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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 04/02/2026

FRANCESCO SCOGNAMIGLIO SPRING 2026 COUTURE COLLECTION.

The model wears a white, chiffon tunic dress with long sleeves. The dress has multiple ruffles along it, breaking up the silhouette of the model into wave-like patterns. They wear silver heels and their hair is coiffed in multiple blond "shirley temple" curls. The front of the dress features a silver casting of Christ on the cross, centered in the middle of the chest.

The model wears a sharp, ivory tuxedo with wide, satin lapels and matching, pressed pants. They wear a white tie. The shoulders of the jacket are exaggerated. The same model, with the blonde curls, is used in all of the images. The jacket features a boutonniere on the left side of the chest: a pink rose with green leaves.

The model wears a transparent, white dress with long sleeves and a high neck. The dress is floor-length, puddling around the model's legs and feet in a soft, sweeping train. The gown is covered in three-dimensional sequin and crystal flowers along the neckline of the dress, the forearms, and the train of the dress. More crystals are attached to the dress in wide arcs along the chest and hips.

The model wears high-waisted, white, satin pants with a distinct crease along the front. The pants are floor-length and hide the shoes, the waistline ending just above the belly button. The pants feature subtle lace details along the hips and bottoms, crawling down and up the leg respectively. The model wears no shirt and holds their hands over their own breasts, rendering them modest. They wear a white fur stole over one shoulder, covering the right side of their chest. The stole features a silver bangle around the bottom of it. The model stands at 3/4s to the camera, with one leg crooked out.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 31/01/2026

SCHIAPARELLI SPRING 2026 COUTURE COLLECTION [2/2].

The model wears a black bustier dress made of double face organza silk featuring a pointed décolleté. The spiral-cut bulle skirt is made of 3 hand-smoked trope l'oeil tails stitched together. The model wears rhinestone knot earrings and black satin sandals with a tall heel.

The model wears a crested bustier gown with a low back and a high front. The bustier is covered in copper lace pattern bullion embroidery featuring a smoked crystal grid and white shells. The gown features a sfumato effect gradient from a rich gold to a deep black at the bottom. The skirt also features four, tiered ruffles, embellished with rhinestones. The model wears chandelier earrings and elbow-length gloves. The globes are sheer, overlaid with black veiling and black veiling ruffles at the cuff, forming a dramatic puff around their elbows.

The model wears a "midnight chocolate" (she's so pretentious, it's dark brown) bustier gown with a dramatic, metal-bonded neckline featuring a pointed décolleté. The back of the gown is low and is embellished with a fan of black and red feathers, starting at the small of the model's back. Like the tail of a chicken. :) The model wears bird head earrings that hold a red drop in their beaks.

The model wears a molded bustier gown in black grin, embroidered with a radial effect of 65,000 blue and black raw silk feathers. The feathers are attached with satin stitch embroidery and feature 27 different shades of blue, ranging from light blue to kingfisher blue to a deep royal blue. The skirt of the dress flares out at mid-thigh. The skirt is double-deckered and flared, bolstered by transparent layers of black tulle and crin. The top flare is embroidered with black feathers. The bottom flare is embroidered in more blue feathers, fading to black as they move up the skirt.

Additional fun fact: This gown took about 8,000hrs of work to finish. The model wears no jewelry, and their feet are hidden below the voluminous skirts.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 31/01/2026

SCHIAPARELLI SPRING 2026 COUTURE COLLECTION [1/2].

The model wears a sharp-shouldered Elsa jacket, which references archival Schiaparelli work, with a dramatic collar that turns into a bird's wing embroidered with thousands of hand-painted sfumato effect feathers and silver embroidery. The wings frame both sides of the model's face, stretching higher on the left. The jacket is feathered in green, brown, yellow, mauve, and cream and has hand-sculpted 3d bird beaks stretching out from the breasts. The model wears no shirt, revealing the middle of their torso, and black velvet trousers. They wear a silver headpiece decorated with black rhinestones, featuring a central crystal and small spikes. They wear black satin sandals with a curved heel.

The model wears a bustier gown with a dramatic décolleté ("The upper part of a woman's torso, comprising her neck, shoulders, back and chest, that is exposed by the neckline of her clothing." "The split between a woman's breasts") embroidered with hundreds of iridescent crystal-dipped peacock feathers in various shades of green. Underneath the skirt (jupon) are stacked layers of black tulle and the model wears nude satin sandals with a curved heel and a strassed keyhole. Their hair is cut in a severe bob and they wear bird's head earrings.

