Yoshiaki Onishi @yoshionishi.com · 02/10/2026Thanks Zoom for reminding me that I am no longer part of a university system and I only can do a 40-minute meeting. Still I should be glad that I didn't learn this in a hard way, like being in the middle of an interview or something 000
Yoshiaki Onishi @yoshionishi.com · 11/09/2026the vague and subjective concept of "hardship," I can at least try my hardest to exercise empathy towards my (future) students so they are uplifted. I hope to honor my teacher that way. 051
Yoshiaki Onishi @yoshionishi.com · 11/09/2026happened, and that will have an indelible course in the way I think about life, and should I return to academia at some point, the way of empathy towards students, in that because it is nigh impossible for me to fully comprehend what my teacher had to have gone through aside from having 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026I suddenly wondered about how he was doing. Googling, I learned then that not long after my friend and I met him, in September 2005, he passed away in a motorcycle accident. The sense of emptiness ensued. Again, this post isn't about me. But I think that as long as I live, I will remember what 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026I remember him saying that after leaving the university, he joined a volunteer group advocating for peace, and the work took him to many places by motorcycle. My friend and I wished him well, and he did the same to us. That was the very last time I saw him. Years later, while I was in Missouri, 140
Yoshiaki Onishi @yoshionishi.com · 11/09/2026at the university. However, months later, another friend of mine and I happened to be in San Francisco for a concert, and after the concert, we ran into him. I remember him having somewhat of a rougher looks on him, but still doing as well as he could, or so I remember him telling us. 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026day after, when we had the aural skills class with the teacher, did we learn that his daughter was in one of the airplanes. Our hearts sank. But I couldn't begin to imagine the anguish he went through. I don't think he returned to the school after that day, or that I don't remember him teaching 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026being glued to the TVs hung from the ceilings. Confused, not really knowing what happened or what to do, we still had the breakfast and went to the history class together. There we learned that all the classes were cancelled and were instructed to return to our dormitories. Either that day, or the 120
Yoshiaki Onishi @yoshionishi.com · 11/09/2026these dictation exercises so enjoyable. He was quiet, more on the introverted side, but exuded confidence. He was a very kind teacher, I remember. Then the 9/11 happened. I remember this particularly well because that morning my roommate and I went to the dining hall together, only to see everyone 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026friends, teachers, family, anyone. - - - On this day every year, I am reminded of my aural skills teacher at my alma mater in California. I loved his class; I would go to his class and sit as close to the piano as I could, and hear him play chord progressions with such an even touch, which made 130
Yoshiaki Onishi @yoshionishi.com · 11/09/2026that needs to be written down because I feel that anyone who desires peace needs to know about ways our lives are affected by such a traumatic event, and sometimes those who are affected by it may not be those whom you see on TV, or someone completely unknown; it can be someone whom you know: 120
Yoshiaki Onishi @yoshionishi.com · 11/09/2026Somewhat of a CW here, while this post is not about me per se: what follows here is about 9-11 and people whose lives changed forever on and after that day. Now that I do not teach at a university anymore (at least this year), I don't really have people to speak to about this. But it is something 261
Reposted by Yoshiaki OnishiPeter Ullrich @peterullrich.com · 08/09/2026🚨 Announcing Pushin 🚨 Now officially: I'm announcing Pushin.eu, a git hosting platform built and run entirely in Europe. Think GitHub/GitLab but European, better, and faster. Built with #ElixirLang and #RustLang. peterullrich.com/announcing-p...peterullrich.comAnnouncing PushinI'm launching Pushin.eu, a git hosting platform built and run entirely in Europe. 1114449
Yoshiaki Onishi @yoshionishi.com · 04/09/2026Accomplishment of the week: I introduced @shadypines.bsky.social to "Hoketus" by Louis Andriessen. It was also a double accomplishment, in that it was the first time for me to listen to that piece from beginning to end in one sitting. 000
