Paranoid Void Math Rock, Instrumental Post-Rock & Polyrhythmic Artistry from Osaka Biography Formed in Osaka, Japan in 2013, Paranoid Void is a critically acclaimed all-female instrumental math-rock trio comprising guitarist MEGURI, bassist YU-KI, and drummer MIPOW. Self-described as crafting "emotional floating sounds with technical rhythm," the trio quickly established a formidable presence in the international math-rock and post-rock communities through their seamless balance of delicate melodic sensitivity and fiercely complex rhythmic architecture. Gaining early viral momentum with tracks like "Utsuroi", Paranoid Void expanded beyond Japan's club circuit to make significant waves overseas, including a landmark showcase at SXSW in Austin, Texas, tours across North America, and appearances at progressive music festivals such as ArcTanGent in the UK. Operating with uncompromising DIY vision, the trio often integrates striking visual art, dance collaborations, and meticulous self-production into their hypnotic live shows and releases. Selected Discography Studio Albums & Full-Lengths * Literary Math (2017) Their defining debut full-length, featuring signature tracks like "Utsuroi" and "The Beginning of the End", establishing their style of bright, clean guitar counterpoint, nimble bass grooves, and shifting time signatures. * Travels in my universe (2022) A sonically expansive second album blending ambient electronic textures, field recordings, and driving math-rock energy across pieces like "Null" and "01". EPs & Notable Singles * pop hints (2019) – A vibrant mini-album highlighting playful rhythmic syncopation and melodic hooks. * 00 & 01 – Formative early releases that built underground acclaim in the Kansai indie scene. * "Dusk" (黄昏) / "Undefined" – Standalone single releases emphasizing lush spatial delays and polyrhythmic interplay. Musical Style & Instrumental Dynamics Paranoid Void’s sound hinges on the telepathic musical dialogue and balance between all three players: * MEGURI's Clean Tapping & Fingerstyle Guitars: Characterized by crystal-clear, chiming single-coil tones (frequently on Fender Telecasters), MEGURI weaves two-handed fretboard tapping, delicate arpeggio loops, and octave sweeps that outline chord changes without heavy distortion. * Complex Meters & Polyrhythmic Drive: MIRAI's drumming combines ghost-note-laden jazz-fusion articulation with rapid-fire meter modulations (5/8, 7/8, 11/8), locking seamlessly with YU-KI’s melodic, walking basslines. * Dynamic "Floating" Atmosphere: Rather than relying on aggressive distortion crescendos, their dynamic shifts come from subtle volume swells, modulated delays, pristine reverbs, and rhythmic push-and-pull. * Counterpoint Bass Voice: YU-KI treats the bass as an equal lead instrument, trading melody lines with the guitar while anchoring deep groove pockets. Paranoid Void – UK Tour (October 2026) Supporting the New Album Action with Special Guests God Alone Osaka instrumental math-rock power trio Paranoid Void is currently on their UK headline tour in October 2026 in support of their album Action. Joining them on the road across all dates are Cork-based dance-infused math-metal outfit God Alone. UK Tour Schedule * Manchester: Night & Day Cafe – Tuesday, October 6 * London: Oslo – Wednesday, October 7 * Cardiff: Clwb Ifor Bach – Thursday, October 8 * Bristol: Rough Trade Bristol – Friday, October 9 (19:00) * Shipley: The Kirkgate Community Centre – Saturday, October 10 * Glasgow: The Hug & Pint – Sunday, October 11 * Southampton: The Joiners – Tuesday, October 13 Paranoid Void - Will | Live at Montreux Jazz Festival China 2024

SAKI Japanese Heavy Metal Shredder, Seven-String Virtuoso & Songwriter Biography Born in Tokyo, SAKI is one of the most prominent and technically accomplished guitarists to emerge from the contemporary Japanese heavy metal scene. Originally inspired to pick up the guitar after discovering Queen and Seikima-II, she developed a fierce neoclassical foundation paired with extreme modern metal crunch. In 2012, SAKI co-founded the all-female melodic power metal outfit Mary's Blood, serving as their principal shred guitarist, primary riff architect, and composer across six studio albums and international tours. In 2019, she joined forces with British power metal vocal legend Li-sa-X and DragonForce members to launch the all-female metal supergroup NEMOPHILA, showcasing crushing, low-tuned modern 7-string metal until her departure in 2024. In addition to her band projects, she formed the rock/metal duo AMAHIRU alongside DragonForce bassist Frédéric Leclercq and maintains an active solo career and clinic schedule. Selected Discography Solo Releases * BRIGHTNESS (2021) Her high-octane debut solo instrumental single, arranged alongside Frédéric Leclercq, showcasing blistering neoclassical leads and melodic shred mastery. * GERMINANS (2022) Follow-up single and video showcase emphasizing dynamic, hard-hitting rhythmic grooves and expressive lead voicings. With Mary's Blood * Countdown to Evolution (2014) – Major-label debut featuring fast power-metal anthems like "Marionette". * Bloody Palace (2015) – Solidified their signature mix of speed metal and high-energy melodic hooks. * FATE (2016) – Included guest collaborations with Luke Takamura (Seikima-II) and Miki Sun-go (Show-Ya). * Revenant (2018) & CONFESSIONS (2019) – Showcased evolving progressive and hard rock dimensions. * Mary's Blood (2021) – Self-titled full-length marking the group's pre-hiatus creative peak. With NEMOPHILA * REVIVE (2021) – Crushing debut album introducing their twin-guitar modern metal attack. * Seize the Fate (2022) – High-tempo release blending metalcore breakdowns, thrash, and twin-lead harmonies. * EVOLVE (2024) – Modern, riff-heavy evolution featuring aggressive 7-string rhythms. With AMAHIRU * AMAHIRU (2020) – Cross-continental collaboration with Frédéric Leclercq, featuring Mike束 (ex-Soilwork) and guest appearances by Alicia Vigil. Guitar Style & Virtuoso Technique SAKI’s playing stands out for its blend of traditional 1980s Japanese hard-rock heritage and punishing modern 7-string metal: * Strict Alternate Picking & Speed Scales: Piercing, surgical alternate picking executed with stiff plectrums, allowing for clear articulation across high-speed scalar passages, three-note-per-string runs, and pedal-point riffs. * Swept Arpeggios & Neoclassical Cadences: Heavy use of 5-string sweep-picked minor and diminished arpeggios, frequently resolving into wide, singing finger vibrato influenced by classical harmonic progressions. * Low-Tuned 7-String Riffing: Driving, percussive downpicked rhythm work on low-B/drop-tuned 7-string guitars, combining syncopated modern metalcore chugs with thrash-metal gallops. * Vocal Melodic Phrasing: Balanced against technical velocity, her solos emphasize memorable melodic motifs, expressive pre-bends, and harmonized twin-guitar lines. * Rig & Gear: Longtime signature artist with Killer Guitars (playing custom Killer KG-Fascinator Seven the Curse and Fascist models equipped with Seymour Duncan and Fishman Fluence pickups), amplified through Marshall, Kemper, and Peavey high-gain tube rigs. Protect & Display Your Guitar in Style! | SOUNDMAKER MLG-10 Humidity-Controlled Cabinet feat. SAKI

Guthrie Govan The Ultimate Modern Guitar Virtuoso, Fusion Polymath & Transcendent Improviser Biography Born in Chelmsford, Essex, Guthrie Govan is widely regarded as one of the most complete and technically proficient guitarists in the history of the instrument. Playing from the age of three and entirely self-taught by ear, Govan first captured international attention in 1993 when he was named Guitarist magazine's "Guitarist of the Year" with his stunning composition "Wonderful Slippery Thing". He subsequently joined the prestigious faculty of the Guitar Institute and the Academy of Contemporary Music (ACM) and contributed legendary transcription work and columns to Guitar Techniques magazine. Throughout the late 1990s and 2000s, Govan expanded his reach through tenures with progressive rock stalwarts Asia and GPS, followed by the 2006 release of his landmark solo debut, Erotic Cakes. In 2011, alongside bassist Bryan Beller and drummer Marco Minnemann, he formed the genre-defying power trio The Aristocrats. In addition to releasing celebrated fusion works with The Fellowship and Steven Wilson (notably on The Raven That Refused to Sing and Hand. Cannot. Erase.), Govan has served as the premier touring lead guitarist for Hollywood film composer Hans Zimmer's live orchestral productions worldwide. Selected Discography Solo Works * Erotic Cakes (2006 | Cornford Records / JTC Guitar) A masterpiece of modern instrumental electric guitar music. Featuring iconic tracks like "Waves", "Wonderful Slippery Thing", "Fives", and "Sevens", it redefined the standard for chops, compositional depth, and sonic diversity. * West-Coast Grooves (2013 | JamTrackCentral) A collection of soulful fusion and funk-infused jam tracks highlighting his effortless phrasing over diverse rhythmic grooves. With The Aristocrats * The Aristocrats (2011) – The explosive debut featuring staples like "Bad Asteroid" and "Sweaty Knockers". * Culture Clash (2013) – Deepening the trio's eclectic blend of rock, jazz, metal, and avant-garde comedy. * Tres Caballeros (2015) – Recorded at Sunset Sound; features expanded production and intricate textural variety. * You Know What...? (2019) – Highlighted by tracks like "Terrible Lizard" and "The Ballad of Bonnie and Clyde". * Duck (2024) – A high-concept operatic instrumental adventure showcasing virtuosic absurdity and elite musicianship. With Steven Wilson * The Raven That Refused to Sing (And Other Stories) (2013) – Featuring his acclaimed, emotionally searing solo on "Drive Home". * Hand. Cannot. Erase. (2015) – Anchored by dynamic progressive rock interplay and the soaring climax of "Regret #9". Other Notable Projects * Asia: Aura (2001) & Silent Nation (2004) * GPS: Window to the Soul (2006) * The Fellowship: Dreams of a Gypsy (Live jazz-fusion residency cuts) * Hans Zimmer: Hans Zimmer Live (Featured lead guitar soloist on Dune, Gladiator, Inception, and The Dark Knight) Guitar Style & Virtuoso Technique Govan's playing is celebrated not merely for blinding speed, but for complete fretboard literacy, tonal control, and total improvisational freedom across any genre: * Liquid Legato & Sliders: Seamless hammer-ons and pull-offs married to slides and position shifts, creating a continuous, horn-like linear flow across all six strings without pick attack transients. * Effortless Technique Synthesizer: Switches fluidly between strict alternate picking, multi-finger hybrid picking, multi-string sweep arpeggios, and percussive fretboard tapping within a single bar. * Advanced Harmonic Language: Capable of superimposing complex modal colors—melodic minor modes, whole-tone scales, altered dominants, and chromatic enclosures—over standard rock and blues progressions while retaining deep melodic intention. * Expressive Pitch Control & Bends: Surgical intonation on multi-step bends, pre-bends, and microtonal vocal inflections, complemented by tasteful manipulation of a non-locking floating tremolo bridge. * Signature Rig & Gear: Signature Charvel MJ / USA Guthrie Govan models featuring caramelized basswood/ash bodies, bird's-eye maple necks, custom Charvel/MF humbuckers, and a recessed locking tremolo with Tremol-No; paired with Victory Amplification heads (such as the V30 The Countess / Super Kraken). Guthrie Govan Guitar Clinic | Fast Picking, Tapping, Improvisation & Technique | 2005

Li-sa-X & Akarin Japanese Guitar Virtuosity: From Groundbreaking Prodigy to the Next Generation Li-sa-X (リサX) Biography Born in 2005, Li-sa-X took the global guitar community by storm at age eight with her viral, note-perfect rendition of Racer X’s "Scarified", earning praise directly from Paul Gilbert and Marty Friedman. Making her major-label debut with Sony Music Japan at age twelve and becoming the youngest artist to perform at Japan's Summer Sonic Festival, she has transitioned from a child prodigy into a premier voice in modern progressive rock and technical pop-metal as the co-founder and lead guitarist of KOIAI. Key Releases & Discography * Serendipity (2017 | Sony Music) – Debut solo EP featuring a collaboration with Paul Gilbert. * WILL (2018 | Sony Music) – Full-length solo album featuring Billy Sheehan and Matt Bissonette. * KOIAI EPs: Love at First Sight (2023), Deep & Shallow (2024), Starting Over (2026). * KOIAI Live: LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026- (Blu-ray). Playing Style & Technique * Paul Gilbert-Style Alternate Picking: Clean, strict, and precise inside/outside picking across string jumps at extreme tempos. * Cross-Fretboard Sweeping & Tapping: Flawless multi-string arpeggio cascades seamlessly paired with two-handed polyphonic tapped accents. * Neoclassical Melodic Phrasing: Rooted in Bach and Vivaldi themes, tempered with vibrant modern J-rock and progressive pop sensibilities. * Gear: Signature Ibanez RG models with Seymour Duncan pickups, running through modern digital rigs and high-gain tube amplifiers. Akarin (あかりん / akarin's guitar) Biography Akarin is a ten-year-old Japanese guitar sensation whose channel akarin's guitar has captivated audiences worldwide. Demonstrating an astonishing grasp of touch, dynamics, and advanced repertoire far beyond her years, she has tackled complex instrumental masterpieces by Eric Johnson, Mateus Asato, Guthrie Govan, and Andy Timmons. Her talent led to notable live collaborations with fellow young virtuoso drummer YOYOKA as well as a memorable surprise in-studio session with her musical hero, Li-sa-X. Notable Covers, Collaborations & Originals * "omoide" (思い出) (2026) – Her heartfelt original instrumental composition showcasing mature melodic voice-leading. * "Electric Gypsy" (2026 | Live Cover) – High-profile studio collaboration featuring drummer YOYOKA and bassist Yoshi Sasaki, tackling Andy Timmons' expressive classic. * Key Repertoire Showcases: Note-for-note performances of Eric Johnson’s "Cliffs of Dover", Guthrie Govan’s "Wonderful Slippery Thing", and Mateus Asato arrangements ("Empty Hands", "How Deep Is Your Love"). Playing Style & Touch * Dynamic Touch & Edge-of-Breakup Nuance: Unlike many players who rely on compressed high gain, Akarin excels with clean-to-crunch dynamics, using pick pressure and fingers to draw sweet, singing sustain. * Expressive Vocal Vibrato & Bending: Precise microtonal bends, oblique bends, and smooth, wide vibrato directly inspired by players like Andy Timmons and Mateus Asato. * Hybrid Picking & Double-Stops: Fluid integration of pick-and-fingers to execute articulate chord-melody intros, snappy country-style runs, and clean pentatonic turnarounds. Li-sa-X Surprises a Talented 10 Year Old Guitarist! Chapter 00:00 Introduction 00:18 Opening / Explanation of the prank 01:10 The guitarist Akarin wants to meet 01:48 Hidden camera 02:15 Disguising as staff 03:09 Akarin arrives 03:25 Ready to infiltrate 03:47 Staff Li-sa-X infiltrates ① 04:43 After infiltration ① 05:22 Staff Li-sa-X infiltrates ② 06:12 After infiltration ② 06:23 Filming the fake opening 06:51 Disguise Removed ~ Standby 07:39 Heading to the Prank 08:28 Prank!! 09:33 Actually, There’s One More Surprise 10:04 Behind-the-Scenes Footage 10:27 Seated (Talk & Performance) 12:28 Song Performed Together 13:41 Polyphia Champagne: Dream Collaboration 15:20 Closing Li-sa-X Li-sa-X

Crown Lands Canadian Heavy Progressive Rock, Indigenous Advocacy & Epic Duo Virtuosity Biography Hailing from Oshawa, Ontario, Crown Lands is a Canadian progressive rock powerhouse formed in 2015 by multi-instrumentalist Kevin Comeau (guitars, bass pedals, analog synthesizers) and vocalist/drummer Cody Bowles (vocals, drums, percussion, flute). The duo took their moniker as a direct critique of "crown land"—government-held land appropriated from Indigenous peoples—channeling themes of First Nations heritage, anti-colonial resistance, and expansive sci-fi cosmology into their songwriting. Despite performing strictly as a two-piece, Crown Lands conjure a massive, arena-sized wall of sound reminiscent of 1970s progressive rock giants. After winning the 2021 JUNO Award for Breakthrough Group of the Year, the band teamed up with legendary Rush producers David Bottrill, Nick Raskulinecz, and Terry Brown to record expansive, multi-part progressive epics, cementing their place as the modern standard-bearers of vintage Canadian heavy prog. Selected Discography Studio Albums * Crown Lands (2020 | Universal Music Canada) Produced by Dave Cobb; a blues-heavy hard rock debut featuring punchy, riff-centric anthems like "Leadfoot" and "End of the Road". * Fearless (2023 | Spinefarm / Universal) A triumphant leap into full-scale progressive rock, recorded at 80 Hertz Studios in England and produced by David Bottrill. Anchored by the sprawling 18-minute sci-fi opus "Starlifter: Fearless, Pt. II" and "Lady of the Lake". * Apocalypse (2026 | InsideOut Music) A tour de force concept record deepening their heavy prog arrangements, complex meters, and cinematic analog synth textures. EPs & Live Releases * Mantra (2016) & Rise Over Run (2017) – Raw, early independent blues-rock EPs. * White Buffalo (2021) – Exploratory conceptual EP featuring "The Oracle" and "White Buffalo". * Odyssey, Vol. 1 (2021) – Live acoustic and electric showcase recorded in studio. Guitar Style & Instrumental Approach Kevin Comeau’s playing style is anchored by a high-wire, multi-instrumental performance approach that evokes Alex Lifeson and Geddy Lee simultaneously: * Double-Neck Mastery: Frequently deploys Gibson EDS-1275 and custom double-neck guitars (pairing 12-string chime with a 6-string electric, or guitar and bass combinations) to shift seamlessly between lush acoustic-style arpeggios and crushing heavy riffing. * Simultaneous Bass Pedal Work: Powers the duo's colossal low end live by triggering Moog Taurus bass synth pedals and Roland MIDI foot controllers with his feet while navigating intricate guitar passages on his hands. * Rush & Page Influenced Voicings: Heavy use of open string drone chords, ringing suspended fourths, and F# minor/Lydian voicings across high-tempo shifts, marrying Led Zeppelin's blues-riff swagger with Rush's harmonic complexity. * Analog Synth Layering: Weaves modular synthesizers, Mellotron strings, and vintage Minimoog filters directly into lead guitar sections, creating dense, symphonic walls of sound without prerecorded backing tracks. * Dynamic Lead Phrasing: Lead solos balance singing, wide pentatonic bends and blues-rock grit with lightning-fast alternate-picked runs and delay-drenched spacey modulations. CROWN LANDS – Through The Looking Glass (OFFICIAL VIDEO) Taken from the album ‘Apocalypse’ out 15th May 2026 via InsideOutMusic. https://crownlandsmusic.lnk.to/Apocalypse-AlbumID CROWN LANDS - Through The Looking Glass (Official Video)

