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Wesleyan University Press

@weslpress.bsky.social
2.4K followers 17 following 510 posts

Publishing in its current form since 1957, Wesleyan UP focuses on poetry, music, dance, and the arts. See weslpress.org for new poetry! linkin.bio/weslpress

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Wesleyan University Press @weslpress.bsky.social · 30/09/2026
Through October on Mondays and Wednesdays, Carol Ann Davis is running an Image Intensive Poetry Workshop! Poets of all levels are welcome to enhance their craft through readings, generative exercises, lessons, and conversations. #poetry #workshop #imageintensive
A light beige background. In the top left and bottom right corners are two ripped paper graphics, containing book pages and lined notebook paper. A single orange leaf is on both corners. Centered is a black graphic with the information for a class taught by Carol Ann Davis. In a sans serif, capitalized font colored a light rose are the words "A POETRY WORKSHOP AND MANUSCRIPT REVIEW" followed by "Image Intensive with Carol Ann Davis." Below, in a white serif font: "An in-depth course October 5-28 Mondays and Wednesdays 2 to 3:15 pm Eastern." Beside this is an image of Carol Ann Davis. She tilts her head to the camera, wearing a light blue scarf atop a gray-brown longsleeve. The photo is taken outside, with bright green leaves behind her.
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Wesleyan University Press @weslpress.bsky.social · 30/09/2026
At UC Berkeley on October 7th, Brenda Hillman will be reading from her new collection as part of the Holloway Reading Series! #readingseries #poetry #ucberkeley
A deep red background with thin yellow lines. At the top is an image of Brenda Hillman in an autumnal leaf frame; to her right is the cover of her book, Still House in the Desert, which pictures a cactus in the desert, overlayed by a loose white dress—the two are colored in a dark yellow gradient fading to orange. The graphic reads "Brenda Hillman at the Halloway Reading Series;" the font for the first two words is a tall, thin serif, with the latter words being slightly more playful, and "Halloway Reading Series" being bolded. Beneath a row of colorful leaves is the information "October 7 / UC Berkeley / 5:30 pm, Wheeler Hall."
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Wesleyan University Press @weslpress.bsky.social · 29/09/2026
We were so excited to see Brenda Hillman's Still House in the Desert in the New Yorker's "The 2026 National Book Awards Longlists"! Read The New Yorker article at www.newyorker.com/books/page-t... Order your copy today at weslpress.org @newyorker.com Photo by Louisa Michaels
Photo of Brenda Hillman smiling next to her book Still House in the Desert on a textured red background. White text across the top reads “The New Yorker 2026 National Book Awards Longlist for Poetry.”
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Wesleyan University Press @weslpress.bsky.social · 29/09/2026
We were so excited to see Brenda Hillman's Still House in the Desert in the New Yorker's "The 2026 National Book Awards Longlists"! Read The New Yorker article at www.newyorker.com/books/page-t... Order your copy today at weslpress.org #BrendaHillman @newyorker.com Photo by Louisa Michaels
Photo of Brenda Hillman smiling next to her book Still House in the Desert on a textured red background. White text across the top reads “The New Yorker 2026 National Book Awards Longlist for Poetry.”
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Wesleyan University Press @weslpress.bsky.social · 29/09/2026
Read a new review by David Lloyd on Rae Armantrout's Safe Rooms, published in Jacket2! #poetry #review #jacket2
"A review quote is between two dark brown ripped paper graphics at the top and bottom of the image. 
Words: ""While poems are not formally grouped, readers of Armantrout's previous twenty poetry collections will recognize clusters addressing her distinctive terrain: images from the natural world, challenging segues, shape-shifting words and phrases yielding diverse perspectives on the environment, time, language, contemporary culture, lived experience, and the function of poetry in our fraught national moment. Poems present as modest in scale but soon explode with outsized ambitions. One of the great pleasures of a new Armantrout collection are 'small things' — luminous images and moments drawn from the natural world, sometimes dominating a poem, sometimes popping up."" —David Lloyd, Jacket2"
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Wesleyan University Press @weslpress.bsky.social · 29/09/2026
A mini-book launch for Sarah Town's Buscando la gozadera / Seeking Pleasure will take place on October 3rd at Rueday 2026! Join her to celebrate in New York City at OASIS by Workville. #booklaunch #rueday #newbook
"A poster modeled on top of a New York City subway line graph. The top, displaying ""RUEDAY 2026,"" has each letter in an individual colored circle; below, in all caps, reads ""New York, NY / October 3, 2026."" The address is listed as ""OASIS by Workville / 15 W 35th St. 11th Fl."" A small orange bubble next to this reads ""2:15 pm."" 
The cover of Buscando la gozadera / Seeking Pleasure features a painting of a crowd of people dancing in all white, facing the sun setting over a body of water, surrounded by a cityscape. To the right is an image of Sarah Town. A gray box has the words ""Mini-Book Launch / Author q&a."" The poster sits above an airy brown background."
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Wesleyan University Press @weslpress.bsky.social · 18/09/2026
John Mills, contributor to A Century in Captivity: The Life and Trials of Prince Mortimer, an Enslaved Connecticut Man, wrote, directed, and produced Reverence: Reclaiming the Forgotten, which includes the story of Prince Mortimer. It will be screening at the Mystic Film Festival on October 3rd.
A grainy background of purples, browns, and beiges. The cover of "A Century in Captivity: The Life and Trials of Prince Mortimer, an Enslaved Connecticut Man." The cover is cut horizontally by a stark image of a rope—the background is an off-white color with translucent map lines above it. The contributer section reads "Denis R. Caron; foreword by John Mills; introduction by Jesse Nasta." The bottom reads "Revised Edition." Beside it is the logo for the Mystic Film Festival, written in a serif font, and a small, simple image of a whale tail above it. Directly below is the poster for Mills' new film, "Reverence: Reclaiming the Forgotten." It pictures a man standing away from the camera, looking down at the graveyard before him. It is a snowy scene, and the sun is setting from a light blue to a yellow. There is a large tree in the foreground.
