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Post-it Galen

@willowpudge27.bsky.social
104 followers 137 following 432 posts

Chicago-based, bass player for hire, fool for free He/they

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Post-it Galen @willowpudge27.bsky.social · 12h
The Thing (1982)
A 4 1/2-star review of The Thing (1982)

Absolute stone classic. Researchers & staff at an Antarctic base are beset by a monstrous Thing which can perfectly mimic anything it eats. Now with it loose in the base, our heros are left not knowing who they can trust.

On this watching, I was mostly struck by how a major part of the drama stems from the fact that, before the events of the film, none of these people are friends with (or even really like) each other. They reach for paranoid accusations and blood tests, but never come up with like, a code phrase. They never even discuss staying a group to avoid getting picked off, something I'd assume they'd be doing anyway given the environment, but oh well.

Something something the real Thing is toxic masculinity and emotional lack of intelligence
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Post-it Galen @willowpudge27.bsky.social · 19h
The Trespasser (1929)
A 3-star review of The Tresspasser (1929)

More melodrama! Stenographer Marion Donnell (Gloria Swanson) is left to raise a child alone after her new father-in-law (William Holden) annuls her elopement to Jack (Robert Ames). As the years pass, she falls into an affair with her boss Mr. Ferguson (Purnell Pratt), who leaves her a considerable fortune in his will when he passes unexpectedly. The attention in the gossip columns brings Jack back around, where he meets his son. Will Jack stand by his new wife? Or step up to take care of his son?

Solid pacing, well plotted, good acting with a show-stealing performance by Kay Hammond as Jack's wife, Flip towards the end of the film.
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Post-it Galen @willowpudge27.bsky.social · 09/10/2026
Anna Christie (1930)
A 3-star review of Anna Christie (1930)

Another slow-paced relationship drama adapted from a popular play. There are a ton of these in this era of film and I'm cluing into the recurring tropes. Anna Christie is on the better end of these films, the dialogue is flowery in a way that lends itself to live stage acting, though the cast here does a great job of making it flow appropriately. While the roles have almost no physicality whatsoever, the acting is energetic enough to compensate, with Marthy Owens (Marie Dressler) a highlight of the auxiliary cast. 

Chris Christofferson (George F. Marion) is a salty sailor, who left his daughter Anna (Greta Garbo) with family inland 15 years ago in hopes it would be a more stable life than seafaring could provide. After losing her job and a stint in the hospital, Anna's coming to stay and rest back to health. While on the barge together, Anna & Chris rescue Matt Burke (Charles Bickford), another sailor shipwrecked in a storm. He and Anna fall in love. But OH NO Anna has a DARK SECRET: She used to be a prostitute. Will her father and lover abandon her when they learn she is IMPURE????? Nah, it's all resolved with a 5-minute conversation at the very end and they live happily ever after the end.
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Post-it Galen @willowpudge27.bsky.social · 02/10/2026
Disraeli (1929)
A 2 1/2-star review of Disraeli (1929)

When I was a kid, my parents would sometimes watch a serious drama or a political thriller, and I would be So Damn Bored because it's just a bunch of grown-ups standing around and talking for hours. Well, I'm not exactly overjoyed to say that Disraeli brought me right back to my childhood. 

This movie is a dramatization of England's 1874-1880 Prime Minister Benjamin Disraeli (George Arliss) and his purchase of the Suez Canal by England from Egypt. Along the way, he also helps his protege Lord Deeford (Anthony Bushell) through a troubled romance, and outwits a pair of Tsarist Russian spies in his cabinet.

While George Arliss really does shine and dominates every scene he's in, no other actor in the film comes close to matching him in terms of emotion, energy, or presence onscreen. The plot moves at a snails pace with the only tension coming from "If we don't make this purchase, the Russians will! And then we won't get to rape India anymore!" which is not very compelling if you ask me. The staging is uninteresting, as another example of a stage play put on film with few if any changes for the medium. 

My favorite moment comes when, discussing the repercussions of losing colonial power over India says (paraphrase) "Without our power we'll be just like Belgium if it was an island"
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Post-it Galen @willowpudge27.bsky.social · 29/09/2026
Project: Hail Mary (2026)
A 4 1/2-star review of Project Hail Mary (2026)

This is the kind of thing that's so completely up my alley I don't even have much to say about it. Two scientists from different species must work together to solve a problem that threatens both their civilizations. Everything here works great for me, the relationship between Grace (Ryan Gosling) and Rocky (James Ortiz) is the centerpiece and the most rewarding part of the plot.

My only minor nitpicks are A) some of Grace's personal issues are set up, but never resolved in favor of focusing on the external scientific problem, which leaves a few strange notes of "wait, did this guy just regress a little bit?" & B) I like Ryan Gosling, I enjoy his roles, I like his humor. He's too much of a sexy movie star these days for me to really buy him as the weird lame nerd he's trying to be in this film.
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Post-it Galen @willowpudge27.bsky.social · 25/09/2026
King of Jazz (1930)
A 3 1/2-star review of King of Jazz (1930)

King of Jazz is another plotless revue show with a series of musical numbers, dances short comedy sketches, and one real neat cartoon. The performers, led by Paul Whiteman, represent the cream of the crop of the (White, pop-oriented) jazz scene of the time. The music is solid, with appearances from Whiteman's ensemble, a series of guest singers including Bing Crosby, and a lovely arrangement of Rhapsody in Blue which, because of the colorizing process, is really pretty green. While the music is inoffensive, there are spots where the number of musical-theater-style slow pop arias really drags out the runtime. Despite some limitations in palatte, the color is used really well alongside interesting shots and choreo and the art direction (which did win an academy award this year) is maybe the best thing about this as a viewing experience. The comedy sketches are pretty much all terrible, but mercifully short. 