Lovie Valeska Emerging Instrumental Artist, Groove & Rhythmic Fusion Stylist Biography Lovie Valeska is an emerging independent artist and instrumentalist whose sound bridges contemporary groove-based composition, funk-infused rhythms, and expressive melodic interplay. Operating in the modern era of digital distribution and streaming, Valeska has begun establishing an underground footprint through rhythmically driven solo releases that highlight syncopation, dynamic instrumental layering, and atmospheric tension. Selected Discography & Releases Singles & Standalone Releases * Defiance (June 2026) A driving, attitude-forward instrumental track anchored by punchy rhythmic accents, heavy groove pacing, and assertive lead phrasing. * Capoeas (September 2026) A dynamic, rhythm-centric piece drawing on syncopated movements and percussive melodic textures, blending atmospheric undertones with tight pocket play. Musical Style & Characteristics Valeska's approach centers around rhythm, pocket, and focused instrumental arranging: * Groove-First Foundation: Rhythms rooted in instrumental funk, neo-soul, and modern soul-jazz structures, where the primary focus is locking tightly into the pocket before layering lead lines. * Syncopated Melodic Motifs: Rather than sprawling, speed-focused linear shredding, lines are built around concise, punchy phrases, rhythmic repetition, and space that allow the underlying beat to breathe. * Dynamic Textural Contrast: Combining tight, staccato rhythm figures with sustained, ambient counter-melodies and layered instrumental backdrops. * Modern Minimalist Production: Utilizing crisp, modern digital production aesthetics that emphasize clarity across the low-end groove and crisp top-end transients. My first single Defiance is available now on Spotify, Apple Music, Youtube Music, iTunes, Deezer, Tidal, and other streaming platforms‼️ Lovie Valeska - Defiance [Original]

KOIAI – LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026- Live Blu-ray Release Technical Japanese pop-metal/rock powerhouse KOIAI documents their new era with the live Blu-ray release of KOIAI LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026-. Capturing the full energy of their nationwide tour in support of the 4th EP Starting Over, this release showcases the band's trademark balance of virtuosic fretboard precision, driving rhythms, and infectious melodic hooks across a massive 21-song setlist. Product Formats & Details * Release Date: Wednesday, October 28, 2026 * First Press Limited Edition (初回限定盤): * Format: Blu-ray + B5-size 48-page Live Photo Book * Catalog No.: FRMT-010 * Price: ¥9,500 (tax incl.) * Standard Edition (通常盤): * Format: Blu-ray * Catalog No.: FRMT-011 * Price: ¥7,500 (tax incl.) Tracklist (21 Tracks) * Starting Over * Beep Beep! * Once in a lifetime * Make You Regret * Future of Those Days * 8 am * Take It or Leave It * No More Lies * Straight To My Heart * Slip Through * Just Be My Treasure * Hoax * Inside * Your Socks * Meant to be * Come see me * One More Chance Is Enough * Reboot the Abyss * A New Picture * My Breath * One Way or Another

Max Light Modern Jazz Virtuoso, Monk Competition Finalist & Sophisticated Improviser Biography Max Light is an acclaimed American jazz guitarist and composer based in Brooklyn, New York. Raised in the Washington, D.C. area, Light studied jazz performance at the New England Conservatory in Boston before immersing himself in the vibrant New York City contemporary jazz community. Light gained major international prominence in 2019 when he was awarded second place at the prestigious Herbie Hancock Institute of Jazz International Guitar Competition (formerly the Thelonious Monk Competition). Celebrated for his exceptional harmonic intellect, fluid picking technique, and adventurous linear phrasing, he has become one of the most sought-after guitarists of his generation, performing and recording with luminaries such as Noah Preminger, Jason Palmer, Donny McCaslin, Kirk Knuffke, and Will Vinson. Selected Discography As Leader / Co-Leader * Herplusme (2020 | Red Piano Records) Light's striking debut album as a leader, featuring a powerhouse rhythm section with Julian Shore, Aidan O’Donnell, and Steven Crammer, highlighting his intricate, original contemporary compositions. * Henceforth (2023 | SteepleChase Records) A critically lauded quartet recording alongside tenor saxophonist Noah Preminger, bassist Kim Cass, and drummer Dan Weiss, diving into deep rhythmic counterpoint and complex harmonic improvisations. * Songs of the Moment (Noah Preminger & Max Light Duo) Intimate duo sessions demonstrating his acute dynamic sensitivity, nuanced chordal accompaniment, and fluid conversational interplay. Notable Sideman Appearances * Noah Preminger: Contemptus and Zigsaw: Music of Steve Lampert * Jason Palmer: The Concert: 12 Musings for Melodic Instruments * Kirk Knuffke: Various small-group contemporary jazz sessions Guitar Style & Harmonic Approach Max Light’s playing exemplifies the modern frontier of jazz guitar, blending traditional bebop fluency with avant-garde rhythmic concepts: * Asymmetrical Linear Phrasing: Noted for expansive, uninterrupted single-note lines that weave effortlessly across bar lines, utilizing non-standard interval leaps, chromaticism, and modern triadic pairs. * Microtonal & Expressive Articulation: Seamlessly balances alternate picking with smooth legato lines, incorporating subtle quarter-tone bends, sliding intervals, and natural guitar dynamics that mimic horn-like phrasing. * Metric Modulation & Polyrhythmic Awareness: Frequently collaborates in rhythmically demanding environments (alongside rhythm sections like Dan Weiss and Kim Cass), demonstrating effortless navigation over shifting meters, odd-time groupings, and metric modulations. * Modern Chordal Voicings: Replaces standard root-position jazz chords with wide-interval clusters, quartal voicings, and triad over bass structures that create lush, ambiguous harmonic beds. * Acoustic & Electric Timbral Balance: Favors a warm, articulate, semi-hollow or archtop tone with minimal processing—emphasizing organic string attack, woody low-end response, and pristine clarity for complex chords. #Played on a 1930 Gibson L-5 from The Blue Guitars Archtop Foundation I set up some mics and recorded spontaneously for about 20 minutes, improvising and messing around with some tunes. Here is part of the result. I wanted to get some recordings of this beautiful guitar that I've been living with for a year, on loan from The Blue Guitars Archtop Foundation. Enjoy! Mixed by Alon Benjamini East of the Sun - solo guitar

Paranoid Void Math Rock, Instrumental Post-Rock & Polyrhythmic Artistry from Osaka Biography Formed in Osaka, Japan in 2013, Paranoid Void is a critically acclaimed all-female instrumental math-rock trio comprising guitarist MEGURI, bassist YU-KI, and drummer MIPOW. Self-described as crafting "emotional floating sounds with technical rhythm," the trio quickly established a formidable presence in the international math-rock and post-rock communities through their seamless balance of delicate melodic sensitivity and fiercely complex rhythmic architecture. Gaining early viral momentum with tracks like "Utsuroi", Paranoid Void expanded beyond Japan's club circuit to make significant waves overseas, including a landmark showcase at SXSW in Austin, Texas, tours across North America, and appearances at progressive music festivals such as ArcTanGent in the UK. Operating with uncompromising DIY vision, the trio often integrates striking visual art, dance collaborations, and meticulous self-production into their hypnotic live shows and releases. Selected Discography Studio Albums & Full-Lengths * Literary Math (2017) Their defining debut full-length, featuring signature tracks like "Utsuroi" and "The Beginning of the End", establishing their style of bright, clean guitar counterpoint, nimble bass grooves, and shifting time signatures. * Travels in my universe (2022) A sonically expansive second album blending ambient electronic textures, field recordings, and driving math-rock energy across pieces like "Null" and "01". EPs & Notable Singles * pop hints (2019) – A vibrant mini-album highlighting playful rhythmic syncopation and melodic hooks. * 00 & 01 – Formative early releases that built underground acclaim in the Kansai indie scene. * "Dusk" (黄昏) / "Undefined" – Standalone single releases emphasizing lush spatial delays and polyrhythmic interplay. Musical Style & Instrumental Dynamics Paranoid Void’s sound hinges on the telepathic musical dialogue and balance between all three players: * MEGURI's Clean Tapping & Fingerstyle Guitars: Characterized by crystal-clear, chiming single-coil tones (frequently on Fender Telecasters), MEGURI weaves two-handed fretboard tapping, delicate arpeggio loops, and octave sweeps that outline chord changes without heavy distortion. * Complex Meters & Polyrhythmic Drive: MIRAI's drumming combines ghost-note-laden jazz-fusion articulation with rapid-fire meter modulations (5/8, 7/8, 11/8), locking seamlessly with YU-KI’s melodic, walking basslines. * Dynamic "Floating" Atmosphere: Rather than relying on aggressive distortion crescendos, their dynamic shifts come from subtle volume swells, modulated delays, pristine reverbs, and rhythmic push-and-pull. * Counterpoint Bass Voice: YU-KI treats the bass as an equal lead instrument, trading melody lines with the guitar while anchoring deep groove pockets. Paranoid Void – UK Tour (October 2026) Supporting the New Album Action with Special Guests God Alone Osaka instrumental math-rock power trio Paranoid Void is currently on their UK headline tour in October 2026 in support of their album Action. Joining them on the road across all dates are Cork-based dance-infused math-metal outfit God Alone. UK Tour Schedule * Manchester: Night & Day Cafe – Tuesday, October 6 * London: Oslo – Wednesday, October 7 * Cardiff: Clwb Ifor Bach – Thursday, October 8 * Bristol: Rough Trade Bristol – Friday, October 9 (19:00) * Shipley: The Kirkgate Community Centre – Saturday, October 10 * Glasgow: The Hug & Pint – Sunday, October 11 * Southampton: The Joiners – Tuesday, October 13 Paranoid Void - Will | Live at Montreux Jazz Festival China 2024

SAKI Japanese Heavy Metal Shredder, Seven-String Virtuoso & Songwriter Biography Born in Tokyo, SAKI is one of the most prominent and technically accomplished guitarists to emerge from the contemporary Japanese heavy metal scene. Originally inspired to pick up the guitar after discovering Queen and Seikima-II, she developed a fierce neoclassical foundation paired with extreme modern metal crunch. In 2012, SAKI co-founded the all-female melodic power metal outfit Mary's Blood, serving as their principal shred guitarist, primary riff architect, and composer across six studio albums and international tours. In 2019, she joined forces with British power metal vocal legend Li-sa-X and DragonForce members to launch the all-female metal supergroup NEMOPHILA, showcasing crushing, low-tuned modern 7-string metal until her departure in 2024. In addition to her band projects, she formed the rock/metal duo AMAHIRU alongside DragonForce bassist Frédéric Leclercq and maintains an active solo career and clinic schedule. Selected Discography Solo Releases * BRIGHTNESS (2021) Her high-octane debut solo instrumental single, arranged alongside Frédéric Leclercq, showcasing blistering neoclassical leads and melodic shred mastery. * GERMINANS (2022) Follow-up single and video showcase emphasizing dynamic, hard-hitting rhythmic grooves and expressive lead voicings. With Mary's Blood * Countdown to Evolution (2014) – Major-label debut featuring fast power-metal anthems like "Marionette". * Bloody Palace (2015) – Solidified their signature mix of speed metal and high-energy melodic hooks. * FATE (2016) – Included guest collaborations with Luke Takamura (Seikima-II) and Miki Sun-go (Show-Ya). * Revenant (2018) & CONFESSIONS (2019) – Showcased evolving progressive and hard rock dimensions. * Mary's Blood (2021) – Self-titled full-length marking the group's pre-hiatus creative peak. With NEMOPHILA * REVIVE (2021) – Crushing debut album introducing their twin-guitar modern metal attack. * Seize the Fate (2022) – High-tempo release blending metalcore breakdowns, thrash, and twin-lead harmonies. * EVOLVE (2024) – Modern, riff-heavy evolution featuring aggressive 7-string rhythms. With AMAHIRU * AMAHIRU (2020) – Cross-continental collaboration with Frédéric Leclercq, featuring Mike束 (ex-Soilwork) and guest appearances by Alicia Vigil. Guitar Style & Virtuoso Technique SAKI’s playing stands out for its blend of traditional 1980s Japanese hard-rock heritage and punishing modern 7-string metal: * Strict Alternate Picking & Speed Scales: Piercing, surgical alternate picking executed with stiff plectrums, allowing for clear articulation across high-speed scalar passages, three-note-per-string runs, and pedal-point riffs. * Swept Arpeggios & Neoclassical Cadences: Heavy use of 5-string sweep-picked minor and diminished arpeggios, frequently resolving into wide, singing finger vibrato influenced by classical harmonic progressions. * Low-Tuned 7-String Riffing: Driving, percussive downpicked rhythm work on low-B/drop-tuned 7-string guitars, combining syncopated modern metalcore chugs with thrash-metal gallops. * Vocal Melodic Phrasing: Balanced against technical velocity, her solos emphasize memorable melodic motifs, expressive pre-bends, and harmonized twin-guitar lines. * Rig & Gear: Longtime signature artist with Killer Guitars (playing custom Killer KG-Fascinator Seven the Curse and Fascist models equipped with Seymour Duncan and Fishman Fluence pickups), amplified through Marshall, Kemper, and Peavey high-gain tube rigs. Protect & Display Your Guitar in Style! | SOUNDMAKER MLG-10 Humidity-Controlled Cabinet feat. SAKI

Guthrie Govan The Ultimate Modern Guitar Virtuoso, Fusion Polymath & Transcendent Improviser Biography Born in Chelmsford, Essex, Guthrie Govan is widely regarded as one of the most complete and technically proficient guitarists in the history of the instrument. Playing from the age of three and entirely self-taught by ear, Govan first captured international attention in 1993 when he was named Guitarist magazine's "Guitarist of the Year" with his stunning composition "Wonderful Slippery Thing". He subsequently joined the prestigious faculty of the Guitar Institute and the Academy of Contemporary Music (ACM) and contributed legendary transcription work and columns to Guitar Techniques magazine. Throughout the late 1990s and 2000s, Govan expanded his reach through tenures with progressive rock stalwarts Asia and GPS, followed by the 2006 release of his landmark solo debut, Erotic Cakes. In 2011, alongside bassist Bryan Beller and drummer Marco Minnemann, he formed the genre-defying power trio The Aristocrats. In addition to releasing celebrated fusion works with The Fellowship and Steven Wilson (notably on The Raven That Refused to Sing and Hand. Cannot. Erase.), Govan has served as the premier touring lead guitarist for Hollywood film composer Hans Zimmer's live orchestral productions worldwide. Selected Discography Solo Works * Erotic Cakes (2006 | Cornford Records / JTC Guitar) A masterpiece of modern instrumental electric guitar music. Featuring iconic tracks like "Waves", "Wonderful Slippery Thing", "Fives", and "Sevens", it redefined the standard for chops, compositional depth, and sonic diversity. * West-Coast Grooves (2013 | JamTrackCentral) A collection of soulful fusion and funk-infused jam tracks highlighting his effortless phrasing over diverse rhythmic grooves. With The Aristocrats * The Aristocrats (2011) – The explosive debut featuring staples like "Bad Asteroid" and "Sweaty Knockers". * Culture Clash (2013) – Deepening the trio's eclectic blend of rock, jazz, metal, and avant-garde comedy. * Tres Caballeros (2015) – Recorded at Sunset Sound; features expanded production and intricate textural variety. * You Know What...? (2019) – Highlighted by tracks like "Terrible Lizard" and "The Ballad of Bonnie and Clyde". * Duck (2024) – A high-concept operatic instrumental adventure showcasing virtuosic absurdity and elite musicianship. With Steven Wilson * The Raven That Refused to Sing (And Other Stories) (2013) – Featuring his acclaimed, emotionally searing solo on "Drive Home". * Hand. Cannot. Erase. (2015) – Anchored by dynamic progressive rock interplay and the soaring climax of "Regret #9". Other Notable Projects * Asia: Aura (2001) & Silent Nation (2004) * GPS: Window to the Soul (2006) * The Fellowship: Dreams of a Gypsy (Live jazz-fusion residency cuts) * Hans Zimmer: Hans Zimmer Live (Featured lead guitar soloist on Dune, Gladiator, Inception, and The Dark Knight) Guitar Style & Virtuoso Technique Govan's playing is celebrated not merely for blinding speed, but for complete fretboard literacy, tonal control, and total improvisational freedom across any genre: * Liquid Legato & Sliders: Seamless hammer-ons and pull-offs married to slides and position shifts, creating a continuous, horn-like linear flow across all six strings without pick attack transients. * Effortless Technique Synthesizer: Switches fluidly between strict alternate picking, multi-finger hybrid picking, multi-string sweep arpeggios, and percussive fretboard tapping within a single bar. * Advanced Harmonic Language: Capable of superimposing complex modal colors—melodic minor modes, whole-tone scales, altered dominants, and chromatic enclosures—over standard rock and blues progressions while retaining deep melodic intention. * Expressive Pitch Control & Bends: Surgical intonation on multi-step bends, pre-bends, and microtonal vocal inflections, complemented by tasteful manipulation of a non-locking floating tremolo bridge. * Signature Rig & Gear: Signature Charvel MJ / USA Guthrie Govan models featuring caramelized basswood/ash bodies, bird's-eye maple necks, custom Charvel/MF humbuckers, and a recessed locking tremolo with Tremol-No; paired with Victory Amplification heads (such as the V30 The Countess / Super Kraken). Guthrie Govan Guitar Clinic | Fast Picking, Tapping, Improvisation & Technique | 2005

Li-sa-X & Akarin Japanese Guitar Virtuosity: From Groundbreaking Prodigy to the Next Generation Li-sa-X (リサX) Biography Born in 2005, Li-sa-X took the global guitar community by storm at age eight with her viral, note-perfect rendition of Racer X’s "Scarified", earning praise directly from Paul Gilbert and Marty Friedman. Making her major-label debut with Sony Music Japan at age twelve and becoming the youngest artist to perform at Japan's Summer Sonic Festival, she has transitioned from a child prodigy into a premier voice in modern progressive rock and technical pop-metal as the co-founder and lead guitarist of KOIAI. Key Releases & Discography * Serendipity (2017 | Sony Music) – Debut solo EP featuring a collaboration with Paul Gilbert. * WILL (2018 | Sony Music) – Full-length solo album featuring Billy Sheehan and Matt Bissonette. * KOIAI EPs: Love at First Sight (2023), Deep & Shallow (2024), Starting Over (2026). * KOIAI Live: LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026- (Blu-ray). Playing Style & Technique * Paul Gilbert-Style Alternate Picking: Clean, strict, and precise inside/outside picking across string jumps at extreme tempos. * Cross-Fretboard Sweeping & Tapping: Flawless multi-string arpeggio cascades seamlessly paired with two-handed polyphonic tapped accents. * Neoclassical Melodic Phrasing: Rooted in Bach and Vivaldi themes, tempered with vibrant modern J-rock and progressive pop sensibilities. * Gear: Signature Ibanez RG models with Seymour Duncan pickups, running through modern digital rigs and high-gain tube amplifiers. Akarin (あかりん / akarin's guitar) Biography Akarin is a ten-year-old Japanese guitar sensation whose channel akarin's guitar has captivated audiences worldwide. Demonstrating an astonishing grasp of touch, dynamics, and advanced repertoire far beyond her years, she has tackled complex instrumental masterpieces by Eric Johnson, Mateus Asato, Guthrie Govan, and Andy Timmons. Her talent led to notable live collaborations with fellow young virtuoso drummer YOYOKA as well as a memorable surprise in-studio session with her musical hero, Li-sa-X. Notable Covers, Collaborations & Originals * "omoide" (思い出) (2026) – Her heartfelt original instrumental composition showcasing mature melodic voice-leading. * "Electric Gypsy" (2026 | Live Cover) – High-profile studio collaboration featuring drummer YOYOKA and bassist Yoshi Sasaki, tackling Andy Timmons' expressive classic. * Key Repertoire Showcases: Note-for-note performances of Eric Johnson’s "Cliffs of Dover", Guthrie Govan’s "Wonderful Slippery Thing", and Mateus Asato arrangements ("Empty Hands", "How Deep Is Your Love"). Playing Style & Touch * Dynamic Touch & Edge-of-Breakup Nuance: Unlike many players who rely on compressed high gain, Akarin excels with clean-to-crunch dynamics, using pick pressure and fingers to draw sweet, singing sustain. * Expressive Vocal Vibrato & Bending: Precise microtonal bends, oblique bends, and smooth, wide vibrato directly inspired by players like Andy Timmons and Mateus Asato. * Hybrid Picking & Double-Stops: Fluid integration of pick-and-fingers to execute articulate chord-melody intros, snappy country-style runs, and clean pentatonic turnarounds. Li-sa-X Surprises a Talented 10 Year Old Guitarist! Chapter 00:00 Introduction 00:18 Opening / Explanation of the prank 01:10 The guitarist Akarin wants to meet 01:48 Hidden camera 02:15 Disguising as staff 03:09 Akarin arrives 03:25 Ready to infiltrate 03:47 Staff Li-sa-X infiltrates ① 04:43 After infiltration ① 05:22 Staff Li-sa-X infiltrates ② 06:12 After infiltration ② 06:23 Filming the fake opening 06:51 Disguise Removed ~ Standby 07:39 Heading to the Prank 08:28 Prank!! 09:33 Actually, There’s One More Surprise 10:04 Behind-the-Scenes Footage 10:27 Seated (Talk & Performance) 12:28 Song Performed Together 13:41 Polyphia Champagne: Dream Collaboration 15:20 Closing Li-sa-X Li-sa-X