The model wears a butterfly spiral, sleeveless top comprised of handmade lace that swirls around their upper body and shoulders, obscuring parts of the face. The lace took 4,000hrs of embroidery to complete. The look is paired with a sfumato effect tulle skirt that faces from nude at the top to black at the bottom. The model wears nude satin sandals, once again with the curved heel and keyhole. They wear sfumato effect gloves that match the gradient of the skirt, but reversed: black at the top, nude at the fingers.

NOTE: sfumato is: "a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance."

The model wears a sheer, transparent bustier with ruffled edges that turns into a thick scorpion's tail that curls over the model's head. The tail is embroidered in transparent bas-relief lace with 3D motifs held in place by needles. The bustier has ruffles along the neckline and wider ones along the bottom. The model wears a pencil skirt in black caviar wool, paired with nude satin mule shoes. They wear large pearl earrings.

Personally, I think the tail looks more like a gecko's than a scorpion's, for ease of visualization, but who am I to argue with Schiaparelli's official description.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 31/01/2026

Forgot to mention: technically those pointed, high collars are trompe-l’oeil silhouettes. And some of the backstage photos from this collection are killer.

A close-up of the model wearing the "suit of armor" in the first post of this thread. They study the camera from behind the star-shaped metal sword that obscures their face. The metal breastplate reflects the backstage scenes around them, and one of the molded hands of the breastplate curls up in front of them. They have pointed, gold earrings and white, dramatic eyelashes.

A shot of the back of one of the model's heads, showing the underside of one of the sculptural hats used in the collection. The hat has a wide, teardrop shaped rip with sculpted ribbons caught in an unseen wind. The photo is framed by the model's dramatic suit shoulders and wide collar. Their hair is orange and swept back into a crest. They wear white earrings. You cannot see their face.

A close-up shot of the completely gold look from earlier in the thread. It shows a portion of the left shoulder and chest of the look, revealing a slit in the material that further reveals black material in the "wound." The slit is caused by a golden sword, plunged deep into the chest with a star-shaped cross guard. The model's hand cradles the hilt of the sword, revealing gold nails on their gloves.

The model wears a white jacket over the red, metallic bell skirt with a full-faced, red sequined mask and the trompe-l’oeil collar. They wear white gloves with red-dipped fingers with long nails, and there's a red slit in the left side of the jacket's chest, like an open wound above the heart. The model is standing backstage, with assistants and other employees crowded around them. Two of them hold up the train of the jacket. There are more backstage crew behind the model, as well as another model waiting to walk.

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Reposted by no crying in the club (monaco)

Neon Hemlock @neonhemlock.bsky.social · 20/12/2025

We'll be reading stories for ✨ What Elegant Stars: Queer Tales of Impossible Style ✨ from January 15th to April 15th. Give us stories of satellites and sewists, terminals and tailors, dandies and dying stars. <6k words. 8¢/word. simsub ☑️. multiple submissions 🚫. www.neonhemlock.com/submissions

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 28/01/2026

Poet and performer Navkirat Sodhi, Gupta's life partner, also walked the runway again this year. She wrote the poem that opens the show. Sodhi was part of Gupta's inspiration for the collection: hearing her labelled as only "his wife" made him question people's reliance on rigid binary structures.

Navkirat Sodhi walks the runway in a white look emblazoned with silver detailing. The look is half-dress, half suit-jacket, with a tailored collar and lapel melting into a shoulder-baring dress with long sleeves. The dress features a wrap skirt, revealing Sodhi's burn scars from her and Gupta's 2024 fire accident that left them both with life-changing injuries. Her hair is silver and sculpted, with a single dramatic earring in her left ear and silver makeup. She wears silver nail caps and silver shoes.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 28/01/2026

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [3/3].

The model wears a red gown with a huge, voluminous skirt with multiple layers that completely covers their feet. The dress features a sculpted corset around the waist, with red thread-like details forming a architectural bustle. The top of the dress is long-sleeved, with a turtleneck, made up of thousands of red threads that evoke veins.

The model wears a red, form-fitting dress with a slightly-sweetheart bodice and architectural hips. They wear a red cape jacket made up of thousands of ruffled, red feather-like detailing, dragging on the floor behind them.

The model wears a swooping, architectural gown with statement, flowing details sculpted around the top of their bodice and their hips. The stylized peplum sweeps around the model's waist, bringing to mind a planet's rings. The skirt of the dress is form-fitting, with a high leg slit, and a flowing train also composed of the same swooping details.

