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Paul Gilbert

@uosdwisrdewoh.bsky.social
179 followers 92 following 91 posts

Never skeet.

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Paul Gilbert @uosdwisrdewoh.bsky.social · 09/09/2026
@lanna.bsky.social @bestalbumbrackets.bsky.social Point of order on the '88 noms: was Shudder to Think's "Curses, Spells..." nominated in the 89 round? I note it's not on the master list, but sources conflict. Discogs & Wikipedia say 88, Allmusic says 89. Thanks!
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Paul Gilbert @uosdwisrdewoh.bsky.social · 04/09/2026
@calculizer.bsky.social Hey Walla, it's Gleni's husband Paul! She wanted to get in touch but wasn't sure if your number was the same. I was like, oh, he's definitely on bsky so lemme give him a shout. Hope everything's going well with you. We are jealous of your expat status.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 25/06/2026
Every hometown’s got the ominous megastructure, what’s yours?
The Lunar Landing gantry at NASA Langley, which looms just outside Poquoson, Virginia.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 29/04/2026
One minute you think you’re going to read a goofy old comic and then suddenly you are startled and kind of sad to encounter a beloved digital icon.
A panel from Superman’s Pal, Jimmy Olsen #85 (1964) where Jimmy rubs his face to reveal Superman’s visage, an image that was also the avatar to departed Weird Twitter icon Mike Fossey.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 24/12/2025
1. The Tubs - Cotton Crown Folk-punk, reimagined from the ground up. Members of Joanna Gruesome still bring the punk and dream pop elements from that band, but now Owen sings like Richard Thompson. I loved JG, but with this second Tubs album, they’re cooking like never before.
The cover to "Cotton Crown" by the Tubs. It's a black and white photograph of a white woman breastfeeding a baby in front of a tombstone. She has shoulder length hair, and wears a white shirt, with the right side open for the baby's head (nothing's explicit, ya perverts) as well as a black jacket. She is viewed in profile, with her shoulder length hair blowing in her face a bit. The baby is held in a large blanket. A leafy branch covers the right side of the tombstone, which appears to be at least 100 years old, given the state of the engraving, which is very faded (only the word John is really visible; the rest is indistinct). Behind the tombstone is a hedge. The image is framed with a white border with celtic-type ribbons. The album name is on the top and right border and the band name in the upper right corner, both in a gothic type font. The band name has some decorative flowers drawn around its large drop cap, such that it could plausibly be read as "The Fubs."
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Paul Gilbert @uosdwisrdewoh.bsky.social · 23/12/2025
2. Rosalía - Lux A staggering achievement. Rosalía has layered Latin and pop elements into a classical base, all pulled together into an opera suite by her staggering voice, singing across some dozen languages. You don’t even need to understand the lyrics to be moved by their power.
The cover to "Lux" by Rosalía. It shows Rosalía in a white nun's habit against a blue background. She's looking off to the side and hugging herself underneath the top, so that it vaguely resembles a straitjacket. Her long hair cascades down her back. The letters L U X are in black serif font at the center of the image, with large spaces between each letter.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 22/12/2025
3. Vundabar - Surgery and Pleasure This trio has always stunned live but their records were comparatively sedate. With this one, though, they’ve finally gotten the bouncing, yelping, driving energy on record. One of the most electric albums of the year.
The cover of "Surgery and Pleasure" by Vundabar. It's the band's logo, white on black. It's an eight-armed star-like shape, with each of the arms an identical arc converging towards the center. There's no type on the cover; it's just the art.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 21/12/2025
4. Anamanaguchi - Anyway The chiptune band picks up guitars and pens an album full of joyful, boisterous power pop songs. The game sounds are still there, but this is an old-fashioned indie rock record, and a great one at that. If Weezer put this out in 2025 people would lose their goddamn minds.
The cover to "Anyway" by Anamanaguchi. It shows a white two-story, single-gabled house that's actually the house from American Football's debut record, but unlike that album, this house is viewed in full frame, directly square from the front, in broad daylight. The four band members (all white guys) sit on the porch. The band name appears to the left of the single second story window, and the album name to the right.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 20/12/2025
5. Jane Remover - Revengeseekerz More is more for Jane Remover. They combine rap, EDM, and hyperpop and glitch it out to hell and back. Under all the breaking glass effects and fuzz, though, are solid songs aching with emotion.
