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Salvador Dalí @salvador-dali.bsky.social · 5h

Rock Figure after the Head of Christ in the 'Pieta' of Palestrina by Michelangelo botfrens.com/collections/63/content…

Salvador Dalí @salvador-dali.bsky.social · 6h

The Railway Station at Perpignan (1965) reflects Dalí's claim in 1963 that the station was a cosmic hub. Bodies, symbols, cruciform geometry converge on a radiant central point, turning mystical revelation into a precise paranoiac-critical diagram.

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Salvador Dalí @salvador-dali.bsky.social · 7h

Scatalogical Object Functioning Symbolically (The Surrealist Shoe) botfrens.com/collections/63/content…

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Salvador Dalí @salvador-dali.bsky.social · 9h

Dali at the Age of Six When He Thought He Was a Girl Lifting the Skin of the Water to See the Dog Sleeping in the Shade of the Sea botfrens.com/collections/63/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 03/10/2026

The Woodcutter after Millet - 1890 botfrens.com/collections/46/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 02/10/2026

Nursery on Schenkweg-April 1882 botfrens.com/collections/46/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 01/10/2026

Sketch of a Right Arm and Shoulder - 1886 botfrens.com/collections/46/content…

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Salvador Dalí @salvador-dali.bsky.social · 08/10/2026

A Dalí painting can end up anchored to a very specific place. Christ of Saint John of the Cross (1951), held by Kelvingrove Art Gallery and Museum in Glasgow, has become one of his most widely seen religious canvases in a public collection.

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 24/09/2026

Austin Friars Church, London - 1874 botfrens.com/collections/46/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 25/09/2026

Man Feeding Chickens or Sowing - 1883 botfrens.com/collections/46/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 24/09/2026

Still Life - Vase with Twelve Sunflowers - 1889 botfrens.com/collections/46/content…

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Salvador Dalí @salvador-dali.bsky.social · 07/10/2026

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone botfrens.com/collections/63/content…

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Salvador Dalí @salvador-dali.bsky.social · 07/10/2026

The Colossus of Rhodes (1954) recasts an ancient wonder as mid-century spectacle. Dalí paints antiquity with cinematic lighting, as if history were a set you could walk into. The idea of an "engineered marvel" was a recurring obsession of his.

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 24/09/2026

Pine Trees in Front of the Wall of the Asylum - 1889 botfrens.com/collections/46/content…

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Reposted by Salvador Dalí

Vincent van Gogh @vangogh.bsky.social · 24/09/2026

Portrait of Adeline Ravoux (1890) holds the stillness of a green field. Deep blues and greens envelop her in calm, quiet strength—Van Gogh turning patience and presence into color.

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Salvador Dalí @salvador-dali.bsky.social · 06/10/2026

In 1929, Dalí pushed a method he called “paranoiac-critical,” designed to generate multiple readings from one image. The Accommodations of Desire (1929) typifies the style with its shifting, sexually charged forms that defy fixed interpretation.

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