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Wesleyan University Press @weslpress.bsky.social · 11/09/2026
See Camille T. Dungy at Prairie Lights next week to read from America, A Love Story and speak with poet Donika Kelly! #poetry #iowacity #reading
A very pale seafoam-green background. A large image of the cover of America, A Love Story: it is a stark black background of a nighttime sky with scattered stars twinkling. The author's name is in the top right corner in a sans serif font, colored light brown. The title is at the bottom left corner: "America, A Love Story," with the first word being a mustard yellow, and the latter three matching the light brown hue. To the right, still in sans serif, are the dark blue words "Camille T. Dungy in conversation with Donika Kelly." In a blue-green box, with black text, are the words "Thursday September 17, 7pm." Two images are beneath it. One, larger and in a wavy circle, is an image of Dungy; sunlight is shining on her face as she laughs, facing to the left, away from the camera. She is against a background of leaves and trees. In a square below is a picture of Kelly, wearing a pink top and looking directly at the camera.
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Wesleyan University Press @weslpress.bsky.social · 04/09/2026
We are deeply saddened to hear of the passing of Rachel Blau DuPlessis. A feminist, critic, scholar, and poet, her work has been anthologized and featured in some of the foremost journals and publications.
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Wesleyan University Press @weslpress.bsky.social · 02/09/2026
In celebration of the release of Still House in the Desert: An eco-contemplation, Brenda Hillman will be at Pegasus Books Downtown on September 10th for a book launch event! She will be accompanied by poet Donna Masini. #poetry #berkeley #booklaunch
An off-white background with circles of blurred pastel pink and orange that fade out, like spots of spraypaint. Brown swirls are present in the top left, right, and bottom right corners. In bold, pink text, are the words: "Brenda Hillman & Donna Masini in "An Evening of Poetry."" Hillman's name is the largest in the graphic, and is in a funky, rounded font, while the rest are in a sans serif. To the right is an image of the cover of Hillman's book "Still House in the Desert," which pictures a cactus in a desert scene with a white, sleeveless dress overlayed on top of it—they are both sheer images. An ombre of a stark yellow to orange is above the photo. Below is the Pegasus Books logo, with the words: "Pegasus Books Downtown. 2349 Shattuck Avenue, Berkeley. Sept. 10, 2026. 7pm."
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Wesleyan University Press @weslpress.bsky.social · 01/09/2026
Edgar Garcia, a 2026-27 Merrill Fellow, will be reading at Bank Square Books in Mystic, CT on September 8th! Be sure to RSVP at the #linkinbio, and preorder his new poetry collection, Cantares, to have it signed at the event. #merrillfellow #poetry #connecticut
A bright orange background. The logo for the James Merrill House is the letters JMH in a bold sans serif font, with the name written over the bottom in white. Beneath in white font: "Reading by James Merrill Fellow: Edgar Garcia." To the right of this text is a photo of Garcia; he stands outside by a tree, and he dons a thin-rimmed white hat with a blue stripe, and wears a blue, casual blazer over a button-up shirt, with a pink-red scarf. The bottom left corner is a square image of his book, Cantares, which is an abstract, bright image of a turtle, messily painted in splatters of red, green, and blue, with just the contour of the turtle being neat. Beside it are the words "Tuesday, September 8. 5-6pm. Bank Square Books. RSVP encouraged." Beneath is a URL link to their website "events" page.
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Wesleyan University Press @weslpress.bsky.social · 31/08/2026
Lauri Scheyer, editor of The Great New Orleans Jass Concert and Between the Night and Its Music, will be speaking at the 10th International EAM Conference in Sweden on September 4th! Find out more on our blog at the #linkinbio. #eamconference #authorevent
A light brown background. A graphic of a beige paper clipped reads: "EAM CONFERENCE featuring Lauri Scheyer." Beneath is the title of her lecture in the conference, "We Can't Breathe: Ronald L. Fair, Lennox Raphael, and Allen Polite in Northern Europe." Below is a photo of Scheyer, who has light gray hair and wears a dark teal jacket, and a white scarf. She smiles happily. To her right are the words "Stockholm, Sweden. 9/4/26, 11am-1pm." The covers of "The Great New Orleans Jass Concert" and "Between The Night and Its Music."
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Wesleyan University Press @weslpress.bsky.social · 27/08/2026
Two new interviews with Liz Lerman have recently been published online. Read more at the #linkinbio! #interview #dance #shapeandmomentum
A very light, semi-transparent background with pastel clouds that move from an orange-rose color in the bottom left to a pale blue in the top right. The cover of Liz Lerman's Shape and Momentum: An Insomniac's Guide for a World in Constant Motion, featuring a snapshot of a dancer in a flowing movement onstage. The backdrop behind her is cloudy and horizontally divided between a dark blue-violet sky and more teal clouds at the bottom, fading into green that touches the stage. Three black swirls line the border. The words "Recent Publicity for Shape and Momentum" are at the bottom; the first three words are in a round, corporate font, with "Shape and Momentum" being slanted calligraphy.A clouded sky background, bouncing between pastel blues, violets, and pinks. A rounded, translucent rectangle in the center, with the words: SOPHIE BRESS: You mentioned earlier that there are both very concrete parts and then there are elements [in the concepts of shape and momentum] that feel more difficult to pin down... What do you hope readers will gain while going through its pages?
LIZ LERMAN: My dream for the book is that it gives people an opportunity to experiment with their own living... You can come into the world and create the shapes you need. Creating the shape you need is hard, and you have to convince other people that it’s real. Sometimes you have to find another person who has the same shape so that the two of you together can form a shape and get people to see it. Interview between Sophie Bress and Liz Lerman, The Brooklyn RailA similar background, this time with less clouds, and a sunset more distinctly casting shadows and orange hues on the pink, purple clouds. The sky is still a pale blue. In a rounded, rectangular box are the words: LAUREN GILGER: When you talk about the world kind of being in constant motion, do you mean literally, like everything’s moving all the time in some sort of cellular fashion? Or is this more like metaphysical to you?
