white walls, exposed pipes, fluorescent ceiling lights, and a bare concrete floor. Large black text across the center reads “follow the link,” with smaller text underneath: “gallery surfing session with Sofi Xian & Evan Roth.” At the bottom of the image, white text reads: “15 September 2026 @ panke.gallery.”A vertical photograph of a computer monitor mounted on a white gallery wall. The screen displays a web browser with a blue-toned webpage showing a woman in a black top and blue skirt, sitting on a swing against a blue sky. A small framed text work is partially visible on the wall to the right of the monitor.
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panke.gallery @pankegallery.bsky.social · 12/09/2026
Network Portraits – solo show by Olia Lialina 📍 panke.gallery, 10 September – 3 October 2026 Curated by Noemi Garay & Sakrowski panke.gallery/exhibition/n... 🗓️ Open: Wed–Sat, 3–7 PM Welcome!
Olia Lialina stands in an exhibition space at panke.gallery in Berlin, in front of a large wall installation about net art generations. She wears glasses, a white T-shirt with a bright green circular graphic, loose black trousers, and white sneakers. Behind her, the white walls feature colorful outlined triangles labeled “1st,” “2nd,” “3rd,” “last,” “PANDEMIC,” and “AI,” alongside a diagram of interconnected interface-like labels and arrows headed “1993.” The dark gray floor and black baseboards contrast with the white walls.
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panke.gallery @pankegallery.bsky.social · 11/09/2026
The exhibition is now open! Thank you to everyone who came to the opening last night, to Olia for the presentation, and to everyone who helped make it happen. Come visit the exhibition Wed–Sat, 3–7 PM. We'd love to see you! Network Portraits – solo show by Olia Lialina panke.gallery/exhibition/n...
A crowded exhibition space with visitors gathered around a presentation. Olia Lialina stands near a wall-mounted screen and points toward a large diagram titled “Net Art Generations.” Fluorescent tube lights and exposed pipes run across the ceiling, with a projector mounted overhead.A vintage beige Sony Trinitron CRT monitor sits on a wooden table beside a black computer or media device and mouse. The screen displays an early web page with two pixelated figures against a black background. A large printed flowchart is mounted on the wall to the left.A wall-mounted Hannspree television in a distinctive red apple-shaped casing displays a digital artwork with fragmented, pixelated figures of people against a white background. The television has green speaker grilles and a brown stem at the top.A diagram titled “Net Art Generations” shows several overlapping colored triangular outlines labeled “1st,” “2nd,” “3rd,” and “last.” A large blue inverted triangle and a large magenta upright triangle extend downward, with the words “PANDEMIC” and an upside-down “NET ART” near the bottom.
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Reposted by panke.gallery
transmediale/ @transmediale.bsky.social · 10/09/2026
Network Portraits Exhibition opening 10 September, 19:00 panke.gallery Olia Lialina’s solo exhibition Network Portraits opens tonight at @pankegallery.bsky.social , exploring the labour and transformations required to keep websites and digital cultures alive. ▶︎ www.panke.gallery/exhibition/n...
panke.gallery
Network Portraits · panke.gallery
panke.gallery seeks to open up a dialogue between established and emerging artists whose work comes out of the connections between digital or net-based art and club culture, especially in the recent h...
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panke.gallery @pankegallery.bsky.social · 10/09/2026
Tonight at 19.00: Network Portraits – solo show by Olia Lialina ➠ panke.gallery, opening: Thursday, 10 September 2026 at 19.00 panke.gallery/exhibition/n... Olia Lialina will be present and will introduce her works. Curated by Noemi Garay & Sakrowski. Welcome!
A swimmer wearing dark goggles swims freestyle in a bright indoor swimming pool, captured mid-stroke with one arm extended forward and the face partly submerged. Red, blue, and white lane dividers run horizontally across the pool, with reflections of windows shimmering on the water. The image is displayed in a web browser window.A web browser new-tab page showing a grid of frequently visited websites. Several square tiles display large initial letters or small website icons, with site names such as “bram,” “sebastians…,” “anthonyan…,” “jonaslund,” “evan-roth,” “faithholland,” and “kimasendorf.” The browser interface and navigation bar are visible at the top.
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panke.gallery @pankegallery.bsky.social · 08/09/2026
follow the link – Gallery Surfing Session with Sofi Xian & @evanroth.bsky.social panke.gallery TUE, 15 SEP 2026, 7-10 pm panke.gallery/event/follow... Sofi Xian and Evan Roth come together to navigate their own work through the lens of a shared influence: pioneering net artist Olia Lialina.