The cover to "Revengeseekerz" by Jane Remover. It shows Jane Remover, a young nonbinary white person with dark, curly shoulder-length hair crouching down, almost kneeling, in a darkened room. Their right hand lightly touches the ground and their left hand rests on a flaming sword. Remover wears a leather jacket with studs on the sleeve, long loose pants, black platform shoes, and has a lit cigarette in their mouth. They're facing down so you only see their nose and mouth; their eyes are obscured by their hair. The wall behind them is very dim, but appears to be an old-fashioned industrial control room or studio with all sorts of analog controls and dials barely visible in the darkness.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 19/12/2025
6. Wet Leg - Moisturizer Another English duo! The hype is real, and this album proves their debut was not just a one-off. It expands their palette a bit beyond the poppy post-punk grooves of that record without ever deviating from the fundamentals that made it great.
The cover of "Moisturizer" by Wet Leg. It shows two white women in the corner of an otherwise bare carpeted room, with light filtering in through a closed curtain on the left. One of the women has long neon red hair with brown roots and is crouching down, her hands on the floor, regarding the viewer with a knowing sinister smile. She wears mismatched white socks, pulled up nearly to her knees; one has a zig-zag pattern and the other has "I [HEART] ME" on it four times. She's otherwise wearing a white sleeveless top and white shorts. The other woman in the shot is facing away from the viewer, sitting on the floor, in the corner. She's wearing a white tank top and blue jeans and has light brown hair that falls halfway down her back. She's hugging herself. Both women sport enormous press-on nails that recall the raptor claws in Jurassic Park.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 18/12/2025
7. Lambrini Girls - Who Let the Dogs Out The year’s most undistilled punk album, an unapologetic throw-back to riot grrrl. Phoebe Lunny shouts about misogyny, workplace harassment, and gentrification over pummelling drums, snarling guitars, and thickest bassline you’ll hear all year.
The album cover to "Who Let the Dogs Out" by Lambrini Girls. It depicts the two members of the duo, two white women with long-ish blonde hair, sitting on a leather couch by an outdoor pool. One sits in the middle, looking at the camera with a Mona-Lisaish smile, her legs crossed and her chin in her hand. The other sprawls to her right, legs over the back of the sofa, head hanging upside down with her hair falling to the ground, which is covered in party detritus. Behind them is a raucous scene of (from left to right) two men fighting, two women kissing, another woman holding out her tongue catching falling liquid from a Solo cup she's holding, and a smiling man pulling up his shirt revealing a hairy tattooed torso. That last man is standing next to a small TV that's on fire. Trees are behind the whole scene and huge stream of confetti descends on the right-hand side of the tableau. It's just this image; there's no type.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 17/12/2025
8. Model/Actriz - Pirouette I loved their 2023 debut, and this is a great follow up in the same vein. They’re still pulling heavily from decades of goth influences, from Siouxsie to Xiu Xiu, but have distilled all that and forged it into a fierce and taut force of nature.
The album cover to "Pirouette" by Model/Actriz. It's a slightly blurry, light-saturated photo of laced metalwork. It's abstract in its total effect but most resembles a fancy gate. There's no text; it's just the image.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 16/12/2025
9. The Beths - Straight Line Was a Lie I struggle to describe The Beths beyond "they're just really good!" They continue their unstoppable streak on their fourth album. Heartbreaking lyrics, tight hooks, soaring melodies, it’s all here, and it all remains amazing.
The cover to "Straight Line Was a Lie" by The Beths. It's an arts and crafts construction of an abstract clock. The clock face is an slightly off-kilter grey oval, the hours represented by birds, fish, and fruit, among other things, and the hands are about six colorful twigs and arrows, all on a black background. The band name is on the top third of the cover, written over the top of the clock in a florid dotted white cursive script, like a long string of pears. The album title is along the bottom, with each word a different color in a serif font, with the exception of the initial letter of each word, which is in a loopy cursive font.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 15/12/2025
10. Saba & No ID - From the Private Collection of Saba & No ID Chicago hip-hop vets who have nothing to prove drop an impeccable album of low-key great rap. No ID’s production laces in smooth and perfect R&B samples that perfectly support Saba’s endless flow.
