iiinova — where your digital self keeps evolving

Sally Clarke @sallyclarkestudio.bsky.social · 14/01/2026

May the eternal flame in the Yazd Atash Behram burn brightly for the people of Iran and their quest for freedom

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Sally Clarke @sallyclarkestudio.bsky.social · 14/07/2025

Wombat Meditation, when the world’s awry #wombats #ourbackyard #wildlifehabitat Sound up for the frogs

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Sally Clarke @sallyclarkestudio.bsky.social · 13/05/2025

Snake Charmer, 2014, (details), plasticine, glass, 275x120x15cm. Photos: luminere Imaging #drawing #expandeddrawing #contemporaryart #art #womenartists #australianartist #pink #snakecharmer

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Sally Clarke @sallyclarkestudio.bsky.social · 13/05/2025

Snake Charmer, 2014, plasticine, glass, 275x120x15cm. Photo: luminere Imaging

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Sally Clarke @sallyclarkestudio.bsky.social · 06/05/2025

The joys of creating a wildlife friendly garden. After a few recent road deaths in the area it’s so hopeful to see mum and joey wombats #wombats #mittagong #ourbackyard #habitatforwildlife

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Sally Clarke @sallyclarkestudio.bsky.social · 15/04/2025

Sore Eyes, 2022, acrylic paint on vinyl, 25x25cm

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Sally Clarke @sallyclarkestudio.bsky.social · 15/04/2025

Creating habitat for local wildlife. As Sydney sprawls and properties are landscaped to resemble English gardens, land for wildlife could not be more important. If gardens require poisons, astroturf and machines, it’s time to consider apartment living. The kids can play in the park #artandlife

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Sally Clarke @sallyclarkestudio.bsky.social · 09/04/2025

Winnebago Dreaming (at Home by the Pink Lakes) 2006, 91x122cm, was part of a body of work I created for my PhD at UNSW, The Transplanted Bush: Dislocation, Desire and the Domestic. Photo: Mixed Media Photographic Studios. So long ago now

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Sally Clarke @sallyclarkestudio.bsky.social · 23/03/2025

Cockatoo worming their way into our hearts before stripping the lemon tree, but hey, we’re happy to share #cockatoo #ourbackyard #wildlifehabitat #artlife

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Sally Clarke @sallyclarkestudio.bsky.social · 21/03/2025

Barnacle Eyes, 2023, acrylic paint on vinyl, 25x25cm #painting #art #womenartists

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Sally Clarke @sallyclarkestudio.bsky.social · 21/03/2025

Shell Face 1, acrylic paint on vinyl, 25x25cm

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Reposted by Sally Clarke

WIRED @wired.com · 19/03/2025

Why do people support dictators? How do dictators come to power? We teamed up with history professor Ruth Ben-Ghiat to answer the internet's burning questions about authoritarianism and fascism.

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History Professor Answers Dictator Questions | Tech Support | WIRED

Professor and authoritarianism scholar Ruth Ben-Ghiat joins WIRED to answer the internet's burning questions about dictators and fascism. Why do people suppo...

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Sally Clarke @sallyclarkestudio.bsky.social · 18/03/2025

The Pale Carrier, 2024, pencil on paper.

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Sally Clarke @sallyclarkestudio.bsky.social · 16/03/2025

Holes, 2014. One of the most abused forms in history. Exhibited in The Democracy of Drawing, AirSpace Projects, Sydney

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Sally Clarke @sallyclarkestudio.bsky.social · 16/03/2025

This continues to be my favourite exhibition catalogue, Part Object Part Sculpture, curated by Helen Molesworth in 2006 when she was Chief Curator at Wexner. Being in Australia I never saw the show. Hesse, Fontana, Orozco, Gober, Bourgeois and more. Anyone out there who was lucky enough to see it?

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Sally Clarke @sallyclarkestudio.bsky.social · 15/03/2025

I’m Not Your Oyster, 2023, acrylic paint on vinyl, 25x25cm. Part of a 2024 exhibition that marked the beginning of the Repatriation Project, that sees the return of a seashell collection to the Cocos (Keeling) Islands. They will ultimately be returned by the Cocos Malay community.

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Reposted by Sally Clarke

Rebecca Solnit @rebeccasolnit.bsky.social · 13/03/2025

I had a conversation with @Anand Giridharadas this morning he dubbed "The Stupid Coup" after what I've been calling it. If you would like me to be cheerfully intransigent about the clown-authoritarians, here we go: the.ink/p/the-stupid...

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Rebecca Solnit on the "stupid coup"

Rebecca Solnit on the silver lining of this chaotic, incompetent authoritarianism. Plus: resistance, coalition-building, purity politics, hope, gathering, and roses

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Sally Clarke @sallyclarkestudio.bsky.social · 14/03/2025

Phallic Eye: Anticipation. Addressing the male gaze. I’ve finished the visual component of my short video. Next step sound.

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Sally Clarke @sallyclarkestudio.bsky.social · 14/03/2025

Another favourite is Peter Doig’s Man Dressed as a Bat, 2007, oil on linen, 300 x 300cm. In a similar fashion to Laura Owens’ work below, this painting displays atmospheric, almost hallucinatory qualities

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Sally Clarke @sallyclarkestudio.bsky.social · 14/03/2025

Laura Owens, Untitled, 2003, acrylic and oil on canvas, 65 x 58inches. I love this painting, it’s so peaceful and full of gentle spirits. Everything is alive and watching in this washy happy communion

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Sally Clarke @sallyclarkestudio.bsky.social · 13/03/2025

Did I say wildlife habitat? Introducing you to one of our free-ranging creative burrow builders #wombat #wildlifehabitat

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Sally Clarke @sallyclarkestudio.bsky.social · 12/03/2025

Venus Was Her Name, 2023, acrylic on vinyl, 111x138cm

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Sally Clarke @sallyclarkestudio.bsky.social · 10/03/2025

When Brenda and I arrived in London direct from Sydney on 30 Sept 2023, the first thing we did was to speed walk to Kristin Hjellegjerde Gallery to catch the last day of Rithika Merchant’s exhibition Terraformation. Such a thrill to see it in the flesh #rithikamerchant #kristinhjellegjerdegallery

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Sally Clarke @sallyclarkestudio.bsky.social · 08/03/2025

@artcontemporain.bsky.social International Women’s Day 2025. Recent events around the world have taught us that hard fought gains can easily be lost. Keep up the good fight and support your sisters

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Sally Clarke @sallyclarkestudio.bsky.social · 07/03/2025

nga.gov.au/stories-idea... The Anne Dangar exhibition at the Australian National Gallery was a knockout. Fascinating life and work. Great to see the careers of women artists receiving more attention and her relationship with Grace Crowley acknowledged