If you're a music academic type, this is definitely worth checking out, though die-hard jazzers may be disappointed by the safe-for-grandpa white bread on display here
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Post-it Galen @willowpudge27.bsky.social · 24/09/2026
The Lost World: Jurassic Park (1997)
A 4-star review of The Lost World: Jurassic Park

This is a hard one to review honestly, because owning a VHS copy as a child means every line of dialogue in this movie is indelably inked on my psyche. But what do we really have here? Good actors doing the best they can witha real dumb script. Jeff Goldblum & a young Vanessa Chester are the standouts.

This is one of the most jam-packed, convoluted plots I've seen in a minute: a team of scientists goes to the dino island to to naturalist work to help get the island labelled as a nature preserve. BUT after they get there a second, much larger team shows up to do poaching to start a zoo. BUT one of the scientists is a saboteur meant to stop them. BUT the leader of the poachers wants to hunt a t-rex so he kidnaps a baby. BUT the scientists steal the baby and heal it's broken leg. BUT the t-rexes attack them and blow up all their stuff. BUT now they get saved by the poachers and have to work together. BUT after fighting raptors together the poachers betray the scientis and still poach a t-rex. BUT the t-rex gets out and goes Godzilla on San Diego. BUT Jeff Goldblum finds the baby and uses it to lure the t-rex back to the boat. 

Jesus theres like 3 movies in there, anyway something something parenthood the end?
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Post-it Galen @willowpudge27.bsky.social · 21/09/2026
A Sand County Almanac (Aldo Leopold)
A 5-star review of A Sand County Almanac

Written in the '40s, A Sand County Almanac is author Aldo Leopold's treatise on conservation, nature, and ethical land use. About 2/3 of the book is a series of not-quite-poetry odes to the natural world. First a section dedicated to spending a year, one month at a time, on a farm in the woods of Wisconsin, then a wider-ranging section discussing the ecology of further wildernesses, including Mexico, Canada, & even Iowa! The last 1/3 of the book is a direct discussion of ecological ethics in America, the triumphs and failures of American conservation, and a reevaluation of those ethics for the future. 

A beautiful book well worth anyone's time, just about everything Leopold says rings true to today. Sometimes it's hearting to read his fears when they regarded issues that have since been solved, for example the loss of the Yellowstone wolves has been reversed (50 years later) through conservation efforts. Other points, like the anxiety about potential damage wrought by the auto industry, weigh heavy knowing much worse things have gotten since then. It's sometimes frustrating that Leopold acknowledges that Indigenous communities have developed land ethics of the type he advocates for, but basically never examines them at all. This does come across to me as a tactical choice to appeal to '40s White America, and while I understand, with modern eyes it's a palpable omission.
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Post-it Galen @willowpudge27.bsky.social · 20/09/2026
Kinky Boots (2005)
A 4-star review of Kinky Boots (2005)

After the death of his father, Charlie (Joel Edgerton) must put his dreams of working in marketing in London on hold and take over ownership of the family artisan shoe factory. He discovers the factory is soon to go bankrupt, but meets a drag queen named Lola (Chiwetel Ejiofor) and is stuck by an idea: women's high heel boots, built sturdy enough for men. 

Listen, is the premise ridiculous? Yes. Is the tackling of gender politics sort of embarrassingly input and of its time? Yes. Is Charlie's workplace relationship with Lauren (Sarah-Jane Potts) totally inappropriate? Yes. Do I care? No. Theres a sense of love and joy that pervades every character, every actor, and every shot that makes me just not care that much about the goofy edges. Maybe for a couple hours we can pretend that transphobia really can be defeated by an arm-wrestling match & event planners would be totally okay with an impromptu drag show in the middle of a runway event.
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Post-it Galen @willowpudge27.bsky.social · 18/09/2026
Sally (1929)
A 2-star review of Sally (1929)

In this adaptation of the at-the-time extremely popular Broadway musical, a waitress and aspiring performer Sally (Marilyn Miller) is hoping for her big break. Alongside her is her best friend and coworker Grand Duke Constintine (Joe E. Brown), an exiled noble of "Czechoslovenia" living a double life between high society appearances and working as a waiter to make ends meet. She's also joined by Blair Farrell (Alexander Gray), a creep who stalks her with whom she falls in love.