The album cover to "From the Private Collection of Saba & NO ID." It's a black and white photograph of a city street, mainly the sidewalk and one building, a run-down two-story music club called George's, on an otherwise vacant block. The album title is below the photo in plain serif type.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 14/12/2025
11. Youth Lagoon - Rarely Do I Dream Interlacing audio from home movies throughout this, his best album yet, Trevor Powers has crafted an achingly beautiful and haunting soundtrack to an idealized past that may never have existed.
The album cover to Youth Lagoon's "Rarely Do I Dream." It's a black and white photo of a 70s or 80s era car driving on a tree-lined road. The front of the car is cut off on the right side. The trees are slightly blurry in the background. The band name and album title are written in yellow on top, over some power lines in the photo. The capital letters in this writing are decorated kind of like a teenager trying to approximate a gothic font.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 14/12/2025
12. Hotline TNT - Raspberry Moon The best band of the shoegaze revival improves on their debut with an album that very well may be remembered alongside seminal records by their influences. All of you on Spotify are seriously missing out on this one.
The cover to "Raspberry Moon" by Hotline TNT. It's a series of concentric squiggly loops, alternating green and red, superimposed on a green raspberry-ish shape, which itself contains white roots snaking out from the center. At the very heart of these roots is a tiny red crescent moon. It's just the image; the band name and album title don't appear.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 12/12/2025
13. Water from Your Eyes - It’s a Beautiful Place This duo returns with an album that perfectly balances loud blasts, taut beats, and cool-to-the-point-of-indifference vocals. You'd think they didn't give a shit if the music didn’t show how much care obviously went into it. Only wish it were longer!
The album cover to "It's a Beautiful Place" by Water from Your Eyes. It's almost entirely blue, with some lighter shades coming through in broad strokes and the band name and album title barely visible, written in blue, all under light wavy white lines that resemble a particularly unruly shrinkwrap.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 11/12/2025
14. Annie DiRusso - Super Pedestrian DiRusso has put out singles (and one EP) since 2017, and she delivers the goods on this remarkably assured debut album. Big guitar riffs from the 90s combine with an 00s sheen. Even at its most lightweight (“Good Ass Movie”), it’s still catchy as hell.
The album cover of "Super Pedestrian" by Annie DiRusso. It's a painting (or perhaps a photo illustration processed to resemble a painting) of DiRusso as a centaur standing on a grassy hill under a partly cloudy sky. DiRusso's human torso is wearing a white dress shirt, and a long red and blue striped tie is blowing in the wind in front of her along with her hair. It's just the image; no type on this album cover.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 10/12/2025
15. Tunde Adebimpe - Thee Black Boltz Pretty exactly what you want from a solo record. Adebimpe takes everything you love from TV on the Radio, his indelible voice, the pounding synths, and takes them in new directions. You’d never expect the slide guitar on “God Knows” to work. It does.
The album cover of "Thee Black Boltz" by Tunde Adebimpe. Adebimpe is slumped over, with this folded hands covering his mouth. Above his hands you see his eyes (one of which is completely glassy white), his furrowed brow, and his bright cropped hair. A ring of colorful fragments surrounds his arms and shoulders, with another larger image of his head partially obscured behind him. All that's visible of that head is his hair and some of his right ear. The rest of the album cover is all black, with "thee Black Boltz" written in white script in the lower right corner.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 09/12/2025
16. Sydney Sprague - Peak Experience What if you made an album where it was all perfect lines? “Too high at the fair field, going fast as fuck on the ferris wheel.” And she’s got the hooks to back it up. This is the first time I’ve really noticed Sprague, but I’ll be listening closely from now on.
The cover to the album "Peak Experience" by Sydney Sprague. It shows a cow swept up in a tornado on a farm. In the background there's a windmill, hay bales, hills, and trees, but the entire thing appears to be a crafted miniature: the tornado is a whirl of hair, the blue sky behind it painted with one fluffy cotton cloud held up by a string. It's just the image; there's no type on the album cover.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 08/12/2025
17. My Son the Doctor - Glamours This first album from the Brooklyn rockers elbows its way into your brain and refuses to let go, infusing a heavy Pavement influence with the energy and snark of a Blink-182. That and “Barry Bonds” has the funniest line of 2025.
