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Rob Horning

@robhorning.bsky.social
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Reposted by Rob Horning
Josh Scannell @frannyrecounts.bsky.social · 02/10/2026
With the book’s release, I want to give a brief overview and outline a few of the key arguments. I’d include links to contemporary events but there are too many connections. The worst part of writing about race, computation, and police power is that it is always timely.
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Rob Horning @robhorning.bsky.social · 02/10/2026
the artist's achievement and algorithms' achievement become hard to separate; it's as though they are co-"creating" the songs
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Rob Horning @robhorning.bsky.social · 11/09/2026
the ephemerality and emptiness of figures like MrBeast (who seems to have no personality but is an algorithm tat has assumed human form) perhaps marked this transition in process
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Rob Horning @robhorning.bsky.social · 11/09/2026
posting for algorithms requires more of the "flexibility" of neoliberalist subjectivity at the expense of the "social and cultural capital" of having a personal brand
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Rob Horning @robhorning.bsky.social · 11/09/2026
indicative of the shift away from people posting things meant to project an identity to other people and towards posting directly for algorithms that monetize other people's attention at a remove
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Rob Horning @robhorning.bsky.social · 11/09/2026
makes me wonder whether this shift away from neoliberalist-style self-exploitation makes having a "personal brand" seem more aspirational and out of reach, or if personal brands are now becoming irrelevant to a zero-sum hustle culture focused on exploiting others
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Rob Horning @robhorning.bsky.social · 11/09/2026
"Rather than cultivating personal brands, they prioritise speed, scale and adaptability, pointing toward a post-creator mode of cultural labour in contemporary platform economies"
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Reposted by Rob Horning
Gavin Mueller @gavinmueller.bsky.social · 11/09/2026
great article looking at an AI slop factory in China link.springer.com/article/10.1...
link.springer.com
Behind the “AI slop”: exploring the AI-generated viral short video production in China - AI & SOCIETY
As generative AI becomes embedded in platform-based cultural production, new forms of creative labour are emerging that challenge established understandings of what it means to be a “creator.” This ar...
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Rob Horning @robhorning.bsky.social · 09/09/2026
it dictates what can be seen and how we can see it, how we can reexplain to ourselves what we are seeing and so on
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Rob Horning @robhorning.bsky.social · 09/09/2026
"All media consumption is reinforcement learning with human feedback" as a general description of the current cultural condition; no way of seeing now is exempt from it newleftreview.org/issues/ii160...
Advertising works as a social agent in this sense, as Paglen acknowledges, pointing to Edwards Bernays’s pioneering of public relations, and the early accounts of such activity in the work of Daniel Boorstin and Jacques Ellul. However, Paglen claims, ‘the efforts of the propagandists of yore are prehistoric by today’s standards, where the circulation of images is a largely automated circuit that reinforces itself through feedback mechanisms built into its systems’ so that ‘All media consumption is reinforcement learning with human feedback.’ The result is increasingly effective addiction, and precise tailoring to individual weaknesses as the boundaries between perception, reality and manipulation erode. Precedents for the extractive and controlling logics of machine imagery may be found at a small scale (psyops) and large (advertising) but its technology, reach, automation, processing of trillions of images and saturation of everyday life are entirely novel.
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Rob Horning @robhorning.bsky.social · 02/09/2026
I don't find it useful to redescribe mechanical processes as sense perception or to talk about "nonhuman photography"—makes more sense to me to see machines as extensions of human sensing, which is sometimes deliberately obscured by those who don't want to held accountable for it
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Rob Horning @robhorning.bsky.social · 02/09/2026
I guess the only reason you would call a data file an "image" is to make the claim that machines "see" rather than compute or process—but this essentially implies that "images no longer exist, everything is just data and all 'imagining' is just data processing" newleftreview.org/issues/ii160...
