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Peter Walsh

@walshpeter.bsky.social
362 followers 267 following 235 posts

Artist based in Brooklyn, New York, USA.

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Reposted by Peter Walsh
Alt National Park Service @altnps.bsky.social · 23/01/2026
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Peter Walsh @walshpeter.bsky.social · 08/12/2025
Year-End Sale! 25% off a carefully curated selection of 28 favorite paintings that never made it out of the studio. Buy now and I can get it to you in time for the holidays. www.peterwalshprojects.us/shop/year-en... or go to my website shop through the link in the bio.
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Peter Walsh @walshpeter.bsky.social · 07/12/2025
Sold! A small gem riffing on Goya etchings - and Carl Sagan, too. "Star-Stuff,” 2025, Oil, Acrylic and Spray Paint on Panel, 14 by 11 inches.
"Star-Stuff,” 2025, Oil, Acrylic and Spray Paint on Panel, 14 by 11 inches."Star-Stuff,” 2025, Oil, Acrylic and Spray Paint on Panel, 14 by 11 inches."Star-Stuff,” 2025, Oil, Acrylic and Spray Paint on Panel, 14 by 11 inches."Star-Stuff,” 2025, Oil, Acrylic and Spray Paint on Panel, 14 by 11 inches.
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Peter Walsh @walshpeter.bsky.social · 17/11/2025
This is the last week to see my show! I will be on site Tue, Nov 18, 2-5pm and Fri, Nov 21, 2-5pm. Come talk to me! Gallery Hours: Monday Friday, 10-5pm The Yard LES is at 85 Delancey Street in Manhattan. Ring the buzzer to enter. An elevator is available to those who would like to use it.
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Peter Walsh @walshpeter.bsky.social · 14/11/2025
Also great to reconnect with Elizabeth Stuelke at my painting show. Thanks for dropping by Elizabeth! She was in town to show her new film “The Day Elvis Died” at @bigapplefilmfestival here in NYC. Congrats, Elizabeth! We go way back to the days of LINK magazine in Baltimore in the 1990s.
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Peter Walsh @walshpeter.bsky.social · 14/11/2025
Great connecting with Hope Ginsburg to visit each other’s shows, just a few blocks apart! Hope’s talk with fellow artist Goldie Poblador at 601 Gallery was excellent. Handmade scents, underwater meditation, sea sponges, decolonization, the Philippines, glasswork, the Bay of Fundy, and more.
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Peter Walsh @walshpeter.bsky.social · 12/11/2025
Some thought about my recent paintings.
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Peter Walsh @walshpeter.bsky.social · 08/11/2025
I’ve been really enjoying giving tours of my exhibition, including to my Mom and artist Christopher Varmus! Lots of folks have dropped by but I don’t always remember to get a picture. I will be on site Tuesday, November 11, 2-5pm and Friday, November 14, 2-5pm. Come talk to me!
Artist Peter Walsh with Grace Walsh.Artists Peter Walsh and Christophet Varmus.Art exhibition view.
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Peter Walsh @walshpeter.bsky.social · 05/11/2025
My show has been extended till November 22nd! I’ll be posting hours each week when I will be at the gallery. First up - this Friday, November 7, 2-5pm. The Yard LES 85 Delancey Street on the Lower East Side. Ring the buzzer for access. Gallery Hours: Mon Fri, 10-5pm or dm at walshpeter@mac.com.
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Peter Walsh @walshpeter.bsky.social · 26/10/2025
Great discussions at the artists talk at MijaWorksNY in Williamsburg for the show “Femm Holy Waves.” Works by Emily Wisniewski, Elizabeth Condon, Vandana Jain, Rachel Kahn and Mija Jung. Visiting hours Tuesday-Thursday 12pm-6pm through November 13. 29 Montrose Avenue, Brooklyn, NY.
Great discussions at the artists talk at MijaWorksNY in Williamsburg for the show “Femm Holy Waves.” Works by Emily Wisniewski, Elizabeth Condon, Vandana Jain, Rachel Kahn and Mija Jung. Visiting hours Tuesday-Thursday 12pm-6pm through November 13. 29 Montrose Avenue, Brooklyn, NY.Art by Mija Jung and Elizabeth Condon.Great discussions at the artists talk at MijaWorksNY in Williamsburg for the show “Femm Holy Waves.” Works by Emily Wisniewski, Elizabeth Condon, Vandana Jain, Rachel Kahn and Mija Jung. Visiting hours Tuesday-Thursday 12pm-6pm through November 13. 29 Montrose Avenue, Brooklyn, NY.Painting by Elizabeth Condon.
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Peter Walsh @walshpeter.bsky.social · 23/10/2025
Made it to Ben Shahn's retrospective exhibit "On Non-Conformity" at the Jewish Museum in NYC. Very timely. And well-curated with historical documents, printed materials and some of his reference images. Closes Sunday, October 26. There's a book if you miss the show.
Made it to Ben Shahn's retrospective exhibit "On Non-Conformity" at the Jewish Museum in NYC. Very timely. And well-curated with historical documents, printed materials and some of his reference images. Closes Sunday, October 26. There's a book if you miss the show.