Take a look inside a real-world session at the legendary Village studios in Los Angeles. In this video, I walk you through the practical process of building guitar parts in real time—from choosing the right tone and gear to reading charts and making quick musical decisions! The Real Work of a Session Guitarist (It's Not Chops) The Real Work of a Session Guitarist (It's Not Chops)

Today I'm teaching a super crazy Jazzy BeBop line on my Patreon page. This was me warming up for it and a short example of some of the ideas I'm sharing. There are tabs for the lick plus if you join up you will gain access to my entire library of lessons tabs and backing tracks. Guitar & Synth Dual Melodic Improv with a side of Shred Melofty Pedal / Axom Max – Live Demo Track Single-Take Live Demonstration of the Hybrid Audio Processor Here is the full demo track I wrote for the Melofty pedal performed live to camera. I tried to balance showcasing a variety of sounds whilst trying to make it flow as one cohesive piece. Below is a breakdown of the tones created throughout the track, which you can follow in the timeline. This is to clarify exactly what is being played live and what you are hearing. For instance, where it indicates Guit&Organ, everything is generated simultaneously from a single 1/4" jack cable directly out of the pedal. The intro sound is sourced straight from the hardware unit (with just a few background FX added for dramatic ambience), and the sequenced arpeggiator runs natively from the pedal engine. Pretty powerful stuff! Hybrid Audio Processing & The Axom Max Ahead of the official launch, it would be great to hear your thoughts: What do you think a Hybrid Audio Processor means or represents? And based on this demo, what do you envision the Axom Max being capable of in real-world rigs? The goal was to present a wide sonic cross-section—from traditional guitar tones to dense synth patches and experimental hybrid textures in between. The real fun always begins once gear hits the wild and sound designers push it into unexpected territory. Deep Dives & Patch Breakdowns In the coming weeks, follow-up videos will break down each custom patch and the sound-design workflow behind them. Drop your questions, thoughts, and patch queries in the comments below, and the most compelling ones will be tackled in the upcoming Q&A. Stay tuned—official release dates and launch details will be announced as soon as they are locked in! Exploring New Sonic Worlds #Melofty

George Bellas Neoclassical Virtuoso, Progressive Composer & Architectural Guitarist Biography Known as "The Maestro of Metal" and a self-described "futuristic neoclassicalist," George Bellas is an American guitar virtuoso, composer, and educator. Picking up the instrument at age seven, Bellas underwent an obsessive, disciplined practice regimen that led to extraordinary technical command on the fretboard. In the mid-1990s, his compositions and technical prowess caught the attention of Mike Varney, resulting in a recording contract with Shrapnel Records. In 1997, Bellas released his landmark Shrapnel debut, Turn of the Millennium, followed swiftly by Mind Over Matter in 1998. Beyond his solo career, Bellas has collaborated extensively with prominent progressive and hard rock projects, including recording the album Edge of the World with UFO's Phil Mogg and Pete Way (as Mogg/Way), tracking lead guitars on The Oracle with Mark Boals and Vitalij Kuprij in Ring of Fire, and releasing expansive conceptual solo albums on European label Lion Music. Selected Discography Solo Instrumental Albums * Turn of the Millennium (1997, Shrapnel Records) A complex, futuristic debut featuring intense guitar improvisation, asymmetric meters, dense modern counterpoint, and technical showcase cuts like "Ripped to Shreds". * Mind Over Matter (1998, Shrapnel Records) A direct homage to classical forms, counterpoint, and baroque themes, composed note-for-note on manuscript paper and featuring bassist Deen Castronova on drums. * Venomous Fingers (2003, Lion Music) Marking his move to Lion Music, blending aggressive neoclassical speed with intricate fusion sensibilities. * Planetary Alignment (2008, Lion Music) A science-fiction-themed progressive metal journey pairing intense shred mechanics with expansive symphonic synthesizers and complex polyrhythms. * Step Into the Future (2009, Lion Music) An epic conceptual release anchored by the colossal 77-minute titular single continuous composition. * The Dawn of Time (2010, Lion Music) Featuring drummer Marco Minnemann, blending ultra-dense neoclassical runs with extreme progressive meters. * Astral Projection (2013, Lion Music) & Colonizing the Stars (2018) Modern solo installments continuing his deep exploration of astronomy, futuristic themes, and avant-garde composition. Collaborations & Projects * Mogg/Way – Edge of the World (1997) – Lead guitar alongside UFO alumni Phil Mogg and Pete Way, plus drummer Aynsley Dunbar. * Ring of Fire – The Oracle (2001) – Lead guitar alongside vocalist Mark Boals, keyboardist Vitalij Kuprij, and drummer Virgil Donati. Guitar Style & Compositional Approach George Bellas treats the electric guitar as both an orchestral voice and an instrument of limitless physical speed: * Strict Counterpoint & Part-Writing: Deeply grounded in the polyphony of J.S. Bach, Beethoven, and Liszt, Bellas crafts multi-voiced independent lines, canons, and two-handed contrapuntal ideas rather than standard single-line shred. * Futuristic Progressive Elements & Odd Meters: Heavy use of complex time signatures (such as 5/8, 7/8, 11/16), polyrhythms, metric modulations, and uncommon synthetic modes alongside classical minor harmony. * Hyper-Speed Sweeping & Picking Precision: Impeccable sweep-picked arpeggios that span across 5 and 6 strings, combined with rapid alternate-picked scalar lines, pedal-point patterns, and wide intervallic skips. * Paper-First "Architectural" Writing: Bellas frequently scores entire compositions note-for-note on manuscript paper away from the instrument before recording, approaching guitar solos not just as jams, but as structural extensions of melodic themes. * Rig & Gear: Predominantly customized Fender Stratocasters (often equipped with scalloped fretboards and high-output pickups) paired with cranked Marshall and boutique tube amplification. George Bellas Throwback Thursday From the MI Vault 11/15/2007

A short guitar session exploring a silky, smooth guitar tone while I’m busy producing a new original song for my upcoming EPs This jam is all about a warm, expressive guitar tone, melodic phrasing, smooth legato, controlled dynamics and improvisation. Just a small glimpse into the kind of tones and ideas I’ve been experimenting with while working on my next song. Currently spending most of my time writing, recording and producing the new track, but sometimes you just have to stop and play. This is one of those moments. If you love silky guitar tones, smooth lead guitar, guitar improvisation, fusion guitar, melodic playing and guitar tone exploration, you’re in the right place. Coming very soon - Eutopian Nightmare https://distrokid.com/hyperfollow/dibbo/eutopian-nightmare IS THIS GUITAR TONE SILKY ENOUGH??

Impellitteri High-Velocity Neoclassical Speed Metal & Power Metal Biography Formed in Los Angeles in 1987 by shred guitar virtuoso Chris Impellitteri, Impellitteri stands as one of the fastest and most enduring heavy metal acts in neoclassical power metal. That same year, the group debuted with their legendary self-titled "Black EP," introducing Chris's blistering alternate picking alongside powerhouse vocalist Rob Rock. In 1988, ex-Rainbow/Alcatrazz frontman Graham Bonnet joined to record the chart-topping full-length Stand in Line, securing massive international recognition, particularly in Japan where the band achieved multi-platinum and arena headliner status. Rob Rock returned in the early 1990s, cementing a decades-long partnership with Chris Impellitteri and long-time bassist James Pulli. Over nearly four decades, the group has retained its fierce devotion to blistering tempo, virtuosic mechanics, and driving melodic anthems. Selected Discography Full-Length Studio Albums * Stand in Line (1988) – Breakthrough LP featuring Graham Bonnet, Pat Torpey, and Chuck Wright; includes the title track and their fiery rendition of "Over the Rainbow". * Grin and Bear It (1992) – A bluesy hard-rock pivot with vocalist Rob Vanni. * Answer to the Master (1994) – Rob Rock's triumphant return to the fold, establishing their trademark high-speed power metal attack. * Screaming Symphony (1996) – Widely heralded as a genre masterpiece; home to shred classics like "17th Century Chicken Pickin'" and "Rat Race". * Eye of the Hurricane (1997) – Expanding into grandiose symphonic and epic songwriting textures. * Crunch (2000) – Experimented with detuned, heavier modern metal rhythms coupled with lightning-fast neoclassical lead work. * System X (2002) – A celebrated reunion album with Graham Bonnet on lead vocals. * Pedal to the Metal (2004) – Aggressive, driving release featuring singer Curtis Skelton. * Wicked Maiden (2009) – Rob Rock's return to the group, initiating a modern renaissance for the band. * Venom (2015) – Punchy, aggressive modern production showcasing some of Chris’s most demanding speed runs. * The Nature of the Beast (2018) – Hard-hitting power metal highlighted by blazing originals and a speed-metal cover of Black Sabbath's "Symptom of the Universe". * War Machine (2024) – Powerhouse outing featuring Slayer/Kerry King drummer Paul Bostaph behind the kit alongside Rock, Pulli, and Impellitteri. Key EPs * Impellitteri ("The Black EP") (1987) – Raw, incendiary 4-track debut introducing the metal underground to Chris's hyper-speed picking. * Victim of the System (1993) – Critically acclaimed transitional EP setting up the core 1990s sound. * Fuel for the Fire (1997) Guitar Style & Virtuoso Technique Chris Impellitteri is consistently recognized alongside Yngwie Malmsteen and Paul Gilbert as one of the fastest and most technically disciplined guitarists in rock history: * Hyper-Speed Alternate Picking: Impellitteri's signature trait is relentless, synchronized strict alternate picking executed with surgical clarity at tempos exceeding 200+ BPM, utilizing forearm rotation and wrist efficiency with stiff, heavy plectrums. * Neoclassical Scale Vocabularies: Deep utilization of harmonic minor, Phrygian dominant, diminished 7th arpeggios, and multi-octave minor runs inspired by classical composers like Vivaldi and Bach. * Hybrid "Chicken Pickin'" Fusion: Uniquely showcased on instrumentals like "17th Century Chicken Pickin'", blending country telecaster-style snap and double-stop twang into neoclassical metal phrasing. * Aggressive Heavy Riffing: Unlike many shredders whose rhythms take a backseat to solos, Chris anchors tracks with tight, percussive, palm-muted thrash and speed metal riffage. * Rig & Gear: Custom Charvel and Fender Stratocaster-style superstrats equipped with Floyd Rose tremolos and high-output humbuckers, pushed through modified vintage Marshall and ENGL tube amplifier heads. From the album "War Machine" out November 8, 2024 Pre-order/pre-save here: https://ffm.to/impellitteriwarmachine Impellitteri - "Wrath Child" - Official Video

Darren Housholder Shrapnel Records Virtuoso & Hard Rock Guitarist Biography Darren Housholder emerged during the golden era of high-octane guitar virtuosity in the late 1980s and early 1990s. Initially gaining underground acclaim through local circuits and instructional columns, he caught the ear of legendary talent scout and producer Mike Varney, joining the prestigious roster of Shrapnel Records. Between 1992 and 1995, Housholder released a celebrated trilogy of instrumental solo albums through Shrapnel that cemented his reputation among technical guitar aficionados. In addition to his solo catalog, he joined the hard rock outfit Love/Hate in the mid-1990s, recording on their 1993 studio release Let's Rumble and touring extensively with the group before returning to his solo and session pursuits. Selected Discography Solo Albums * Darren Housholder (1992, Shrapnel Records) A powerhouse debut featuring blistering shred anthems, bluesy hard-rock grooves, and classical-leaning runs. Key tracks include "Cakewalk", "Noodle Surprise", and "Pedal to the Metal". * Generator Man (1993, Shrapnel Records) Expanding into heavier riffs and tighter dynamic arrangements, featuring guest performances from luminaries like bass virtuoso Tony Franklin. * Symphonic Aggression (1995, Shrapnel Records) A culmination of his neo-classical leanings paired with raw 1990s guitar crunch and melodic speed. With Love/Hate * Let's Rumble (1993) – Lead guitar Playing Style & Technique Housholder's technique bridges the gap between late-80s neo-classical shred and groove-heavy American hard rock: * Alternate & Economy Picking: Known for strict, razor-sharp pick attack on rapid-fire scalar runs and pentatonic sequence turnarounds. * Sweep Picking & Arpeggio Sequences: Clean, precise multi-string sweeps reminiscent of the Shrapnel stable, often transitioning abruptly into aggressive pentatonic bends. * Blues-Rock Inflection: Unlike purely classical-focused shredders, Housholder routinely incorporates greasy blues hooks, double-stops, and aggressive vibrato into high-tempo passages. * Rhythmic Drive: Strong emphasis on syncopated hard-rock riffs and punchy rhythmic cadences beneath lead solos. Men at work, not a polished performance working on the getting the melodies in my head transferred to the Guitar with the right amount of aggression you can see I'm kind of soul-searching as I'm playing the parts. I know what they are in my head just getting my fingers to respond! It's great to be working on a song you hear it in your head in the morning and it's almost a sad day when you finish it because it's done it's over .... It's actually a fucking relief when you can stop pounding the same nail into the wood when it finally is finished and you can move onto something new .... I'd love the guitar. I love making music New song working on the melodies Destin, beautiful storm

Doppelgänger Progressive Instrumental Metal, Extended-Range Fretboard Choreography & Polyrhythmic Fusion Biography & Project Overview Doppelgänger is an instrumental progressive metal and technical fusion outfit operating at the cutting edge of modern extended-range guitar music. Conceived as a vehicle to explore dense metric modulations, advanced harmonic counterpoint, and technical virtuosity, the project bridges the mathematical intricacy of modern djent and math-rock with the melodic freedom of contemporary jazz-fusion. Known among guitar enthusiasts and the technical metal community for relentless fretboard dexterity and cerebral song structures, Doppelgänger emerged into broader prominence through high-level playthrough showcases and standalone technical compositions. Their evolution culminates in their landmark release, In The Mind's Eye, featuring the standout technical centerpiece "Umbra"—a track that exemplifies their mastery of complex rhythmic displacement and surgical picking techniques. Musical Instrumentation & Technical Signature Selective Picking & Hybrid Articulation Showcases extraordinary control over selective picking—a modern technique blending strict plectrum strikes with percussive left-hand hammer-ons from nowhere. This allows blistering arpeggiated figures and string-skipping sequences to be articulated with sharp, uncompressed clarity. Extended-Range Fluency (7 & 8-String Guitars) Commands multi-scale, extended-range instruments to seamlessly transition between low-register polyrhythmic grooves and soaring, high-register melodic lines across unconventional chord voicings. Metric Modulation & Polyrhythmic Frameworks Compositions are built upon shifting time signatures, displaced downbeats, and polymetric phrasing, challenging listeners with intricate rhythmic motifs that resolve into fluid melodic hooks. Tone Architecture & Gear Profile Utilizes custom headless and multiscale instruments (notably Kiesel Guitars) equipped with articulate, high-clarity passive or active pickups, routed through modern digital profiling platforms dialed for punchy mid-range definition, crisp transient attack, and expansive ambient stereo delays. Project Profile & Musical Direction Genre & Stylistic Identity Progressive Instrumental Metal, Djent, Math-Fusion, Modern Tech-Metal. Aesthetic & Compositional Ethos Focuses on pure instrumental storytelling, prioritizing uncompromised technical execution, sophisticated harmonic voice leading, and dynamic contrast without relying on conventional vocal hooks. Production Workflow Engineered with modern digital precision, combining pristine direct-in guitar tracking, programmed and acoustic hybrid drum layering, and hyper-defined bass frequencies that lock tightly to complex kick-drum patterns. Album Feature: In The Mind's Eye In The Mind's Eye (Featured Release) An expansive, technically demanding progressive instrumental release that serves as a definitive statement of the project's sonic vision. Built around cerebral themes of perception, introspection, and structural complexity, the record balances heavy, syncopated riffing with delicate ambient clean interludes. Key Highlight: "Umbra" The flagship technical showpiece of the release, celebrated for its intricate selective-picking riffs, dizzying time changes, and relentless rhythmic momentum. "Umbra" stands out as a masterclass in modern progressive metal composition, pairing aggressive low-end punch with singing, expressive lead voice leading. "Umbra" from our new album "In The Mind's Eye" https://distrokid.com/hyperfollow/doppelganger/in-the-minds-eye CD Bandcamp https://doppelgangerqc.bandcamp.com/album/in-the-minds-eye Follow our socials - https://linktr.ee/doppelganger_ Filmed / edited by Joe Gibbs @WhitePigeonCreative Mixed by Nick Riggs Mastered by Joel Wanasek Drums written by Anup Sastry Doppelganger - Umbra (Official Video) Doppelganger - Terminus (Official Video) Doppelganger - Belladonna (Official Video) Doppelganger - Anjin (Official Video) Doppelganger - For Those Who Come After (Official Music Video)