Yoshiaki Onishi @yoshionishi.com · 31/08/2026In a way, where Ligeti left off with his “Cordes à vide” and “Arc-en-ciel” piano etudes, @santibeis.bsky.social picks up and takes it farther with this piece. Or maybe he is not going far at all, but rather replenishing the sonic image with a higher resolution. Compelling. 131
Yoshiaki Onishi @yoshionishi.com · 30/08/2026It seems like I’ve been writing quite a bit for flute as of late, though all three pieces involving flute has been that of either massive expansions of previous pieces or finally getting myself to finish them, what with moving from Finale to LilyPond. 020
Yoshiaki Onishi @yoshionishi.com · 29/08/2026And just like that, it's as though I didn't even exist. 020
Yoshiaki Onishi @yoshionishi.com · 26/08/2026It surely feels weird that I don’t have to go to school around this time during the day/week. Not that I feel lazy; I surely have a lot to occupy myself with at home. It does feel like the past three years was a rapid dream from which I just awoke. 010
Yoshiaki Onishi @yoshionishi.com · 26/08/2026Today I sent a few photos for Dorian’s ophthalmologist to look at, just to be sure he is ok. He was, but in retrospect I feel like I sent three cute photos of Dorian just to show how cute he is. Well, he is cute. People may take away my job or whatever but not his supreme beauty. 150
Yoshiaki Onishi @yoshionishi.com · 23/08/2026As always, the cookbook is available here: github.com/yoshiakionis...github.comGitHub - yoshiakionishi/lilypond-snippets: LilyPond Contemporary Notation Cookbook: Snippets and Their GrammarsLilyPond Contemporary Notation Cookbook: Snippets and Their Grammars - yoshiakionishi/lilypond-snippets 020
Yoshiaki Onishi @yoshionishi.com · 23/08/2026I've finally updated #LilyPond Contemporary Notation Cookbook. Now compatible with version 2.26. With that, I've included some new functions I recently developed. There are a few more I will add in the subsequent updates, which I expect to be more frequent. Happy LilyPonding! 010
Yoshiaki Onishi @yoshionishi.com · 22/08/2026I wrote an extensive analysis of his string trio "...zu..." as part of the doctoral dissertation that I defended in 2015. I spent time with that piece for nearly two years. Each moment studying it revealed something compelling. It defined in me my what music analysis is. doi.org/10.7916/D8CJ...doi.orgMaking sure you're not a bot! 030
Yoshiaki Onishi @yoshionishi.com · 18/08/2026Is it worse now? Incidentally, there are so many people I know from Japan who are on it. Probably the perception of it is so different from us here. 100
Reposted by Yoshiaki OnishiThe Nation Magazine @thenation.com · 16/08/2026There are jobs for college instructors. They do require degrees. But the pay and the benefits are abysmal. Another take on the state of the academy:thenation.comAdjuncting Until the End of TimeUniversities now have more adjuncts than tenured and tenure-track professors combined. The conditions are unsustainable—for professors and students alike. 5711248
Yoshiaki Onishi @yoshionishi.com · 16/08/2026At an Indian restaurant to treat myself for finishing my piece. There’s a public karaoke party (?) going on right now. At first they sang a song in F major, then G major next. I wondered if the next one would be in A major. IT WAS! I think I like this place now (even though it’s tad too loud…) 030
Yoshiaki Onishi @yoshionishi.com · 16/08/2026Finished my piece. Grateful to those who patiently waited for me. It wasn’t an easy month. It won’t be for a while, but I am glad I saw the double bar finally. 030
Yoshiaki Onishi @yoshionishi.com · 12/08/2026Personal feeling aside, I guess being tenured entitles many to just say or express whatever they want, even at the expense of hurting the fundamental denominator of their profession: students. 010
Yoshiaki Onishi @yoshionishi.com · 12/08/2026Well, it’s rather fitting, considering how I’ve not felt alive at all as of late 🤦🏻♂️🤷🏻♂️ 110
Yoshiaki Onishi @yoshionishi.com · 12/08/2026About 20 years ago (when Durand scores were prohibitively pricey), as a poor college student I played pachinko in Japan with my dad & that got me about $300, with which I went to a local music store to buy the score of Messiaen's "Vingt Regards..." It's a depressing revelation, but not surprising. 020
Yoshiaki Onishi @yoshionishi.com · 09/08/2026That I am missing concerts to attend in NYC these next few weeks is one of many side effects of my current job ending. I hope I will come out of it all by writing pieces that will be mounted in that city. 010
Yoshiaki Onishi @yoshionishi.com · 07/08/2026In other news, I am glad I didn’t upgrade my OS; it turns out that, after all these years, I still need to open Finale for a project I am undertaking for a client. Though the moment I start to use it, I can feel in my right wrist why this software nearly caused tendinitis. 140