"The Passion of Sacco and Vanzetti," 1931-1932.
Made it to Ben Shahn's retrospective exhibit "On Non-Conformity" at the Jewish Museum in NYC. Very timely. And well-curated with historical documents, printed materials and some of his reference images. Closes Sunday, October 26. There's a book if you miss the show.

"East Side Soap Box," 1936.
Made it to Ben Shahn's retrospective exhibit "On Non-Conformity" at the Jewish Museum in NYC. Very timely. And well-curated with historical documents, printed materials and some of his reference images. Closes Sunday, October 26. There's a book if you miss the show.

Copy of Art Front magazine, published by the Artists' Union, with image by Shahn, 1934.
Made it to Ben Shahn's retrospective exhibit "On Non-Conformity" at the Jewish Museum in NYC. Very timely. And well-curated with historical documents, printed materials and some of his reference images. Closes Sunday, October 26. There's a book if you miss the show.

CIO voting poster.
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Peter Walsh @walshpeter.bsky.social · 20/10/2025
Lots of great conversations but but too busy chatting to take photos this time around! #sunsetparkopenstudios
Thanks for coming to my Open Studio. Lots of great conversations but but too busy chatting to take photos this time around! #sunsetparkopenstudios
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Peter Walsh @walshpeter.bsky.social · 18/10/2025
No Kings! Times Square, October 18, 2025. Start of the march.
Image of No Kings protest in Times Square, October 18, 2025.Image of No Kings protest in Times Square, October 18, 2025.Image of No Kings protest in Times Square, October 18, 2025.Image of No Kings protest in Times Square, October 18, 2025.
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Peter Walsh @walshpeter.bsky.social · 18/10/2025
Making signs!
Protest sign - my grandpa fought the Nazis in WWII so I wouldn't have to.Protest sign - Democracies don't fear protests... dictators do!
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Peter Walsh @walshpeter.bsky.social · 12/10/2025
Great to meet @david.willburn and @steven_cabral36 in-person at their new exhibits at @thepaintingcenter last Thur night. Congrats! But I didn’t take enough pictures. Go see the shows. That's David in the first 2 pics and Steven's work in the other 2.
David Willburn painting.David Willburn with paintings.Steven Cabral painting.Steven Cabral painting.
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Peter Walsh @walshpeter.bsky.social · 12/10/2025
If you’re coming to see the exhibition “Dataset Hallucinations” at IFAC Arts at The Yard LES, don’t forget that the show is on both the 2nd and 3rd Floors! Artist Peter Walsh will be on site this Tue, Oct 14, 2-5pm. 85 Delancey St in Manhattan. Hours: Mon-Fri, 10am-5pm or DM for an appointment.
Installation shot of paintings at the exhibition “Dataset Hallucinations” at IFAC Arts at The Yard LES.Installation shot of paintings at the exhibition “Dataset Hallucinations” at IFAC Arts at The Yard LES.Installation shot of paintings at the exhibition “Dataset Hallucinations” at IFAC Arts at The Yard LES.
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Peter Walsh @walshpeter.bsky.social · 12/10/2025
Friese Undine’s new exhibition is slyly, hysterically, funny. Cults of historical re-enactors, cannibals and naturists nostalgically jostle elbows with historical figures who may be different than we expect. At @thomasvandykegallery, Sunset Park Brooklyn, 434 39th Street, Thu-Sun, 1-6pm. Thru Nov. 7