Marin Miyazawa (宮澤茉凜) Japanese Rock Virtuoso, Twin-Lead Melodicist & Former LoVendoЯ Guitarist Biography & Career Overview Born April 10, 1993, in Miyagi Prefecture, Japan, Marin Miyazawa is an electric guitarist, composer, and arranger known for her technical precision, high-energy stage presence, and affinity for hard rock and heavy metal. Beginning classical piano in her childhood before picking up electric guitar at age 16, she quickly developed a deep passion for 1980s shred, heavy metal riffing, and game music soundtracks. In 2012, Miyazawa auditioned for the nationwide "Morning Musume Vocalist & Guitarist Audition" conducted by Up-Front Agency, winning the guitarist slot out of approximately 4,000 applicants alongside fellow guitarist Yuki Uozumi and vocalists Reina Tanaka and Marina Okada. Together they formed the pop-rock quartet LoVendoЯ (ラベンダー), debuting in 2013. Across her years with LoVendoЯ, Miyazawa established herself as the band's technical anchor, delivering searing, neoclassical-influenced guitar solos that earned high acclaim across Japanese guitar publications such as Young Guitar. Following LoVendoЯ's hiatus in 2019, Miyazawa continued her musical journey as a solo recording artist, composer, gaming entertainer, and session player. Musical Instrumentation & Technical Signature High-Velocity Alternate Picking & Neoclassical Phrasing Exhibits clean, highly articulated picking hand mechanics, effortlessly navigating high-speed scalar sequences, harmonic minor runs, and twin-lead harmonies rooted in classic hard rock and heavy metal. Dynamic Whammy Bar Articulation & Wide Vibrato A master of double-locking vibrato systems, frequently incorporating dive-bombs, aggressive harmonic squeals, and wide, vocal-like vibrato to punctuate climactic solo passages. Arpeggio Sweeping & Tapping Fluency Regularly integrates multi-octave sweep-picked major and minor arpeggios, two-handed fretboard tapping, and string-skipping sequences into melodic solo arrangements. Guitars & Signature Gear A prominent artist associated with ESP Guitars and high-performance Superstrat instruments, famously favoring custom-finished ESP Snapper models, Edwards double-cuts equipped with Floyd Rose tremolos and Seymour Duncan humbuckers, routed through Marshall, Kemper, and Hughes & Kettner high-gain amplification. Bands, Formations & Collaborative Projects LoVendoЯ (2012–2019) The flagship all-female rock outfit fronted by Morning Musume legend Reina Tanaka and Marina Okada, driven by the dual-guitar engine of Marin Miyazawa (lead) and Yuki Uozumi (rhythm/lead). The group released several chart-placing EPs and singles, touring extensively across Japan and performing at major events like the J-Pop Summit in San Francisco. Young Guitar Features & Demonstrations Frequently featured in Japan’s premier guitar publication Young Guitar, participating in technique seminars, gear demonstrations, and clinic videos highlighting contemporary rock technique. Solo Projects & Digital Content Creation Produces independent instrumental music, game soundtrack covers, and creative livestreaming content bridging modern anime/gaming culture with virtuoso guitar playing. Selected Discography & Key Releases With LoVendoЯ LoVendoЯ Cover The Songs (2013) The band's debut mini-album featuring hard-rock interpretations of classic Japanese pop and rock staples, spotlighting fiery dual-guitar arrangements on tracks like "Ameagari no Yozora ni". Bukiyō (不器用) (2014) Second mini-album highlighting an expanded hard-rock edge and original songwriting, featuring "Bukiyō" and "Muse". Ikujinashi (イクジナシ) (2014) Third mini-album driving deeper into aggressive rock and melodic guitar counterpoint, featuring the driving lead single "Ikujinashi". Ii n Janai? / Futsuu no Watashi Ganbare! (2015) Major-label debut double-A-side single under Zetima/Up-Front Works, showcasing polished pop-rock arrangements and punchy solo work. Takaramono / Itsuwari (2016) Second major single showcasing dynamic twin-guitar interplay, emotive power ballads, and driving tempo shifts. LOVE GiRL (2017) Fourth mini-album featuring mature pop-rock songwriting and intricate melodic lead guitar passages across tracks like "Cinderella Time". Solo & Video Game Collaborations Original Instrumental Works & Game Covers Compositions and video game soundtrack tributes highlighting technical heavy metal phrasing, synthesizer sequencing, and modern lead guitar production. Marin Miyazawa has released an instrumental track she composed herself. This fourth track is titled "PLAYER." She plans to Miyazawa Marin ~Solo~ "Moment" Composition: Miyazawa Marin Arrangement: Takahashi Yuichi Marin Miyazawa releases her own instrumental compositions. The third track is "Moment"!! She will continue to release her own instrumental tracks in the future. Stay tuned! Solo track #1 "Answer" → • Marin Miyazawa's solo career begins! "Answer" Composed by Marin Miyazawa, Arranged by Yuichi Takahashi. Miyazawa Marin ~Solo~ "Moment" Composition: Miyazawa Marin Arrangement: Takahashi Yuichi Marin Miyazawa has released an instrumental track she composed herself. This fourth track is titled "Poker face." She plans to Miyazawa Marin ~Solo~ "Moment" Composition: Miyazawa Marin Arrangement: Takahashi Yuichi

Wes Hauch Modern Death Metal Riff Architect, Precision Legato Master & Alluvial Bandleader Biography & Career Overview Wes Hauch is an American heavy metal guitarist, composer, and producer widely regarded as one of the finest technicians and riff architects in modern technical death metal and progressive extreme music. Hauch first vaulted onto the international stage in 2012 when he joined technical death metal trailblazers The Faceless, tracking guitars and co-arranging material on their landmark progressive effort Autotheism. Following his tenure with The Faceless, Hauch established himself as one of the most prolific players in extreme music, performing and touring with outfits such as Black Crown Initiate and Australian deathcore juggernauts Thy Art Is Murder. In 2016, he joined forces with drummer Keith Merrow to launch Alluvial, which evolved from an instrumental project into a crushing, groove-dense death metal powerhouse under Nuclear Blast Records. A revered educator and clinician, Hauch has also lent high-profile guest solos to acts across modern metal, including Periphery, Devin Townsend, Polyphia, Austrian Death Machine, and Enterprise Earth. Musical Instrumentation & Technical Signature Rhythm Tightness & Picking Precision Celebrated for an exceptionally tight, relentless down-picking and alternate-picking rhythm hand, executing syncopated palm-muted riffs, polymetric grooves, and jagged down-tuned death metal patterns with metronomic accuracy. Allan Holdsworth-Influenced Legato Phrasing In sharp contrast to standard metal shred tropes, Hauch's lead style is deeply rooted in wide-interval, saxophone-like legato runs, chromatic passing lines, and whole-tone / symmetrical scale shapes executed with fluid left-hand dynamic control. Dynamic Solo Architecture & Hybrid Picking Weaves expressive blues-inflected vibrato and microtonal bends into high-speed technical passages, incorporating hybrid picking to navigate wide string skips without pick friction. Signature Instruments & Gear Architecture An official Ibanez artist famously known for his custom and signature Ibanez Iceman 7-string guitars (equipped with his signature Seymour Duncan "Jupiter" rail humbucker pickups), run through high-gain tube amplifiers (Peavey 5150, EVH, Revv) and modern digital profiling rigs (Fractal Audio Axe-Fx / Quad Cortex). Bands, Formations & Notable Tenures Alluvial (2016–present) His primary creative vehicle, originally co-founded with Keith Merrow as an atmospheric instrumental project before transforming into a full four-piece death metal group fronted by vocalist Kevin Muller, currently signed to Nuclear Blast Records. The Faceless (2012–2014) Served as lead/rhythm guitarist alongside Michael Keene, performing on and co-writing portions of the critically acclaimed progressive/technical death metal album Autotheism. Black Crown Initiate (2014–2016) Toured and recorded as lead guitarist, contributing his unmistakable solo work to the progressive death metal LP Selves We Cannot Forgive. Thy Art Is Murder & The Black Dahlia Murder High-profile live touring guitarist for Thy Art Is Murder and trusted live festival/tour fill-in for melodic death metal pioneers The Black Dahlia Murder. Selected Discography & Releases With Alluvial The Deep Longing for Annihilation (2017) Formative instrumental progressive death metal debut composed with Keith Merrow, featuring blistering lead workouts and dark, subterranean grooves. Sarcoma (Nuclear Blast, 2021) The breakthrough sophomore album introducing vocals via Kevin Muller; widely praised for tracks like "Ulysses," "Thy Underling," and "The Putrid Sunrise." Death Is But a Door (EP) (Nuclear Blast, 2024) A relentless, razor-sharp four-song assault showcasing expanded technicality, vicious riffing, and atmospheric soloing on cuts like "Bog Dweller" and "Death Is But a Door." With The Faceless & Black Crown Initiate The Faceless – Autotheism (Sumerian Records, 2012) Key technical milestone featuring his rhythm tracking and expressive solo contributions across tracks like "The Eidolon Reality" and "Autotheist Movement." Black Crown Initiate – Selves We Cannot Forgive (eOne Music, 2016) Full-length progressive death metal studio recording featuring Hauch's fluid lead phrasing and harmonic textures. Selected Guest Solo Appearances Periphery – "Mile Zero" (Periphery II: This Time It's Personal, 2012) Delivered one of modern progressive metal's most celebrated guest solos—a blazing, emotionally charged technical masterclass. Polyphia – "Aviator" (Muse, 2014) Contributed a blistering, high-speed alternate-picking and sweep-arpeggio guest solo. Austrian Death Machine – Triple Brutal (2014) / Enterprise Earth – Luciferous (2019) Featured guest lead guitar contributions on key technical deathcore and metal releases. Wes Hauch Signature Guitar ICWH727 | Ibanez

Meteor" from my upcoming album Thoughts Of A Crow. Written, recorded and filmed at a feverish pace over a couple of gloriously sunny Long Beach summer days. My first solo CD is available at https://leewertman.bandcamp.com/ Lee Wertman American Instrumental Guitarist, Guitar Synthesizer Specialist & Jazz-Fusion Composer Biography & Career Overview Lee Wertman is an American electric guitarist, composer, and multi-instrumentalist associated with modern jazz-fusion, instrumental rock, and guitar synthesis. Wertman first gained recognition among guitar aficionados and instrumental fusion audiences through his association with shred and fusion icon Greg Howe. During the recording of Howe’s landmark 1994 Shrapnel Records release Uncertain Terms—an album where Howe tracked almost every instrument himself—Wertman was invited to contribute as the sole guest soloist on the record. His expressive guitar synthesizer solo on the high-energy fusion track "Run with It" stood out as a signature moment on the album, cementing his reputation as an adventurous harmonic player capable of weaving complex synthesized textures with guitar phrasing. In subsequent years, Wertman continued composing and recording independently, releasing solo works such as the 2023 instrumental album Particles. Musical Instrumentation & Technical Signature Guitar Synthesis & MIDI Tracking A dedicated practitioner of guitar synthesizer technology (notably featured on Greg Howe’s Uncertain Terms), executing fluid horn and synth-lead lines using guitar fingerboard mechanics, pitch bending, and dynamic tracking. Jazz-Fusion Phrasing & Modal Improvisation Employs modern fusion linear vocabulary, navigating complex chord substitutions, chromatic passing tones, and extended arpeggios across high-tempo grooves and progressive instrumental vamps. Touch Dynamics & Sound Design Blends conventional electric guitar overdrive with layered ambient pads, brass-like synth leads, and sequenced textures, bridging traditional rock guitar tone with modern electronic sound design. Multi-Instrumental Arranging Composes and produces self-contained instrumental works, layering electric guitars, synth modules, and programmed rhythm sections. Collaborations & Projects Collaboration with Greg Howe (Shrapnel Records Era) Wertman's most notable recording milestone, providing the featured guest guitar synthesizer solo on the track "Run with It" from Howe's acclaimed 1994 jazz-fusion/instrumental rock album Uncertain Terms. Solo Recording & Independent Production Operates as an independent recording artist and composer, tracking instrumental and fusion material across self-released projects. Selected Discography & Key Releases Solo Releases Particles (2023) His full-length independent instrumental studio album blending jazz-rock, fusion grooves, and melodic themes across 12 tracks, including "Her Black Jacket," "Red Bug," "Amber Fire Sky," "Murcielagos," and "Soquoi". Notable Guest Appearances Greg Howe – Uncertain Terms (Shrapnel Records, 1994) Featured guest soloist (guitar synthesizer solo) on Track 3: "Run with It". "Meteor"- Lee Wertman

ROCK FUJIYAMA is releasing new merchandise for the first time in 4 years! Please use them in your daily life! https://suzuri.jp/Rock_Fujiyama Jack Gardiner's masterful phrasing shines through, transcending the boundaries of fusion.

Yasi Hofer: Summer Stadium Tour & Dual-Production Recap 6 Weeks, 750,000+ Fans, Helene Fischer 360° Stadiums & No Angels Crossover Summer Stadium Tour Overview German virtuoso guitarist Yasi Hofer has checked in with an extensive behind-the-scenes summer tour recap following an intense six-week run across Germany's largest stadium venues. Anchoring the lead guitar position for the massive Helene Fischer 360° Stadium Tour, Hofer performed before more than 750,000 attendees, navigating nightliner travel, relentless logistics, and high-octane stadium production. Balancing one of Europe’s largest pop-spectacle productions with parallel festival dates, Hofer frequently spent her off days crossing directly into the touring camp of pop outfit No Angels, juggling two demanding live productions back-to-back across the summer season. Tour Highlights & Dual Productions Helene Fischer 360° Stadium Tour A headline stadium run spanning six weeks, performing in the round across major German sports arenas with an aggregate attendance surpassing 750,000 spectators. No Angels Concurrent Dates Direct travel between stadium off-days to perform as touring lead guitarist for No Angels, doubling tour duties and coordinating between disparate sets, stage environments, and rigs. Upcoming Studio Album & Trio Tour Transitioning immediately from stadium duties back into the studio to complete her forthcoming solo album, alongside preparations for upcoming live dates with the Yasi Hofer Trio. Endorsements & Touring Rig Architecture Special acknowledgment and official touring support provided by key industry partners: * Guitars: Ibanez Guitars (notably AZ series models) * Amplification & Digital Modeling: Kemper Profiler * Strings: Elixir Strings & D’Addario * Cabling & Audio Infrastructure: Klotz Cables Official Dates & Artist Channels Tour Dates & Ticketing www.yasihofer.com/concerts Patreon Community (Exclusive Content) @hofer on Patreon Official Newsletter www.yasihofer.com/newsletter/ My CRAZIEST Summer Yet! 750,000+ People & Germany’s Biggest Stadiums

Portraits Vaguely Western new album preorder: https://www.sheethappenspublishing.com/collections/portraits Portraits Modern Progressive Instrumental Metal, Microtonal Phrasing & Math-Fusion Soundscapes Biography & Formation Overview Portraits is an instrumental progressive metal and math-fusion collective spearheaded by virtuoso guitarists and composers Joshua De La Victoria and Joseph Anidjar. Emerging out of the modern North American progressive guitar movement, the project was forged to explore unconventional rhythmic subdivisions, extended harmonic structures, and intricate dual-guitar counterpoint without falling into formulaic djent or shred tropes. Supported by elite modern prog players—including bassist Jacob Umansky (Intervals, JIA) and powerhouse drummers like Troy Wright and Lang Zhao—Portraits quickly gained traction across the guitar and instrumental scene. Writing, tracking, and producing with a meticulous DIY studio ethos, they released their breakthrough full-length debut Buy High in 2023. Their dense, rhythmically playful soundscapes led to direct invitations to tour alongside luminaries of the scene, including supporting Plini and Night Verses on their major North American tours. Musical Instrumentation & Technical Signature Dual-Guitar Interplay & Metric Polyrhythms Joshua De La Victoria and Joseph Anidjar build interwoven twin-guitar arrangements where neither player strictly defaults to rhythm or lead. Their compositions feature shifting meters (odd-time cycles, metric modulation) and tight syncopated hocketing across clean, ambient, and mid-gain layers. Extended-Range & Hybrid Picking Mechanics De La Victoria is renowned for his mastery across 6-, 7-, and 8-string guitars, combining wide-interval hybrid picking, chord-melody voicings, and thumb-slap percussive mechanics rooted in contemporary progressive fusion. Rhythm Section Density (Jacob Umansky & Troy Wright / Lang Zhao) Anchored by Umansky's thunderous, distorted low-end Dingwall basslines and aggressive multi-finger galloping, locked seamlessly to complex polymetric kick patterns, ghost-note-laden snare pocket, and linear drum fills. Synth Sound Design & Vocal Cameos While primarily an instrumental force, Portraits frequently integrates modular synth sound design, subtle vocal chops, and guest vocal features (including Gabriel Levi and Michael Lessard of The Contortionist) to punctuate dynamic climaxes. Gear Architecture De La Victoria frequently utilizes Abasi Concepts guitars (Larada, Space T, Emi 8), .strandberg* headless 6-strings, and his signature Iconic Guitars S-type instruments, driven by Neural DSP Quad Cortex modelers and studio DI transformer stages (Rupert Neve Designs RNDI). Personnel & Core Collaborators Joshua De La Victoria – Guitars, Composition, Production Principal composer, 8-string innovator, also known for his duo project Victoria (with Animals As Leaders drummer Matt Garstka) and collaborations with Sungazer and Evan Marien. Joseph Anidjar – Guitars, Composition, Mixing & Sound Engineering Co-founder, guitarist, and producer/engineer behind Portraits, as well as Bird Problems and Horrible People. Jacob Umansky – Bass Guitar Prominent progressive metal bassist (Intervals, JIA), handling the foundational low-end fretboard gymnastics. Troy Wright / Lang Zhao – Drums & Percussion World-class session and touring drummers anchoring album tracking and live tours with technical precision. Selected Discography & Releases Full-Length Studio Albums Buy High (2023) The landmark debut studio album written and tracked over a two-year period, featuring standout cuts like "Kiowa", "Glitch", "Buy High" (feat. Gabriel Levi), and "Sell Low" (feat. Michael Lessard). Mastered by Mike Kalajian, the album put Portraits at the forefront of modern instrumental prog. Vaguely Western (2026) The highly anticipated follow-up studio LP, composed by Portraits with drumming by Lang Zhao and mixed/engineered by Joseph Anidjar, pushing further into eclectic cinematic progressions, organic acoustic textures, and intricate polyrhythms. Singles & Live Performances "Traveller" (Single) (2021) Early foundational collaborative track by Joshua De La Victoria and Joseph Anidjar featuring Jacob Umansky on bass; mastered by Jamie King. Live in Montreal (with Horrible People) High-energy co-bill live showcase capturing the band's dynamic dual-guitar stage presence and unquantized live chops. Sounds normal on my end

code: FALL26 40% off this weekend at https://www.bensguitarclub.com/ Ben Eunson Modern Jazz-Fusion Virtuoso, Fluid Legato Pioneer & Master Improviser Biography & Career Overview Born in Melbourne, Australia, Ben Eunson is an internationally recognized guitarist, composer, and educator based in New York City. Picking up the guitar at age ten, Eunson quickly immersed himself in jazz, blues, fusion, and rock, developing an encyclopedic command of modal improvisation and harmonic substitution. After establishing an early reputation in Australia, he relocated to the United States to study at the prestigious Berklee College of Music on a full scholarship, graduating with highest honors. Upon moving to New York, Eunson became a sought-after session and touring musician across jazz, fusion, neo-soul, and pop circles, collaborating with icons such as John Legend, Questlove, Lalah Hathaway, Queen Latifah, Terri Lyne Carrington, and Valerie Simpson. Concurrently, he revolutionized modern electric guitar technique online, gaining a massive following for his astonishingly seamless legato lines, saxophone-like phrasing, and intricate chord-melody arrangements. As a co-founder of the innovative digital guitar education platform Ocean Road Music, Eunson has established himself as one of the preeminent guitar educators and fretboard technicians of his generation. Musical Instrumentation & Technical Signature Seamless Left-Hand Legato & Breathlike Articulation Widely renowned for having one of the most fluid, low-effort legato techniques in contemporary guitar. By minimizing pick attack and maximizing left-hand hammer-ons, pull-offs, and micro-slides, he achieves an articulate, continuous horn-like phrasing reminiscent of Allan Holdsworth and John Coltrane. Advanced Harmonic Voice Leading & Triad Pairs Utilizes modern jazz harmonic devices with surgical precision, incorporating triad pairs, hexatonic scales, chromatic voice leading, altered dominant substitutions, and wide-interval modern jazz vocabulary over both static grooves and rapid changes. Hybrid Picking & Polyphonic Chord Voicings Pairs plectrum control with middle- and ring-finger plucking to navigate complex close-interval chord voicings, neo-soul double stops, and pianistic counterpoint across the entire fretboard. Signature Tone & Gear Architecture Known for playing premium S-style and modern double-cut instruments (including customized D'Angelico, Fender Custom Shop, and Tom Anderson guitars) paired with transparent low-gain overdrive pedals, analog delay, and modern clean tube amplifiers or digital modelers dialed for warm, mid-focused sustain. Ensembles, Projects & Collaborations Ben Eunson Solo Quartet / Trio His primary vehicle for original compositions, blending contemporary jazz, progressive fusion rhythms, and expansive post-bop harmonic explorations alongside elite New York rhythm sections (including Alexander Claffy and Kush Abadey). Community & Collaborative Projects Co-founder of Ocean Road Music, delivering comprehensive instructional courses on modern legato, triad mastery, and linear fretboard improvisation. Major Touring & High-Profile Session Credits Extensive work as lead guitarist and arranger with John Legend, Common, Terri Lyne Carrington's Mosaic Project, Marcus Strickland's Twi-Life, and Myron Walden. Selected Discography & Key Releases Solo Studio Albums & EPs ACE (2019) His landmark debut full-length solo album, showcasing a modern blend of electric jazz-fusion, rock energy, and refined melodic composition. Features standout tracks such as "Growing Pains," "Three Weeks," and "Bernie." Autumn (EP) (2015) A foundational early jazz release spotlighting acoustic and electric jazz-trio interplay, intricate standards interpretations, and original modal compositions. Singles & Viral Showpieces Acclaimed standalone compositions and digital singles including "One in Seven," "Miles," and "Somewhere," which demonstrate his high-velocity legato runs and expressive dynamic touch. Notable Collaborative & Session Appearances Marcus Strickland Twi-Life – People of the Sun (2018) Featured guitarist on Blue Note Records / Revive Music, contributing atmospheric textures, afrobeat rhythms, and post-bop fusion lines. Terri Lyne Carrington – The Mosaic Project: LOVE and SOUL (2015) Session contributions alongside an all-star ensemble celebrating female jazz icons and soul legends. I Disappeared for 1 Year. Here's What Happened...