Say swoop again.

The model wears a column dress with a dramatic, high-neck that obscures all but the top half of their head. The gown is composed of thousands of resin elements, painted in shifting "changeant" tones, to evoke the idea of interstellar photography. The model's face and hair are painted to match the dress and their arms and legs are covered in obsidian black.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 28/01/2026

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [2/3].

The model wears a form fitting white dress in white. The dress features long, sheer sleeves and a sheer high neck, with an equally sheer corset bodice with exposed white ribbing. The skirt of the dress is light and frothy, pinned high on the right hip with a silver accent that matches the jewelry on the model's ears, making them elf-like.

The model wears a sleeveless gown of black velvet with tall black boots and thin straps. The bodice of the dress features a wavelike pattern ringed in silver. The dress has numerous silver accents on it: both small dots to imitate stars in the night sky, and flecks of silver to imitate comet trails. The model wears a dramatic, sculpted bolero jacket (kinda...let me have the bolero, I'm fighting for my life with sculptural looks sometimes). The jacket is reflective white and round, clasped around the model's upper arms, imitating the moon.

The model wears a white, column dress featuring blooming flowers that drip down the model's torso from left shoulder to right hip. The dress has a sweetheart bodice, with exposed ribbing along the sternum. The skirt bunches up around the hips in delicate waves, falling into a short train that drags across the floor. Based on the designer's description of the collection, the construction of the dress appears to be a mix between Western bridal dress and Indian sarees, including the draped fabric over the shoulder and one arm, reminiscent of a pallu.

The model wears a white, column dress featuring pseudo-reptilian scales that adorn their face, throat, and the edges of their dress. The column dress has wide straps, hanging low on the shoulders, and a form-fitting silhouette. The "scales" crawl up from the bottom of the dress, outlining the model's thighs, hips, and chest.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 28/01/2026

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [1/3].

The model wears a black, sculptural dress that sweeps upwards from a narrow pencil skirt, opening in smoke-like billows. The architectural volume is arranged around the model's upper body, which would be bare if not for the glowing silhouette they wear.

Two models walk side-by-side, wearing twin, form-hugging sleeveless dresses made of intertwined ribbons and filaments. The model on the right is wearing a red dress, the model on the left is wearing a light pink dress. They hold hands. The dresses are tied to each other by strings, meant to invoke the idea of the "twin flames": "karmic partnerships revealed through contrast and convergence."

The model wears a sculptural gown in light pink, characterized by dramatic swooping shoulders that form a dramatic collar and sweep down to cover the hands. The gown is form-fitting with a straight skirt and a straight-across corset top.

The model wears a dramatic golden, sleeveless gown that gives the viewer the impression of falling stars, fitting the celestial theme of the collection. The model wears a statement jacket, hanging off one shoulder, in a lighter gold, hanging off one shoulder. They wear a golden maang tikka on their forehead, centered over the "Ajna Chakra" (brow or third eye chakra) In Hindu mythology and ayurvedic traditions.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 18/11/2025

Oh, they did this for ME, as a personal favor, for sure, for sure, for sure, for sure.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 14/11/2025

VOGUE WORLD SPRING RTW 2026 - Act 1: "Hollywood Glamour."

Actress Nicole Kidman wears a black satin bustier Chanel gown, inspired by Rita Hayworth in Gilda, 1946. The dress features black satin camellia details on the right side of the bodice and theleftight hip, with asymmetric ruching and a long side-slit on the left side of the dress. The look is paired with black heels and a black suit jacket that Kidman carries over one shoulder. She also wears a Chanel Fine Jewelry Diamant Evanescent necklace.

Model Adut Akech wears Daisy Buchanan’s original Prada costume, designed by Catherine Martin, from Baz Luhrmann's 2013 Great Gatsby film. She wears diamond bracelets from Tiffany & Co. jewelry. The golden, crystal-laden party gown is often dubbed the "chandelier" dress and features a crystal overlay and a light-blue fur stole with crystal accents. Akech also wears a Tiffany & Co headpiece, features diamond and freshwater cultured pearls and a detachable brooch.

Actress and Chanel ambassador Ayo Edebiri, an actor and Chanel ambassador, wears a golden S/S 2026 Chanel two-piece, from Matthieu Blazy’s debut collection. The top and skirt feature swishy, fringed hems and sleeves and textured details. The skirt falls to mid-shin, and the tunic top features short sleeves. The look is paired with white heels.