Ugh, it's 1929, we just figured out how to put sound (and color!) in these movies, so I guess we have to do musicals now. The only problem is nobody's figured out how to pace them, or write them about anything other than the music business. The result is a plodding nothing of a plot where Sally wants to become a famous performer and does, Blair's engaged to someone else (arranged) but he wants Sally and eh no worries it gets dropped and they get married, and Constintine does some comedy relief antics that would be at home in a Disney-channel sitcom B-plot. There's only like four (4) songs, two of which repeat multiple times and only one of them is memorable. The costuming and choreo are at least nice.
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Post-it Galen @willowpudge27.bsky.social · 16/09/2026
Coyote vs ACME (2026)
A 4 1/2-star review of Coyote vs ACME (2026)

What if My Cousin Vinny had a baby with Rodger Rabbit? After decades of faulty products, Wile E. Coyote gets the idea to sue ACME Corporation for all they're worth. This works on every level, it's hilarious, dramatic, and surprisingly thoughtful. All the human actors (Will Forte, Lana Condor, John Cena) are clearly super excited to be here and deliver fantastic performances that slot alongside the Looney Tunes cast with ease. 

Absolutely worth your time.
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Post-it Galen @willowpudge27.bsky.social · 11/09/2026
Street of Chance (1930)
A 3 1/2-star review of Street of Chance (1930)

A solid drama, well-paced. John Marsden aka "Natural" Davis (William Powell) is a big time NYC stockbroker by day, high-stakes gambler by night. Despite his sinful tastes, he's an honorable man who never cheats or screws anyone over and his greatest hope is to keep his younger brother whom he financially supports, Babe (Regis Toomey) away from gambling entirely. But doing so may cost him everything...

This ones (relatively) a human, almost mundane, drama which does a good job of feeling grounded while not getting boring. The characters feel believable, especially John's hypocrisy around keeping his brother away from gambling but not stopping himself. My favorite moment comes when a man (Brooks Benedict), whom John banned from his table for being broke, cheats his way back to the table, at which point John has him straight up killed for it. Powell is a ton of fun to watch and is by far the most larger-than-life character in the film.
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Post-it Galen @willowpudge27.bsky.social · 11/09/2026
Bulldog Drummond (1929)
A 3 1/2-star review of Bulldog Drummond (1929)

God I'm a sucker for an adventure story. Hugh "Bulldog" Drummond (Ronald Colman) is an English WWI veteran who finds himself bored and restless without a war to fight. He takes out an ad in the paper seeking adventure and answers a letter from Phyllis Benton (Joan Bennett) to come save her grandfather (Charles Sellon) from a gang of ne'er-do-wells. 

Plot-wise, this is a bog standard dime-store adventure novel (this is the 3rd of 24 Bulldog Drummond films, built off the back of another ~20ish novels) with intrigue, action, and romance. There's something absurdly funny to modern tastes about this pompus rich dude rushing headlong into the most obvious scam setup I've ever seen. Unfortunately the 3rd act does fall flat, mostly owing to a lack of dramatic tension in the action scenes, which are all largely dialogue scenes with a single gunshot at some point.
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Post-it Galen @willowpudge27.bsky.social · 10/09/2026
Playing this Saturday (9/12) with LaRaie Zimm & Undertones Trio 8:00-10:30pm at The Friendly Tap in Berwyn, IL
A flyer with all the same info in the tweet
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Post-it Galen @willowpudge27.bsky.social · 04/09/2026
Bone: The Complete Edition (Jeff Smith)
A 5-star review of Bone: The Complete Edition by Jeff Smith

What if Lord of the Rings, but with Mickey, Goofy, and Scrooge McDuck? Honestly just a great piece of fantasy. The 3 Bone cousins Fone, Smiley, & Phoney are run out of Boneville after one of Phoney's get rich schemes falls flat. Lost in a distant valley, they have run-ins with monsters, dragons, and lost queens, their fates eventually becoming fully entwined in that of this land
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Post-it Galen @willowpudge27.bsky.social · 02/09/2026
Ope, late post! Playing tomorrow with Ernest Dawkins' Young Masters in the Claudia Cassidy theater in the Chicago Cultural Center at 12:45pm to start off this year's Chicago Jazzfest!
A flyer for 2026 Chicago Jazz Festival, September 3-6, 2026, presented by Wells Fargo.
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Post-it Galen @willowpudge27.bsky.social · 01/09/2026
The Dead Don't Die (2019)
A 3-Star review of The Dead Don't Die (2019)

Do you like self-referential, genre-aware, b-movie-inspired goofing? Then you'll probably have a good time here. Centerville Police Chief Robertson (Bill Murray) & Officer Peterson (Adam Driver) must face down the hordes of the undead. Driver's deadpan humor delivers the most consistent laughs, with Tilda Swinton's Scottish samurai-mortician an absurd close second. Really though, these actions/horror/comedies are kind of their own established genre, and while The Dead Don't Die is a good time without much in the way of glaring flaws, it isn't as clever as Cabin in the Woods (2011), as funny as Zombieland (2009), or as good at its action scenes as Day Shift (2022) but if you like all of those films, you'll definitely like this one too
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Post-it Galen @willowpudge27.bsky.social · 29/08/2026
The Big Pond (1930)
A 2 1/2-star review of The Big Pond (1930)

I honestly have next to nothing to say about this one. Pierre (Maurice Chevalier) is a Frenchman working as a tour boat operator in Venice. He falls in love with Barbara (Claudette Colbert), the daughter of an American chewing gum magnate (George Barbier). Despite her father's early misgivings, he gives Pierre a job at the gum factory, where he quickly becomes the star employee, outperforming everybody and rocketing up to an executive office. Then his constant working starts to affect his relationship with Barbara! But only till he apologizes slightly, the end. 