Mattias "IA" Eklundh: "Lemphealt" From Freak Guitar – Growing Your Own Moustache Vol 12 Track Overview & Sonic Character Featured on the twelfth installment of Mattias "IA" Eklundh's landmark instructional and experimental series, Freak Guitar – Growing Your Own Moustache Vol 12, "Lemphealt" is an eccentric, technically ferocious composition. Described by Eklundh as a "huffing yet fragile beast" with a distinct "sonic limp," the piece embodies his signature mix of playful absurdity, rhythmic displacement, and exacting guitar mastery. Rhythmic Mechanics & Theoretical Breakdown Rhythmic Displacement & Accent Structure The core defining characteristic of the song's main riff is an accent intentionally shifted by a thirty-second note. This subtle temporal dislocation subverts standard groove expectations, generating a stuttered, broken, and halting rhythmic delivery. Tempo & Complex Meter Fluency Clocked at an unyielding 82.5 BPM, the piece serves as an advanced rhythmic masterclass for navigating offbeat accents and metric subdivisions across extreme time signatures, including 45/16, 7/4, and 93/16. Etymology & Concept The title Lemphealt originates from Old English, translating directly to "limping" or "halting"—a literal linguistic mirror of the track's staggered, irregular metric gait. Performance & Visual Document Composition / Project "Lemphealt" – Freak Guitar: Growing Your Own Moustache Vol 12 Guitarist & Composer Mattias "IA" Eklundh (Freak Kitchen) Current Playback Timestamp 0:00:18 (Opening exposition and establishment of the primary shifted accent riff) Format & Educational Materials Released with complete transcriptions, backing track packages, and full notation by Linus "Mr. Gul" Abrahamson via Freak Kitchen / Freak Guitar headquarters. digitial download: https://shop.freakkitchen.com/products/growing-your-own-moustache-volume-12-digital-download Mattias IA Eklundh: Lemphealt

DEZOLVE (ディゾルブ) Next-Generation Japanese Jazz-Fusion Quartet, Polyrhythmic Precision & Melodic Virtuosity Biography & Formation Overview Formed in Tokyo, Japan, in 2014, DEZOLVE is a four-piece instrumental jazz-fusion super-unit representing the modern vanguard of Japanese fusion (J-Fusion). Conceived by conservatory-trained virtuosos seeking to evolve the lineage of pioneers like Casiopea, T-SQUARE, and PRISM, the group unites intricate progressive-rock complexity, modern harmonic jazz vocabularies, and soaring, singable J-pop/anime-tier melodic hooks. After releasing two acclaimed independent records—DEZOLVE (2016) and SPHERE (2017)—the band made their major label debut under King Records with PORTRAY (2018), quickly gaining international attention among instrumental enthusiasts. Despite a rhythm section transition when founding bassist Shingo Ogaya departed, the arrival of virtuosic bassist Takuma Kaneko solidified a tight, high-energy lineup. Celebrating their milestone decade with the landmark 10th Anniversary Concert, DEZOLVE continues to push contemporary fusion forward with sophisticated studio albums and dense live arrangements. Personnel & Instrumental Mastery Shoya Kitagawa (北川翔也) – Electric & Acoustic Guitars, Synthesizer Joining as a permanent member in 2015, Kitagawa provides fluid, singing lead lines, intricate jazz-chord voicings, and searing high-gain fusion shred. His playing blends Allan Holdsworth-style wide-interval legato, modern hybrid picking, and pristine acoustic steel-string fingerstyle. Jun Tomoda (友田ジュン) – Keyboards, Acoustic Piano & Synthesizers A founding member and primary compositional pillar. Tomoda anchors the band's harmonic sophistication with rapid acoustic piano arpeggios, vintage Rhodes and Hammond textures, and layered analog synthesizer leads reminiscent of classic 1980s fusion. Maoki Yamamoto (山本真央樹) – Drums, Percussion & Synthesizer Programming The dynamic rhythmic powerhouse and co-founder (and son of legendary BowWow guitarist Kyoji Yamamoto). Renowned for his blinding chops, polyrhythmic independence, metric modulations, and thunderous double-kick control, Yamamoto is also one of the group's most prolific principal composers. Takuma Kaneko (兼子拓真) – Electric Bass (6-String & 5-String) Succeeding founding bassist Shingo Ogaya, Kaneko commands extended-range electric basses. His style features lightning-fast percussive slap-and-pop techniques, machine-gun fingerstyle 16th-note grooves, and articulate high-register chord-melody solos. Band Profile & Musical Signature Origin & Formation Tokyo, Japan (Established 2014) Label Home Vega Music Entertainment (early indies) / King Records (Nexus / Electric Bird) Genre & Musical Ethos Modern Jazz Fusion, Progressive Instrumental Rock, Math Fusion, and City-Pop/Anime Instrumental crossover. Frequent High-Profile Collaborators Saxophone icon Masato Honda (ex-T-SQUARE), Kyoji Yamamoto, and prominent vocalists like Yanaginagi (やなぎなぎ). Selected Discography & Releases New & Recent Studio Albums Biblion (8th Studio Album) (March 18, 2026) Their latest studio tour de force on King Records, featuring 12 intricate, expansive compositions including "Pixel ∞ Mind," "Stray Bullet," "A Way Yet to Step," "Motion Blur," and "When the Light Returns". The album showcases high-velocity metric interplay, lush synthesizer soundscapes, and advanced polyphonic basslines. Asterism (7th Studio Album) (2024) A celestial-themed concept album exploring astronomical imagery through complex fusion time signatures, led by cuts such as "Gemini," "Big Dipper," "Nebula Dance," and "Voyage of Altair". CoMOVE (6th Studio Album) (2023) A high-energy post-pandemic studio outing marking Kaneko's complete integration into the core writing process, highlighted by "Heart of the World," "Vantablack," and "Tiny Vision". Landmark Catalog & Major-Label Outings Frontiers (2020) An ambitious full-length featuring the vocal collaboration single "Re:Fruition" (featuring Yanaginagi) and technical instrumental showpieces like "Hidden Sanctuary". AREA (2019) A breakthrough major album extensively featuring saxophonist Masato Honda across monumental tracks like "Soaring," "Vista," and "Last Colony". PORTRAY (2018) Their major-label debut on King Records, establishing their signature blend of odd meters and bright hooks on "Ancient Capital" and "Shaping the Future". Early Independent Albums: DEZOLVE (2016) & SPHERE (2017) Formative self-produced records that ignited their underground following in the Tokyo live-house circuit. 10th Anniversary Concert (Live Album & Video) (2025) A comprehensive 20-track live document capturing the band's tenth anniversary live performance, spanning their entire catalog from "Distance to the Light" to contemporary staples. "Yogurt Jam" - Jo Jelly // Live @ Showcase // 요거트잼 (조젤리)

Yngwie J. Malmsteen The Architect of Neoclassical Heavy Metal, Baroque Shred Virtuoso & Guitar Icon Biography & Career Overview Born Lars Johan Yngve Lannerbäck on June 30, 1963, in Stockholm, Sweden, Yngwie J. Malmsteen revolutionized electric guitar playing in the 1980s by marrying high-speed heavy rock with the harmonic structures, counterpoint, and technical demands of Western classical music—most notably J.S. Bach, Antonio Vivaldi, and Niccolò Paganini. Discovered in Sweden by Shrapnel Records founder Mike Varney via a demo tape, Malmsteen moved to Los Angeles in 1982, quickly gaining underground fame with heavy metal outfit Steeler and subsequently Alcatrazz (alongside Graham Bonnet). In 1984, he released his Grammy-nominated debut solo LP, Rising Force, an album that fundamentally redefined modern rock guitar technique, tone, and neoclassical aesthetics. Over a career spanning more than four decades, Malmsteen has released over twenty studio albums, performed with major symphony orchestras, spearheaded global tours, and cemented his status as the undisputed godfather of neoclassical shred. Musical Instrumentation & Technical Signature Harmonic Minor Fluency & Diminished Arpeggios Pioneered the extensive use of harmonic minor scales, Phrygian dominant modes, and sweeping diminished 7th arpeggios in rock guitar, transposing classical violin idioms directly onto the electric fretboard. Economy Picking & Speed Mechanics Developed a highly efficient picking technique blending alternate picking with sweeping/economy motions on string changes, allowing effortless high-velocity scalar bursts and pedal-point ostinatos with crystalline articulation. Violin-Inspired Vibrato & Expressive Bends Possesses one of the most identifiable vibratos in rock history: a wide, vocal, violin-style wrist vibrato executed on deep scalloped fretboards, allowing him to grab notes with microtonal control and singing sustain. Signature Gear Architecture The creator of the first-ever Fender Artist Signature guitar (the scalloped-fingerboard Fender Stratocaster). His rig features low-action scalloped maple necks, vintage-style brass nuts, signature Seymour Duncan YJM Fury stacked single-coil pickups, DOD YJM308 / Fender YJM overdrive pedals, and massive walls of non-master-volume vintage 50-watt Marshall Plexi heads (1987 models) running into Celestion-loaded cabinets. Band Formations & Collaborative Projects Rising Force (Solo Touring & Recording Unit) Malmsteen's core ensemble, which historically featured legendary rock vocalists (Jeff Scott Soto, Mark Boals, Joe Lynn Turner, Goran Edman, Michael Vescera, Tim "Ripper" Owens) and virtuoso keyboardists (Jens Johansson, Derek Sherinian). In recent years, Malmsteen has taken over lead vocals and bass duties in the studio, supported live by keyboardist/vocalist Nick Marino. Alcatrazz (1983–1984) Short-lived but legendary collaboration with former Rainbow vocalist Graham Bonnet, producing the landmark heavy metal record No Parole from Rock 'n' Roll and Live Sentence. Steeler (1983) His American recording debut alongside Ron Keel, featuring the blistering opening guitar cadenza on "Cold Day in Hell." G3 & Generation Axe Featured on the celebrated 2003 G3 tour alongside Joe Satriani and Steve Vai, and the Generation Axe supergroup tours alongside Steve Vai, Zakk Wylde, Nuno Bettencourt, and Tosin Abasi. Selected Discography & Key Releases Recent & Upcoming Studio Releases Through The Fire / New Studio LP (2026) His latest full-length studio offering following Parabellum, continuing his tradition of completely self-produced, unapologetic neoclassical shred, soaring vocal anthems, classical acoustic interludes, and raw Marshall wall tones. Parabellum (2021) An acclaimed return to high-tempo instrumental virtuosity featuring lightning-fast cuts like "Wolves at the Door," "Relentless Fury," and "Presto Vivace in C# Minor." Blue Lightning (2019) A blues-infused tribute album exploring Malmsteen's classic rock roots, covering Jimi Hendrix, Deep Purple, ZZ Top, and The Beatles alongside heavy originals. World on Fire (2016) A fast-paced, high-output studio record where Malmsteen handled lead vocals, bass, rhythm guitars, and orchestrations. Landmark Classical & Heavy Metal Catalog Rising Force (1984) The groundbreaking instrumental debut that launched the neoclassical shred movement, featuring "Black Star" and "Far Beyond the Sun." Marching Out (1985) & Trilogy (1986) Cornerstone vocal heavy metal albums featuring Jeff Scott Soto and Mark Boals, highlighted by "I'll See the Light, Tonight" and "Trilogy Suite Op. 5." Odyssey (1988) His most commercially successful record, co-written with Joe Lynn Turner and featuring mainstream rock hits "Heaven Tonight" and "Dreaming (Tell Me)." Concerto Suite for Electric Guitar and Orchestra in E flat minor, Op. 1 (1998) A massive, fully orchestrated classical composition performed with the Czech Philharmonic Orchestra and later performed live with the New Japan Philharmonic. Yngwie Malmsteen: The Maestro Speaks | Exclusive 2026 Interview Yngwie Malmsteen - Beyond Zeta Reticuli (Official Music Video)

Crown Lands Canadian Heavy Progressive Rock, Indigenous Advocacy & Epic Duo Virtuosity Biography Hailing from Oshawa, Ontario, Crown Lands is a Canadian progressive rock powerhouse formed in 2015 by multi-instrumentalist Kevin Comeau (guitars, bass pedals, analog synthesizers) and vocalist/drummer Cody Bowles (vocals, drums, percussion, flute). The duo took their moniker as a direct critique of "crown land"—government-held land appropriated from Indigenous peoples—channeling themes of First Nations heritage, anti-colonial resistance, and expansive sci-fi cosmology into their songwriting. Despite performing strictly as a two-piece, Crown Lands conjure a massive, arena-sized wall of sound reminiscent of 1970s progressive rock giants. After winning the 2021 JUNO Award for Breakthrough Group of the Year, the band teamed up with legendary Rush producers David Bottrill, Nick Raskulinecz, and Terry Brown to record expansive, multi-part progressive epics, cementing their place as the modern standard-bearers of vintage Canadian heavy prog. Selected Discography Studio Albums * Crown Lands (2020 | Universal Music Canada) Produced by Dave Cobb; a blues-heavy hard rock debut featuring punchy, riff-centric anthems like "Leadfoot" and "End of the Road". * Fearless (2023 | Spinefarm / Universal) A triumphant leap into full-scale progressive rock, recorded at 80 Hertz Studios in England and produced by David Bottrill. Anchored by the sprawling 18-minute sci-fi opus "Starlifter: Fearless, Pt. II" and "Lady of the Lake". * Apocalypse (2026 | InsideOut Music) A tour de force concept record deepening their heavy prog arrangements, complex meters, and cinematic analog synth textures. EPs & Live Releases * Mantra (2016) & Rise Over Run (2017) – Raw, early independent blues-rock EPs. * White Buffalo (2021) – Exploratory conceptual EP featuring "The Oracle" and "White Buffalo". * Odyssey, Vol. 1 (2021) – Live acoustic and electric showcase recorded in studio. Guitar Style & Instrumental Approach Kevin Comeau’s playing style is anchored by a high-wire, multi-instrumental performance approach that evokes Alex Lifeson and Geddy Lee simultaneously: * Double-Neck Mastery: Frequently deploys Gibson EDS-1275 and custom double-neck guitars (pairing 12-string chime with a 6-string electric, or guitar and bass combinations) to shift seamlessly between lush acoustic-style arpeggios and crushing heavy riffing. * Simultaneous Bass Pedal Work: Powers the duo's colossal low end live by triggering Moog Taurus bass synth pedals and Roland MIDI foot controllers with his feet while navigating intricate guitar passages on his hands. * Rush & Page Influenced Voicings: Heavy use of open string drone chords, ringing suspended fourths, and F# minor/Lydian voicings across high-tempo shifts, marrying Led Zeppelin's blues-riff swagger with Rush's harmonic complexity. * Analog Synth Layering: Weaves modular synthesizers, Mellotron strings, and vintage Minimoog filters directly into lead guitar sections, creating dense, symphonic walls of sound without prerecorded backing tracks. * Dynamic Lead Phrasing: Lead solos balance singing, wide pentatonic bends and blues-rock grit with lightning-fast alternate-picked runs and delay-drenched spacey modulations. CROWN LANDS – Through The Looking Glass (OFFICIAL VIDEO) Taken from the album ‘Apocalypse’ out 15th May 2026 via InsideOutMusic. https://crownlandsmusic.lnk.to/Apocalypse-AlbumID CROWN LANDS - Through The Looking Glass (Official Video)

Lovie Valeska Emerging Instrumental Artist, Groove & Rhythmic Fusion Stylist Biography Lovie Valeska is an emerging independent artist and instrumentalist whose sound bridges contemporary groove-based composition, funk-infused rhythms, and expressive melodic interplay. Operating in the modern era of digital distribution and streaming, Valeska has begun establishing an underground footprint through rhythmically driven solo releases that highlight syncopation, dynamic instrumental layering, and atmospheric tension. Selected Discography & Releases Singles & Standalone Releases * Defiance (June 2026) A driving, attitude-forward instrumental track anchored by punchy rhythmic accents, heavy groove pacing, and assertive lead phrasing. * Capoeas (September 2026) A dynamic, rhythm-centric piece drawing on syncopated movements and percussive melodic textures, blending atmospheric undertones with tight pocket play. Musical Style & Characteristics Valeska's approach centers around rhythm, pocket, and focused instrumental arranging: * Groove-First Foundation: Rhythms rooted in instrumental funk, neo-soul, and modern soul-jazz structures, where the primary focus is locking tightly into the pocket before layering lead lines. * Syncopated Melodic Motifs: Rather than sprawling, speed-focused linear shredding, lines are built around concise, punchy phrases, rhythmic repetition, and space that allow the underlying beat to breathe. * Dynamic Textural Contrast: Combining tight, staccato rhythm figures with sustained, ambient counter-melodies and layered instrumental backdrops. * Modern Minimalist Production: Utilizing crisp, modern digital production aesthetics that emphasize clarity across the low-end groove and crisp top-end transients. My first single Defiance is available now on Spotify, Apple Music, Youtube Music, iTunes, Deezer, Tidal, and other streaming platforms‼️ Lovie Valeska - Defiance [Original]