LIZ LERMAN:  [I]t's actually all those things. And that's kind of the surprise, isn't it? I mean, really and truly, the ground is moving under our feet, our bodies are busy changing, and we know that there are large changes going on institutionally, culturally, and even with the air we breathe. So it's I think an interesting way to consider that as much as we try to stabilize, maybe being able to manage all that movement would also be a useful stance in the world. Interview between Lauren Gilger and Liz Lerman, The Show on KJZZ
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Wesleyan University Press @weslpress.bsky.social · 26/08/2026
Excerpts of Rae Armantrout's Safe Rooms have been published in the Writer's Chronicle! Check them out with a subscription in the #linkinbio. #writerschronicle #publication #saferooms
On a white-lined paper clipped to a beige piece of paper appearing aged are the words (with line breaks indicated by slashes): "safe rooms / rae armantrout / excerpts now in the / writer's chronicle." Below, surrounding the cover of Armantrout's book, are four beige boxes with the sentences (moving clockwise from top right; boxes separated by slashes): "wesleyan poetry series; 128 pages / our rating: 5/5 / poetry of the shifting architecture of a world we think we know / release: august 11th, 2026."
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Wesleyan University Press @weslpress.bsky.social · 25/08/2026
🎉 Today is the publication date of three re-issued classics from Ibis Editions! Ibis Editions, a small press founded in Jerusalem in 1998, is dedicated to the publication of Levant-related poetry and belletristic prose. #pubdate #ibiseditions #levant
A library card atop a rose-pink background, reading "Today's Releases. Series: Ibis Editions. Month: August." Below, in two vertical columns labeled "Author" and "Book Title," are the three newly released books. From top to bottom, left to right: "Marcel Cohen, In Search of a Lost Ladino: Letter to Antonio Saura; Samih Al-Qasi, Sadder Than Water: New and Selected Poems; George Seferis: A Levant Journal." The author names appear in a font resembling a stamp—the book titles are in a handwritten font, with the two subtitles written in red. The covers of the books are pinned to the top right and bottom two corners.A dim rose-colored background. In a bold, funky text are the words "A LEVANT JOURNAL" with a semi-transparent yellow highlight behind it. The cover of the book is a beige, flat background; the author's name, George Seferis, is in all-caps at the top center. In a seafoam green box with a gold border are the capital words "A LEVANT JOURNAL." The bottom of the cover reads "Translated, Edited, and Introduced by Roderick Beaton. Foreword by A.E. Stallings." Beneath this is the logo of IBIS, featuring the word in all-caps below a small ibis drawing.
To the left reads: "An eloquent glimpse of the humanity behind the headlines by one of the twentieth century's greatest writers.
A Levant Journal offers selections from the notebooks Seferis kept during his diplomatic postings in the region. Covering the years 1941–44 and 1953–56, they record his detailed impressions of Beirut, Cairo, Baghdad, Cyprus, Jerusalem, the Dead Sea, and various other sites he visited while working there. With characteristic vividness and concision, Seferis reflects both on what he sees and what lies behind (and ahead of) the visible, as the journals include superb passages of travel writing and meditations on the Levant's Hellenistic legacy, the holy sites of the region, the history of prominent British women travelers to the area, the future of British imperialism, and of course the turbulent politics of his day."In a bold text are the words "IN SEARCH OF A LOST LADINO" with a semi-transparent yellow highlight behind it. A similar cover, but the box is a light red with hues of orange—the title is in white serif, and the subtitle beneath reads "LETTER TO ANTONIO SAURA." The author's name, MARCEL COHEN, is above. "Translated and Introduced by Raphael Rubenstein; Foreword by Alberto Manguel" along with the ibis logo, are at the bottom. 
The left side reads: "A haunting journey into personal and collective memory, and a meditation on the dying language of the Sephardic Jews of Salonica, Istanbul.
This poignant and richly textured memoir was originally written in Judeo-Spanish, the language of the Jews of the Ottoman Empire and of Marcel Cohen's own childhood. A haunting journey into personal and collective memory, it is also a meditation on a dying language and in fact a dying way of life—that of the Sephardic Jews of Salonica, Istanbul, and other points east. In Search of a Lost Ladino includes a thoughtful introductory essay, "Three Degrees of Exile," by translator Raphael Rubinstein, as well as a series of ink drawings by the well-known Spanish painter to whom Cohen addresses his letter."In a bold text are the words "SADDER THAN WATER" with a semi-transparent yellow highlight behind it. A similar cover, but the box is a muted teal blue—the title is in white serif, and the subtitle beneath reads "NEW AND SELECTED POEMS." The author's name, Samih Al-Qasum, is above. "Translated by Nasih Kassis; Introduction by Adina Hoffman; Foreword by Robyn Creswell" along with the ibis logo, are at the bottom. 
The words: New and selected poems by one of the foremost Palestinian poets and a major figure in the Arab world.
One of the foremost Palestinian poets and a major figure in the Arab world, Samih al-Qasim was born in 1939, in Zarqa, Jordan to a Palestinian Druze family from the Galilee.He grew up in the village of Rama and experienced the Palestinian tragedy of 1948 first hand, achieving fame as one of the celebrated "resistance poets" during the 1950s. His first book was published when he was just eighteen, and over the decades he has produced a body of work that is as varied and innovative as it is large. Samih al-Qasim remained to the end an outspoken opponent of racism and oppression on all sides of the Middle East conflict. The full range of al-Qasim's oeuvre is characterized by its ironic approach to painfully charged political situations, its melancholy music, and its lyrical evocation of Palestinian heritage.
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Wesleyan University Press @weslpress.bsky.social · 24/08/2026
To celebrate the release of The Zarabanda Variations by Edgar Garcia, a combined album and chapbook, a group of the same name comprised of composers, poets, and performers will be playing live at National Sawdust in Brooklyn, NY!