 “Boy with his own Attila the Hun”"One of the Emperors Diocletian with His Cabbages”“A Crimean War Protagonist with his Son” Selection of Portraits of Cannibals
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Peter Walsh @walshpeter.bsky.social · 06/10/2025
Come see the IFAC Arts exhibition "Dataset Hallucinations" and meet the artist at The Yard Lower East Side. Artist Peter Walsh will be in the gallery this week: Tuesday, October 7, 2-5pm, and Friday, October 10, 2-5pm The Yard, LES 2nd & 3rd floors, 85 Delancey Street, NYC.
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Peter Walsh @walshpeter.bsky.social · 01/10/2025
Meet the Artist: Peter Walsh During October, artist Peter Walsh will be in the gallery for select hours each week. Come see his IFAC Arts show "Dataset Hallucinations" at The Yard LES. Schedule: Fri, Oct 3, 2-5pm Tue, Oct 7, 2-5pm Fri, Oct 10, 2-5pm The Yard LES is at 85 Delancey St in NYC.
Artist Peter Walsh holding paint brushes in front of a large painting.
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Peter Walsh @walshpeter.bsky.social · 25/09/2025
Famously, AI systems crunch text and images based on the datasets that humans feed them. To create this work, rather than using AI, I fed myself a dataset of images of dead men in iconic European paintings. The naked and clothed male body is a complicated signifier. The images carry the content.
“Dataset: Five Dead Men Painted by Five Dead European Men (Holbein, Daumier, Gericault, Manet, Delacroix),” Peter Walsh, Oil and Spraypaint on Canvas, 48 inches by 60 inches, 2025.Studio view, “Dataset: Five Dead Men Painted by Five Dead European Men (Holbein, Daumier, Gericault, Manet, Delacroix),” Peter Walsh, Oil and Spraypaint on Canvas, 48 inches by 60 inches, 2025.Detail of “The Body of the Dead Christ in the Tomb,” Hans Holbein the Younger, circa 1522.Detail of “Dataset: Five Dead Men…”
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Peter Walsh @walshpeter.bsky.social · 22/09/2025
I’m loving this beautiful zine put out by @worcesterportraitexchange from their recent event at JMAC in MA. Exchanging portraits seems to hold out the possibility of a utopian solution to the fraught ethics of visual representation. It’s not a perfect form, but it is so inspiring. Excellent!
Portraits in a zine. I’m loving this beautiful zine put out by @worcesterportraitexchange from their recent event at the Jean McDonough Arts Center (JMAC) in Worcester, Massachusetts. As I’ve been thinking about facial recognition systems and all the complexity of representing other people in their uniqueness, the form of exchanging portraits in a consensual hand-drawn human process still seems to hold out the possibility of a utopian solution to some of the power relationships that are a fraught part of visual representation. It’s not a perfect form, but it is so inspiring. Excellent!

Kudos to the event hosts: Greg Hamilton, Meg Price, Matthew Burgos and Sarah Tompkins.Portraits in a zine. I’m loving this beautiful zine put out by @worcesterportraitexchange from their recent event at the Jean McDonough Arts Center (JMAC) in Worcester, Massachusetts. As I’ve been thinking about facial recognition systems and all the complexity of representing other people in their uniqueness, the form of exchanging portraits in a consensual hand-drawn human process still seems to hold out the possibility of a utopian solution to some of the power relationships that are a fraught part of visual representation. It’s not a perfect form, but it is so inspiring. Excellent!