KOIAI – LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026- Live Blu-ray Release Technical Japanese pop-metal/rock powerhouse KOIAI documents their new era with the live Blu-ray release of KOIAI LIVE TOUR 2026「Starting Over」in TOKYO -HEAVY KAWAII FES 2026-. Capturing the full energy of their nationwide tour in support of the 4th EP Starting Over, this release showcases the band's trademark balance of virtuosic fretboard precision, driving rhythms, and infectious melodic hooks across a massive 21-song setlist. Product Formats & Details * Release Date: Wednesday, October 28, 2026 * First Press Limited Edition (初回限定盤): * Format: Blu-ray + B5-size 48-page Live Photo Book * Catalog No.: FRMT-010 * Price: ¥9,500 (tax incl.) * Standard Edition (通常盤): * Format: Blu-ray * Catalog No.: FRMT-011 * Price: ¥7,500 (tax incl.) Tracklist (21 Tracks) * Starting Over * Beep Beep! * Once in a lifetime * Make You Regret * Future of Those Days * 8 am * Take It or Leave It * No More Lies * Straight To My Heart * Slip Through * Just Be My Treasure * Hoax * Inside * Your Socks * Meant to be * Come see me * One More Chance Is Enough * Reboot the Abyss * A New Picture * My Breath * One Way or Another

Max Light Modern Jazz Virtuoso, Monk Competition Finalist & Sophisticated Improviser Biography Max Light is an acclaimed American jazz guitarist and composer based in Brooklyn, New York. Raised in the Washington, D.C. area, Light studied jazz performance at the New England Conservatory in Boston before immersing himself in the vibrant New York City contemporary jazz community. Light gained major international prominence in 2019 when he was awarded second place at the prestigious Herbie Hancock Institute of Jazz International Guitar Competition (formerly the Thelonious Monk Competition). Celebrated for his exceptional harmonic intellect, fluid picking technique, and adventurous linear phrasing, he has become one of the most sought-after guitarists of his generation, performing and recording with luminaries such as Noah Preminger, Jason Palmer, Donny McCaslin, Kirk Knuffke, and Will Vinson. Selected Discography As Leader / Co-Leader * Herplusme (2020 | Red Piano Records) Light's striking debut album as a leader, featuring a powerhouse rhythm section with Julian Shore, Aidan O’Donnell, and Steven Crammer, highlighting his intricate, original contemporary compositions. * Henceforth (2023 | SteepleChase Records) A critically lauded quartet recording alongside tenor saxophonist Noah Preminger, bassist Kim Cass, and drummer Dan Weiss, diving into deep rhythmic counterpoint and complex harmonic improvisations. * Songs of the Moment (Noah Preminger & Max Light Duo) Intimate duo sessions demonstrating his acute dynamic sensitivity, nuanced chordal accompaniment, and fluid conversational interplay. Notable Sideman Appearances * Noah Preminger: Contemptus and Zigsaw: Music of Steve Lampert * Jason Palmer: The Concert: 12 Musings for Melodic Instruments * Kirk Knuffke: Various small-group contemporary jazz sessions Guitar Style & Harmonic Approach Max Light’s playing exemplifies the modern frontier of jazz guitar, blending traditional bebop fluency with avant-garde rhythmic concepts: * Asymmetrical Linear Phrasing: Noted for expansive, uninterrupted single-note lines that weave effortlessly across bar lines, utilizing non-standard interval leaps, chromaticism, and modern triadic pairs. * Microtonal & Expressive Articulation: Seamlessly balances alternate picking with smooth legato lines, incorporating subtle quarter-tone bends, sliding intervals, and natural guitar dynamics that mimic horn-like phrasing. * Metric Modulation & Polyrhythmic Awareness: Frequently collaborates in rhythmically demanding environments (alongside rhythm sections like Dan Weiss and Kim Cass), demonstrating effortless navigation over shifting meters, odd-time groupings, and metric modulations. * Modern Chordal Voicings: Replaces standard root-position jazz chords with wide-interval clusters, quartal voicings, and triad over bass structures that create lush, ambiguous harmonic beds. * Acoustic & Electric Timbral Balance: Favors a warm, articulate, semi-hollow or archtop tone with minimal processing—emphasizing organic string attack, woody low-end response, and pristine clarity for complex chords. #Played on a 1930 Gibson L-5 from The Blue Guitars Archtop Foundation I set up some mics and recorded spontaneously for about 20 minutes, improvising and messing around with some tunes. Here is part of the result. I wanted to get some recordings of this beautiful guitar that I've been living with for a year, on loan from The Blue Guitars Archtop Foundation. Enjoy! Mixed by Alon Benjamini East of the Sun - solo guitar

Cheng Tian (田程) Modern Instrumental Virtuoso, Progressive Metal Composer & Fusion Stylist Biography Cheng Tian (田程) is a Chinese guitarist, composer, and educator emerging from the contemporary wave of Asian progressive rock and modern instrumental virtuosity. With a technical foundation rooted in comprehensive theoretical study and meticulous mechanics, Tian developed an underground following across international guitar communities and social video platforms through high-definition playthroughs, intricate original compositions, and gear demonstrations. Representing the modern generation of forward-thinking players who blend high-gain progressive metal rhythms with fluid jazz-fusion harmony, Tian regularly collaborates with boutique instrument builders, digital amplifier brands, and fellow instrumentalists within the global math-rock and djent-adjacent scenes. Selected Discography & Releases Solo Works & Instrumental Singles * Original Instrumental Singles & EPs Dynamic solo compositions balancing soaring melodic hooks, polyrhythmic low-end grooves, and technical fretboard gymnastics. * Collaborative Playthroughs & Guest Solos Featured guest lead spots and community guitar collaborations alongside contemporary international shred and progressive metal artists. * Guitar Demos & Audio Showcases Original high-fidelity backing compositions created to showcase modern digital modelers, high-end pickups, and headless guitars. Guitar Style & Virtuoso Technique Cheng Tian's playing style embodies the modern progressive instrumental movement, combining pristine mechanical execution with colorful harmonic phrasing: * Liquid Legato & Hybrid Picking: Seamless fretboard navigation utilizing low-tension hammer-on/pull-off runs paired with snappy hybrid picking for sudden interval skips and wide chord arpeggiations. * Modern Extended-Range Phrasing: Fluid movement across 6-, 7-, and 8-string instruments, moving effortlessly from punchy, syncopated djent and math-rock low-string riffs to soaring upper-register fusion melodies. * Complex Harmonic Palette: Heavy integration of Lydian, Dorian, and melodic minor modes, blending neo-soul chord voicings, tenths, and chime-like natural harmonics with modern high-gain leads. * Two-Handed Polyphonic Tapping: Intricate tapping sequences combining moving basslines or percussive accents in the lower register while the right hand taps out singing top-line motifs. * Rig & Gear: Frequently seen utilizing ergonomic and headless guitars (such as Strandberg), extended-range multiscale instruments, and pristine all-digital modeling setups (Fractal Audio, Neural DSP) dialed in for articulate note separation. Faux Future | Cheng Tian & Tyler & Jason Z | Ibanez Prestige RG653DX

A short guitar session exploring a silky, smooth guitar tone while I’m busy producing a new original song for my upcoming EPs This jam is all about a warm, expressive guitar tone, melodic phrasing, smooth legato, controlled dynamics and improvisation. Just a small glimpse into the kind of tones and ideas I’ve been experimenting with while working on my next song. Currently spending most of my time writing, recording and producing the new track, but sometimes you just have to stop and play. This is one of those moments. If you love silky guitar tones, smooth lead guitar, guitar improvisation, fusion guitar, melodic playing and guitar tone exploration, you’re in the right place. Coming very soon - Eutopian Nightmare https://distrokid.com/hyperfollow/dibbo/eutopian-nightmare IS THIS GUITAR TONE SILKY ENOUGH??

Clayton King Southern Rock Fire, Country Chicken Pickin' & Modern Virtuosity Biography Clayton King is an American guitarist, songwriter, and session musician hailing from the American South. Developing a deep affinity for roots, blues, and country-rock from an early age, King cut his teeth across the regional club circuit, building an underground reputation for his ferocious right-hand attack, lightning-fast hybrid picking, and blues-infused melodic instincts. Known equally as a solo instrumentalist, collaborative side-player, and prominent voice in modern online guitar communities, King bridges the gap between classic southern rock guitar heritage and modern chops-heavy fusion. His high-octane demos and original compositions have made him a favorite among players who appreciate groove-heavy rock paired with intricate fretboard wizardry. Selected Discography & Releases Solo Releases & Original Works * Solo Singles & Instrumentals Showcasing a high-energy mix of roaring tube overdrive, dynamic thumb-and-finger snapping, and driving backbeats that fuse southern swagger with progressive guitar phrasing. * Session Appearances & Collaborations Featured guest lead solos, studio rhythm tracking, and songwriting contributions across contemporary southern rock, outlaw country, and roots-metal projects. Guitar Style & Technique King's playing style is defined by grit, harmonic intuition, and surgical right-hand mechanics: * Hybrid "Chicken Pickin'" Precision: Seamless combination of a flat pick with middle and ring fingers, allowing for percussive muted double-stops, snappy twang, and blistering pentatonic cascades across open and fretted strings. * Southern Rock & Blues Phrasing: Rooted in the aggressive vocal phrasing of classic southern rock icons, emphasizing wide, singing finger vibrato, stinging oblique bends, and microtonal pitch inflections. * Modern Chops & Legato Flurries: Incorporating modern shred sensibility with smooth hammer-on/pull-off runs, slide-in targeting, and outside chromatic passing tones over standard 12-bar and southern-rock progressions. * Dynamic Amp Touch: Relying on vintage-voiced tube amps pushed right to the edge of breakup, using pick dynamics and the guitar's volume pot to transition effortlessly from sparkling cleans to searing lead tones. my new single 'Blue Sky' is out now TABS AVAILABLE AT: https://www.claytonbking.com/tabs My wife and I found out that we were pregnant last year. We were both equal parts stoked and terrified... As the due date got closer, I caught myself daydreaming more and more about all the great summers I had as a kid. And how I couldn't wait to make those memories with my lil dude, just like my parents did with me. This song is my best attempt of expressing those feelings of summer nostalgia :) Written / Produced / Mixed / Filmed: by Clayton King Mastered: by Alberto De Icaza B Cam Operator: Autumn King (my wife is the best) Clayton King - Blue Sky (Playthrough) Clayton King - Morningcloud (Playthrough)

Take a look inside a real-world session at the legendary Village studios in Los Angeles. In this video, I walk you through the practical process of building guitar parts in real time—from choosing the right tone and gear to reading charts and making quick musical decisions! The Real Work of a Session Guitarist (It's Not Chops) The Real Work of a Session Guitarist (It's Not Chops)

Today I'm teaching a super crazy Jazzy BeBop line on my Patreon page. This was me warming up for it and a short example of some of the ideas I'm sharing. There are tabs for the lick plus if you join up you will gain access to my entire library of lessons tabs and backing tracks. Guitar & Synth Dual Melodic Improv with a side of Shred Melofty Pedal / Axom Max – Live Demo Track Single-Take Live Demonstration of the Hybrid Audio Processor Here is the full demo track I wrote for the Melofty pedal performed live to camera. I tried to balance showcasing a variety of sounds whilst trying to make it flow as one cohesive piece. Below is a breakdown of the tones created throughout the track, which you can follow in the timeline. This is to clarify exactly what is being played live and what you are hearing. For instance, where it indicates Guit&Organ, everything is generated simultaneously from a single 1/4" jack cable directly out of the pedal. The intro sound is sourced straight from the hardware unit (with just a few background FX added for dramatic ambience), and the sequenced arpeggiator runs natively from the pedal engine. Pretty powerful stuff! Hybrid Audio Processing & The Axom Max Ahead of the official launch, it would be great to hear your thoughts: What do you think a Hybrid Audio Processor means or represents? And based on this demo, what do you envision the Axom Max being capable of in real-world rigs? The goal was to present a wide sonic cross-section—from traditional guitar tones to dense synth patches and experimental hybrid textures in between. The real fun always begins once gear hits the wild and sound designers push it into unexpected territory. Deep Dives & Patch Breakdowns In the coming weeks, follow-up videos will break down each custom patch and the sound-design workflow behind them. Drop your questions, thoughts, and patch queries in the comments below, and the most compelling ones will be tackled in the upcoming Q&A. Stay tuned—official release dates and launch details will be announced as soon as they are locked in! Exploring New Sonic Worlds #Melofty

George Bellas Neoclassical Virtuoso, Progressive Composer & Architectural Guitarist Biography Known as "The Maestro of Metal" and a self-described "futuristic neoclassicalist," George Bellas is an American guitar virtuoso, composer, and educator. Picking up the instrument at age seven, Bellas underwent an obsessive, disciplined practice regimen that led to extraordinary technical command on the fretboard. In the mid-1990s, his compositions and technical prowess caught the attention of Mike Varney, resulting in a recording contract with Shrapnel Records. In 1997, Bellas released his landmark Shrapnel debut, Turn of the Millennium, followed swiftly by Mind Over Matter in 1998. Beyond his solo career, Bellas has collaborated extensively with prominent progressive and hard rock projects, including recording the album Edge of the World with UFO's Phil Mogg and Pete Way (as Mogg/Way), tracking lead guitars on The Oracle with Mark Boals and Vitalij Kuprij in Ring of Fire, and releasing expansive conceptual solo albums on European label Lion Music. Selected Discography Solo Instrumental Albums * Turn of the Millennium (1997, Shrapnel Records) A complex, futuristic debut featuring intense guitar improvisation, asymmetric meters, dense modern counterpoint, and technical showcase cuts like "Ripped to Shreds". * Mind Over Matter (1998, Shrapnel Records) A direct homage to classical forms, counterpoint, and baroque themes, composed note-for-note on manuscript paper and featuring bassist Deen Castronova on drums. * Venomous Fingers (2003, Lion Music) Marking his move to Lion Music, blending aggressive neoclassical speed with intricate fusion sensibilities. * Planetary Alignment (2008, Lion Music) A science-fiction-themed progressive metal journey pairing intense shred mechanics with expansive symphonic synthesizers and complex polyrhythms. * Step Into the Future (2009, Lion Music) An epic conceptual release anchored by the colossal 77-minute titular single continuous composition. * The Dawn of Time (2010, Lion Music) Featuring drummer Marco Minnemann, blending ultra-dense neoclassical runs with extreme progressive meters. * Astral Projection (2013, Lion Music) & Colonizing the Stars (2018) Modern solo installments continuing his deep exploration of astronomy, futuristic themes, and avant-garde composition. Collaborations & Projects * Mogg/Way – Edge of the World (1997) – Lead guitar alongside UFO alumni Phil Mogg and Pete Way, plus drummer Aynsley Dunbar. * Ring of Fire – The Oracle (2001) – Lead guitar alongside vocalist Mark Boals, keyboardist Vitalij Kuprij, and drummer Virgil Donati. Guitar Style & Compositional Approach George Bellas treats the electric guitar as both an orchestral voice and an instrument of limitless physical speed: * Strict Counterpoint & Part-Writing: Deeply grounded in the polyphony of J.S. Bach, Beethoven, and Liszt, Bellas crafts multi-voiced independent lines, canons, and two-handed contrapuntal ideas rather than standard single-line shred. * Futuristic Progressive Elements & Odd Meters: Heavy use of complex time signatures (such as 5/8, 7/8, 11/16), polyrhythms, metric modulations, and uncommon synthetic modes alongside classical minor harmony. * Hyper-Speed Sweeping & Picking Precision: Impeccable sweep-picked arpeggios that span across 5 and 6 strings, combined with rapid alternate-picked scalar lines, pedal-point patterns, and wide intervallic skips. * Paper-First "Architectural" Writing: Bellas frequently scores entire compositions note-for-note on manuscript paper away from the instrument before recording, approaching guitar solos not just as jams, but as structural extensions of melodic themes. * Rig & Gear: Predominantly customized Fender Stratocasters (often equipped with scalloped fretboards and high-output pickups) paired with cranked Marshall and boutique tube amplification. George Bellas Throwback Thursday From the MI Vault 11/15/2007

Impellitteri High-Velocity Neoclassical Speed Metal & Power Metal Biography Formed in Los Angeles in 1987 by shred guitar virtuoso Chris Impellitteri, Impellitteri stands as one of the fastest and most enduring heavy metal acts in neoclassical power metal. That same year, the group debuted with their legendary self-titled "Black EP," introducing Chris's blistering alternate picking alongside powerhouse vocalist Rob Rock. In 1988, ex-Rainbow/Alcatrazz frontman Graham Bonnet joined to record the chart-topping full-length Stand in Line, securing massive international recognition, particularly in Japan where the band achieved multi-platinum and arena headliner status. Rob Rock returned in the early 1990s, cementing a decades-long partnership with Chris Impellitteri and long-time bassist James Pulli. Over nearly four decades, the group has retained its fierce devotion to blistering tempo, virtuosic mechanics, and driving melodic anthems. Selected Discography Full-Length Studio Albums * Stand in Line (1988) – Breakthrough LP featuring Graham Bonnet, Pat Torpey, and Chuck Wright; includes the title track and their fiery rendition of "Over the Rainbow". * Grin and Bear It (1992) – A bluesy hard-rock pivot with vocalist Rob Vanni. * Answer to the Master (1994) – Rob Rock's triumphant return to the fold, establishing their trademark high-speed power metal attack. * Screaming Symphony (1996) – Widely heralded as a genre masterpiece; home to shred classics like "17th Century Chicken Pickin'" and "Rat Race". * Eye of the Hurricane (1997) – Expanding into grandiose symphonic and epic songwriting textures. * Crunch (2000) – Experimented with detuned, heavier modern metal rhythms coupled with lightning-fast neoclassical lead work. * System X (2002) – A celebrated reunion album with Graham Bonnet on lead vocals. * Pedal to the Metal (2004) – Aggressive, driving release featuring singer Curtis Skelton. * Wicked Maiden (2009) – Rob Rock's return to the group, initiating a modern renaissance for the band. * Venom (2015) – Punchy, aggressive modern production showcasing some of Chris’s most demanding speed runs. * The Nature of the Beast (2018) – Hard-hitting power metal highlighted by blazing originals and a speed-metal cover of Black Sabbath's "Symptom of the Universe". * War Machine (2024) – Powerhouse outing featuring Slayer/Kerry King drummer Paul Bostaph behind the kit alongside Rock, Pulli, and Impellitteri. Key EPs * Impellitteri ("The Black EP") (1987) – Raw, incendiary 4-track debut introducing the metal underground to Chris's hyper-speed picking. * Victim of the System (1993) – Critically acclaimed transitional EP setting up the core 1990s sound. * Fuel for the Fire (1997) Guitar Style & Virtuoso Technique Chris Impellitteri is consistently recognized alongside Yngwie Malmsteen and Paul Gilbert as one of the fastest and most technically disciplined guitarists in rock history: * Hyper-Speed Alternate Picking: Impellitteri's signature trait is relentless, synchronized strict alternate picking executed with surgical clarity at tempos exceeding 200+ BPM, utilizing forearm rotation and wrist efficiency with stiff, heavy plectrums. * Neoclassical Scale Vocabularies: Deep utilization of harmonic minor, Phrygian dominant, diminished 7th arpeggios, and multi-octave minor runs inspired by classical composers like Vivaldi and Bach. * Hybrid "Chicken Pickin'" Fusion: Uniquely showcased on instrumentals like "17th Century Chicken Pickin'", blending country telecaster-style snap and double-stop twang into neoclassical metal phrasing. * Aggressive Heavy Riffing: Unlike many shredders whose rhythms take a backseat to solos, Chris anchors tracks with tight, percussive, palm-muted thrash and speed metal riffage. * Rig & Gear: Custom Charvel and Fender Stratocaster-style superstrats equipped with Floyd Rose tremolos and high-output humbuckers, pushed through modified vintage Marshall and ENGL tube amplifier heads. From the album "War Machine" out November 8, 2024 Pre-order/pre-save here: https://ffm.to/impellitteriwarmachine Impellitteri - "Wrath Child" - Official Video