The word "Live" is the header of the graphic, in cutout newspaper formats with each letter differing in background/font color. Beneath a thin black rule are three pictures (from left to right): Edgar Garcia onstage with a microphone on a stand in front of him, along with a music stand - he holds his hat in his hand, and stands against a dark, almost neon blue background; the cover of The Zarabanda Variations; and a woman singing passionately into a microphone, wearing a colorful, flowy top. The words beneath to the left read, in an all capital, large sans serif font: "STARRING: / THE ZARABANDA VARIATIONS / 08.31.2026." On the right, in smaller, all caps font: "TICKETS FROM $40. / DOORS AT 6:30 PM. / SHOW STARTS 7:30. / AT NATIONAL SAWDUST / 80 NORTH 6TH ST / BROOKLYN, NY 11249"
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Wesleyan University Press @weslpress.bsky.social · 21/08/2026
Lyn Hejinian's 2025 prose poem, Lola the Interpreter, which navigates fragments of experience and perception, was featured in the Colorado Review. Read more at the #linkinbio. #poetry #lynhejinian #coloradoreview
A white background with two light, grainy orange and yellow circles in the top right and bottom left corners, resembling colored spotlights. In a cursive, italicized font, are the words "Lola the Interpreter / Recent Review." The latter two words are in white font above a blood-orange highlight. Below, within a stamp graphic, are the words "Hejinian's final collection is a rigorous, playful, and meandering sequence of interwoven ruminations, narratives, and quotations, forming a textual collage that at once tantalizes and evades the reader. / —Connor Fisher, Colorado Review."
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Wesleyan University Press @weslpress.bsky.social · 21/08/2026
Dunya Habash just shared a powerful review of Shayna M. Silverstein's Fraught Balance in the Journal of Middle East Women's Studies. Read it now at the #linkinbio #dance #bookreview #syria
"A grainy light blue background. In a black sans serif text: ""Reading Shayna Silverstein's Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria in the weeks leading up to Syria's historic liberation on December 8, 2024—the day the Assad regime fell—was a profound experience... In the context of this recent political shift, Fraught Balance offers an essential reflection on the power of cultural embodiment in the face of state violence and political oppression. / —Dunya Habash in Journal of Middle East 
Women's Studies on Fraught Balance"""
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Wesleyan University Press @weslpress.bsky.social · 20/08/2026
Elliott Sharp was interviewed by Noah Kaplan in Journal SEAMUS: The Society for Electro-Acoustic Music in the United States, where they discussed Feedback, Elliott's recent opera Substance: The Infinite Spinoza, and more. Read it for free at the #linkinbio! #elliottsharp #journalseamus #music
A portrait of Elliott Sharp is in the center of the graphic. He is a bald man with an oval face, smiling slightly toward the viewer, wearing a black shirt. On the top and bottom of his image, in large, bold, orange letters, in all caps, are the words (with slashes indicating line breaks) "JOURNAL / SEAMUS." The top right corner, in small black text, reads "SPRING/FALL / 2026." In the same font, at the bottom left, are the bolded words "NEW INTERVIEW / WITH / ELLIOTT SHARP." Below, in smaller writing, are the words "Wesleyan University Press." To the right: "The Society for Electro-Acoustic Music in the United States."
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Wesleyan University Press @weslpress.bsky.social · 19/08/2026
Thembela Vokwana's review of The Land Is Sung appeared recently in the Journal of the International Library of African Music. Check it out now at the #linkinbio #ecomusicology #dance #soundstudies
A bright, technicolor background, tinted yellow, picturing a bright blue sky that fades from a deep, ocean blue at the top to a teal horizon. At the bottom is a flat field of yellow-green grass. In a yellow sans serif font is the text "I find this book user friendly at various levels of the tertiary education spectrum. Even non-specialists can have access to ideas and debates without much difficulty... The entanglement of sound studies, ecomusicology, musical performance and listening as constitutive of an all-inclusive ethnographic experience is relatively new to South African music research. I argue, it is through this interweaving of multiple disciplinary and theoretical trajectories that Pooley's text become more impactful." The words "—Thembela Vokwana, Journal of the International Library of African Music" are separated from the larger quote by a small sun graphic, with rays shooting from the middle circle.
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Wesleyan University Press @weslpress.bsky.social · 18/08/2026
Remixing Race, the first in-depth study of the South African carnival tradition of Kaapse klopse, was just reviewed in the Canadian Journal of African Studies! Read now at the #linkinbio. #performance #ethnography #nonfiction
"""Klopse is a practice that stubbornly refuses to be disciplined. Remixing Race embraces the art form's deurmekaar character to develop an engaging reflection on the politics of making meaningful lives under impossible circumstances.
Juliana M. Pistorius in the Canadian Journal of African Studies on Remixing Race after Apartheid"
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Wesleyan University Press @weslpress.bsky.social · 17/08/2026
Heather McHugh's most recent collection It Looks Like A Man just received a beautiful review by Lorna Knowles Blake in The Hudson Review! Read now at the #linkinbio #poetry #hudsonreview #chapbook
A grainy background of McHugh's It Looks Like A Man cover; only blue can be seen. On a flat piece of paper with a torn bottom edge are the words: "Approaching McHugh's poems can be like stepping through Alice's looking glass. The surface is seldom what it seems. The poet's penchant for puns, free association, made-up or deconstructed words, fragmented expressions, and anagrams keeps the reader off-kilter. Sometimes the surface inscrutability, wordplay and enigmatic turns of thought make the experience more like solving a cryptic puzzle. It is true that to engage with McHugh's poems is to make a date with surprise." — Lorna Knowles Blake, The Hudson Review. The author's name is in a gray-blue rectangle with round edges.
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Wesleyan University Press @weslpress.bsky.social · 11/08/2026
The wait is over—Pulitzer Prize-winning author Rae Armantrout's newest collection, Safe Rooms, is releasing today! Order your copy now at weslpress.org or your favorite bookstore near you! #bookrelease #raearmantrout #poetry #saferooms
The cover of Rae Armantrout's poetry collection, Safe Rooms, which features and an abstract window within a window within a window, sits above the words: "Safe Rooms Out Now. Get your copy at weslpress.org."Safe Rooms is open to page 6 on the poem "Blend":

Blend

A full-blown
salmon-colored
rose
at the end of its
long, thin stem
is the only lamp
this morning;
a blend
of anger and longing—
resentment—
having nowhere to go,
persists.