Model Mika Schneider wears a F/W 2025 Valentino gown and a triangular, diamond De Beers necklace. The dress features a plunging neckline in olive green fabric, with a high belt and a black bow along the front. The skirt of the dress is a light purple, silky material, and Schneider wears sheer black gloves and gold heels.

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Reposted by no crying in the club (monaco)

Slippy @damnslippy.slippy.me · 08/11/2025

would throw out every scruple about not wearing logos that I have, for a chance to touch the murakami vuitton tentacle purse

a photo of a wild, and gorgeous, pink purse bedecked with pink and red tentacles, from a Louis Vuitton - Takashi Murakami collaboration

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 25/10/2025

No really good high-res photos yet 😭 so I wait

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

Oohh, no real high-res photos of new Guo Pei yet.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

Your art is beautiful!! I would love to see what sort of inspiration you take from these collections! Thank you!!

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

Chang often collaborates with multiple designers for her stage shows and if you ever want to see some REALLY cool custom looks, I'd suggest searching some of them up. Here's a better look at the star gown on Cheney Chan's website: www.cheneychan.cn/angela-zhang/

cheneychan.cn

Angela Zhang – Cheneychan

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

ANGELA CHANG'S "Seek For Light" WORLD TOUR - Custom Guo Pei, Cheney Chan, KWK, and Robert Wun.

Singer and actress, Angela Zhang Shao-han (also known as Angela Chang) wears a custom Guo Pei gown created for her Seek for Light World Tour 2025. The gown was created in collaboration with The Hong Kong Polytechnic University Team. The gown is form-fitting, with a phoenix feather design on the bodice and dramatic, feathered shoulders with a looping fiber-optic cape.

The textile used in this gown glows and was custom developed with Guo Pei based on patented technology developed by Prof. Tan’s research team. "It integrates intelligent photonic systems with precision knit engineering to produce an interactive, illuminative material with stretchability."

Chang wears a custom lavender Cheney Chan gown with a high leg slit up to her left thigh and an intricate crescent moon headpiece. The gown has a sculptural bodice with feather accents and a long train, embellished with multiple sequins. The gown is floor-length and has matching elbow-length globes.

Chang wears custom KWK made for her tour. The dress is light pink, with spaghetti straps and a fitted, mini pencil skirt with a long train that drapes over Chang's right hip. The dress has a strait across bodice and matching gloves. it features a sculpted corset bodice made out of metallic pink molded plastic (? perhaps), with bright silver accents. The bodice swoops to one side, like cloth caught in water. Chang wears a matching spiderweb crown.

Chang wears a custom Robert Wun, a common collaborator with the singer. The dress features a black gown with white accents, tied around the neck with a wide halter top, and matching black gloves. A corseted overdress covers Chang from bodice to the floor, formfitting with flared accents on the bottom. She wears a coat with a long train in the same white as the overdress and finlike cuffs that open at her elbows. The dress features a massive, white butterfly headpiece.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

D&G is honestly one of my least favorite popular designers so whenever people are (rightfully) calling it mid I'm just in the background like any sword raised against you will fall, get behind me,

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

I am not updating consistently enough to get away with being sassy but nobody's following me for hard-hitting fashion journalism, you're here to look at pretty photos and occasionally suffer me saying shit like: "your mother should have given birth to you over a well."

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

Neither here nor there, but D&G's website for this collection is lowkey infuriating. My kingdom for an end to the graphics heavy side scroll because prezi got a chokehold on designers and business students in 2009 and you all croaked: "harder, daddy."

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

Domenico Dolce and Stefano Gabbana found dead in the streets of Rome and me, standing over them with a sign that says: "I mean, bsky user avesrex is right."

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [3/3].

The model walks the runway proper at the Ponte di Castel Sant’Angelo. The bridge (circa 134AD) was originally built by Emperor Hadrian to connect Rome’s city center to his future mausoleum and has since been used for both a roman fortress and a papal residence.

The model wears white pants and white gloves embroidered with gold floral patterns. They wear a heavy, cape buttoned up along the chest. The cape has images of roman statues on plinths, standing against a blue "heaven-like" background with clouds and embellished shoulders. The model wears a gold papal cross.

Ooohhh you wanna watch Conclave (2024) so bad.