Kudos to the event hosts: Greg Hamilton, Meg Price, Matthew Burgos and Sarah Tompkins.Portraits in a zine. I’m loving this beautiful zine put out by @worcesterportraitexchange from their recent event at the Jean McDonough Arts Center (JMAC) in Worcester, Massachusetts. As I’ve been thinking about facial recognition systems and all the complexity of representing other people in their uniqueness, the form of exchanging portraits in a consensual hand-drawn human process still seems to hold out the possibility of a utopian solution to some of the power relationships that are a fraught part of visual representation. It’s not a perfect form, but it is so inspiring. Excellent!

Kudos to the event hosts: Greg Hamilton, Meg Price, Matthew Burgos and Sarah Tompkins.Portraits in a zine. I’m loving this beautiful zine put out by @worcesterportraitexchange from their recent event at the Jean McDonough Arts Center (JMAC) in Worcester, Massachusetts. As I’ve been thinking about facial recognition systems and all the complexity of representing other people in their uniqueness, the form of exchanging portraits in a consensual hand-drawn human process still seems to hold out the possibility of a utopian solution to some of the power relationships that are a fraught part of visual representation. It’s not a perfect form, but it is so inspiring. Excellent!

Kudos to the event hosts: Greg Hamilton, Meg Price, Matthew Burgos and Sarah Tompkins.
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Peter Walsh @walshpeter.bsky.social · 20/09/2025
Thanks to everyone for coming out to the opening last night! Here’s a first batch of photos. Special thanks to Chris Quirk for these images. "Dataset Hallucinations," 15 paintings, IFAC Arts at The Yard, 85 Delancey Street. M-F, 10-5 or DM to schedule a meet.
Photo of people at an art opening. Thanks to everyone for coming out to the opening last night! Here’s a first batch of photos. Special thanks to Chris Quirk for these images.

Fifteen paintings now on view at my two-floor solo exhibition "Dataset Hallucinations," with IFAC Arts and hosted at The Yard Lower East Side. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan. An elevator is available to those who would like to use it. The space is conveniently located on the south side of Delancey Street between the new Essex Street Market and the Tenement Museum.

Gallery Hours: Monday-Friday, 10am-5pm or DM me for an appointment.Photo of people at an art opening. Thanks to everyone for coming out to the opening last night! Here’s a first batch of photos. Special thanks to Chris Quirk for these images.

Fifteen paintings now on view at my two-floor solo exhibition "Dataset Hallucinations," with IFAC Arts and hosted at The Yard Lower East Side. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan. An elevator is available to those who would like to use it. The space is conveniently located on the south side of Delancey Street between the new Essex Street Market and the Tenement Museum.

Gallery Hours: Monday-Friday, 10am-5pm or DM me for an appointment. Photo of people at an art opening. Thanks to everyone for coming out to the opening last night! Here’s a first batch of photos. Special thanks to Chris Quirk for these images.

Fifteen paintings now on view at my two-floor solo exhibition "Dataset Hallucinations," with IFAC Arts and hosted at The Yard Lower East Side. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan. An elevator is available to those who would like to use it. The space is conveniently located on the south side of Delancey Street between the new Essex Street Market and the Tenement Museum.

Gallery Hours: Monday-Friday, 10am-5pm or DM me for an appointment.Photo of people at an art opening. Thanks to everyone for coming out to the opening last night! Here’s a first batch of photos. Special thanks to Chris Quirk for these images.

Fifteen paintings now on view at my two-floor solo exhibition "Dataset Hallucinations," with IFAC Arts and hosted at The Yard Lower East Side. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan. An elevator is available to those who would like to use it. The space is conveniently located on the south side of Delancey Street between the new Essex Street Market and the Tenement Museum.