“Hitch your wagon
to a star,”
the man said.
Anything that burns.
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Wesleyan University Press @weslpress.bsky.social · 10/08/2026
Ann Cooper Albright, biographer of Simone Forti, was featured on BBC's obituary podcast "Last Word" to discuss the remarkable accomplishments and impacts Forti made throughout her life, along with insights of her personal life beyond the spotlight. Listen in now, with her segment beginning at 13:20.
bbc.com
BBC Audio | Last Word | Part-time punk turned professional provocateur - columnist Rod Liddle
Also, music manager Vicki Wickham, artist Simone Forti and director Justin Hardy.
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Wesleyan University Press @weslpress.bsky.social · 06/08/2026
At the Bread Loaf Writers' Conference, Camille T. Dungy will be delivering a lecture entitled "On Willa Cather: A Love Story," along with performing a reading alongside Elizabeth McCracken!
"The background of the graphic is a photo taken on a lovely summer day—the sky is blue, sprinkled near the horizon with fluffy clouds. There is a forest of trees in the distance, all radiantly green. The bottom third of the image is a field of manicured green grass, with a green path visible close to the forefront. Crossing the bottom is a small stone wall, with an open wooden turquoise gate. Next to either side of the gate, the stone walls are raised. Next to the rock walls, on the inside of the fenced-off area, are vibrant red roses. 
At the top of the graphic, in a pale yellow sans-serif font are the words (slashes used to indicate line breaks; all capitalized) ""BREAD / LOAF / WRITERS' / CONFERENCE."" Spaced below, in smaller, orange lettering, are the words ""Camille T. Dungy / 2026 Poetry Faculty."" Beside this is a photo of Dungy from the chest up, against a gray wall. She is turned to the right, giving a wide smile behind a pair of brown-purple glasses. Her hair, in dreads, falls on her shoulders. She wears a pinkish-red longsleeve top, and a gold neckace. 
There are two stickers at the bottom right corner, one in orange reading ""Celebrating / 100 years! / August 12-22, 2026 / Ripton, VT,"" and the other, smaller and above it to the right, is the minimalist logo of a lawn chair with the number 100 on it. "
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Wesleyan University Press @weslpress.bsky.social · 05/08/2026
Join the NHFPL for a special summer event with Elliott Sharp, a central figure in the avant-garde and experimental music scene of New York since the 1970s. Elliott will read from and discuss his new book Feedback, which deals with music, AI consciousness, the Improviser's Mind, and much more.
A black background, with faint, sketched music notes and bars. In a fun, white, funky font are the words in all caps (with slashes indicating line breaks) "ELLIOTT SHARP / AUTHOR TALK & PERFORMANCE." The subtitle is written in a white bordered text, transparent in the middle of each letter. Below in a polaroid picture frame is a portrait of Sharp, where the bald man smiles lightly at the camera wearing a button-down black shirt. He is against a filled, colorful bookself, and holds his handmade double neck guitar. The image is brown-toned. On the bottom of the polaroid is the capitalized, black word "FEEDBACK." Below, with a small location point, are the words in white font "IVES MAIN LIBRARY / 2:00 P.M. / 08.15.2026."
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Wesleyan University Press @weslpress.bsky.social · 04/08/2026
We were very sorry to hear the news of Paul Sanasardo's passing. Committed to breaking set ways of thinking about dance in relation to life, he created intense, often psychologically dark dances with his longtime artistic partner, Donya Feuer.
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Wesleyan University Press @weslpress.bsky.social · 04/08/2026
Thomas M. Pooley's The Land Is Sung was recently reviewed in Anthropos by Louise Meintjes! #ethnography #zulu #dance
"The background of the graphic is a crinkled piece of paper. At the top, in a funky black font, are the words (slashes to indicate line breaks): ""The Land is Sung: / Zulu Performances and / the Politics of Place."" The title is aligned to the right of the page, and the subtitle is aligned to the left. At the top right and bottom left of the words are two sets of quotation marks. 
Below, inside of an off-white rectangle with soft edges is an excerpt from the review, in black typeface font. It reads: ""Conducting and writing a multi-sited ethnography that is also reciprocal and dialogic is no easy task and Pooley has put much care into it. Dramatic moments are recounted with lively storytelling; that the land touches him is quietly conveyed; his methods, limitations, and ethical choices are explicitly presented, as are the profiles of his field relationships. This is a respectful text."" Below, centered at the bottom of the box, are the words ""Louise Meintjes, Anthropos"" with Anthropos being italicized. The bottom of the graphic has the words ""BOOK REVIEW"" in all caps and a large font, in a tall serif."
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Wesleyan University Press @weslpress.bsky.social · 03/08/2026
We are greatly saddened to hear about Simone Forti's recent passing. A groundbreaking improvisor, Simone dedicated her life to the art of dance, inspiring many through her unique intersections between visual art, political commentary, and powerful storytelling.
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Wesleyan University Press @weslpress.bsky.social · 03/08/2026
Rae Armantrout will be in conversation with John Beer, author of Lucinda, about her new collection, Safe Rooms, on August 17th at Powell's City of Books in Portland, OR! The event will take place at 7 p.m. and is free of charge. Read more about it at the #linkinbio.
A dark, grape-colored background. At the top, within a pale orange rule, are the capitalized words (with slashes indicating line breaks) "POWELL'S BOOKS / PRESENTS" in a tall white sans serif font. Below, in larger text, reads "RAE ARMANTROUT / WITH / JOHN BEER," where the word "with" is smaller between the two names. On the center left is the cover of Rae Armantrout's book Safe Rooms, with an oil painting by John Moore to the left. Below the painting is a a dark charcoal-colored rectangle with the text “safe rooms / rae armantrout”. Text all lowercase with safe rooms font color peach and rae armantrout font color teal. Oil painting depicts a glass block wall window. There is a rectangular cutout window on the upper left, cutting through the glass block wall. Looking through the cutout window reveals a secondary window frame and an interior room, which in turn looks out onto a distant city skyline under a soft sky. Aside this image is a black-and-white photograph of Armantrout, as she is appears to be speaking, looking to the left. She has white hair, wearing slightly shaded glasses, and a black collared shirt, unbuttoned at the very top. Below is a portrait of Beer, looking directly at the camera. He wears thin-rimmed glasses and is giving a slight smile; he has a long beard with variations in color. Beneath, separated by a peach colored line, are the capitalized words "POWELL'S CITY OF BOOKS / MONDAY, AUG 17 - 7 PM."