A wide view of an empty, industrial-style gallery space with white walls, exposed pipes, fluorescent ceiling lights, and a bare concrete floor. Large black text across the center reads “follow the link,” with smaller text underneath: “gallery surfing session with Sofi Xian & Evan Roth.” At the bottom of the image, white text reads: “15 September 2026 @ panke.gallery.”
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panke.gallery @pankegallery.bsky.social · 07/09/2026
Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Olia Lialina will be present and will introduce her works. Curated by Noemi Garay & Sakrowski. 🌐 Welcome!
Screenshot of a Windows desktop running Netscape Navigator. The browser displays Olia Lialina’s net.art work Agatha Appears on a mostly black screen. A small collage-like figure of a woman, assembled from fragmented images including a smiling face, appears near the lower left. Along the left edge, a narrow vertical panel shows repeated small grayscale images. A JavaScript warning dialog overlays the artwork, reading: “No, definitely, your legs are too long,” with an OK button. The browser’s classic 1990s toolbar, address bar, and Windows taskbar are visible.
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panke.gallery @pankegallery.bsky.social · 04/09/2026
Network Portraits – solo show by Olia Lialina 🗓️ panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... 🖱️ opening: Thursday, 10 September 2026 at 19.00 💾 curated by Noemi Garay & Sakrowski 🌐 Welcome!
Screenshot of a web browser displaying Olia Lialina's net.art work Summer. Against a smooth vertical gradient from deep blue at the top to pale grey at the bottom, a woman sits on a black swing suspended by two long chains from the top edge of the page. She faces forward, holding the chains with both hands, her legs together and bent slightly forward. The browser address bar shows https://emiliegervais.com/olia/summer/, while the bottom-left status bar displays kimasendorf.com.Screenshot of a browser's New Tab page showing fifteen thumbnail previews of Olia Lialina's Summer distributed in a five-by-three grid. Each thumbnail shows the same blue-to-grey gradient background and the woman on a swing, but captured in different positions, including upright, sideways, and upside down. The tiles are labelled with different website domains, including raquelmyers.com, anthonyantonellis.com, sebastianschmieg.com, saskia-aldinger.com, entropy8.com, leegte.org, reas.com, ritual.technology, gli.tc, constantdullaart.com, k0ala.net, emiliegervais.com, thxalot.org, jamesbridle.com, and bukk.it.
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panke.gallery @pankegallery.bsky.social · 02/09/2026
Great Divide: Karin Sakrowski & MIK NIM brings together Karin Sakrowski's woodcut prints from her East Berlin period in the 1980s with MIK NIM's new video, sound, and installation works. Rabbit & Tiger Gallery · Seoul, Korea · 6-23 September 2026 · curated by 이채원 www.instagram.com/rabbitandtig...
A street sign at a Berlin intersection, with one arm pointing to MIK-NIM. and the other to Karin-Sakrowski. A black bird perches on top of the sign against a cloudy sky. In the background, an industrial-looking building, railway tracks, and overhead wires are visible. At the top of the image is the Great Divide exhibition logo and the dates 2026.09.06–23.
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panke.gallery @pankegallery.bsky.social · 01/09/2026
Network Portraits – solo show by Olia Lialina 🗓️ panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... 🔔 opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski
Pixelated full-body image of a woman with long dark hair, wearing a red sleeveless top, a turquoise-blue skirt, black tights and black boots. She stands facing forward with both arms raised and bent outward, as if dancing with a hula hoop. A thin dark green hula hoop circles diagonally around her waist and skirt. White background.Pixelated full-body image of a woman with long dark hair, wearing a strapless white dress with a fitted bodice and a wide, flared skirt. She stands facing forward with her arms lowered at her sides, slightly bent at the elbows. Her lower legs and dark shoes are visible beneath the skirt. White background.Pixelated full-body image of a woman with long dark hair, wearing a cropped patterned top, dark trousers and black pointed shoes. She is holding and playing an accordion across her torso, with one arm extended outward and the other bent toward the instrument. Her body is tilted slightly to one side, suggesting movement or dancing. White background.