The album cover to “Glamours” by My Son the Doctor. The band name and album title frame a simply drawn image of a table with a small vase under a framed drawing of a crumpled can. The table has a wonky perspective and is crudely colored brown, as if with a spray paint tool in an app. The vase sits on the right hand side of the table and has two small yellow flowers in it. The can in the frame is on its side, is speckled blue, and has “MANIA” written on it in yellow writing. I can’t emphasize how unremarkable this image is despite using so many words to describe it; composing this alt text is the most I’ve ever thought about this album art.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 07/12/2025
18. Cusp - What I Love Doesn’t Love Me Back I always forget about Cusp and am utterly enchanted by their albums when I do listen. This sophomore effort doesn’t miss a step from their great debut. Good melodies, chill vibes, and catchy tunes.
The cover to the album "What I Love Doesn't Want Me Back" by Cusp. It shows two cupped hands held up against a background of leafless trees, viewed from below. The sky behind the trees is blue with pink clouds, as if at dawn or dusk. The light breaks through the closed fingers of the cupped hands, outlining each one in a red hue. The band name is in the tree branches above the hands in a handwritten font in the same color of the sky, so it appears that the tree branches have been wiped away with an eraser. The name of the album is not present.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 07/12/2025
19. Delivery - Force Majeure Sometimes you just want a really good punk record, and this Australian group, led by Rebecca Allan and James Lynch, gives just that. They play with ripping energy, delivering shout-along choruses (as in the standout "What For?") without pretension or unnecessary frills.
The cover to the album "Force Majeure" by Delivery. The young members of the band (four white dudes, one white woman) are all wearing sunglasses under a clear blue sky, beset by many microphones and cameras, as if at a hectic press conference. The band name and the album title appear on signs held up by unseen persons behind the band.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 05/12/2025
20. Sprints - All That Is Over After the gut punch of their debut album last year, this follow-up dials the temperature back, lowering the intensity to a slow burn but broadening their emotional palette. The eventual bursts of fury are that much more powerful from the restraint that surrounds them.
Album cover of “All That Is Over” by Sprints. The album title and band name are in yellow type over an abstract pink and black image that could be broken pavement or a rotting layer of paint.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 04/12/2025
Favorite albums of 2025! I agonized too much over this. My rankings shifted with every listen (aside from a solid top 3), but who needs a competition? It's all good music. Here are some great ones that just missed the top of the list. More on the top 20 records during the rest of the month.
A grid featuring these album covers:
Pulp - More
The Weather Station - Humanhood
Scowl - Are We All Angels
FKA Twigs - Eusexua
Venturing - Ghostholding
Sasami - Blood on the Silver Screen
Sharon Van Etten & the Attachment Theory
Ex-Vöid - In Love Again
Geese - Getting Killed
Ghais Guevara - Goyard Ibn Said
La Dispute - No One Was Driving the Car
Squid - Cowards
Jennifer Walton - Daughters
They Are Gutting a Body of Water - LOTTO
Rodeo Boys - Junior
Water Margin - Gleaming Cursed
Heartworms - Glutton for Punishment
Valerie June - Owls, Omens, and Oracles
Leikeli 47 - Lei Keli ft. 47 / For Promotional Use Only
Ribbon Skirt - Bite Down
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Paul Gilbert @uosdwisrdewoh.bsky.social · 24/11/2025
Winnie the Pooh in a tux meme.
Regular Pooh: Ranking Star Wars movies
Fancy Pooh: Ranking The Wire seasons
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Paul Gilbert @uosdwisrdewoh.bsky.social · 16/10/2025
Sorry I'm late to work, I saw "melts like dairy" on my vegan cheese, involuntarily said "Just like Bart!" aloud, and had to go watch the Borth Sampson Monster Factory video again before leaving the house.