HAGANE - The Rising of the Shield (LIVE Music Video) Mixed by Hiro at STUDIO PRISONER, Japan, 2026. The LIVE Music Video from HAGANE's EP Release Tour "METAL QUEST" TOUR FINAL @ Tokyo EX THEATER ROPPONGI performance has been released! HAGANE-The Rising of the Shield(LIVE Music Video) HAGANE - 月光-TSUKIKAGE- (Official Music Video) Napalm Records Signs Japanese Melodic Power Metal Force HAGANE Tokyo's "Harmonic Metal" Quintet Expands Globally with Worldwide Physical Deal for Upcoming Studio Album Through The Night Record Deal & Global Expansion Premier Austrian rock and metal imprint Napalm Records has officially announced the international signing of Tokyo-based melodic power metal outfit HAGANE. Under this landmark partnership, HAGANE has inked a worldwide physical distribution agreement (excluding Japan) for their highly anticipated upcoming studio album, Through The Night. Scheduled for physical release outside Japan on January 15, 2027, the LP marks a defining milestone in the quintet's career, positioning their distinctive blend of epic melodies, soaring vocals, virtuosic musicianship, and traditional Japanese spirit in front of an expanding global audience. International Breakthrough & Festival Impact Rise from the Tokyo Scene (2018–Present) Formed in Tokyo in 2018, HAGANE has steadily built a reputation across the Japanese heavy metal landscape for high-velocity neoclassical guitar trades, tight rhythm section dynamics, and infectious, hook-laden songwriting. European Live Debut at Rockharz Festival Following widespread acclaim across domestic stages, the band made an indelible mark on European soil with a celebrated appearance at Germany's renowned Rockharz Festival, demonstrating that their electrifying stage presence and "Harmonic Metal" ethos translate powerfully to international festival crowds. Upcoming Studio Album: Through The Night Slated for physical release on January 15, 2027, through Napalm Records, the full-length effort serves as the vanguard of HAGANE's next international chapter, combining high-speed power metal with progressive and neoclassical arrangements. Release Metadata Artist HAGANE (鋼) Label Partner Napalm Records (Worldwide Physical, Ex-Japan) Title Through The Night International Release Date January 15, 2027 Format Physical LP / CD Genre Melodic Power Metal / Neoclassical Heavy Metal HAGANE (鋼) "Harmonic Metal" Quintet, Dual-Lead Neoclassical Shred & High-Speed Melodic Power Metal Biography & Band History Formed in Tokyo, Japan, in June 2018 around guitar virtuoso and band leader Sakura (alongside former co-guitarist Mayto), HAGANE is an all-female melodic power metal band renowned for their signature concept of "Harmonic Metal"—a high-energy fusion of neoclassical twin-guitar harmonies, soaring clean vocals, driving power metal double-bass tempos, and classical counterpoint. Following the acclaimed release of their debut mini-album Episode 0 (2020) and full-length album Code ; 9021 (2022), the band confronted a major transition in May 2023 with the simultaneous departure of three founding members (vocalist Uyu, guitarist Mayto, and bassist Sayaka). Undeterred, Sakura and powerhouse drummer JUNNA rebuilt the ensemble. In May 2024, HAGANE unveiled their rejuvenated "Chapter 2" lineup featuring phenomenal new lead vocalist Nagi, twin-lead guitarist Hazuki (a prominent Tokyo underground shredder, not to be confused with KOIAI/NEMOPHILA's Hazuki), and bassist Juka, debuting with the explosive single EP Life Goes On! and a sold-out showcase at Spotify O-WEST. Current Lineup & Instrumental Mastery Sakura (桜) – Lead Guitar, Leader & Primary Composer The creative engine and centerpiece of the group. Celebrated for her dazzling technical command, Sakura executes blazing neoclassical alternate picking, clean multi-octave sweep arpeggios, fluid whammy bar phrasing, and complex harmony writing heavily influenced by neoclassical icons and European power metal. Nagi (凪) – Lead Vocals Frontwoman recruited in 2024, possessing a massive vocal range characterized by operatic high-register belts, crystal-clear projection, and dynamic power that easily cuts through heavy high-tempo metal walls. Hazuki (葉月) – Lead & Rhythm Guitar The co-lead guitarist joining in 2024, matching Sakura's speed note-for-note with razor-sharp alternate picking, tight syncopated rhythm chugs, and harmonized twin-lead interplay. Juka (珠佳) – Bass Guitar Anchors the low-end frequency drive with aggressive fingerstyle and pick attack, locking tightly with rapid double-kick patterns and contributing melodic bass counter-lines. JUNNA – Drums The rhythm powerhouse behind the kit since 2019, renowned for relentless high-speed double-bass endurance (often exceeding 200+ BPM), rapid snare fills, and tight technical transitions. Band Profile & Major Record Deal Origin Tokyo, Japan (Formed 2018) Genre & Musical Style Melodic Power Metal, Neoclassical Metal, Speed Metal, and Harmonic Metal. Major Record Deal Announcement After establishing their reputation as one of the most prominent independent metal bands in Japan, HAGANE finalized a landmark major label recording contract with King Records / Nexus—a legendary Japanese label long associated with titans of Japanese hard rock and heavy metal (such as Anthem, Earthshaker, and Galneryus). The deal marks a major step forward, funding expanded international distribution, major studio productions, and high-profile festival slots. Selected Discography & Releases Full-Length Studio Albums Code ; 9021 (2022) Their landmark full-length debut album, acclaimed internationally in metal circles for its blistering speed and melodic hooks on cuts like "Fly Infinitely," "Gun开放," "BlackCult," and "Sword of Judgement." Mini-Albums & EPs Episode 0 (1st Mini-Album) (2020) The breakthrough introductory mini-album featuring signature anthem "WintrySky," which catapulted Sakura's neoclassical shredding to global viral fame on YouTube. Life Goes On! (Mini-Album / EP) (2024) The triumphant debut release of the new five-piece lineup (Sakura, JUNNA, Nagi, Hazuki, Juka), led by the soaring, high-octane title track and "SuperVillan," reaffirming the band's twin-guitar power metal vitality. Key Singles & Signature Works "WintrySky" (Single & Music Video) (2020) The band's definitive breakthrough track, featuring sweeping twin-lead harmonies, blistering gallops, and high-velocity guitar solos. "Labradorite" (2nd Single) (2021) A melodic speed-metal showcase demonstrating Sakura's intricate classical composition and fluid phrasing. HAGANE - The Rising of the Shield (LIVE Music Video) Mixed by Hiro at STUDIO PRISONER, Japan, 2026. The LIVE Music Video from HAGANE's EP Release Tour "METAL QUEST" TOUR FINAL @ Tokyo EX THEATER ROPPONGI performance has been released! HAGANE-The Rising of the Shield(LIVE Music Video) HAGANE - 月光-TSUKIKAGE- (Official Music Video)

ASTERISM (アステリズム) "Mass Metal" Power Trio – Neoclassical Virtuosity, Math-Metal Precision & Instrumental Power Biography & Band History Formed in Fukuoka, Japan, in 2014, ASTERISM is a three-piece heavy metal and progressive instrumental power trio composed of guitarist HAL-CA and brothers MIYU (bass) and MIO (drums). Meeting as early adolescents at a Yamaha-sponsored music competition, the prodigy trio bonded over their shared obsession with complex hard rock, classic heavy metal, and technical virtuosity. Their viral performance videos quickly attracted international attention from rock icons, including funk legend Bootsy Collins (who produced two tracks on their debut studio album) and former Megadeth guitarist Marty Friedman. Touring internationally while still teenagers across the United States (including SXSW), China, Thailand, and South Korea, ASTERISM coined their defining aesthetic genre as "Mass Metal"—intricately calculated, virtuosic metal arranged with infectious pop sensibility designed to resonate with broad audiences. Following an acclaimed indie period and relocation to Tokyo, the band signed with SME Records (Sony Music Entertainment Japan) in 2023, performing high-profile festival slots such as Knotfest Japan and FOX_FEST while integrating lead and chorus vocals alongside their blistering instrumental attack. Band Members & Instrumental Mastery HAL-CA (ハルカ) – Lead Guitar & Vocals Picking up the guitar at age 10, HAL-CA is celebrated as one of Japan's premier modern virtuosos. Known for playing customized ESP and killer high-gain rigs, she executes high-speed alternate picking, sweep-picked arpeggios, wide-interval tapping, and neoclassical counterpoint with surgical precision and commanding stage presence. In recent releases, she also handles powerful lead rock vocals. MIYU (ミユ) – Bass & Backing Vocals Beginning bass at age 7, MIYU provides a ferocious, percussive low end inspired by bass titans like Billy Sheehan. Utilizing extended-range 6-string and 7-string electric basses, he specializes in high-velocity three-finger galloping, polyphonic two-handed fretboard tapping, and aggressive slap-and-pop techniques that function as a second lead voice. MIO (ミオ) – Drums & Backing Vocals Starting behind the drum kit at age 5, MIO acts as the rhythmic anchor and dynamic engine of the trio. His playing features relentless double-bass stamina, odd-time signature shifts, math-metal polyrhythms, and crisp, lightning-fast snare flurries. Band Profile & Sonic Identity Origin Fukuoka / Saga, Japan Label Affiliations Tokuma Japan Communications (Early EPs/Album), Amuse Inc., SME Records / Sony Music Labels (2023–present) Genre & Musical Concept Mass Metal, Progressive Metal, Math Rock, Instrumental Shred, and Neoclassical Heavy Metal. Thematic Meaning The name ASTERISM refers to an identifiable constellation or grouping of stars; each member shines brightly as an individual soloist, but together they form a brighter, unified whole. Selected Discography & Key Releases Full-Length Studio Albums IGNITION (2018) Their full-length studio debut on Tokuma Japan, featuring original compositions like "Light in the Darkness" alongside collaborative cuts produced by Bootsy Collins ("Blaze" and "MIDNIGHT MOVER"). GUERNICA+a (2021) A mature, aggressive progressive metal outing exploring dark thematic motifs, complex meter changes, and heavy guitar riffs on tracks like "000" and "Gun Burst". Animetic (2022) A conceptual metal cover album reinterpreting iconic anime opening themes into virtuosic, high-speed math-metal arrangements, including covers of "Unravel" (Tokyo Ghoul), "Kyouran Hey Kids!!" (Noragami Aragoto), and "Silhouette" (Naruto Shippuden). PLANET OF METAL (2024) A landmark concept studio album exploring dystopian science-fiction storylines, blending their signature instrumental shred with expanded vocal hooks, complex synthesizers, and heavy modern groove. EPs & Mini-Albums The Session Vol. 1 & Vol. 2 (2017–2018) Breakout early EPs showcasing high-velocity instrumental performances and covers of hard rock staples by Ozzy Osbourne, Rush, and Metallica. GUERNICA (2020) A conceptual mini-album that served as the stylistic foundation for their subsequent GUERNICA+a expansion. ASIDE & BESIDE (2023) Companion EPs released in conjunction with their Sony Music debut, featuring driving vocal tracks like "Hullabaloo" and "Finally". Notable Collaborative Tracks "GYUTTO!!" (feat. Marty Friedman) (2023) A blazing guitar trade-off single and THE FIRST TAKE appearance pairing HAL-CA's fretwork with former Megadeth virtuoso Marty Friedman. "Ichizu / unravel" (feat. PelleK) (2022) A digital collaboration featuring Norwegian rock and anime vocalist PelleK over ASTERISM's high-speed metal arrangements. ASTERISM(아스테리즘) LIVE IN KOREA(2026.09.06.SUN. PARADISE CITY, SOUND PLANET 2026) #아스테리즘 #asterism #사운드플래닛2026 #SOUNDPLANET2026 ----------- 이벤트명 : 사운드플래닛 2026 촬영일 : 2026.09.06.(일) 장소 : 파라다이스 시티 촬영, 편집 : 소마51 촬영 장비 : Apple Iphone 16 PRO Max 영상 포맷 : 1080P 30fps HD 녹음 : 내장 마이크 ------------- Setlist ----------- 이벤트명 : 사운드플래닛 2026 촬영일 : 2026.09.06.(일) 장소 : 파라다이스 시티 촬영, 편집 : 소마51 촬영 장비 : Apple Iphone 16 PRO Max 영상 포맷 : 1080P 30fps HD 녹음 : 내장 마이크 ------------- Setlist Intro (0:00) 1. STARS (01:03) 2. Blink of Ray ( 2. Blink of Ray (04:58) 3. BLACK CLOUDS ( 3. BLACK CLOUDS (10:01) 4. SEX JAZZ ( 4. SEX JAZZ (14:44) MC (18:30) 5. 儚 (19:30) 6. MY WAY ( 6. MY WAY (23:32) MC (27:56) 7. BLAZE (28:13) 8. What's My Life? ( 8. What's My Life? (33:11) ASTERISM(아스테리즘) LIVE IN KOREA(2026.09.06.SUN. PARADISE CITY, SOUND PLANET 2026)

Join the NCC App for free: https://nocovercharge.com Sign up free for early access to podcasts, giveaways, backing tracks, lessons, and more. Paul Gilbert stops by the No Cover Charge Podcast straight off the tour bus — and gives everything. Guitar legend Paul Gilbert (‪@paulgilbertrock‬) sits down with Tyler Larson (‪@MusicisWin‬) and Jared James Nichols (‪@JJNicholsMusic‬) for an unfiltered hour of guitar wisdom, tone talk, and live playing. Paul breaks down his evolving approach to melody vs. shred, life-changing moments on stage with ‪@MrBig1989‬ and ‪@RacerX9‬, plus the one technique he says most players are completely missing, and so much more. This episode is required viewing for any guitar player. Expect deep dives into Paul's entire pedal board (including that legendary vintage flanger), stories from the Racer X days, joining Mr. Big and learning to shut up for a year, how emotion and anger show up in your playing, and why BB King was telling the truth every time he picked up a guitar. Plus — live playing, lick breakdowns, and a crash course in why melody and shred don't have to fight each other. Paul Gilbert | Episode 39 | The No Cover Charge Podcast

Edu Falaschi: Mi’raj – Studio Report & Guitar Making-Of Behind the Scenes at Fusão Studios with Victor Franco & Producer Thiago Bianchi Studio Session Overview In this installment of the Mi’raj making-of documentary series, fans are taken directly inside Fusão Studios in São Paulo, Brazil, alongside producer Thiago Bianchi to explore the extensive creative process behind the guitar tracking for the album. Throughout the production of Mi’raj, guitarist Victor Franco played an essential role in crafting and developing the guitar arrangements, uniting technical precision with a refined sense of melody, dynamic control, and distinctive musical identity. The recording sessions extended far beyond simply tracking pre-written parts; they served as an open laboratory for experimenting with diverse approaches, tones, textures, complex harmonies, and phrasing until each individual section discovered its own unique sonic character. Expanding Beyond Heavy & Power Metal The conceptual universe of Mi’raj provided the framework to expand beyond the conventional boundaries of heavy and power metal: * Stylistic Cross-Pollination: Infused elements of 1970s and 1980s progressive rock, modern fusion, and hard rock into the band's core heavy metal vocabulary. * Arrangement Dynamics: Crushing rhythm riffs coexist alongside delicate melodic lines, intricate harmony layering, atmospheric ambient textures, and emotive, singing solos. * Intentional Space & Restraint: Focused heavily on dynamic choices—knowing when the guitar should drive the track with aggressive dominance, and when it should pull back to create mood, support the orchestrations, or leave breathing room for the vocal and rhythm sections. Franco's creative versatility and musical sensitivity proved vital in shaping the final sonic voice of the album, complemented by select featured guest solos contributed by guitarist Diogo Mafra. Production & Engineering Credits Project / Album Mi’raj (Edu Falaschi) Featured Musician (Guitars) Victor Franco (with additional solos by Diogo Mafra) Recording Studio Fusão Studios (São Paulo, Brazil) Studio Producer Thiago Bianchi Mixing & Mastering Engineer Dennis Ward Video Production & Editing Mazza Filmes (Recordings and editing by Gabriela Nattalie & Daniel Mazza) EDU FALASCHI | Mi’raj Making Of | Guitar Recordings (Victor Franco)