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Reposted by panke.gallery
igor štromajer · intima.org @intima.bsky.social · 01/09/2026
This September is extra special at @pankegallery.bsky.social as we open a solo exhibition by Olia Lialina – an absolute must see! panke.gallery/exhibition/n... ➠ THU, 10 SEP at 19.00 🖥️ Olia's 'My boyfriend came back from the war' running in Netscape Navigator 2.02 (via WineVDM) on my Windows 11
Screenshot of Olia Lialina’s net.art work My Boyfriend Came Back from the War displayed in Netscape Navigator 2.02. The browser window shows the URL http://www.teleportacia.org/war. The artwork appears as a grid of bordered rectangular frames on a black background. In the upper left is a heavily pixelated black-and-white image of a four-pane window, with dark indistinct forms visible through the lower panes. In the upper center is another pixelated black-and-white image showing two seated human figures seen from behind or in silhouette, with a large dark object resembling a helicopter above them. In the lower left is a high-contrast black-and-white image of two seated human figures, one in dark silhouette in profile and the other facing more toward the viewer. The upper-right panel contains the white underlined text, “So, last time we met when... And you promised.” The middle-right panel reads “LOOK, its so beautiful” in white underlined text. Another panel reads “you don't trust me, i see” in small white underlined text. The right-hand panel contains the stacked words “RED,” “GREEN,” and “BLUE”: “RED” is blue, “GREEN” is white, and “BLUE” is blue. The remaining panels are largely empty, with black or white backgrounds separated by thin white borders.Cropped screenshot (Olia Lialina’s net.art work My Boyfriend Came Back from the War) of Netscape Navigator 2.02 showing a black webpage with a small, heavily pixelated black-and-white photograph positioned toward the upper right. The photograph depicts a window or doorway divided into rectangular panes, with dark vegetation or indistinct objects visible in the lower sections.Cropped screenshot (Olia Lialina’s net.art work My Boyfriend Came Back from the War) of Netscape Navigator 2.02 showing the upper-right section of a black webpage. White underlined text reads “So, last time we met when... And you promised.” The classic Netscape logo is visible at the upper right of the browser interface.
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panke.gallery @pankegallery.bsky.social · 30/08/2026
Posters all over Berlin! Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski
A nighttime street scene in Berlin with a large utility cabinet in the foreground covered with a poster for “Network Portraits: Olia Lialina”, advertising the exhibition at panke.gallery from 10 September to 3 October 2026. The poster shows Olia Lialina sitting on a swing. Behind it is a brightly lit urban intersection with traffic, streetlights, and the illuminated red “ALEXA” shopping center sign.
A daytime Berlin street scene showing three copies of a “Network Portraits: Olia Lialina” exhibition poster attached to a row of large utility cabinets. The posters show Olia Lialina sitting on a swing and advertise the exhibition at panke.gallery, 10 September to 3 October 2026. Behind the cabinets is a residential and commercial building with a red “SPÄTI AM LEOPOLD” sign.A daytime Berlin street scene showing two “Network Portraits: Olia Lialina” exhibition posters attached to a large utility cabinet. The posters feature Olia Lialina sitting on a swing and advertise the exhibition at panke.gallery, 10 September to 3 October 2026. Behind the cabinet is a historic white building with the sign “KLEO APOTHEKE”, parked cars, and a small café or takeaway storefront.
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panke.gallery @pankegallery.bsky.social · 28/08/2026
Network Portraits – solo show by Olia Lialina ➠ opening: Thursday, 10 September 2026 at 19.00 panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Curated by Noemi Garay & Sakrowski [1st 📷 by Lea Roewer]
A woman with long dark hair sits against a white wall, surrounded by tall stacks of books about the internet and web design. She holds an open book titled “Publish It on the Web!” and smiles toward the camera. The book stacks include titles about the World Wide Web, HTML, JavaScript, multimedia, web navigation, and other early internet technologies.A woman stands against a plain white background, wearing a blue knitted sweater featuring a large white Netscape logo on the front, dark jeans, striped socks, and black ankle boots. She holds another blue knitted sweater out to her left, displaying a large pixelated or abstract design. Her hair is lifted slightly as if by movement or wind, and her right hand is raised.A woman stands against a plain white background, wearing a dark blue knitted sweater featuring the classic Microsoft Internet Explorer logo, a large light-blue lowercase “e,” on the front. She wears dark skinny jeans, blue-and-black striped socks, and black ankle boots. She faces the camera with her arms relaxed at her sides.
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Reposted by panke.gallery
Zentrum für Netzkunst Berlin @zfn.bsky.social · 26/08/2026
Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc
Vintage mechanical calculating machine labeled “Mercedes,” with rows of black and white numbered keys, metal levers, and a mechanical number display. The machine is photographed at an angle on a small white table.Open white LP record sleeve containing a black vinyl record and several black-and-white graphic inserts or sleeves. The upper artwork features dense vertical fields of fine white lines and numbers on a black background, while another visible design consists of large geometric white lines forming a cross-like pattern. The LP sleeve is placed on a purple surface.Gallery installation with numerous large white sheets mounted on white walls. Each sheet contains dense arrangements of red graphic symbols, including human figures, buildings, industrial structures, objects, and repeated patterns. The works are displayed in rows across two adjoining walls.Vintage Bondi Blue iMac G3 displaying an early web page for the Natural Selection search engine. A translucent turquoise-and-white keyboard is positioned in front of the computer, with several framed photographic portraits visible on the wall behind it.