Three models look at the camera, the one in the middle staring directly at it while the other two flank them and look over their shoulder. The one on the left wears a starched linen tunic, partnered off a traditional surplice, sleeveless and embellished with pearls and jewels. They carry a small golden box as a purse, the metallic gold strap looped around their wrist. The model in the middle wears a dramatic robe with a wide, stiff collar and wide cuffs. The robe is dark, covered in red, green, and gold embroidery. The model to the right wears a deep purple robe with gold embroidery and gold fringe epaulets

The model from the first photo in part two of these posts now walks the runway proper. They wear a deep purple floor-length coat, like an open monsignor's cassock, with gold metallic accents on the bottom and gold, matte accepts on the shoulders, sleeves, and chest. They wear a white lace shirt with high-waisted red pants with a deep burgundy fascia (the waist sash worn by cardinals) wrapped around their waist. They wear jewelry on their torso, made of gold, black stones, and pearls, with a hanging cross, that imitates a human rib cage. Their gloves are embroidered in gold.

The model walks the runway in a black suit. They wear a black shirt with a white clerical collar, like a classic priest cassock. Their pants are black, which match their gloves. Their suit jacket is black with white lace detailing. The white lace looks like a cardinal's ceremonial dress, specifically the bottom hem of a rochet: a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress.

"The lace is made according to the personal taste of each cardinal. In the past, rochets were only made by hand. Today, for economic reasons and for durability, they are also machine-made."

The double-breasted jacket has six black buttons.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [2/3].

There are two models in the photo, in front of a brick wall. The model on the left wears a dark coat with embroidered floral (acanthus? arabesque? baroque?) designs on the shoulders, collar, and front. They wear a white lace shirt with high-waisted red pants with a scarlet fascia (the waist sash worn by cardinals) wrapped around their waist. They wear jewelry on their torso, made of gold, black stones, and pearls, with a hanging cross, that imitates a human rib cage. Cathedral saints coming back strong here.

The model on the right wears a beaded cream tunic, inlaid with multiple colored stones around a central design (like the eponymous sacred heart) in the middle of the chest made of multiple red stones. They wear a high-necked lace collar. Their arms are bare.

Three models all stand in front of the camera, wearing classic suits in black, white, and a powder blue. The suits are covered in multiple jeweled crosses.

Three models all wear heavily embroidered clothing based primarily off papal wear. The model on the left wears a red velvet robe with an embroidered sash tie, white gloves, and a white lace shirt. The model in the middle wears a beaded and embroidered version of the Pope's "Ordinary Dress" (the classic white outfit aka the simar). The model on the right wears a deep red sequin over white and red pants with a white lace collar and white gloves.

Two models wear full-white suits embroidered in gold, with white seed bead embellishments. The model on the left has most of the embroidery on their arms, the front of their jacket, and the wide lapels of their coat. The model on the right's jacket is covered in beading, the collar left bare. They both wear dramatic gold necklaces, like a pectorale minus the cross.

Can you all be so proud of me that I have a bunch of Catholic vestment references pulled up for this alt text? I'm Orthodox only if you squint really, really, really hard. Please clap.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 24/10/2025

DOLCE & GABBANA ALTA SARTORIA SHOW - SUMMER 2025 COLLECTION [1/3].

The model is staged backstage at the Ponte di Castel Sant’Angelo for D&G's Alta Sartoria show inspired by Catholic priests and vestments. The model wears a heavily embellished chasuble, a sleeveless outer vestment, over a white lace shirt with a folded over collar. They wear a large, ornate cross around their neck.

There are two models in the photo, one closer to the camera, in front of a brick wall. The closer model wears a red silk outfit, patterned after the classic scarlet cassock worn by a cardinal. They wear an ornate cross around their neck, and a shirt with a high lace collar. The model farthest from the camera wears an ornate red and gold breastplate, like the sorts worn by cathedral saints, leaving their arms bare. They wear deep red silk pants with a tie waist.

Three models face the camera wearing a series of lush, embroidered suits. The model on the left wears a plum suit with ornate, gold (how many times can i say ornate here, let's find out) cross embellishments and embroidered gloves. The suit is made up of a plum silk fabric, tied in strips around the torso. The model in the middle wears a blue suit with a hanging, gold scarf, tucked underneath the waistcoast. The suit is heavily embroidered with blue floral designs. The model on the right is wearing numerous contrasting arabesque patterns in reds and golds on their suit jacket, shirt, and high-waisted pants. The jacket is red, the shirt burgundy, and the pants are black and gold.