Reasonably paced and never fully boring, but also never really interesting or impressive either, but also at least not really offensive in any way. It's fine.
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Post-it Galen @willowpudge27.bsky.social · 22/08/2026
The Green Goddess (1930)
A 1-Star review of The Green Goddess (1930)

It's a classic adventure plotline: 3 Brits, a married couple & their pilot, crash land in a remote corner of the Himalayas and are taken captive by the local kingdom of natives. While the native people are strange, their leader, in this case The Raja (George Arliss), seems downright English in his manner, though his intentions may be the most savage thing there…

I've definitely seen versions of this basic plot in multiple Star Wars shows & novels, multiple Star Trek episodes, and at least one Futurama episode and that's just off the top of my head. Theres always an unfortunate undertone of racism in the setup, but in The Green Goddess the tone is extremely Over. Everything about the depiction of indigenous South Asian people is atrocious, and Arliss' admittedly great performance is marred by the Brownface of his costume and the condescension of the writing. Overall a surprisingly enjoyable watch, with decent performances and good pacing, but not good enough not to be skippable racist dreck.
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Post-it Galen @willowpudge27.bsky.social · 17/08/2026
The Devil's Holiday (1930)
A 1 1/2-star review of The Devil's Holiday

Hallie Hobart (Nancy Carroll) is a low-down scoundrel, running scams on rich dudes with her partner in crime, Charlie (Ned Sparks). With the intention of robbing him, Hallie gets involved with farmer David Stone (Phillips Holmes), the cleanest boy to ever come out of the wheat. Along the way she is charmed by his honest ways and falls for him for real, then she must work to prove herself to his family, who've seen through her schemes since the beginning.

This is a film that's good enough I can't ignore it's deep conservatism. The dialog is clever, the actors are subtle, the pacing is frankly excellent, and the plot is compelling. Nancy Carroll does a great job going from gung-ho to head-over-heels. Unfortunately the core theme of the film is that uppity women need to calm down and marry a good man and also maybe find God and that leaves a bad taste in my mouth
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Post-it Galen @willowpudge27.bsky.social · 17/08/2026
The Hollywood Revue of 1929 (1929)
A 2 1/2 star review of The Hollywood Revue of 1929 (1929)

This one is hard to review as a movie, because the Hollywood Revue is just what it says on the tin. This is a 2-hour variety show featuring all the biggest stars of 1929 MGM Studios. Conrad Nagel & Ukulele Ike have some mediocre banter, Joan Crawford sings a song, Laurel and Hardy do a funny bit, chorus lines do dances and God there's So Much Crooning. 

This was a perfectly enjoyable thing to have on with a group of people in the room, and every mid bit or boring song was helped by the knowledge that something different would be happening soon. As a whole it was pretty boring and unengaging with occasional highlights. I understand this role in modern times is filled by the actual live broadcast Oscars ceremony, but it'd be real funny if they still made all the biggest actors do one of these a year.
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Post-it Galen @willowpudge27.bsky.social · 31/07/2026
Sarah and Son (1930)
A 2-star review of Sarah and Son (1930)

Sarah (Ruth Chatterton) and her husband Jim (Fuller Mellish Jr.) are Austian immigrants in the US, struggling to make ends meet with their vaudeville performances. After Jim runs away with their child Bobby (Phillipe De Lacy), Sarah is left to build a life alone. Ten years later she's a famous opera singer and tracks down her long-lost son.

I bounced off this one completely. Perhaps during the great depression, a father selling his son reads more believably, but nowadays it's an absurd premise that's quite hard to take seriously. This is an example too, of the theatre-influced acting failing to translate to the screen. Most of the actors, Chatterton especially, grossly overact in every scene which also helps to kill any buy-in by the audience.
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Post-it Galen @willowpudge27.bsky.social · 31/07/2026
Hell's Angels (1930)
A 2 1/2-star review of Hell's Angels (1930)

In Hell's Angels, brothers Roy (James Hall) and Monte (Ben Lyon) Rutledge and their bestie Karl (John Darrow), an exchange student from Germany, are all best friends going to Oxford together. Karl's spent so much time in England he "feels English". Monte sleeps around and gets in trouble when he sleeps with a German major's wife. Roy's girlfriend Helen (Jean Harlow) is unfaithful to him. Antics ensue. But when war is declared and Karl is drafted back home, everything falls apart!

This. Movie. Draaaaaaaaaaaaags. Every single scene feels easily 30% longer than it needs to be, we spend so much time with these boring people's boring lives and for what payoff? The relationship between the Rutledges and Karl is set up like it's gonna be the Whole Point but once the war starts, Karl dies immediately and is never mentioned again. When Roy learns about Helen's infidelity…he breaks up with her and we don't see her again for the rest of the film. The airplane stunts are incredibly cool, and it's clear to see the influence on later films, but man oh man it would be a much better film with about 40 minutes less of Stuff.
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Post-it Galen @willowpudge27.bsky.social · 20/07/2026
Their Own Desire (1929)
A 2-stat review of Their Own Desire (1929)

Discord in a happy life! When her father (Lewis Stone) leaves her mother (Belle Bennett) for another woman (Helene Millard), society darling Lally (Norma Shearer) is left crushed. Soon after, she meets a man (Robert Montgomery) who turns out to be the son of the woman her father married. Will Lally stay true to her ailing mother? Or go with this man to find true love?