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Paul Gilbert @uosdwisrdewoh.bsky.social · 02/10/2025
@ryanboyd.bsky.social Smoking that shit that has you your signing emails
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Paul Gilbert @uosdwisrdewoh.bsky.social · 05/09/2025
This image is a threat, Apple Music
Ed Sheeran, coming soon
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Paul Gilbert @uosdwisrdewoh.bsky.social · 09/07/2025
The Microphones - The Glow, Pt. 2 Lucy Dacus - Historian Jeff Rosenstock - Worry Frank Ocean - Channel Orange Sufjan Stevens - Illinois The Fiery Furnaces - Blueberry Boat Car Seat Headrest - Teens of Denial The New Pornographers - Twin Cinema The Dodos - Visiter Superchunk - Majesty Shredding
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Paul Gilbert @uosdwisrdewoh.bsky.social · 23/12/2024
1. Mdou Moctar - Funeral for Justice Afrique Victime was a top 10 record for me in 2021. This is somehow even better. The grooves are at once smooth and relentless, and Mdou’s guitar rips and soars over everything. The most original, invigorating rock being done today. Game changing.
Mdou Moctar - Funeral for Justice
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Paul Gilbert @uosdwisrdewoh.bsky.social · 22/12/2024
2. Sprints - Letter to Self I’ve followed this Irish band since their promising pandemic EPs, and this debut album fulfills that promise, delivering one ferocious punk anthem after another, from the keening shout of “Can anybody be happy?” in "Cathedral" to the soaring heights of "Literary Mind."
Sprints - Letter to Self
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Paul Gilbert @uosdwisrdewoh.bsky.social · 21/12/2024
3. This Is Lorelei - Box for Buddy, Box for Star Nate Amos has released hundreds of tracks under this moniker, and this album feels like a culmination of thousands of hours of woodshedding, pulling from all over today’s pop landscape to create a pile of absolute earworms.
This Is Lorelei - Box for Buddy, Box for Star
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Paul Gilbert @uosdwisrdewoh.bsky.social · 20/12/2024
4. Mannequin Pussy - I Got Heaven MP have been adding strength onto strength these past few years. “Sometimes” is a perfect rock anthem, and the record closes with the ballad “Split Me Open,” but only after they drop the brutal “Ok? Ok! Ok? Ok!” and “Of Her,” reminding you of their hardcore roots.
Mannequin Pussy - I Got Heaven
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Paul Gilbert @uosdwisrdewoh.bsky.social · 19/12/2024
5. Father John Misty - Mahashmashana The 21st century's top indie-rock crooner drops a definitive record and immerses you in his world. Groovy, lush, and sure to enshrine a legendary reputation. I was never a huge FJM guy, but with this one, I’m all in.
Father John Misty - Mahashmashana
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Paul Gilbert @uosdwisrdewoh.bsky.social · 18/12/2024
6. Rosie Tucker - Utopia Now! Rosie’s always been undersung, and this might be their best yet. They'll do a song on consumerism and stuff it with hooks and clever lines, clinching it with the chorus's overlapping “I want everything all at once” and “take the trash out, fill the trash up."
Rosie Tucker - Utopia Now!
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Paul Gilbert @uosdwisrdewoh.bsky.social · 17/12/2024
7. Arab Strap - I’m totally fine with it 👍 don’t give a fuck anymore 👍 Twenty years after their first run, Arab Strap are putting out the best music of their career. They wrote old-man music when they were young, but now their songs about anxiety, deep longing, and existential discomfort hit hard.
Arab Strap - I’m totally fine with it 👍 don’t give a fuck anymore 👍
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Paul Gilbert @uosdwisrdewoh.bsky.social · 16/12/2024
8. Ducks Ltd. - Harm’s Way I’m an absolute sucker for jangle pop, and Ducks Ltd. have mastered the form. Harm’s Way is their best record yet in a very strong catalog.
Ducks Ltd. - Harm’s Way
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Paul Gilbert @uosdwisrdewoh.bsky.social · 15/12/2024
9. Kim Gordon - The Collective This shouldn’t work. Kim Gordon, luminary of noise rock, has put out a rap album in 2024. Her beats are all twisted, deep in the red, making a bed of grungy industrial production that any rapper would kill for, a perfect complement to her deep, breathy lyrics.
