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taras1505.bsky.social

@taras1505.bsky.social
24 followers 49 following 5 posts
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taras1505.bsky.social @taras1505.bsky.social · 01/12/2024
I was pleasantly surprised by the characterization. Every mannerism faithfully reflects her neurodivergence, as much as the genre permits. JeeJa Yanin’s acting, with her awkwardness in fights, stays true to the fact that her character only observed martial arts. A gem of a film!
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taras1505.bsky.social @taras1505.bsky.social · 18/11/2024
A parking garage is back!
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taras1505.bsky.social @taras1505.bsky.social · 10/11/2024
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taras1505.bsky.social @taras1505.bsky.social · 10/11/2024
To appreciate the uniqueness of HK cinema, here’s a brief but noteworthy dialogue exchange from Corey Yuen’s Yes, Madam! that exemplifies their knack for rhythm, extending beyond just action scenes. The seesaw rhythm of the dialogue adds a visual punch that you won’t find in Hollywood filmmaking.
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taras1505.bsky.social @taras1505.bsky.social · 10/11/2024
It's a weird comparison, but Blade Runner 2049 reminded me of City on Fire. Both showcase the filmmaker's mastery of scene-to-scene transitions. After K learns the truth about his memories, he's arrested—much like Chow Yun Fat’s professional life destroying the personal. Love it!
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