Gallery Hours: Monday-Friday, 10am-5pm or DM me for an appointment.
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Peter Walsh @walshpeter.bsky.social · 18/09/2025
JOIN US! THURSDAY, 9/18, for the opening reception of PETER WALSH - DATASET HALLUCINATIONS: PAINTING PERCEPTION IN THE AI AGE! Opening Reception: Thursday, September 18, 6-8pm. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan.
JOIN US! THURSDAY, 9/18, for the opening reception of PETER WALSH - DATASET HALLUCINATIONS: PAINTING PERCEPTION IN THE AI AGE!

Opening Reception: Thursday, September 18, 6-8pm. 

The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan.
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Peter Walsh @walshpeter.bsky.social · 17/09/2025
Facial recognition systems use different math techniques but an interesting one, visually speaking, is Eigenfaces, first used by computer scientists in 1991 to classify faces by using a system of vector math that reduced differences in facial characteristics to allow for quicker processing.
“Triptych: Facial Hallucinations,” Peter Walsh, Oil and Spray Paint on Canvas, 34 inches by 30 inches, 2024. An example of four Eigenfaces, statistical models used by facial recognition systems to speed the identification of individual faces by using vector-based algorithms to reduce the complexity of the number crunching and increase the speed of processing (images from AT&T Laboratories Cambridge).
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Peter Walsh @walshpeter.bsky.social · 12/09/2025
For fifteen years, as I’ve commuted to work and lived my life, I’ve gone down into my subway stop in Brooklyn and come back up latet. This is a portrait of the cameras that watch me. I see them, and they see me. Somewhere there are people watching. Somewhere there is an archive of my travels.
Colorful painting of surveillance cameras.

Now on view, with fourteen other paintings, at my solo exhibition "Dataset Hallucinations," with IFAC Arts and hosted at The Yard Lower East Side. Come see the work at next week’s opening reception: Thursday, September 18, 6-8pm. The Yard LES is on the second and third floors at 85 Delancey Street on the Lower East Side in Manhattan. An elevator is available to those who would like to use it. The space is conveniently located on the south side of Delancey Street between the new Essex Street Market and the Tenement Museum.
Gallery Hours: Monday-Friday, 10am-5pm or by appointment.