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Wesleyan University Press @weslpress.bsky.social · 30/07/2026
Congratulations to Juliana Spahr whose poetry collection, Ars Poeticas, won the 2026 American Book Award! 🎉🎉🎉 Learn more about the award and this year's winners on Before Columbus Foundation's website: www.beforecolumbusfoundation.com #americanbookawards #julianaspahr #arspoeticas #poetry
The cover of Juliana Spahr's Ars Poeticas is surrounded by the words, "Before Columbus Foundation 2026 American Book Award Winner."
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Wesleyan University Press @weslpress.bsky.social · 29/07/2026
Benjamin Barson's Brassroots Democracy recently received two glowing reviews in Jazz Perspectives and the Journal of American History! Read them in full at the #linkinbio. #brassrootsdemocracy #bookreview #jazz
A dark beige background picturing the shadow of a plant on a blank wall—leaves are visible, especially to the left side. The cover of Benjamin Barson's Brassroots Democracy is centered at the top of the graphic, picturing a semi-abstract painting of black, blue, yellow-orange, and light pink strokes. Black hands come down from the top, atop a yellow and pink circle resembling the sun. At the bottom of the image is a man with a farming tool in his hands, working at rows on the ground. In the top-center are the words "Brassroots Democracy" in a white serif font. Around this image is a white border with author Benjamin Barson's name in all caps in the top left corner, and at the bottom left is the subtitle, reading (with slashes indicating line breaks): "MAROON ECOLOGIES / AND THE JAZZ COMMONS." At the very bottom is a one-line review in blue serif font, reading "From now on, Brassroots Democracy should be our starting point. — Robin D. G. Kelley. 
Beneath the cover image, inside a thin, white border, reads (with slashes indicating line breaks): "New Praise / for / Brassroots Democracy." These words are in a white serif font, with "for Brassroots Democracy" being slightly smaller and italicized.A similar beige background with blurred shadows of plant leaves. A black, thick quotation mark sits at the top center of the image. Below, in a bolded black serif font centered on the page is a review excerpt, reading: "If the marks of a classic text are that it fundamentally changes our understanding of a particular subject and that it continues to do so with each rereading, then Benjamin Barson's Brassroots Democracy: Maroon Ecologies and the Jazz Commons is an instant classic and, I predict, will remain one in the years to come. The sheer range of the primary and secondary material covered, the social histories presented, the geographies traversed, the musical analyses offered, and the political interpretations suggested, all make it such. All this is to say that this review cannot pretend to capture the richness of Barson's work. One must experience it for oneself." At the bottom, in a thin font is a citation of the author and magazine, reading "— Chris McAuley, Jazz Perspectives"Another beige background of leaves casting their shadows on a blank wall, with a bold, black quotation mark in the top center. The excerpt of another review, in a bold, black serif font, reads: "In the same way we are trained to read sources against the grain, Brassroots Democracy should serve as a model for approaching music, and all cultural production, with a similar curiosity and care. As Barson demonstrates, music can reshape the world in ways that resonate through the past, present, and future." Beneath this, in a smaller thin font: "— Jessica Dauterive, Journal of American History"
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Wesleyan University Press @weslpress.bsky.social · 29/07/2026
Susan Blumberg-Kason reviewed Rachel Tzvia Back's The Dark-Robed Mother in World Literature Today. Read her full piece at the #linkinbio! #poetry #memoir #bookreview
"A light gray-beige background. In small black font at the top-center are the words ""Wesleyan University Press."" In the center left of the page is the cover of Rachel Tzvia Back's The Dark-Robed Mother, which pictures a dark image of a pile of small rocks atop green grass; the background fades into hills and a forest of dark trees blurred and foggy, The author's name is in the top right corner in a green serif font, and the title is in the center-left in a pale pink color. Beneath are the words ""A MEMOIR"" in all caps. Next to the image is an excerpt of the review, reading ""As a memoirist, Back shows a different way to tell a personal story. Her inclusion of her cairns, poetry, and Greek mythology works well and enhances an already layered family story. Depression as a book topic can seem scary, but Back writes about it in an empathetic and relatable way. Her memoir serves as a testament to the strength of motherhood and the destigmatizing of depression and other mental illness.""
Three brown dots are separating the image and excerpt from a gray-brown toned rectangle, boxing in the words ""by Susan Blumberg-Kason on The Dark Robed Mother in World Literature Today,"" written in a round, black font."
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Wesleyan University Press @weslpress.bsky.social · 23/07/2026
In our Wesleyan Poetry series, we are excited to release the covers of new collections coming in Spring 2027 by Mary Leauna Christensen, A. B. Spellman, and Abigail Dembo; The Selected Poems of Barbara Guest; and a chapbook by Edgar Garcia. Learn more at weslpress.org. #poetry #spring2027
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Wesleyan University Press @weslpress.bsky.social · 22/07/2026
Wesleyan University Press, in partnership with the Center for the Study of Guns and Society at Wesleyan University, is proud to present Sight Lines, made to publish important writing on guns and society. The series will focus on short, energetic monographs to reach readers with accessible arguments.
Sight Lines logo. Words: A new book series devoted to vital scholarship on the significance of firearms in society, past and present. Published in partnership with the Center for the Study of Guns and Society at Wesleyan University and Wesleyan University Press.