This was alright, the costumes were gorgeous and it was well paced. At 65 minutes in length it feels like a solid episode of a TV drama. What takes the wind out of the film's sails to my mind is the romance between Lally and John, which entirely consist of John chasing her around and throwing himself at her like a goddamn stalker. All of his appearances are so off-putting and gross you start rooting for her to leave him by the end.
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Post-it Galen @willowpudge27.bsky.social · 20/07/2026
Playing this Wednesday (7/22) with the Max Brown Sextet at Fulton Street Collective in Chicago, IL alongside Sam Butler's Visions Ensemble. Show starts 7:30!!
Picture of me playing bass in dramatic black and white
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Post-it Galen @willowpudge27.bsky.social · 15/07/2026
Beyond Good and Evil: Prelude to a Philosophy of the Future (Friedrich Nietzsche translated by Walter Kaufmann)
A 3-Star review of Beyond Good and Evil by Friedrich Nietzsche 

Beyond Good and Evil is Friedrich Nietzsche's attempt to put down his philosophy in plain, easy to understand writing, communicated through a long ordered list of thoughts, points, observations, and questions. 

His fundamental point, to my interpretation, is that while society in the "modern day" (1885) is moving away from religion, people are not really engaging with the question of what "good" and "evil" really are without a presupposed diety or with whether those are even useful concepts to hold onto at all anymore. 

To my taste, I find about 60% of what he says to be interesting and insightful. There's thoughtfulness about the dangers of dogmatism, the foundations of morality, and worthy takes on existentialism.

Unfortunately the other 40% of the book is rough. Nietzsche gives the impression of a 14-year-old Call of Duty-playing suburban 4chan user who thinks he's the only person in history to have an original thought. All of his good ideas are kneecapped by his insistence that actually Yes, Heirarchies Are Good and we should base society around empowering the Strong. His rank misogyny is thankfully contained to one chapter, but it does render said chapter vestigial. His obsession with hierarchy extends to another chapter of pure race science garbage, comparing the "base natures and values" of all the different races of the world: Germans, French, Italians, English, & South Germans. His antisemitism is at least interesting in that, while he pretty heavily rails again the contemporary Anti-Semetic League, when he tries to be positive about Jewish people it comes of as extremely condescending and othering. Finally, the book ends on a poem so bad that translator Walter Kaufman mentions multiple times throughout the introduction to the book, the footnotes to the edition, and the intro to the poem itself that it is a "blemish without which the work would be much improved"
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Post-it Galen @willowpudge27.bsky.social · 13/07/2026
Playing this Friday (7/17) with the Max Brown Sextet at Clara in Chicago, IL 7:00-10:00pm Then next week on Wednesday (7/22) I'll be with Max Brown again as a quartet at Fulton Street Collective in Chicago, IL at 7:30, alongside Sam Butler's Visions Ensemble
Nightly schedule for Chicago bar Clara for the month of July
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Post-it Galen @willowpudge27.bsky.social · 12/07/2026
Damn, the penis tumor strategy never let me down before
A game of wordle with 2 words played. 
All letters in PENIS are incorrect
All letters in TUMOR are incorrect
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Post-it Galen @willowpudge27.bsky.social · 08/07/2026
The Vagabond King (1930)
A 2 1/2-Star review of The Vagabond King (1930)

The self-proclaimed "king of the vagabonds", François Villon (Dennis King) is sentenced to hang by king Louis XI (O. P. Heggie) for his provocative political songs. Before his execution, the king decides to give him a chance to make good on his boasts and allows François to rule in his stead for a week. Of course François wins both the 100 Years War and the heart of Katherine (Jeanette MacDonald). 

This is an operetta, with songs throughout but no standout tracks or performances. The plot moves along ploddingly slowly and quite frankly does nothing interesting. Overall boring and forgettable, but inoffensive. The kind of movie that translates better to a Futurama episode than something feature-length
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Post-it Galen @willowpudge27.bsky.social · 07/07/2026
Gigs this week! Playing with Ernest Dawkins' Young Masters this coming Thursday (7/9) at Fred Anderson Park in Chicago, IL, starting 5:30 Then on Friday (7/10) with the same group I'll be at Harper Court in Chicago, IL at noon
A flyer for the Young Masters Summer Concert Series 2026, with shows June 18th (passed), June 30 (Welles Park, 6:30), and July 9th (Fred Anderson Park, 5:30)
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Post-it Galen @willowpudge27.bsky.social · 06/07/2026
In Old Arizona (1928)
A 4-star review of In Old Arizona (1928)

In Old Arizona, there's an outlaw on the loose. A daring desperado with a heart of gold who steals front the rich but not the poor and goes by The Cisco Kid (Warner Baxter). Meanwhile, a lawman named Dunn (Edmund Lowe) comes out from New York to chase the price on the Kid's head. Will the Kid's girl, Tonia Maria (Dorothy Burgess) give away all his secrets?