“Cameras at the Corner of Church Avenue and MacDonald Avenue, Brooklyn, New York, 2024,”
Oil and Spray Paint on Canvas, 60 inches x 48 inches, 2024.
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Peter Walsh @walshpeter.bsky.social · 02/09/2025
Artsy Announcement. “Dataset Hallucinations” opens at the International Fine Arts Consortium (IFAC) at the Yard on Thursday, September 18th, 85 Delancey Street on the LES in NYC. Shop on Artsy.
“Dataset Hallucinations” opens at the International Fine Arts Consortium (IFAC) at the Yard on Thursday, September 18th, 85 Delancey Street on the LES in NYC. “Dataset Hallucinations” opens at the International Fine Arts Consortium (IFAC) at the Yard on Thursday, September 18th, 85 Delancey Street on the LES in NYC. Colorful painting. “Dataset Hallucinations” opens at the International Fine Arts Consortium (IFAC) at the Yard opens on Thursday, September 18th, 85 Delancey Street on the LES in NYC.
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Peter Walsh @walshpeter.bsky.social · 01/09/2025
Paintings are up! Many thanks again to Brian Leo for being the install expert for the show. “Dataset Hallucinations” opens at the International Fine Arts Consortium (IFAC) at the Yard opens on Thursday, September 18th, 85 Delancey Street on the LES in NYC. Making progress.
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Peter Walsh @walshpeter.bsky.social · 24/08/2025
Fifteen paintings picked up and delivered! Making progress. My show with the International Fine Arts Consortium (IFAC) at the Yard opens on Thursday, September 18th, 85 Delancey Street on the LES in NYC. More to come soon! Special thanks to Brian Leo for organizing this move and driving the van.
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Peter Walsh @walshpeter.bsky.social · 14/08/2025
Packing up the paintings for a solo show with the International Fine Arts Consortium at The Yard, 85 Delancey Street, Lower East Side, NYC. The opening is Thursday, September 18 at 6pm, so save the date. More info to follow!
Packing up the paintings for a solo show with the International Fine Arts Consortium at The Yard, 88 Delancey Street, Lower East Side, NYC. The opening is Thursday, September 18 at 6pm, so save the date. More info to follow!Packing up the paintings for a solo show with the International Fine Arts Consortium at The Yard, 88 Delancey Street, Lower East Side, NYC. The opening is Thursday, September 18 at 6pm, so save the date. More info to follow!Packing up the paintings for a solo show with the International Fine Arts Consortium at The Yard, 88 Delancey Street, Lower East Side, NYC. The opening is Thursday, September 18 at 6pm, so save the date. More info to follow!Packing up the paintings for a solo show with the International Fine Arts Consortium at The Yard, 88 Delancey Street, Lower East Side, NYC. The opening is Thursday, September 18 at 6pm, so save the date. More info to follow!
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Peter Walsh @walshpeter.bsky.social · 27/07/2025
I just reread Hito Steyerl’s 2017 “Duty Free Art: Art in the Age of Planetary Civil War.” Still provocative. Göbekli Tepe, neural networks, “suicide cameras” mounted on missiles, art storage in extra-national freeports, Wikileaks, Hans Holbein paintings, game theory, and more. Thx for the tip, Dan.
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Peter Walsh @walshpeter.bsky.social · 12/07/2025
I’ve been thinking about the ways that artists and writers connect and how that becomes apparent in archival materials. I knew about the connection between Beauford Delaney and James Baldwin but I didn’t realize that he also had a decades-long friendship with Henry Miller. All very satisfying.
Beauford Delaney exhibit at the Drawing Center, NYC, through September 14, 2025.Beauford Delaney exhibit at the Drawing Center, NYC, through September 14, 2025.Beauford Delaney exhibit at the Drawing Center, NYC, through September 14, 2025.

"James Baldwin,” by Beauford Delaney, 1945.Beauford Delaney exhibit at the Drawing Center, NYC, through September 14, 2025.

 “Henry Miller,” by Beauford Delaney, c. 1967.
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Peter Walsh @walshpeter.bsky.social · 09/07/2025
“Facial Horizon; Facial Hallucination,” Oil, Acrylic and Spray Paint of Canvas, 12 inches by 54 inches, 2025.
Colorful painting. “Facial Horizon; Facial Hallucination,” Oil, Acrylic and Spray Paint of Canvas, 12 inches by 54 inches, 2025.Colorful painting. “Facial Horizon; Facial Hallucination,” Oil, Acrylic and Spray Paint of Canvas, 12 inches by 54 inches, 2025.Colorful painting. “Facial Horizon; Facial Hallucination,” Oil, Acrylic and Spray Paint of Canvas, 12 inches by 54 inches, 2025.Colorful painting. “Facial Horizon; Facial Hallucination,” Oil, Acrylic and Spray Paint of Canvas, 12 inches by 54 inches, 2025.
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Peter Walsh @walshpeter.bsky.social · 07/07/2025
Bigger isn’t necessarily better. Especially when you paint. But bigger is different. You measure a work with your body and a canvas that you can step into asks you to move differently and see differently. There’s a dance to be had. This canvas is the largest I’ve worked on in many years.
Large blank canvas in an artist's studio.
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Peter Walsh @walshpeter.bsky.social · 05/07/2025
Noses are still interesting. And funny. Thank you Nikolai Gogol. “Abstraction with Noses,” 2025. "Selfie as Collegiate Assessor Kovalyov in Nikolai Gogol's 'The Nose,'" 2021. “Study for a Ceiling with Noses,” 2025. “Homage to Nikolai Gogol (nose in a roll),” 2023.
Colorful painting.