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Wesleyan University Press @weslpress.bsky.social · 21/07/2026
Releasing on June 15th, 2027 in our Dance series is Bittersweet: A Queer Black World in the Dances and Films of David Roussève and the REALITY Dance Company! Pre-order is available now at weslpress.org. #dance #choreography
"The cover of Bittersweet: A Queer Black World in the Dances and Films of David Roussève and the REALITY Dance Company, by Alessandra Lebea Williams. It is a black and white photograph with a stark black background, featuring a Black person dancing, raising their arms with an expression that resembles a scream. Their ribs show through their chest, and their clothes are on the ground, pants still around their ankles. The spotlight shines down on them, being the only source of light in the image. A graphic that looks like a used binder, full of paper that has begun to yellow. 
Words: 
Top right corner: Alessandra Williams, 06/15/2026
Center: 
Description
In this first book-length investigation of choreographer David Roussève and his REALITY dance company, Alessandra Williams theorizes his evening-length choreographies and dance-films as crafting a gay black man's experiences of sexuality, race, gender, illness, and ethnicity beyond the binary of historical traumas versus everyday joys. Williams persuades readers to envision how Roussève reinterprets his personal journey to establish "bittersweet" intersections across difference, such as his choreographic attention to his queer black story of HIV and AIDS alongside the memories of his Creole sharecropper family members in Louisiana. Rooted in dance, gender, and sexuality studies, this book mobilizes ideas regarding the position of queer performance as "black dance" and the role of African American postmodern choreography in narrating experiences of globalization. It further examines the place of multicultural dancing bodies in expressing the intersectional layers of a queer black story and its relation to other livelihoods, especially women of color.
Bittersweet renews attention to scholarship on queer embodiment and African American contributions to U.S. culture through such dance analyses as Roussève's reinvention of his biography and familial stories of the American South, his film of an Indonesian woman's diasporic journey, and his choreographic reimagining of Billy Strayhorn's queer artistic life.
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Wesleyan University Press @weslpress.bsky.social · 20/07/2026
Start getting excited for our upcoming Fall 2026 releases, featuring brand-new releases, revised editions, and our highly anticipated Ibis Edition launch! All books are available to pre-order or research further at weslpress.org. #newbooks #fall2026 #ibiseditions #forthcoming
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Wesleyan University Press @weslpress.bsky.social · 20/07/2026
Our first Spring '27 cover reveal: Marianna Ritchey's Academic Practice for the End of the World! Her newest book, which is a deep and hopeful critique of, and from within, musicology, will be the latest addition to our Music/Culture series. Pre-order is available now!
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Wesleyan University Press @weslpress.bsky.social · 16/07/2026
Nine of Rae Armantrout's poems have recently appeared in Poetry Magazine, The Atlantic, and Granta, ahead of the release of her newest collection, Safe Rooms. Pre-order is available now at weslpress.org. #poetry #writing #newbook #raearmantrout
"A black and white image of Rae Armantrout with a windy graphic with roses and vines in the top left corner. Text: Poems by Rae Armantrout have recently appeared in...""
A little black bird sits at the bottom right corner, and above it is a curling white arrow prompting a swipe to the right.Text boxes: 
""A room is like a mind, but whose? A poem by Rae Armantrout,"" published in the Atlantic
From top to bottom: ""Settlers; Supervision; Apocrypha; Then Again, by Rae Armantrout"" published in Poetry Magazine
In Granta, ""Four Poems: Rae Armantrout."" 
The dark green background is fenced in by more swirly, nature-inspired lineart.
Text: Her upcoming collection, Safe Rooms, is available to pre-order on weslpress.org.
Graphics (circling from top left to bottom left): All are black line art. A bell hanging  from metal. A Flowery corner. A typewriter. Another flowery graphic, but slightly more defined."
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Wesleyan University Press @weslpress.bsky.social · 15/07/2026
Huge congrats to Sage Ni'Ja Whitson whose Transtraterrestrial: Dark Matter and Black Divinities made DSA's 2026 de la Torre Bueno®, First Book Award Shortlist! #dance #bookaward
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Wesleyan University Press @weslpress.bsky.social · 14/07/2026
Happy 80th birthday, Pierre Joris! 🎂 Celebrate Joris's work and his legacy by reading Poasis II: Selected Poems 2000–2024 or In Between Keep Moving: A Pierre Joris Reader, or by visiting his exhibition at Poets House which will run for the next three months.
"The words ""Remembering Pierre Joris on his 80th birthday."" Minimalist graphics of a book and a cake with a candle.The cover of Pierre Joris's Poasis II.The cover of ""In Between Keep Moving: A Pierre Joris Reader""
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Wesleyan University Press @weslpress.bsky.social · 10/07/2026
Join Liz Lerman at Politics and Prose at Union Market for a conversation, Q&A, and signing with Diana Ayton-Shenker! The two are excited to trace Lerman's most recent work, Shape and Momentum, and to discuss the aliveness of the space between ""shape"" and ""momentum."
"Liz Lerman with Diana Ayton-Shenker
Celebrate Shape and Momentum: An Insomniac's Guide for a World in Constant Motion
7/11, 6pm. Politics and Prose at Union Market
Conversation and Q&A followd by a signing"
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Wesleyan University Press @weslpress.bsky.social · 08/07/2026
Join us in celebrating the opening of Pierre Joris’s Notebooks exhibition, featuring remarks along with readings of Pierre’s poetry from fellow poets and translators. The occasion is especially meaningful, as it falls on Pierre’s birthday and honors his enduring legacy following his passing in 2025.