Okay there are some obvious major flaws, with the casting of a bunch of white people in brownface and bad accents to play the Mexicans, and the deep deep pervading misogyny that fuels the conflict & ultimate resolution. The acting is over the top, the dialogue is bad, the audio quality poor. But damn, at least in a camp way, this one is fun. Maybe I've been watching too many slow aristocratic dramas from this era but In Old Arizona is an action blockbuster by comparison. The tension between the Kid and Dunn is great in all their scenes, and Tonia Maria is so delightfully evil & vicious she steals the show.
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Post-it Galen @willowpudge27.bsky.social · 29/06/2026
Playing tomorrow (7/30) with the Young Masters at 6:30pm at Welles Park in Chicago, IL
A flyer for the Young Masters Summer Concert Series 2026, with shows June 18th (passed), June 30 (Welles Park, 6:30), and July 9th (Fred Anderson Park, 5:30)
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Post-it Galen @willowpudge27.bsky.social · 27/06/2026
And the rest of it
Dead Money

IMO a way more effective "let's do a different genre" DLC than OWB. Here, you're kidnapped and forced into helping an insane old man break into the vault of the Sierra Madre Casino, freshly completed & ready to open the day the bombs fell, sealed ever since. You must gain the trust of 3 companions, each with a personal stake, and pull off a heist, centuries in the making. The character interactions are by far the highlight of this one, with Christine, Dean Domino, & God/Dog all standouts in their own ways. So far this one leaves me the most curious to replay & see the other outcomes. Cover art for Fallout: New Vegas: Dead MoneyLonesome Road

Lonesome Road is fun, and does a good job of being a spiritual finale to the main game, though at points it does kind of turn into a slog. While there's some novelty to fighting the strongest enemies in the entire game, the engine's combat system is pretty terrible and that novelty fades fast. The ED-E plotline is cute and Ulysses is a fun, if a little overwrought, villain. I thought it added nicely to the climactic feelings that the entire map is one long, twisty path, with little if any extra areas to explore. 
Cover art for Fallout: New Vegas: Lonesome Road
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Post-it Galen @willowpudge27.bsky.social · 27/06/2026
Also F:NV's DLC
Honest Hearts

In Honest Hearts, you join a trade caravan to Zion Nation Park, as you arrive to the park your entire caravan is slaughtered & you are left to sort out the politics of the multiple tribes of people living in Zion. This is a solid little side plot, the map is beautiful, the should-I-stay-or-should-I-go plot is a difficult choice, the characters are... mostly enjoyable. Joshua vs David vs the Old Man is a nice, uh, tri-chotomy of white savior-y guys. I think there are maybe some aspects of the depictions of the tribals that have not aged well. Follows-Chalk especially bothered me, mostly because his infantalizing voice lines played a lil too often for my taste and imo undercut how smart we're told he's supposed to be "That com-pass thing always knows where north is? Even when we can't see the stars?"Cover art for Fallout: New Vegas: Honest Hearts. Old World Blues

Man, I feel like when the Fallout devs say "hey let's do a funny one!" It's always on the weak side. The player is stolen away to a secret old world government research site where the scientists long ago put their brains in robotic bodies & slowly went insane. Theres a ton of references & reverence for '50s sci-fi, which is really fun. I found that even near max level, Big Mountain was sort of an unending gauntlet of very powerful enemies & there were multiple points where I was cornered in buildings with no healing, surrounded by giant robot scorpions, save-scumming every time I landed an attack without dying. It was better than Nuka-World though. 
Cover art for Fallout: New Vegas: Old World Blues
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Post-it Galen @willowpudge27.bsky.social · 27/06/2026
Fallout: New Vegas (2010)
Fallout: New Vegas

Replayed F:NV for my first time since, god, high school? And it did really confirm this is one of my favorite games of all time. There's not a lot i can say that doesn't word-for-word repeat what I said about Fallout 3 earlier in the year, but this one is better! The world feels much more cohesive as an organic whole, spread out relatively evenly across the map. The writing is sharper, the characters stronger. Even where the same patched-together-with-duct-tape feeling arises, it feels less slapdash, more carefully considered, and honestly more charming. There's very little I can say about this game that hasn't already been said. Youve played it before. And if you haven't, you ought to.The cover art of Fallout: New Vegas.
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Post-it Galen @willowpudge27.bsky.social · 26/06/2026
Coquette (1929)
A 3-1/2 star review of Coquette (1929)

In Coquette, Norma Besant (Mary Pickford) is a flirtatious girl-about-town who falls in love with low-class working man Michael (Johnny Mack Brown) but her father (John St. Polis) doesn't approve of their match!
There's a good sense of drama and pacing, and while the audio quality is not high, the acting is solid. Mary Pickford does an excellent job carrying the film and her resulting Academy Award for Best Actress feels well earned. Of course, as with many of the films of this time, the melodrama wears thin by the end of the plot, the underlying misogyny is palpable, and the ending is contrived enough to be laughable.
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Post-it Galen @willowpudge27.bsky.social · 25/06/2026
A Storm of Swords (George RR Martin)
A 5-star review of A Storm of Swords (George RR Martin)

As the realm-engulfing war of the previous book winds down, our various characters find themselves largely scattered, with nothing going anybody's way basically the whole time. Even a neat resolution to the war is tantalizingly close but seemingly farther away every chapter. 