Yoshiaki Onishi @yoshionishi.com · 06/08/2026...they are actually disclosing themselves, or their abilities to listen to something (or lack thereof). I imagine that it comes down to education. Not only should people be trained to write such reviews/criticisms, but also to read them. But who am I to say all that? [3/3] 020
Yoshiaki Onishi @yoshionishi.com · 06/08/2026...it's not that I wanted the reviewer to be generous about my music; rather, many reviewers lack ears, words, and aesthetic flexibility to accurately capture what they hear and verbalize it. I don't think these reviewers in general realize that by writing about what they listened to, [2/3] 120
Yoshiaki Onishi @yoshionishi.com · 06/08/2026Re: criticism in general, I am always reminded of how my music was once written as a "waste of fine instrumental talent." Can't say much about movie criticisms, but as far as music criticism is concerned, there are many so-called "critics" who don't even know how to listen. And no, [1/3] 271
Yoshiaki Onishi @yoshionishi.com · 05/08/2026Ironic that the writer themself couldn't get the word "Eine" right from the get-go. 100
Yoshiaki Onishi @yoshionishi.com · 01/08/2026Note to self: an entry on vertical hairpin + directional arpeggio to be added in the next edition of my #LilyPond Cookbook (Earlier attempts on this post rendered the image pitch dark...oops) 010
Yoshiaki Onishi @yoshionishi.com · 30/07/2026These days I am on LinkedIn not so much for its intended use, but for some thrills of chancing upon two posts on my phone screen that are so contrasting that it’s vertiginous and oddly aesthetic. 010
Yoshiaki Onishi @yoshionishi.com · 29/07/2026I will be working on updating LilyPond Snippets Cookbook in mid-August to ensure the codes run on the most recent LilyPond version. Currently I’m composing and trying to meet a deadline for which I got an extension under an extenuating circumstance, but I don’t want to delay… 000
Yoshiaki Onishi @yoshionishi.com · 29/07/2026Regarding an email communication I received somewhere, I am thinking: on one hand, free meals are great. On the other hand, I won’t probably add a lot to the conversations… 010
Yoshiaki Onishi @yoshionishi.com · 29/07/2026aside from rhythms and pitches. I feel like someone over at the mailing list developed a kind of workflow for handling this kind of procedures on one of the editors, and I don’t think it was Frescobaldi. Btw your post on Neovim looks cool; I should check it out. [3/3] 110
Yoshiaki Onishi @yoshionishi.com · 29/07/2026re-ordering materials, and I sort of accepted it, thinking the result (of how LilyPond takes care of formatting etc.) is well worth the effort. If the edits are extensive, had I had an option I’d take the workflow you suggest, but I do wonder how reliable MusicXML is when it comes to things [2/3] 110
Yoshiaki Onishi @yoshionishi.com · 29/07/2026Former Finale user turned a LilyPonder in Autumn 2024 here. I make sure that I take care of inserting/re-ordering before I hide staffs and do any formatting. I’ve had to do more mental math and mobilize short-term memory to ensure note durations adding up properly as I do insertion and [1/3] 110
Yoshiaki Onishi @yoshionishi.com · 28/07/2026While my industry (higher ed) is in a different field than yours (but I’ve considered it many times; love coding, strategizing, etc.), but now that I have to leave the current job somewhat soon, I am feeling the same to my core, as well. 020
Yoshiaki Onishi @yoshionishi.com · 28/07/2026I am thinking of redoing my website at some point, and Astro was something I came across, then I came across this, which is really cool to see. Maybe might I host my contemporary notation cookbook on my website? 130
Yoshiaki Onishi @yoshionishi.com · 27/07/2026Stumbled upon something I wrote in 2017, in which, reacting to an article I read, I wrote paragraphs of reflection, which is actually my criticism/skepticism on AI back then. Nine years ago. Was my thought too soon? Did I stop growing since then? Maybe will edit and put on my website at some point. 010
Yoshiaki Onishi @yoshionishi.com · 27/07/2026This month has been a month that, by some accident, tests what friendship is. A while ago I had a chat with someone who had a rather strict definition of it owning to their background. I was glad I wasn’t alone when feeling severely conflicted when I came across the word after all that happened. 010
Yoshiaki Onishi @yoshionishi.com · 26/07/2026While the world may be crumbling into pieces, and I certainly am uncertain what will happen with my life come September, being able to help someone with Scheme codes certainly helps with my mood a little bit. 000