While the book is called How to See Like a Machine, it rapidly becomes evident that humans can do no such thing. Paglen tracks what he rightly sees as an epoch-making development, which is superficially marked by the recent inability of people to reliably distinguish machine images from those made by cameras or humans, and more profoundly the condition that has been reached in which ‘the overwhelming majority of images are now made by machines for other machines, with humans rarely in the loop.’ The computer file used to display a screen image may be thought of as a latent image, rather like an undeveloped photographic negative, unreadable to the human eye. Yet machines can read these files directly. Regardless of whether anyone attends to the two billion photographs uploaded each day to social media sites, machines scrutinize them for purposes of data mining, classification and manipulation.
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Reposted by Rob Horning
👁️ @nathanjurgenson.com · 26/08/2026
a through-line from social media metrics to prediction markets: the fantasy of simple numbers that make us feel we know an unknowable world
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Rob Horning @robhorning.bsky.social · 26/08/2026
I think that prediction markets encourage a blinkered, binary view of the world in which "reality" is resolved into yes/no propositions capable of being framed in unambiguous, uncontested language—an impoverishing way to think of both events and language as cognitively corrosive as AI use
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Rob Horning @robhorning.bsky.social · 26/08/2026
prediction markets argue they are democratizing the risk-managing tools of insurance companies; this piece argues that is just a smokescreen for opening more tax-efficient sportsbooks thebaffler.com/salvos/infin...
While prediction market bets on the deaths of world leaders, the bombings of countries, or the burning of forests feel scandalous and obscene to many Americans, they are the direct descendants of those British underwriters betting on the sinking of ships or the starvation of helpless migrants—as well as the death bets of the viatical and life settlement industries. The plumbing of the American economy is corroded with all sorts of heinous shit like this, and all of it is at worst celebrated and promoted as prudent financial investments and at best completely ignored by the vast majority of Americans.
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Rob Horning @robhorning.bsky.social · 26/08/2026
maybe this is what "speculation as a mode of production" means, but its implication is that gambling becomes a way of organizing our relation to reality, so we understand it as a series of disconnected throws of the dice and not something built socially www.historicalmaterialism.org/book-series/...
historicalmaterialism.org
Speculation as a Mode of Production. Forms of Value Subjectivity in Art and Capital - Historical Materialism
Marina Vishmidt Author: Marina Vishmidt In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital, Marina Vishmidt offers a new perspective on one of the main categories o...
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Rob Horning @robhorning.bsky.social · 26/08/2026
schemes like this, where viewers place bets on what streamers will do next, exhibits this logic, under which no activity makes sense or has social meaning without being subject to bets: i.e. Bets or It Didn't Happen www.msn.com/en-us/news/t...
msn.com
MSN
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Rob Horning @robhorning.bsky.social · 26/08/2026
prediction markets aspire to be the arbiter of what is real, replacing other social ways of making sharing reality with a system that makes winners and losers—no reality can be shared; all "reality" places atomized individuals on one side or another of a bet
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Rob Horning @robhorning.bsky.social · 26/08/2026
Matt Levine aptly called prediction markets "untruth machines" allowing for reality arbitrage—strategic falsifications, angles on how to corrupt means of measuring reality understood to be neutral or fair—they incentivize the elimination of shared yardsticks www.bloomberg.com/opinion/news...
bloomberg.com
Untruth Machines
Botting, memecoins, puts, private credit, emerging markets and bowling.
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Rob Horning @robhorning.bsky.social · 26/08/2026
prediction markets incentivize the production of insider information, which undermines the bureaucratic functioning of institutions harpers.org/archive/2026...
The prediction markets that exist today are not the fulfillment of Hanson’s vision; they are the fulfillment of May’s. Rather than coordinating expert opinions, they deliver uncertainty and distrust. Who’s cashing in on what they know? Who can be trusted? Is this story fake? Indeed, is any of this for real? Because of perverse incentives, a system intended to make information about the present and knowledge about the future more transparent has made the world more opaque and volatile. The dream of creating an honest consensus now works as a kind of acid, a solvent dismantling the capacity for coordination. What we’re left with is a system for producing conflict, a machine for generating chaos.