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panke.gallery @pankegallery.bsky.social · 24/08/2026
Network Portraits – solo show by Olia Lialina panke.gallery, 10 September – 3 October 2026 panke.gallery/exhibition/n... ➠ opening: Thursday, 10 September 2026 at 19.00 Curated by Noemi Garay & Sakrowski
A pixel-art woman with short light hair stands against a black background, wearing a black sleeveless top and a long flowing skirt. The skirt is composed of bright green computer-like symbols, letters, numbers, and geometric characters arranged in horizontal rows.A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing blue skirt. The skirt is covered with bright blue computer-style characters, including numbers and rows of text-like symbols, creating a digital pattern.A pixel-art woman with short light hair stands against a black background, wearing a dark sleeveless top and a long flowing skirt. The skirt contains a colorful, low-resolution photographic image of a smiling person's face and upper body, surrounded by vivid red, orange, yellow, pink, blue, and purple areas.A pixel-art woman with short light hair stands against a black background, wearing a sleeveless top and a long flowing gray skirt. The skirt is patterned like a Minesweeper game board, with gray grid squares, numbered cells, and black mine symbols, including one red-highlighted mine.
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panke.gallery @pankegallery.bsky.social · 20/08/2026
Network Portraits – solo show by Olia Lialina www.panke.gallery/exhibition/n... 📍 panke.gallery 🗓️ 10 September – 3 October 2026
Exhibition poster for "Network Portraits: Olia Lialina", showing a pixelated woman in a black top and silver skirt swinging beneath the large blue title "Network Portraits". The poster announces the exhibition from 10 September to 3 October 2026 at panke.gallery, Gerichtsstr. 23, Hof 5, 13347 Berlin. Opening: Thursday, 10 September 2026 at 19:00.
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panke.gallery @pankegallery.bsky.social · 03/08/2026
Just saying: Olia Lialina at panke.gallery this September! Network Portraits – solo show panke.gallery/exhibition/n... panke.gallery, 10 September – 3 October 2026 Olia Lialina is among the best-known participants in the 1990s net·art scene – an early-days, network-based art pioneer.
Three cutout views of the same woman on a swing are arranged across a plain white background, capturing different moments of a swinging motion. She has shoulder-length dark hair, wears a black sleeveless top with a small white pattern, a white skirt with broad gray and black stripes, and black shoes. In the left image she swings toward the viewer, in the center her hair flies sideways as she reaches the highest point, and on the right she leans forward as the swing moves back. Only the chains and the top swing attachments are visible, creating the impression that the three figures are suspended in empty space.
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Zentrum für Netzkunst Berlin @zfn.bsky.social · 17/07/2026
New book: Akribie & Obsession [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Spector Books, Leipzig, 2026 [in German] www.spectorbooks.com/de/buch/akri... — part of Calculating Control: (Net)Art and Cybernetics; Berlin, April – October 2021 netzkunst.berlin/cc
Open book spread showing a scholarly article about the East German educational toy "KYBERNET." The left page contains dense German text and a large reproduction of the original toy packaging, featuring a red-and-white toy car, the blue word "KYBERNET," the PIKO Spielwaren logo, and the label "AB 5 JAHREN" ("Ages 5 and up"). The right page continues the article with footnotes and a partial illustration of a yellow package printed with a red driving track. The pages discuss cybernetics, education, and programming toys in the former GDR.Graphic poster with a bright lime green upper section and a light gray lower section. Large brown text reads, "Calculating Control: Net(Art) and Cybernetics." Below the title is the black logo of Zentrum für Netzkunst, composed of geometric lines forming an abstract, perspective-like structure with the organization's name enclosed in a rectangular frame. The design is minimalist, using clean typography and simple contrasting colors.Installation view inside a spacious industrial-style gallery with unfinished concrete walls and high ceilings. In the foreground, a vintage mechanical calculating machine sits on a white pedestal. Suspended from the ceiling behind it is a row of hanging panels displaying black-and-white portraits and explanatory texts. Large black wall panels with framed minimalist artworks are mounted on the back wall, creating a dialogue between historical technology, archival material, and conceptual art.A person with curly hair, glasses, and large white over-ear headphones sits indoors, looking attentively toward something outside the frame. Behind them, large windows reveal a city street with parked cars, buses, leafless trees, and apartment buildings. The image is embedded within a diagram, with German labels such as "Kybernetik, Sozialismus, Postkolonialismus," "ökonomische Schwierigkeiten," "Umwelt," and "5 Untersysteme" surrounding the portrait, suggesting a conceptual map relating cybernetics, politics, and systems theory.