"Text reads (from top to bottom):
10 River Terrace, NYC
Celebrating Pierre Joris
The opening of Pierre Joris's Notebooks exhibition, featuring readings and remarks
7-9pm in person or zoom
Poets House NYC"
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Wesleyan University Press @weslpress.bsky.social · 06/07/2026
RO Kwon gave a shoutout to The Hell of That Star by Kim Hyesoon, translated by Cindy Juyoung Ok, in Maris Kreizman's Literary Hub article, ""40 Great New Books You May Have Missed!"" Check it out now at the #linkinbio. #poetry #translation #lithub
"The words ""A book I've particularly admired is a recent edition of poetry by Kim Hyesoon, a wonderfully feminist and preeminent poet: The Hell of That Star, translated from the Korean by Cindy Juyoung Ok. Ro Kwon, author of Exhibit and the Incendiaries""
The text is on a beige paper square, with crumpled bits of newspaper in the background. "
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Wesleyan University Press @weslpress.bsky.social · 22/06/2026
Annie Wenstrup has been longlisted for The 2026 Jerwood Prize for Best First Collection! The Forward Prizes will be announcing their shortlists in mid-July — in the meantime, all of our congratulations to Annie! 🥳 #poetry #forwardprizes #firstcollection
A gradient background, going from an ocean blue to a much darker blue. In a thin white box are the words "Longlist for the 2026 Forward Prizes for Poetry"Atop the same gradient background is the cover of Annie Wenstrup's The Museum of Unnatural Histories. The blue gradient background with a thin white lined box. In the rightmost corner are the words "2026 Jerwood Prize for Best First Collection Longlist." Beside it are the names and presses of the longlisted authors. 

Dean Browne - Pickador
Poppy Cockburn - If a Leaf Falls Press
Breige Duffaud - Tuba Press
Sophia Dumont - Corsair
Roshni Gallagher - Bloodaxe Books 
Cathy Galvin - Bloodaxe Books
Jake Wild Hall - Broken Sleep Books
Roma Havers - Carcanet Press
Matt Haw - Shearsman Books
Dillon Jaxx - Nine Arches Press
Jennifer Lee Tsai - Bloodaxe Books
Natalie Linh Boldorston - Liverpool University Press
Simon Maddrell - Out-Spoken Press
Shauna M. Morgan - Peepal Tree Press
Catherine Redford - The Emma Press
Sarah Stewart - Tapsalteerie
Ellora Sutton - VERVE Poetry Press
Nur Turkmani - Hajar Press
Annie Wenstrup - the87press
Sarah Wedderburn - Green Bottle Press
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Wesleyan University Press @weslpress.bsky.social · 16/06/2026
On June 22nd at 2:00 p.m. PDT, Camille Dungy will be interviewed by Lynne Thompson. Keep an eye out for the video, which will be posted to Poetry.LA's website and YouTube channel! #poetry #interview #books
A black, starry background. In the center is a photo of Camille T. Dungy, who is smiling past the camera to the right, wearing dark red glasses and a red shirt against a white background. Her dark hair lays over her shoulders, and she dons a gold necklace. Next to this is the cover of her book: a starry background with the words "Camille T. Dungy. America, A Love Story in yellow lettering. Mimicking this is the text on the post, using the same muted yellow and "Camille T. Dungy" in a brighter yellow. Words: An Interview with Camille T. Dungy. June 22nd, 2pm, Hosted by Poetry LA, with Lynne Thompson
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Wesleyan University Press @weslpress.bsky.social · 15/06/2026
Ed Roberson will receive the Chicago Literary Hall of Fame’s Fuller Award for his lifetime achievements in writing this Thursday! The event is free of charge, and will be hosted at the Poetry Foundation. Register for this celebration at the #linkinbio! 🥳💫 (Artwork by Faisal Mohyuddin) #poetry #art
Black and white illustrated poster featuring the Fuller Award for Lifetime Achievement. The center prominently displays the name Ed Roberson. Surrounding the text are intricate decorative patterns, with mentions of the Chicago Literary Hall of Fame, Poetry Foundation, Columbia College Chicago, Guild Literary Complex, American Writers Museum, and Northwestern University. June 18, 2026, at the Poetry Foundation in Chicago.
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Wesleyan University Press @weslpress.bsky.social · 11/06/2026
Rizzoli Bookstore in NYC will be hosting a book launch and celebration for Liz Lerman Projects's Shape and Momentum on June 25 at 6 pm! She will be in conversation with Wendy Perron, which will be followed by a signing. #dance #choreography #booklaunch
The words "Shape and Momentum: An Insomniac's Guide for a World in Constant Motion, by Liz Lerman with Wendy Perron" are a sky-blue shade on a green background. 

The cover of Lerman's book is in the bottom left. It is dark and light blue, with the focus centered on a single dancer wearing purple leggings, a tight shirt, and a sheer, flowing white top above it. Next to it, on the right, are portraits of Lerman and Perron.
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Wesleyan University Press @weslpress.bsky.social · 10/06/2026
Elias Eells from Bar Cart Bookshelf just released an episode of Cocktail Recipe & Book Review on Samuel R. Delany's Tales of Nevèrÿon! His commentary, along with a delicious drink recipe, is available to watch on Youtube. #linkinbio 🥂 #bookreview #drinks #youtube
The cover of Samuel R. Delany's Tales of Nevèrÿon. The text is a reflective gold, and a sliver of the rightmost side pictures a body of water with a mountain behind it. The sun is setting, and the sky and reflection on the water is a soft pink. 
this image sits atop an off-white background with two blurred circles—on the top left is a dark, muted purple, and the bottom right circle is a dark green-blue with pink at the bottom. 
text: Cocktail Recipe and Book Review.A recipe for a mixed drink inspired by the book. At the bottom of the graphic are an old-fashioned glass containing an orange drink, and "cheers" written in orange.
Text: Kolhari by Elias Eels. 1.25 oz. aged rum; .75 oz. lime juice; .5 oz. red wine syrup; .5 oz. velvet falernum; 2-4 dashes aromatic bitters. Rim the edge of an old fashioned glass with kosher salt. Add remaining ingredients to your cocktail shaker, then ice. Shake for 15 seconds and strain into the prepared glass. Top with fresh crushed ice... and enjoy!
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Wesleyan University Press @weslpress.bsky.social · 08/06/2026
Carol Ann Davis, author of Songbird, will be joining Susan Lewis for a reading at Grolier Poetry Book Shop in Cambridge, MA on June 18 at 7 pm EDT. Sign up now at the #linkinbio to hear the reading either in person or virtually—seats are limited, so secure your spot now! 📖 #reading #poetry
A pure white background. Two images of the authors are side-by-side towards the bottom left of the post. 
Words: Grolier Poetry Book Shop presents Carol Ann Davis and Susan Lewis. June 18, 2026. 7pm
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