Kim Gordon - The Collective
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Paul Gilbert @uosdwisrdewoh.bsky.social · 14/12/2024
10. Friko - Where we've been, Where we go from here Time for aught’s nostalgia? Hell yes. Friko pulls from the warbly emo rhythms of that decade, tapping influences like Bright Eyes and Arcade Fire, but they can still lay down raging anthems like “Chemical” and “Get Numb to It!”
Friko - Where we've been, Where we go from here
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Paul Gilbert @uosdwisrdewoh.bsky.social · 13/12/2024
11. MJ Lenderman - Manning Fireworks Nothing flashy, just a collection of country- and shoegaze-infused rock with impeccable musicianship and lyrics that get more clever with each listen.
MJ Lenderman - Manning Fireworks
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Paul Gilbert @uosdwisrdewoh.bsky.social · 12/12/2024
12. Geordie Greep - The New Sound As Black Midi progressed, jazz infused their hardcore roots. Now on his first solo, their singer Greep goes all in with an absolutely deranged record, like a samba group on 9 different kinds of uppers. It’s sometimes too much, but it’s mesmerizing all the same.
Geordie Greep - The New Sound
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Paul Gilbert @uosdwisrdewoh.bsky.social · 11/12/2024
13. Jack White - No Name White's music never really grabbed me, but this sounds like he just woke up and decided to make the best blues rock record he could. He has no business going this hard this late in his career. A well-deserved victory lap.
Jack White - No Name
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Paul Gilbert @uosdwisrdewoh.bsky.social · 10/12/2024
14. Gouge Away - Deep Sage Ferocious, unrelenting, and focused like they’ve never been before. Christina Michelle's amazing scream is bracing, layered over thick melodic riffs throughout this pummeling album. This band sounds like I feel as this rough, disappointing year stumbles to a close.
Gouge Away - Deep Sage
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Paul Gilbert @uosdwisrdewoh.bsky.social · 09/12/2024
15. Angry Blackmen - The Legend of ABM Yeezus first really got me into rap, but its sound has been confined to a small corner of the genre since (oh, btw, fuck Kanye). This fills that void, with harsh beats that could shake a building to its foundation and relentless lyrics that more than keep up.
Angry Blackmen - The Legend of ABM
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Paul Gilbert @uosdwisrdewoh.bsky.social · 08/12/2024
16. Mount Eerie - Night Palace Melancholy suffuses this record, but there’s also peace. Elverum is pulling musical approaches from all corners of his long career and even has some uncharacteristically conventional songs here. At 81 minutes, it's a lot to process but rewards repeat listens.
Mount Eerie - Night Palace
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Paul Gilbert @uosdwisrdewoh.bsky.social · 07/12/2024
17. Shellac - To All Trains Coming out ten days after Steve Albini's sudden death, this is as tough and low-key silly as ever; "I'm through with music from dudes" he sings on Chick New Wave. But what stays with you is the last track: "I don't fear hell. The floor show would be incredible."
Shellac - To All Trains
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Paul Gilbert @uosdwisrdewoh.bsky.social · 06/12/2024
18. Good Looks - Lived Here for a While This sophomore album is a huge leap from their promising debut. Tyler Jordan's deeply felt lyrics cut deep (with only a few whiffs; "White Out"'s gentrification lament, for one, is kinda cringe), backed with an incredibly solid and catchy roots-inflected rock.
Good Looks - Lived Here for a While
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Paul Gilbert @uosdwisrdewoh.bsky.social · 05/12/2024
19. Allie X - Girl With No Face More alt-pop, this with a gothic tinge. What if Depeche Mode and Carly Rae Jepsen teamed up? Sharp synths, vocals that go from sinuous to soaring, all backed with rock-solid hooks.
Allie X - Girl With No Face
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Paul Gilbert @uosdwisrdewoh.bsky.social · 04/12/2024
20. Empress Of - For Your Consideration Lorely Rodriguez should be huge, playing huge venues instead of clubs. Her latest is her best yet, catchy as hell, with crisp, innovative beats and a voice that captivates no matter if she's singing in English or Spanish.
Empress Of - For Your Consideration
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