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Zentrum für Netzkunst Berlin @zfn.bsky.social · 15/07/2026
📖 Akribie & Obsession – Ästhetiken und Praktiken der kybernetischen Konjunktur; Anneliese Ostertag, Tabea Rossol (Hrsg.) / Zentrum für Netzkunst; Spector Books, Leipzig, Juli 2026 www.spectorbooks.com/book/akribie... ISBN: 9783959055840, 120 Seiten
Fotografie einer aufgeschlagenen Buchdoppelseite mit dem Inhaltsverzeichnis. Links steht die Überschrift „Einleitung“, darunter folgen Beiträge von Birgit Schneider, Francis Hunger, Wolfgang Ernst, Alexander Amberger und Oliver Sukrow mit Seitenzahlen und mehrzeiligen Titeln zu Themen wie Schreibmaschinen, Kybernetik, Bürokratie, Medienarchäologie und Organisationswissenschaft. Rechts sind weitere Beiträge von Katharina Loeber, Christian Booss, Martin Supper, Roland Kayn, Michaela Wünsch und Maroš Krivý aufgeführt, unter anderem zu Cybersyn, Kybernetik, Fernsehen, Psychoanalyse und Stadtplanung. Am unteren rechten Seitenrand befinden sich die Einträge „Biografien“, „Anmerkungen“, „Bildnachweise“ und „Impressum“ mit römischen Seitenzahlen. Die Gestaltung ist typografisch klar, mit schwarzen und hellrosa Überschriften auf weißem Papier. Oben rechts ist die Seitenzahl 73 sichtbar.
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panke.gallery @pankegallery.bsky.social · 08/07/2026
panke.gallery is on summer break. Enjoy the summer. See you in September!
A highly saturated, posterized tropical coastal landscape in vivid blocks of color. In the foreground, a wide sandy beach curves around a calm bay with deep blue water. Two small white sailboats float near the shore. A reddish-orange seawall or walkway runs diagonally across the lower right side of the image, bordered by lush green shrubs. Several tall palm trees lean over the coastline on the right, their dark trunks and bright green fronds contrasting against the sky. Across the bay, a large purple-blue volcanic mountain rises on the horizon beneath a bright turquoise sky. The entire image has a stylized, high-contrast digital aesthetic with simplified shapes and intense blues, greens, yellows, and reds, rather than natural photographic colors.
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panke.gallery @pankegallery.bsky.social · 06/07/2026
Thank you to everyone who joined us for the Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives! panke.gallery/event/dead-l... Dead Link Club is part of the research project Damnatio Memoriae by Tommaso Cappelletti & Noemi Garay.
A wide-angle view of a workshop in a bright studio shows ten participants gathered around long black and wooden tables arranged in a U-shape. Most are working on laptops, while others look at notes or talk quietly. In the foreground, two people sit on a large black bench using laptops, one wearing a beige cap and a dark oversized shirt, the other a white T-shirt and turquoise skirt. On the tables are glasses of water, a bowl of green grapes, notebooks, pens, chargers, extension cables, and power strips. Around the room, participants sit in relaxed postures, focused on collaborative work in a minimalist space with white walls and a grey floor.Participants sit around tables during a workshop while a large projection fills the front wall with a webpage featuring pink, yellow, and orange gradients and text about internet preservation. Several people type on laptops while others look toward the screen. A participant with bright red hair in a black dress works on a laptop in the foreground, surrounded by notebooks, water bottles, glasses, grapes, and stationery. The room has white walls, exposed lighting, and speakers on stands beside the projection, creating the atmosphere of an intensive collaborative working session.A group of participants sits in a semicircle facing a projected image of the online game Club Penguin, showing snowy islands and cartoon penguins. One person gestures toward the screen while the others watch attentively from chairs around the room. Several laptops remain open on the tables, suggesting an ongoing discussion or presentation. The minimalist workshop space has white walls, a grey floor, fluorescent ceiling lights, a ceiling-mounted projector, and speakers on stands on either side of the screen.Participants sit in a circle outdoors in a graffiti-covered urban courtyard, holding an informal discussion. Several have laptops open on their laps while one person in a colourful patterned shirt speaks with animated hand gestures. Behind them, brick walls are densely covered with graffiti, murals, posters, and tags, with a vivid red neon-lit doorway creating a striking focal point. A person dressed in black stands in the background near the entrance, observing the scene. Trees partially frame the courtyard, contrasting with the colourful industrial surroundings and reinforcing the atmosphere of an artist gathering or workshop held outside.
