She has become the world’s most unknown famous artist.

“You just have to pay attention to how you put things together,” the artist told Hyperallergic shortly before her death. “They’ll tell you if they fit.

Working with dolls, family photographs, fabric scraps and other found objects, she became a leading figure in assemblage art.

‘Times are very bad for the book industry'

As Betye Saar turns 100, she's more interested in creating new work than reflecting on her legacy as one of America's most groundbreaking artists.

A new reading of the life and work of Beuys is no hagiography, seeing Beuys as someone who was fiercely determined and created myths about himself

A new show at Roberts Projects lets us in on a different but equally foundational branch of Saar’s story: her costume design work.

Housed in a former slaughterhouse, the new Mattatoio arts complex hints at the site’s industrial past and has grand plans for the future, writes Catherine Bennett

"Trees of Great Britain and Ireland" offers a handsome insight into early 20th-century botanical photography

YouTube video by Gagosian

Packed with frescoes, paintings and reliefs, the federal government’s Cohen Building has been called “the Sistine Chapel of the New Deal.” Advocates fear these works could be at risk.

“You can’t think your way through a painting,” the artist said during our conversation at his home studio in the Catskills. “You can only act, mark, or feel your way through.”

Decades after a brazen art theft drove Merry White’s father to despair, federal agents closed in on one last missing work. For White, the search is personal.

A Kerry James Marshall retrospective traveling across Europe reveals the extraordinary power of his art.

The Whitney Museum of American Art’s ambitious effort to rewrite art history is largely a grab bag of disparate stuff.

The painter abandoned his father's corn business to pursue his artistic training – but it was his real agricultural knowledge that set him apart from his contemporaries

Critic Diedrich Diederichsen on political repression and precarity in the arts sector.