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Rob Horning @robhorning.bsky.social · 21/08/2026
as it scales up, LLM text becomes collectively worse wherever and whenever it had appeared, regardless of how it might have looked to a prompting user from their isolated standpoint
I understand why people do this: Writing is hard work, and people are insecure about their prose. To the first point I would say: If you are prompting the LLM with a real argument, narrative, or observation, you have already done most of the the hard work! To the second I would point out that the flood of LLM slop online has made its irrepressible voice all but unreadable: At this point in time, even the most inelegant human-authored prose is preferable to the glib, airy stylings of a consumer LLM, which tend to obscure, complicate, and circle ideas rather than communicate them clearly.
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Rob Horning @robhorning.bsky.social · 21/08/2026
when I saw the title "Just send me the prompt" it reminded me of those conceptual art pieces that are just instructions; made me think the idea was going to be we can all have our own personal LLM "finish" any given communication in our preferred style
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Rob Horning @robhorning.bsky.social · 21/08/2026
the gist of this post is that LLMs are terrible at drafting or editing text that anyone wants to read, but they are good at getting users to write text of their own — i.e. LLMs are serve an emotional rather than practical role in writing process www.patreon.com/MaxRead/post...
In general my feeling has been that the writing demanded by LLM chatbots is a benefit, not a burden.
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Rob Horning @robhorning.bsky.social · 12/08/2026
what Alasdair MacIntyre proposes as an outlandish thought experiment on page 1 of After Virtue describes what AI is doing to scientific practice right now
all that they possess are fragments: a
knowledge of experiments detached from any knowledge of the theoretical
context which gave them significance; pans of theories unrelated either to
the other bits and pieces of theory which they possess or to experiment;
instruments whose use has been forgotten; half-chapters from books, single
pages from articles, not always fully legible because torn and charred.
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Reposted by Rob Horning
👁️ @nathanjurgenson.com · 12/08/2026
a good definition of "slop" might be the degree to which any output can only be judged quantitatively "Friction/scale is coming to replace low/high or pop/rock hierarchies" www.its-her-factory.com/2026/08/slop...
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Reposted by Rob Horning
👁️ @nathanjurgenson.com · 12/08/2026
AI as having a parasocial relationship to your own self and life
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Rob Horning @robhorning.bsky.social · 12/08/2026
LLMs present us with infinite "blocks of wood" masquerading as works mediated by thoughtful agency; these text-blocks impede our ability to "recognize ourselves" or others in language psyche.co/guides/how-t...
Imagine a sculptor faced with a block of wood. She works on the block with a set of awls and chisels, transforming it into an object of art, a statue. Through work, the original wood has been transformed. Its initial, heavy ‘woodness’ has been overcome. It has become an object of art invested with the sculptor’s thought, a reflection of herself, of her creativity. In Hegel-speak, the immediate block of wood has been mediated. It has been raised up and liberated from its initial form into something more mindful, more spiritual, more thoughtful. As such, it is something in which the artist may recognise or know herself as an artistic agent. More generally, our thinking agency transforms the world of objects, overcomes their immediate presentation and makes them into ‘objects of art’ in which we may recognise ourselves.
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Rob Horning @robhorning.bsky.social · 12/08/2026
and of course current cultural logic points to ultimately having an "AI agent" do all the consumption for you while you get to check the boxes (as with the Axios worker who had AI process The Last of the Mohicans for him)
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Reposted by Rob Horning
slo ~|• @slo-slo-slo.bsky.social · 12/08/2026
“Those lines are drawn in terms of friction: devalued things like labor and politics require and generate friction, whereas scalable value must minimize it.” “In 2026, slop scales. Actual musical labor and the critical labor involved in interpreting music does not scale.”