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Zentrum für Netzkunst Berlin @zfn.bsky.social · 03/07/2026
We start today, and finish on Sunday: 48h Reading Group, 3–5 July 2026 at /rosa ➠ Detailed program by day: cryptpad.bitnik.org/pad/#/2/pad/... Participants are welcome to stay overnight at /rosa, provided they register in advance via info@netzkunst.berlin. panke.gallery/event/48h-re...
A close-up photo of several books spread across a bright green fabric surface. Visible book covers include Uncomputable and other publications related to digital culture and media theory. Overlaid in the center is bold white text with a black outline announcing: “48h Reading Group ‘Mapping the Internet’ 3–5 July at /rosa with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert.” The image has an informal, documentary feel, with the books partially overlapping and serving as a backdrop for the event information.A graphic poster with a pink background featuring black-and-white pixelated abstract shapes resembling fragmented digital graphics or a distorted map. Light blue sans-serif text reads: “48 STUNDEN READING GROUP” near the top and “MAPPING THE INTERNET” in the lower half. The minimalist composition combines glitch aesthetics, pixel art, and soft pastel colors, reinforcing the theme of digital networks and internet culture.
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panke.gallery @pankegallery.bsky.social · 30/06/2026
Today, 7 PM 📍 panke.gallery!
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panke.gallery @pankegallery.bsky.social · 26/06/2026
This Tuesday: Dead Link Club – an evening of internet archaeology and speculation about digital afterlives. panke.gallery/event/dead-l... 🔗🪦 30 June 2026, 7-9 PM Bring a defunct website or a service that stopped responding, and let’s run a dead link autopsy together. RSVP: info@panke.gallery
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panke.gallery @pankegallery.bsky.social · 26/06/2026
Thank you to everyone who joined us yesterday at panke.gallery for Meme (Piñata) Reading Club – Activation with @fabiolaio.bsky.social on a hot summer evening. panke.gallery/event/meme-p... The event paired Fabiola's Meme Piñata with Meme Reading Club, a format created by @damjanski.bsky.social.
A speaker sits beside a table with a laptop and a large monitor displaying documentation of Fabiola Larios' pink installation. Behind them, a tall pink banner reads: "AMAZE BERLIN." The brick wall is covered in colorful graffiti, creating an urban backdrop for the outdoor presentation.Audience members sit on chairs and benches in the courtyard of panke.gallery during an outdoor artist talk. A large monitor shows documentation of an installation while the speaker presents. The graffiti-covered brick building features a pink vertical banner reading "AMAZE BERLIN," with the panke.gallery sign visible on the left.A group of visitors sits in a semicircle in the graffiti-covered courtyard of panke.gallery, watching a presentation on a monitor showing a bright green game screen. A pink banner reading "AMAZE BERLIN" hangs on the wall, while a glowing red circular neon artwork illuminates the entrance to the building on the right.People stand beneath a pink, heart-shaped piñata decorated with printed internet memes, suspended between trees in a leafy outdoor area. One participant holds a long stick, preparing to hit the piñata, while the others watch and smile. Behind them are a metal footbridge, dense green vegetation, and a green emergency assembly point sign covered with stickers.
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panke.gallery @pankegallery.bsky.social · 24/06/2026
Tomorrow ➠ Meme (Piñata) Reading Club - Activation w/ @fabiolaio.bsky.social panke.gallery/event/meme-p... panke.gallery, 25 June, 7 PM The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club. Send us your meme before the event to info@panke.gallery
A woman stands indoors beneath a glowing heart-shaped installation, raising both arms toward it with a smile. She wears a black outfit with a lace-trimmed neckline and bracelets on both wrists. The large suspended artwork above her is made of layered pink and white lace forming a heart shape, with a bright neon pink double-heart outline glowing at its center. The surrounding space is illuminated in purple and magenta light. Behind her are tall glass windows and doors, a luggage cart, hanging decorative objects, exposed light bulbs, and a potted palm, creating an atmospheric nighttime setting.Close-up of a suspended heart-shaped artwork made from multiple layers of pink and white lace. At its center, a bright neon pink double-heart outline glows against a reflective surface, casting a purple light onto the delicate lace textures. Another similar lace heart is partially visible in the foreground on the right, while blurred hanging decorations and string lights appear in the background. The installation combines soft textile materials with vivid neon illumination.
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transmediale/ @transmediale.bsky.social · 22/06/2026
transmediale open studio June 24, 18:00 Presentations 19:00 Come and meet our residents Ahreum Lee, Martyna Marciniak, @aaa-e-ee.bsky.social , and Laura Benech this Wednesday at the open studio! Join us from 18:00 and learn more about their ongoing research .ೃ࿔ ▶︎ transmediale.de/en/event/ope...