The model faces the camera and wears a suit with high-waisted pants and an open jacket. They wear a sheer, black shirt, with embroidery that uses catholic imagery and designs. The suit jacket and pants match: black with gold embroidery. They wear black gloves.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 18/10/2025

It's honestly like! It's one of those "shuffle into a playlist" album for me. Nothing egregious or particularly offensive but it's definitely something I would have playing in the background on one of my kpop playlists while I'm painting and just want music playing.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 18/10/2025

(2/2). Worth It sounds a lot like Ateez LOL. Not in a way I'd claim plagiarism, but it really does make you realize how Lemon Drop is the better song. Earth I should have liked more because I love some EDM but it's another one that just makes me think of other, stronger songs, namely Save Me by BTS

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 18/10/2025

Come back anytime~ I thought it was fun but kinda underwhelming! None of the songs super stood out to me so I don't think I'd revisit any of them. Fiesta, Young Again, and For You are fun but sound a lot like songs Seventeen have done before. 5, 4, 3 is cheeky and fun but kinda forgettable (1/)

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 10/10/2025

HASSIDRISS "Echoes of the Abyss" 2025 COUTURE COLLECTION [2/2].

The model wears a gown in a textured purple to grey gradient with a scalloped bodice that turns into criss-cross ropes around the sternum and waist, till the models hips. It reveals the skin underneath. The skirt of the dress hangs to the floor, with the gradient effect, and the dress features long ribbons that wrap around the neck and wrists.

The model wears a red dress with a straight across bodice with a keyhole between the breasts. The gown has a corset bodice with long, near-sheer flowing sleeves that obscure the arms. The gown features a deconstructed bolero top with jagged cutouts and a high neck.

The model wears a brown gown with numerous cutouts and light blue detailing around the lines of the bodice. The dress has epaulets with cutouts, revealing the skin below, and a long cape of sheer, brown fabric. The bodice of the dress has an art deco aesthetic and the skirt has two slits for the legs up to the model's hips.

The model wears a gown in metallic gold, white, russet, and black. The patterns gradient from one shade to the other, making the dress look almost feathery. The bodice of the dress is made up of numerous ribbons that criss-cross the model's body tightly, forming a high-neck and a tight top. The skirt is floor-length and shimmery, with a black to gold gradient.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 10/10/2025

HASSIDRISS "Echoes of the Abyss" 2025 COUTURE COLLECTION [1/2].

The model lies on their back in a puddle of silvery lavender fabric---the skirt of the gown they wear. The bodice of the dress is comprised of shibari-style rope work. The photo is slightly out of focus.

"What the fuck is silvery lavender." I don't know, man, I've turned into one of those paint mixing accounts on tiktok.

The model wears a red dress with a long skirt made up of numerous ribbon panels in a deep red. The corset bodice of the dress has rivets in it, more ribbons attached to the eyeholes. The model wears a cage-like mask that obscures the top of their head and eyes.

The model wears a long, floor-length gown in a linen-white, studded with numerous red beads. They wear sheer elbow length gloves with the same beads. The dress has spaghetti straps, with a fitted sweetheart bodice. The beading on the bodice imitates the musculature of a torso.

A second photo of the first model, wearing the same silvery lavender gown as before. They lean up slightly, braced on an elbow. The angle reveals more of the ropework on the torso of the dress.

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no crying in the club (monaco) @sadaboutchiffon.bsky.social · 04/09/2025

This was the first show in decades that Armani was not physically present for, due to health concerns. He was a meticulous, obsessive designer who understood that power and elegance could go hand in hand in fashion. A visionary in his field, or, as writer Tiziana Cardini once put it:

Fashion designer Giorgio Armani, seated in his office on Via Borgonuovo in Milan, photographed via Zoom. Photographed by Annie Leibovitz for Vogue, May 2021. He sits in front of a bookcase fit to bursting, filling most of the office space behind him, bracketed by two staircases. He sits at the end of a long desk and faces the camera with a contemplative expression.

A screenshot of an article from the coverage of Armani's Fall 2025 Couture Collection. In full:

"In truth, he’s been an eccentric of the rarest kind all along: the kind whose discipline is so unwavering, it reads as obsessive tunnel vision. That, perhaps, is the secret to why his über-consistent style resonates so strongly today, particularly in a moment in which fashion seems to be rediscovering the pleasures of dressing with polish and intention, finding the cool in timelessness, crediting wearability as an agent for stylish finesse and not only a synonym for anemic commercialism. Giorgio Armani got there long before most, wrote the blueprint, and never played catch-up. It’s fashion that’s finally caught up to him."

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