Kelly SIMONZ (ケリー・サイモン) Japanese Neoclassical Shred Pioneer, "Hyper-Technician" & Master Clinician Biography & Career Overview Born on July 1, 1970, in Osaka, Japan, Kelly SIMONZ (born Kazuyoshi Shimazu / 島津和芳) is an electric guitar virtuoso, multi-instrumentalist, vocalist, author, and educator. Picking up the guitar in his early teens, he immersed himself in the classical works of Bach, Vivaldi, and Paganini alongside the neoclassical metal revolution spearheaded by Yngwie Malmsteen, Ritchie Blackmore, and Uli Jon Roth. In the early 1990s, Simonz moved to Los Angeles to study at the Musicians Institute (GIT), honing his technical mastery, stagecraft, and English-language songwriting. Returning to Japan, he established himself as a premier shred pioneer with his self-produced solo debut Sign of the Times (1998) and follow-up Silent Scream (1999). Renowned in the Japanese guitar press as a preeminent "Hyper-Technician" (超絶ギタリスト), Simonz formed his flagship power trio project, Kelly SIMONZ's Blind Faith, while publishing Japan's best-selling "Chozetsu" (Super-Transcendental) guitar instructional book series with Rittor Music and conducting clinics worldwide for ESP Guitars and Marshall Amplification. Musical Instrumentation & Technical Signature Neoclassical Alternate Picking & Sweep Arpeggios Celebrated for immaculate picking hand mechanics, executing high-speed pedal-point sequences, harmonic minor runs, and multi-octave sweep-picked arpeggios with zero friction and absolute note clarity. Dynamic Touch, String Bending & Classical Vibrato Possesses a wide, operatic finger vibrato and pinpoint microtonal bending accuracy, channeling the expressive touch and sustain of traditional European classical violin and vintage heavy rock. Lead Vocals & Multi-Instrumental Command In addition to his guitar virtuosity, Simonz handles lead rock vocals across his band projects, delivering soulful clean melodies and gritty hard-rock belts, while also tracking keyboards, bass, and orchestrations in the studio. Signature Gear & Amplification Longtime premier clinician and signature artist for ESP Guitars, famously known for his custom scallop-fretboard ESP Snapper models equipped with Seymour Duncan YJM Fury / single-coil pickups, paired directly with vintage-voiced Marshall tube stacks and custom boost pedals. Band Formations & Projects Kelly SIMONZ's Blind Faith (KSBF) His primary touring and recording power trio / quartet, featuring high-caliber Japanese rhythm section veterans (including bassist Kaz Nakamura and powerhouse drummer Yosuke Yamada), blending high-velocity neoclassical metal with symphonic rock and melodic ballads. Kelly SIMONZ's Bad Tribe A hard rock and heavy metal unit exploring aggressive modern grooves, blues-rock foundations, and twin-guitar arrangements. Solo & Educational Catalog ("Chozetsu Guitarist" Series) Author of the definitive "Chozetsu" instructional book and DVD catalog published by Rittor Music, training successive generations of Asian shred and neoclassical guitarists. Selected Discography & Releases Full-Length Studio Albums (Solo & KSBF) Sign of the Times (1998) His breakthrough independent debut album that stunned the Japanese guitar scene, featuring neoclassical speed staples like "Future World" and "Now Your Turn." Silent Scream (1999) Sophomore solo effort further establishing his balance of furious shred technique, vocal melodicism, and classical counterpoint. The Rule of Right (2002) A mature, heavier studio outing exploring progressive themes and blistering instrumental trades. Blind Faith (2014) The major-label return under King Records (Nexus) with Kelly SIMONZ's Blind Faith, featuring anthems like "I Am Your Judgement Day" and "N.Y. Take-off." At The Gates of a New World (2015) A symphonic neoclassical power metal showcase highlighting intricate twin-lead overdubs and aggressive double-kick rhythms. Overture of Destruction (2017) A hard-driving studio collection celebrating high-speed neoclassical arrangements and dynamic guitar solos. Holy Mother (2019) / Tales of the Messiah (2023) Later conceptual releases showcasing refined acoustic-electric dynamics, orchestral arrangements, and virtuosic fretboard endurance. Instructional Works & Soundtracks Chozetsu Guitarist Series (Books & Audio, Rittor Music) Landmark pedagogical literature including Chozetsu Guitarist Yōsei Gips (超絶ギタリスト養成ギプス), establishing standardized technical exercises for sweep picking, economy picking, and neoclassical phrasing. Here's a demo of a new song that will be premiered at Mark Boals' Japan tour in November 🎸✨ Please come to the venue and experience it for yourself 😎👍✨ Mark Boals × Kelly SIMONZ “TRILOGY” 40th Anniversary × A New Era. 📍10/31 Tokyo, Daikanyama UNIT 📍11/1 Tokyo, Daikanyama UNIT 📍11/3 Osaka, Esaka MUSE 🎫 Performance details and tickets: https://evp.jp/project/anewera26/ Surpassing the excitement of 7 years ago. 😎🤘🔥 [Guitar Lesson Salon & Fan Club] We have just started an online salon, and we look forward to many of you joining us. → https://yoor.jp/door/KellySIMONZ Become a member of this channel to access perks: 【DEMO】The Guardian Of Purgatory by KellySIMONZ feat. Mark Boals

Trivium – Studio Drum Approach & Playthrough Breakdown Songwriting Philosophy, Production Insights & Complete Kit Specifications Drum Philosophy & Album Approach "I really only had one goal for the drums on this album: Write for the song. That doesn't mean there isn't some tough stuff on the album — there is. But writing tech stuff just for the sake of doing so didn't really make sense to me." "This band has a versatile back-catalogue, spanning several different drummers, all with their own style. Those styles have all played a part in Trivium's sound. So other than writing for the song, if there was any other goal that I had in mind, it was to try and write parts that I felt reflected ALL of the previous drummers (in some capacity). Of course, I also wanted to bring my own feel, & my own ideas — but that kind of just happens naturally. So to put it simply: I tried my best to write parts that I felt stayed true to the band's history, while still doing my own thing, all while keeping my main focus on writing for the song." "So I hope you dig this first single, & I truly cannot wait for you all to hear the rest of this album. It's the best songwriting I've been a part of." Tracking Process & Audio Production Mix & Engineering Mixed by Declan White, tailored specifically to highlight the drum performance while preserving the atmospheric weight and sonic profile of the official album mix. Performance Methodology This video document represents a dedicated post-album tracking session rather than in-studio tracking takes: "BTW: This is NOT the album take of the song. I mean, I basically played it verbatim to the album take, but this video / song was re-recorded after the album was already finished. When I was younger, I tried to film the entire recording process, & make drum videos using the actual takes from the album tracking. But I've long since stopped trying to do that. Worrying about video takes the fun & energy out of recording. Not to mention, when tracking an album, you need to be focused on getting the best sounding takes — nothing else matters. So these days (& for a long while now), if I'm tracking for an official release, I focus on the audio only, & then if I want to record a drum video for something later, I just re-record the song." Complete Drum Kit & Cymbal Specifications Drums: Tama STAR Maple (Smoky Black Finish) * Rack Toms: 10"×6.5", 12"×7" * Floor Toms: 14"×11", 16"×13", 18"×15" * Bass Drums: 20"×16" (x2) * Snare Drum: 14"×6.5" Tama 50th Anniversary Bell Brass Re-Issue Cymbals: Meinl Cymbals (Left to Right Player Perspective) * 18" Classics Dark Mega Bell Ride * 18" Classics Dark Heavy China * 18" Byzance Brilliant Medium Crash * 14" Byzance Traditional Medium Hi-Hats * 12" Classics Custom Dual Trash Splash * 10" Classics Custom Extreme Metal Splash * 13" Byzance Traditional Medium Hi-Hats * 19" Byzance Traditional Medium/Thin Crash * 18" Classics Custom Extreme Metal China * 20" MB20 Heavy Bell Ride * 18" Artist Concept Model Thomas Lang Super Stack Note: The secondary right-side hi-hats and left-side ride cymbal remain unplayed for this specific arrangement. Drumheads: Evans Toms Clear G2 (Batter) / Clear G1 (Resonant) Snare Coated UV2 (Batter) / Snare Side 300 (Resonant) Bass Drums Clear EQ4 (Batter) / Custom INKED Resonant Head with Center Port Hardware, Electronics & Endorsements * Bass Drum Pedals: Czarcie Kopyto Pedals * Triggers: OnTrigger Bass Drum Triggers * Microphones: sE Electronics * In-Ear Monitors: 64 Audio * Footwear: Vratim Drum Shoes * Cases: Gator Cases "Dead Inside Of Me" is the first single from our new album (album titled coming soon 😉). Stream it now on Spotify, AppleMusic, or wherever you stream your music! Also check out the music video we released earlier this week - Alex Rudinger - TRIVIUM - "DEAD INSIDE OF ME"

Rush drummer Neil Peart interviewed in 1979 | CBC Archives

Chiara Carcano - Familiar wind (Official Video) Chiara Carcano Italian Instrumental Guitarist, Ibanez Artist & Expressive Melodic Virtuoso Biography & Career Overview Born in Milan, Italy, Chiara Carcano is an electric guitarist, composer, and music educator. Raised in a musical household—her father was a double bass player who fostered her early passion for music—she began playing guitar at the age of nine in 2003, quickly adopting the instrument as her primary creative voice. Over the past two decades, Carcano developed an expressive instrumental style bridging melodic rock, contemporary fusion, and neo-soul phrasing. An official artist and endorser for Ibanez Guitars, she gained wide recognition online and across the European guitar community for her nuanced phrasing, technical touch, and dynamic cover interpretations of guitar greats like Andy Timmons, Lari Basilio, Mateus Asato, and David Gilmour. Beyond her solo compositions and masterclass educational courses, she actively teaches modern guitar and participates in various live and studio session projects throughout Italy. Musical Instrumentation & Technical Signature Expressive Lead Phrasing & Vocal Vibrato Distinguished by wide, vocal-like vibrato, microtonal string bends, and dynamic volume swells, heavily inspired by modern melodic masters like Andy Timmons, Joe Satriani, and Lari Basilio. Neo-Soul & Melodic Chord-Melody Voicings Blends driving rock leads with delicate double-stops, thumb-over fretboard grips, hybrid picking, and ambient clean chordal movement in the style of Mateus Asato. Technical Articulation & Dynamic Touch Executes fluid legato runs, tight syncopated grooves, and singing sustain, focusing on emotional narrative arc and note choice rather than purely mechanical shred speed. Gear & Tone Architecture Prominent endorser of Ibanez guitars (frequently seen playing AZ series models, including the AZ2204N-AWD and AZ24P1QM-DOB), running through Fractal Audio Systems processors (FM9), DiMarzio pickups, Mogar Music distribution gear, and Magrabò guitar straps. Band Formations & Collaborative Projects Chiara Carcano Solo Project Her primary creative outlet for original instrumental compositions, featuring collaborations with bassist Francesco Carcano and drummer Fabio Pansini alongside producer Massimo Bontempi (Redrum Studios). Teaching & Masterclasses Modern electric guitar instructor at institutions including the Music Factory Academy in Cesano Maderno, also publishing dedicated online instructional video courses via Musicezer. Session & Live Projects Performs as a lead and rhythm guitarist across diverse live pop-rock, classic rock tributes, and instrumental showcases across Lombardy and northern Italy. Selected Discography & Key Releases Original Singles & Compositions "Inside" (Debut Solo Single) (2022) Her official debut original instrumental release, spotlighting clean-to-overdrive dynamic shifts, soaring melodic themes, and lyrical lead phrasing on the Ibanez AZ2204N. "Familiar wind" (Single & Official Music Video) (2026) An ambitious, evocative narrative instrumental single exploring themes of reminiscence, nature, and the cycle of life, featuring bassist Francesco Carcano, drummer Fabio Pansini, and engineering by Redrum Studios and Eleven Mastering. Notable Repertoire & Viral Demonstrations "Highway Star" (Deep Purple Solo Cover) A breakthrough viral technical cover demonstrating classical scalar picking accuracy and aggressive rock drive. "Redemption" & JTC "Three Four" (Lari Basilio Covers) Performances showcasing hybrid picking, rhythmic bounce, and sophisticated melodic phrasing. "Comfortably Numb" (Pink Floyd) & "Here Lies the Heart" (Andy Timmons) Showcases illustrating her nuanced pitch control, sustained singing overdrive, and emotional note delivery. "Familiar wind" – Official Music Video Artist: Chiara Carcano Artist Note & Listening Experience Hi darlings, I’m so happy and excited to share with you my new song “Familiar wind”. It’s so precious to me, because it’s like a short but rich story that contains a lot: feelings, memories, presences, breaths, dreams… Maybe it’s just a head trip of mine, but for me Familiar wind is a strong storytelling track. Before sharing my interpretation, it will be very interesting for me if you tell me what YOU feel while listening to the song. Turn up the volume, put your headphones on or turn the speakers on, close your eyes and let yourself be carried away by the music atmospheres. Freely, open your heart and let go… Take your time… Breathe… Then open your eyes, listen to it again, but this time watch the video too. Now ask yourself in which places it carried you, what your feelings are… Please let me know. I care about it because everyone has their own perception. Each of us is unique, has their own story and their own scars. I’m looking forward to your story of Familiar wind. Concept & Meaning The word “familiar” isn’t meant to be about family itself, but more as something that you’ve already known, you’ve already felt in another time—whether in the past, in the present, or perhaps in the future. That feeling of “it feels familiar.” The element of “wind” connects directly with the human breath: the wind as the breath of nature, and the breath of living beings—a living wind. Familiar Wind is the echo of a feeling that exists beyond time. It carries the warmth of something already known, a sensation that might belong to the past, the present, or perhaps a future we have not yet lived. It’s a gentle, warm wind that we’d hold onto, but it always slips through our hands. Its essence feels distant, almost unreachable, and yet it lives quietly in the deepest part of us, where memory, longing, and gratitude become one. This piece is an intimate journey through that paradox: something far away, yet deeply familiar. It represents a connection between times, where living beings, nature, places, souls, and the spirits of the past, present, and future come together. Familiar wind is a hymn to the circle of life, reincarnation, reminiscence, and releasing. Whenever you want to connect with your innermost self, Familiar Wind will be there for you. Love you all, Chiara Carcano Production & Personnel Credits Guitar Chiara Carcano Bass Francesco Carcano Drums Fabio Pansini Mix & Additional Production Massimo Bontempi (Redrum Studios) Mastering Eleven Mastering Video Cinematography Andrea Severini Video Editing Chiara Bettiga Artwork MDC illustration Gear & Endorsements Electric Guitars Ibanez AZ24P1QM-DOB, Ibanez AZ2204N-AWD Amplification & Processing Fractal Audio Systems FM9 Pickups & Electronics Mogar Music / DiMarzio Straps Magrabò Guitar Straps Strings D'Addario

Joe Bonamassa Unfiltered: AI, Clapton, B.B. King, & Buddy Guy Joe Bonamassa Modern Blues-Rock Titan, Master Collector & Virtuosic Guitar Icon Biography & Career Overview Born May 8, 1977, in New Hartford, New York, Joe Bonamassa is one of the most prolific, commercially successful, and technically accomplished blues-rock guitarists of the modern era. Recognized as a child prodigy, he began playing guitar at age four and famously opened approximately twenty concert dates for the legendary B.B. King by the age of twelve. In his teens, he formed the southern rock/blues outfit Bloodline alongside the sons of Miles Davis, Robby Krieger, and Berry Oakley. Launching his solo career in 2000 with A New Day Yesterday, Bonamassa established an independent, direct-to-fan business model alongside longtime manager Roy Weisman via J&R Adventures. Collaborating closely with veteran producer Kevin Shirley since 2006, Bonamassa has amassed an unprecedented 27+ number-one albums on the Billboard Blues Chart. Beyond his solo endeavors, he is a tireless collaborator, co-founding supergroups such as Black Country Communion and Rock Candy Funk Party, tracking duo records with Beth Hart, and heading the non-profit Keeping the Blues Alive Foundation. Musical Instrumentation & Technical Signature British Blues-Rock & Pentatonic Velocity Fuses American Delta/Chicago blues sensibilities with the aggressive attack, singing sustain, and high-gain British blues-rock lineage of Eric Clapton, Peter Green, Paul Kossoff, and Gary Moore. Renowned for blistering pentatonic and blues-scale runs articulated with machine-gun alternate picking. Expressive Vibrato, Bending & Dynamics Possesses an exceptionally controlled, vocal-like finger vibrato and pinpoint microtonal pitch bends. He is a master of volume and tone pot manipulation directly from the instrument to transition from whisper-clean chime to searing lead overdrive. Acoustic Virtuosity & Fingerstyle Extensive acoustic command featuring flatpicking, rapid hybrid picking, and classical/flamenco-influenced runs, showcased in signature pieces like "Woke Up Dreaming." Vintage Gear Connoisseur ("Nerdville") Curator of one of the world's most renowned collections of vintage instruments and amplifiers, famously touring with original late-1950s Gibson Les Paul "Bursts" (including "Principal Guest" and "Skinnerburst"), 1950s Fender Stratocasters and Teles, and running complex multi-amp rigs combining vintage high-powered Fender Tweed Twins, Dumble Overdrive Specials, and Marshall Silver Jubilees. Band Formations & Supergroups Joe Bonamassa Solo Touring Band A premier ensemble featuring elite veterans, historically including keyboard legend Reese Wynans (Stevie Ray Vaughan & Double Trouble), drummer Lemar Carter, bassist Calvin Turner, guitarist Josh Smith, and a dynamic brass and backing vocal section. Black Country Communion (2009–present) Hard rock supergroup featuring Bonamassa alongside Glenn Hughes (Deep Purple/Trapeze), Jason Bonham (Led Zeppelin/Foreigner), and Derek Sherinian (Dream Theater/Sons of Apollo). Beth Hart & Joe Bonamassa Celebrated studio and live soul/blues collaborative partnership delivering explosive interpretations of classic blues and R&B standards. Rock Candy Funk Party An instrumental groove, funk-jazz, and fusion collective exploring tight 1970s and 1980s rhythm arrangements alongside Tal Bergman, Ron DeJesus, and Mike Merritt. Bloodline (1990s) Early-career band featuring Bonamassa ("Smokin' Joe"), Erin Davis, Waylon Krieger, and Berry Oakley Jr., releasing their self-titled debut in 1994. Selected Discography & Key Releases Landmark Solo Studio Albums A New Day Yesterday (2000) His debut solo studio record, produced by Tom Dowd, featuring classic rock power and covers of Rory Gallagher, Free, and Jethro Tull. Blues Deluxe (2003) & Blues Deluxe, Vol. 2 (2023) Milestone companion releases celebrating classic blues songcraft, covering icons from B.B. King to Albert Collins, interspersed with hard-driving originals. You & Me (2006) The first album produced by Kevin Shirley, marking a creative leap forward with tracks like "Bridge to Better Days" and his rendition of Led Zeppelin's "Tea for One." The Ballad of John Henry (2009) A conceptual, heavy blues-rock tour de force featuring expansive orchestral arrangements, swamp-rock grooves, and fiery lead work on the monumental title track. Dust Bowl (2011) & Driving Towards the Daylight (2012) Chart-topping records highlighting storytelling, acoustic-electric blending, and guest appearances from John Hiatt and Brad Whitford. Different Shades of Blue (2014) & Blues of Desperation (2016) All-original studio projects exploring modern hard-rock production, dual-drummer grooves, and intricate dynamic songwriting. Royal Tea (2020) & Time Clocks (2021) Ambitious conceptual statements tracked at Abbey Road Studios and New York City, blending British blues nostalgia with progressive classic rock hooks. Breakthrough (2025) His seventeenth solo studio album, produced by Kevin Shirley and recorded across Santorini, Nashville, and Hollywood, featuring singles like "Shake This Ground," "Still Walking with Me," and "Trigger Finger." Notable Collaborative & Live Offerings With Black Country Communion: Black Country (2010), 2 (2011), Afterglow (2012), BCCIV (2017), V (2024) Heavy, riff-driven blues-metal studio albums celebrating classic British arena rock. With Beth Hart: Don't Explain (2011), Seesaw (2013), Black Coffee (2018) Critically acclaimed, Grammy-nominated soul and blues revival collaborations. Key Concert Releases: Live from the Royal Albert Hall (2009), Muddy Wolf at Red Rocks (2015), Live at Carnegie Hall: An Acoustic Evening (2017), The Spirit of Rory [Live from Cork] (2026) Flagship concert documents illustrating his improvisational range, acoustic finesse, and deep respect for guitar heritage. Joe Bonamassa joins the Blues Rock Show for an exclusive interview from Eric Clapton's Crossroads Guitar Festival to share the best advice B.B. King ever gave him, Buddy Guy’s impact, Black Country Communion bandmate Glenn Hughes’ retirement from touring, his tribute to Rory Gallagher, and playing Crossroads, plus Joe gets candid about AI-generated music, the key to greatness, and more. Watch our full conversation with Joe Bonamassa from Austin.

Rick Graham is undoubtedly one of the greatest guitarists of his generation. Combining a masterful understanding of technique, harmony, and expression, it's no mystery why players such as Nuno Bettencourt, Joe Satriani, and Greg Howe have lauded his skills. Following the successful launch of his signature guitar, the Charvel Pro Mod Rick Graham Signature DK24 2PT Worn Shell Pink, we were delighted to host Rick in guitarguitar Glasgow for a masterclass with the theme of developing improvisation ability. Before soundcheck, we managed to grab Rick for a few minutes to have a chat about his guitar journey, signature models, and what some newer players lack. _________________ Gear used: https://gtrgtr.uk/RGCharvel The Philosophy of Shred with Rick Graham