A promotional poster for a transmediale open studio event on a vivid orange background. Large black text at the top reads "transmediale/ open studio" with two crossing diagonal lines between the words. A large circular image, duotone-printed in lavender and orange, shows an overhead or wide-angle view of a studio workspace with equipment, screens, and objects scattered across it. Over the circle, the names of four participating artists are listed in large black text: Martyna Marciniak, Amanda E. Metzger, Ahreum Lee, and Laura Benech. At the bottom, a lavender banner displays the event details: 24.06.2026, 18:00, free admission, transmediale studio.
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panke.gallery @pankegallery.bsky.social · 22/06/2026
Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives panke.gallery, Tuesday, 30 June 2026 from 19:00  – 21:00 As capacity is limited, we kindly ask you to register for this event: panke.gallery/event/dead-l...
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panke.gallery @pankegallery.bsky.social · 21/06/2026
Meme (Piñata) Reading Club – Activation with @fabiolaio.bsky.social panke.gallery/event/meme-p... 📍panke.gallery, Thursday, 25 June 2026 at 19:00 The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club, a format created by @damjanski.bsky.social.
Close-up of a hanging art installation featuring layered pink heart shapes decorated with white lace. At the center, a glowing purple neon heart frames a small mirrored surface. Additional lace-covered pink hearts hang in the background along black cables. White walls and soft purple lighting surround the installation, giving the scene a romantic, dreamlike appearance.A nighttime outdoor scene at a crowded event. In the foreground, a smiling woman with shoulder-length dark hair poses in profile, looking back toward the camera. She wears a short black dress, sheer black tights, and black ankle boots with heels. Behind her, a large sculptural pair of pale pink and cream wings made from hundreds of layered paper strips stretches across the frame, partially obscuring several people standing underneath. To the left, a large tree trunk is illuminated with red and green lighting. More visitors gather in the background near brightly lit stalls and trees, creating a festive atmosphere.
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Zentrum für Netzkunst Berlin @zfn.bsky.social · 20/06/2026
Join us for the 48h Reading Group at our project space /rosa as part of 48 Hours Neukölln, 3-5 July 2026. 48-stunden-neukoelln.de/de/programm/... Throughout the weekend, sessions w/ artists Simon Weckert, Evan Roth, eeefff, and !Mediengruppe Bitnik will explore the theme of Mapping the Internet.
A close-up photograph shows several books and publications arranged on a bright green fabric surface with visible folds and wrinkles. The books overlap each other and are partly obscured by large promotional text placed in the centre of the image. On the left side, a publication with a purple and grey cover featuring a geometric pattern is partially visible. Fragments of white text can be read, including "...L VOI" near the top and "...idopolit..." and "...del Ver..." lower down. In front of it lies a white book with the title "UNCOMPUTABLE" printed in dark blue capital letters along the top edge. The lower part of its cover shows an abstract black-and-white illustration and the partial text "R. G..." near the bottom. To the right is another book with a predominantly dark blue and turquoise cover featuring rows of small white text resembling computer code or data tables, overlaid with abstract streaks of cyan, purple, and pink. A cream-coloured page or book edge peeks out from behind it on the far right. Superimposed over the books is large, bold white text with a thick black outline that reads: "48h Reading Group "Mapping the Internet", 3-5 July at /rosa, with !Mediengruppe Bitnik, eeefff, Evan Roth, Simon Weckert". The overall impression is of an announcement for a reading group focused on internet culture, media art, and digital practices, presented against a vivid green textile background.