GRRM is of course a master of different POVs, jumping constantly between very different characters with an astonishing consistency of tone and characterization between the different viewpoints. Characters and events are colored through these different perspectives into a truly rich web of relationships personal and political. I love a fantasy book where you can tell the author has multilayered pages of spreadsheets to keep track of everything.
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Post-it Galen @willowpudge27.bsky.social · 21/06/2026
The Valiant (1929)
A 1-star review of The Valiant (1929)

Eh, kind of a boring slog. A mysterious man (Paul Munni) turns himself into the police for a murder for which he shows no remorse, though he refuses to give a real name. After seeing the man in the paper, a woman (Margueritr Churchill) visits him in jail to see if he is her long-lost brother.

Maybe this one works better in it's original, stage-play form, but this did very little for me. There's an air of overwrought melodrama which really doesn't match a lot of the actual stakes here. The movie keeps referring to the man as "Valiant" for standing on his principles and not giving his name, but his reasons for doing so are so paper-thin it's hard not to walk away feeling like that guy was pretty dumb for all that.
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Post-it Galen @willowpudge27.bsky.social · 14/06/2026
Backrooms (2026)
A 3 1/2-star review of Backrooms (2026)

A solid psychological horror story. I like how tight and considered the shots and pacing are, it leaves the right amount of questions unanswered, such that can be interpreted multiple ways. I think this film doesn't necessarily stand out especially from other similar A24 films, but it's still a solid entry
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Post-it Galen @willowpudge27.bsky.social · 12/06/2026
White Shadows in the South Seas (1928)
A 1-star review of White Shadows in the South Seas (1928)

Racist dreck, generally uninteresting, and not worth your time. While it pays lip service to the idea that colonial exploitation is bad, this is a film where a white guy washes up on a beach and the natives think he's a god. This goes on for an hour. There's some neat color grading at least.
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Post-it Galen @willowpudge27.bsky.social · 06/06/2026
Alibi (1929)
A 3 1/2-star review of Alibi (1929)

Gosh, I have almost no thoughts on this. The most positive thing I can say is that it is a feast for the eyes. The shot composition, lighting, sets, and costuming are all fantastic, making every scene just really lovely to look at.

Past that, there's not much to say. Chick Williams (Chester Morris) is a crook who, fresh out of jail, elopes with his sweetheart, Joan (Eleanor Griffith), the police chief's daughter who believes Chick is reformed from his time in prison. Chick of course immediately commits a robbery and murders an officer. Will Eleanor find out his true nature? Will his alibi hold up? How many human rights abuses will the police commit trying to catch him? (lots) The plot unfolds pretty easily with no real surprises, and while the acting is good, nobody really stands out.
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Post-it Galen @willowpudge27.bsky.social · 29/05/2026
Madame X (1929) 3 1/2 stars
A 3 1/2-star review of Madame X (1929)

Sigh, another melodramatic film about a fallen woman feeling remorse for her wicked ways. Jacqueline, AKA Madame X (Ruth Chatterton) is a divorcee, prevented from seeing her son (Raymond Hackett) ever again by her ex-husband, Mr. Floriot (Lewis Stone). She falls into alcoholism and crime over the years that follow, ultimately being put on trial for murder, with her now-adult son unknowingly assigned to her defense!

The worst parts of this movie are systemic, having to do with this misogynistic obsession with punishing immoral women that so many of the films of this era lean into. If I go on too much this'll turn into an essay on the trope writ large, but suffice it to say I find this trope tired, even within the context of its time. Did the film studios in '29 just forget any other plot structure existed?

Those issues have more to do with tropes and trends of the era than they do with this specific film, which I actually enjoyed a fair bit. The acting is extremely cheesy and melodramatic, but it sort of works for me given how all the actors (but especially Chatterton) throw themselves fully into their roles. Director Lionel Barrymore leans into the stage play origins of the script, framing & blocking shots as if they were on a theater stage. A lot of the actors at this time were coming to film from theater and while this choice does mean the pacing is much slower than is comfortable for modern palettes, it plays to the strengths of the actors in a way that really worked for me.
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Post-it Galen @willowpudge27.bsky.social · 26/05/2026
Playing tomorrow (5/26) with the Max Brown Quartet at The Whistler in Chicago, IL starting at 9:00
A poster for the Max Brown Quartet The Whistler, in plain text over a field of Brat Green
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Post-it Galen @willowpudge27.bsky.social · 22/05/2026
The Divine Lady (1928)
A 3-star review of The Divine Lady (1928)