“Abstraction with Noses,” Oil and Acrylic on Canvas, about 12 inches by 9 inches, 2025.Red chalk drawing.

"Selfie as Collegiate Assessor Kovalyov in Nikolai Gogol's 'The Nose,'" Chalk on Paper, 10 ¼ inches by 7 inches, 2021.Colorful painting.

“Study for a Ceiling with Noses,” Oil and Acrylic on Canvas, about 16 inches by 12 inches or so, 2025.Charcoal drawing.

Noses are still interesting. And funny. Thank you Nikolai Gogol.
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Peter Walsh @walshpeter.bsky.social · 03/07/2025
I’ve posted a new arts newsletter riffing off some of my social media posts about archiving. It went out by email. If you’re interested, you can see it here: mailchi.mp/39d22103423d... Or dm me your email address and I’ll add you to my list. I don’t post too often and you can always unsubscribe.
Four images of materials in an archive: Foppy disk; color transparencies; VHS tapes; 16mm film negative in a can.
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Peter Walsh @walshpeter.bsky.social · 02/07/2025
“Red-Faced Hallucination,” Oil and Spraypaint on Canvas, 14 inches by 18 inches, 2025.
Colorful painting. “Red-Faced Hallucination,” Oil and Spraypaint on Canvas, 14 inches by 18 inches, 2025.
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Peter Walsh @walshpeter.bsky.social · 30/06/2025
Need some summer reading material? jacobin.com/2025/06/summ...
jacobin.com
Jacobin’s Summer Reads Guide
We asked our editors and contributors what you should read this summer. They answered with everything from romances set in the former East Germany to thrillers about Russian mercenaries.
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Peter Walsh @walshpeter.bsky.social · 30/06/2025
A trio of paintings riffing on Goya etchings. “Hallucinatory Mash-Up,” 16 inches x 12 inches, Oil Acrylic and Spray Paint on Panel, 2025. “The Painter at Work,” Oil, Acrylic and Spray Paint on Panel, 11" x 14", 2025. “Star-Stuff,” Oil, Acrylic and Spray Paint on Panel, 14" x 11", 2025.
A trio of paintings riffing on Goya etchings.

“Hallucinatory Mash-Up,” 16 inches by 12 inches, Oil Acrylic and Spray Paint on Panel, 2025.

“The Painter at Work,” Oil, Acrylic and Spray Paint on Panel, 11 inches by 14 inches, 2025.

“Star-Stuff,” 14 inches by 11 inches, Oil, Acrylic and Spray Paint on Panel, 2025.Colorful painting.

“The Painter at Work,” Oil, Acrylic and Spray Paint on Panel, 11 inches by 14 inches, 2025.
Colorful painting.

“Hallucinatory Mash-Up,” 16 inches by 12 inches, Oil Acrylic and Spray Paint on Panel, 2025.Colorful painting.