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panke.gallery @pankegallery.bsky.social · 18/06/2026
text ~ image ~ sound / Project Space Festival Berlin 2026 panke.gallery/event/text-i... panke.gallery, 17 June 2026 📷 Galya Feierman instagram.com/p/DZvloQmgG7m projectspacefestival.berlin/en/kalender/... ➠ with Alma Alloro, Alexandra Cardenas, @aaa-e-ee.bsky.social, @julianneaguilar.bsky.social
A visitor stands in a sparsely furnished gallery, facing a wall-mounted flat screen displaying a nearly blank white image with a small block of faint text near the top. The person is photographed from behind and wears a short olive-brown sleeveless dress, sheer black tights, and knee-high dark boots. A black handbag with silver chain details hangs from one shoulder. Curly dark hair is tied into a loose bun, and a large white star-shaped earring is visible. A small tattoo appears on the upper arm. The gallery has white walls and a dark floor, creating a quiet, minimal atmosphere that emphasizes the act of viewing the digital artwork.A visitor dressed entirely in black stands with their back to the camera, facing a large white projection in a gallery space. The projected artwork consists of fragmented grey text across the middle of the screen reading, "Information is in any case inelvitably incom..." with the word "inevitably" misspelled. Fainter lines of smaller text appear near the bottom, resembling an exchange generated by an artificial intelligence system discussing syllables and corrections. The person has short, tousled blond hair and wears wide-legged trousers and a long dark jacket. The dark floor and bright projection create a contemplative contrast between viewer and text-based digital artwork.A performer stands behind a table of electronic equipment during a live audiovisual performance in a dimly lit venue. She wears black clothing and has dark hair gathered into a high bun. In front of her is an open laptop covered with numerous colourful stickers, connected by cables to audio devices and a small white electronic unit. Behind her, a large projection fills the wall with lines of computer code, vivid green and blue graphics, and fragments of text including the phrase, "May this noise be prayer." The image captures the concentration and technical complexity of experimental digital music performance.A close-up portrait shows a singer performing into a handheld microphone in an intimate venue covered with layered graffiti and stickers. She wears bright blue-framed glasses, red lipstick, and a metallic silver camisole-style top with thin straps. Her dark hair is styled in two side buns decorated with small accessories. A chunky necklace rests around her neck, and her long turquoise fingernails wrap around the microphone. Her eyes are closed and her expression is intense and absorbed, suggesting an emotional moment in the performance. The dark, densely marked background contrasts with the spotlight illuminating her face and upper body.
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transmediale/ @transmediale.bsky.social · 17/06/2026
text ~ image ~ sound panke.gallery 17 June, 19:00  – 23:00 Join us this evening as our artist-in-residence @aaa-e-ee.bsky.social will participate in the experimental evening text ~ image ~ sound at @pankegallery.bsky.social as part of the Project Space Festival 🌀 ▶︎ panke.gallery/event/text-i...
15:57Claude responded: A split promotional graphic for Project Space Festival 2026.A split promotional graphic for Project Space Festival 2026. The left half features a black background with the text "Project Space Festival" arranged in a curved arc in small white letters, and below it the words "text ~ image ~ sound" in spaced-out monospace white type. The right half displays the words "PROJECT SPACE FESTIVAL 2026" in large bold letters on a white background, where each letter is filled with a different photograph of art spaces, gallery interiors, outdoor installations, and event scenes — creating a typographic collage effect. The photographs show a variety of venues and artworks in colourful, diverse settings.
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panke.gallery @pankegallery.bsky.social · 17/06/2026
Meme (Piñata) Reading Club - Activation with Fabiola Larios panke.gallery/event/meme-p... panke.gallery, 25 June 2026, 7 PM The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club. Send us your meme before the event to: info@panke.gallery
A wide outdoor view of a graffiti-covered urban courtyard in autumn. In the foreground, a large tree with multiple dark trunks spreads its branches across the upper half of the image, its leaves turning yellow and green. The ground is covered with scattered brown and golden fallen leaves. Suspended from a thin rope hanging from a tree branch is a large heart-shaped piñata made of bright pink material patterned with small graphic designs. The piñata is decorated with an eclectic collage of internet imagery and memes, including several cats, dogs, cartoon faces, emojis, a troll face, a simple line drawing of a smiling figure, and other digitally sourced images layered across its surface. Behind it stands a weathered industrial building covered in colourful street art, graffiti tags, posters, and murals. Near the centre is a dark entrance framed by a glowing circular red neon light. To the right, a large painted slogan reads, "Kauf Dich Glücklich OUTLET." The scene combines the atmosphere of an alternative art space with internet visual culture, contrasting the handmade pink heart piñata against the gritty, graffiti-filled courtyard.
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transmediale/ @transmediale.bsky.social · 16/06/2026
transmediale open studio June 24, 18:00 Presentations 19:00 The transmediale open studio is next week! 🥂 Join us next Wednesday and learn about the current research of our residents Ahreum Lee, Martyna Marciniak, Amanda E. Metzger, and Laura Benech .ೃ࿔ ▶︎ transmediale.de/en/event/ope...
A promotional poster for a transmediale open studio event on a vivid orange background.A promotional poster for a transmediale open studio event on a vivid orange background. Large black text at the top reads "transmediale/ open studio" with two crossing diagonal lines between the words. A large circular image, duotone-printed in lavender and orange, shows an overhead or wide-angle view of a studio workspace with equipment, screens, and objects scattered across it. Over the circle, the names of four participating artists are listed in large black text: Martyna Marciniak, Amanda E. Metzger, Ahreum Lee, and Laura Benech. At the bottom, a lavender banner displays the event details: 24.06.2026, 18:00, free admission, transmediale studio.
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