The Divine Lady is a historically-inspired telling of the life and times of Lady Emma Hamilton (Corrine Griffith), lover to Admiral Horatio Nelson (Victor Varconi). This was...fine. Corrine Griffith's performance is by far and away the highlight of the film, she brings a palpable enthusiasm to the role that makes her a delight every time she's on screen. The sets, too, are gorgeous and are shot very well. This is visually a lovely movie with a lot of neat stuff to look at. Boats even!
Otherwise there's not much else going on. A common pitfall of historical films is the tendency to just sort of show a series of events like checking off points on the list of stuff the protagonist did in their life. This is no exception, and the 1920's-style love triangle plot they add to string all the scenes together is paper thin, really boring, and doesn't really add anything. At a certain point the movie starts to ignore Lady Hamilton to focus on Admiral Nelson doing boat stuff, and this makes the final 20 minutes drag longer than the previous 70.
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Post-it Galen @willowpudge27.bsky.social · 18/05/2026
Got some gigs coming up! This Saturday (5/23), I'll be playing with the Young Masters at Hamilton Park in Chicago, IL at 1:00PM Then next week on Tuesday (5/26) I'll be playing with the Max Brown Quartet at 9:00pm at The Whistler in Chicago, IL
A black and white image of me playing the bass, sitting on a stool
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Post-it Galen @willowpudge27.bsky.social · 16/05/2026
The Broadway Melody (1929) 1 1/2 stars btw, cause I had to cut it off
A 1 1/2-star review of The Broadway Melody (1929)

A painful slog. The Broadway Melody is an early musical where there's basically 3 things going on. 1) There is a weird, incestuous(?), throuple between songwriter Eddie Kearns (Charles King) and the singing Mahoney sisters, Hank (Bessie Love) & Queenie (Anita Page). Eddie is involved with Hank, but when he sees that Queenie has gone through puberty since the last time they met, he realizes shes hot now and falls for her completely, losing all interest in Hank immediately. This is so so so gross and ruins all sympathy for Eddie, the protagonist of the film. The fact that (SPOILERS!) he gets everything he wants in the end is tbh disgusting and leaves a bad taste in my mouth. Fuck Eddie fr. What carries it through this stuff is that Bessie Love & Anita Page are delightful, with excellent chemistry throughout. 2) This is a musical about people putting on a musical (technically a revue, but c'mon). Other than the female leads, the best parts of the movie are the light comedy scenes making fun of the behind the scenes interactions of musical productions, mostly because of the ways they resonate (through the lens of the songwriter who is obviously a flawless genius) to musical productions I have personally experienced. The overall tone of everything tracks completely to modern-day musical cheese and I do appreciate that. There is a clear historical line between this film and Lin-Manuel Miranda. 3) This is a musical where all the songs are performances in the revue they are putting on or otherwise played by characters diagetically, so they're...kinda boring and largely irrelevant to the plot. Some decent dance sequences but nothing to write home about.
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Post-it Galen @willowpudge27.bsky.social · 13/05/2026
Assassin's Apprentice (Robin Hobb)
A 5-star review of Assassin's Apprentice by Robin Hobb 

Oh man this one was up my alley. A high fantasy with some almost fairy tale-like elements mixed in for flavor. The character work here is excellent and the layers of plot and intrigue are complex and satisfying. It sort of reminds me of if Games of Thones scaled way down and stayed in one place with one character the whole time. I'm going to be itching to come back to this series. Also a lot of good dogs throughout.
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Post-it Galen @willowpudge27.bsky.social · 08/05/2026
Weary River (1929)
A 3-star review of Weary River (1929)

A thoroughly fine film. Jerry Larrabbee (Richard Barthelmess) is a gangster who reforms himself through music while in prison, and also gets famous for writing the films titular song. Most of the film progresses along a pretty straightforward plot without any real surprises. Barthelmess delivers a solid performance, but it's a little undercut by his singing scenes being overdubbed with another actor. There's a lot of music in this, and they play the title track in its entirety 4 (four) times throughout the film (not counting its use in the score as well). The plot flows nicely enough to make it an enjoyable watch, but the underlying moral attitude of "Prison is a Good Thing and prison wardens are just kindly old men who want to help you" leaves a pretty gross taste in my mouth when I stop to think about it at all.
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Post-it Galen @willowpudge27.bsky.social · 06/05/2026
Playing a double header this Saturday (5/9) at the Friendly Tap in Berwyn, IL! First with Undertones Trio 4:00-6:00, then for Dave & Jodi's Night of 1,000 Stars 8:00-10:30
Some guys playing jazz
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Post-it Galen @willowpudge27.bsky.social · 01/05/2026
Our Dancing Daughters (1928)
A 3 1/2 star review of Our Dancing Daughters (1928)

Our Dancing Daughters centers around a love triangle between Diana (Joan Crawford); a hard-drinking, charleston-dancing, party-girl flapper with a heart of gold, Ann (Anita Page); a friend of Diana's who pays lip service to traditional values, but has a trail of broken hearts behind her, and Ben (Johny Mack Brown); a rich dude with no other relevant traits. 

This feels like Sex and the City 75 years early. The whole conflict here is kinda dumb and everything that happens boils down to rich people drama. That being said I enjoyed this more than many of its contemporaries. Joan Crawford gives a performance that allegedly "launched her career" (she'd been acting for years at this point so I think they just mean this one made her famous) & she is for sure the standout actor of the film. Anita Page also does a stunning job as a villain, incessantly taunting Diana after stealing her man. The male actors are pretty much all set dressing & Johnny Mack Brown in particular is very robotic. The actual set dressing however, is top-notch. This is a beautiful movie to look at, with gorgeous art deco mansions, fantastic costuming, and interesting cinematography.
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