“Star-Stuff,” 14 inches by 11 inches, Oil, Acrylic and Spray Paint on Panel, 2025.
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Peter Walsh @walshpeter.bsky.social · 27/06/2025
Cotton candy mixed with clip art. Not quite what I set out to do, but paintings take on their own life. Much flatter than I usually work, but I like how it accentuates the tooth of the canvas. “Stacked Crowd II,” 42 inches by 36 inches, Oil, Acrylic and Spray Paint on Canvas, 2025.
Colorful painting. “Stacked Crowd II,” 42 inches by 36 inches, Oil, Acrylic and Spray Paint on Canvas, 2025Colorful painting. “Stacked Crowd II,” 42 inches by 36 inches, Oil, Acrylic and Spray Paint on Canvas, 2025Colorful painting. “Stacked Crowd II,” 42 inches by 36 inches, Oil, Acrylic and Spray Paint on Canvas, 2025
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Reposted by Peter Walsh
Brandon Friedman @brandonfriedman.bsky.social · 26/06/2025
Conventional wisdom among the DC/NY press corps is that Trump is strong on immigration enforcement. But that isn't reflected in polling. People hate it. So tell me: Who's in the bubble? Bluesky users or mainstream media editorial writers?
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Peter Walsh @walshpeter.bsky.social · 26/06/2025
The 2025 wave of urgent political activity has given me flashbacks to previous actions and sent me digging again in the archive. Here are four examples of Newsprint Takeovers - fake or parody newspapers. 4) 2025, The Onion, online newspaper.
2025, The Onion, online newspaper.
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Peter Walsh @walshpeter.bsky.social · 26/06/2025
The 2025 wave of urgent political activity has given me flashbacks to previous actions and sent me digging again in the archive. Here are four examples of Newsprint Takeovers - fake or parody newspapers. 3) “We’re Screwed,” Not an Alternative, 32-page fake NY Post, NYC 2009.
“We’re Screwed,” Not an Alternative, 32 page fake NY Post, NYC 2009.“We’re Screwed,” Not an Alternative, 32 page fake NY Post, NYC 2009.
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Peter Walsh @walshpeter.bsky.social · 26/06/2025
The 2025 wave of urgent political activity has given me flashbacks to previous actions and sent me digging again in the archive. Here are four examples of fake or parody newspapers. 2) “Sun Paper Caper,” BERN (Baltimore Emergency Response Network), Baltimore, Jan. 20, 1989, Bush I Inauguration.
“Sun Paper Caper,” B.E.R.N. (Baltimore Emergency Response Network), Baltimore, January 20, 1989, Bush I Inauguration.

Thousands of copies were wrapped around Baltimore Sunpapers in news boxes around the city.
“Sun Paper Caper,” B.E.R.N. (Baltimore Emergency Response Network), Baltimore, January 20, 1989, Bush I Inauguration.

Thousands of copies were wrapped around Baltimore Sunpapers in news boxes around the city.
“Sun Paper Caper,” B.E.R.N. (Baltimore Emergency Response Network), Baltimore, January 20, 1989, Bush I Inauguration.

Thousands of copies were wrapped around Baltimore Sunpapers in news boxes around the city.
“Sun Paper Caper,” B.E.R.N. (Baltimore Emergency Response Network), Baltimore, January 20, 1989, Bush I Inauguration.

Thousands of copies were wrapped around Baltimore Sunpapers in news boxes around the city.
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Peter Walsh @walshpeter.bsky.social · 26/06/2025
The 2025 wave of urgent political activity has given me flashbacks to previous actions and sent me digging again in the archive. Here are four examples of Newsprint Takeovers - fake or parody newspapers . 1) “State Penitentiary Goes Condo,” Anne Fessler, Baltimore, 1986, 1989.
“State Penitentiary Goes Condo,” Anne Fessler, Baltimore, 1986, 1989.“State Penitentiary Goes Condo,” Anne Fessler, Baltimore, 1986, 1989.
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Peter Walsh @walshpeter.bsky.social · 22/06/2025
Archive 5: 1) 35mm Slides 2) Large format color positives 3) Audio cassette
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Peter Walsh @walshpeter.bsky.social · 22/06/2025
Archive 4: 1) Cassette 1” video tape 2) reel to reel 1” video tape 3) Hi-8 Videotape 4) MiniDV Videotape
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Peter Walsh @walshpeter.bsky.social · 22/06/2025
Archive 3: 1) VHS videotapes 2) Super VHS videotape 3) Little Betamax videotape 4) Big Betamax videotape
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Peter Walsh @walshpeter.bsky.social · 22/06/2025
Archive 2: 1-3) 16mm film 4) Super 8 film
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Peter Walsh @walshpeter.bsky.social · 22/06/2025
Archive 1: I’ve been digging in the boxes. Some possible gems, but certainly a lot of stuff past its use date. 2) 5 ¼” floppy 3) 3 ½” floppy 4) CD-ROM
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