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Rob Horning @robhorning.bsky.social · 12/08/2026
now popularity metrics say nothing about social behavior, they measure the success of algorithms to atomize people with the same slop
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Rob Horning @robhorning.bsky.social · 12/08/2026
"scale" as something individuals are (paradoxically) supposed to consume and enjoy is inculcated by all metricized platforms—the numbers reveal what is valuable. Numbers once were a proxy for social significance. Now scale means a stack of atomized consumption acts
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Rob Horning @robhorning.bsky.social · 12/08/2026
this gets at the same idea with "sameness" as the lens: "Once prediction shapes the choices in front of us, we lose the ability to tell the difference between what people wanted and what the system made easy to want" — i.e. people consume "easiness" as the content, as the substance
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Rob Horning @robhorning.bsky.social · 12/08/2026
feeds teach us to value ourselves for the velocity of our consumption— that is, to enjoy "speed of scrolling" as a kind of content, the substance of our acts of consuming that gives the ambivalent "pleasure" of being numbed out by the overwhelm: the slop sublime
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Rob Horning @robhorning.bsky.social · 12/08/2026
"friction vs. scale" is one way of putting it; algorithmic force-feeding is another, or "fast" vs. "slow" consumption, as when people rhapsodize about reading long books or watching 10-hour movies or whatever
 Friction/scale is coming to replace low/high or pop/rock hierarchies
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Rob Horning @robhorning.bsky.social · 12/08/2026
commercial entertainment has been optimized for convenient consumption rather than "discourse," yielding "hits" that offer no substance for critical discussion etc. www.its-her-factory.com/2026/08/slop...
In 2026, slop scales. Actual musical labor and the critical labor involved in interpreting music does not scale. Critics dig their teeth into the products of musical labor, where the friction of work creates the open, messy, plurivalent art object ripe for the labor of interpretation (and the social proces of debate).
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Rob Horning @robhorning.bsky.social · 07/08/2026
algorithmic-feed-driven platforms work to create content consumers who regard feeds as pipelines of care and creators as parasocial caregivers (rather than writers or critics or whatever). "writing" for platforms means placating addicted audiences assets-us-01.kc-usercontent.com/f7ca9afb-82c...
Reading and writing platforms tend to code their operations in a language
of care, presenting the activities they facilitate as so many paths to inclusive community that can assuage various forms of anguish, including social isolation and exclusion, stress, anxiety, and depression.
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Rob Horning @robhorning.bsky.social · 07/08/2026
pairs well with this post that points out the structural forces aligned against "deep reading" www.theamericanvandal.com/p/neuroplast...
Deep reading, careful listening, and constructive conversing are harder to do than they used to be. And that is not because of some individual, professional, or generational failure. These things have been made harder to do by structural adjustments to our systems of media, politics, and economy on behalf of consolidated power. These adjustments are being defended and reinforced, but are not inevitable or permanent.
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Rob Horning @robhorning.bsky.social · 07/08/2026
good account of how books and "book culture" offer no refuge from imperatives of streaming, parasociality, and "content creation" assets-us-01.kc-usercontent.com/f7ca9afb-82c...
assets-us-01.kc-usercontent.com
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Rob Horning @robhorning.bsky.social · 28/07/2026
"authenticity" is built from feelings not facts, and facts don't "feel real" in and of themselves. (also, "authenticity" is always a construct and not empirically given) ijoc.org/index.php/ij...
misinformation and disinformation do not proliferate merely because of the absence of literacy, trust, or discussions needed to discern facts from fiction. They succeed because a complex composition of actors ranging from social media platforms to armies of propaganda bots has
economized and politicized the affective texture of authenticity, hijacking the feeling of “real.”
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Rob Horning @robhorning.bsky.social · 27/07/2026
"The more models are designed to seem like living beings, or like persons, the less agency users have to decide how they relate to them": i.e. the pseudosubjectivity of a product allows the consumer to be further dominated and controlled by it — it is a fundamentally coercive interface
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Rob Horning @robhorning.bsky.social · 27/07/2026
every engagement with an anthropomorphized machine depreciates our ethical obligations to other living things
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Rob Horning @robhorning.bsky.social · 27/07/2026
this need to be wary was already fomented by "context collapse" situations on social media platforms, but automated language makes the onslaught of opaque speech from entities whose intentions cannot be inferred far more relentless
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Rob Horning @robhorning.bsky.social · 27/07/2026
LLMs turn our tendency to be considerate toward our interlocutors into a vulnerability rather than a strength; this makes for a more miserable world where we must be presumptively cruel and wary of anything that talks to us www.ft.com/content/bdb3...

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	After decades of marginalisation and perceived irrelevance, academics may not notice that they are being co-opted by a sophisticated PR machine. They are useful for adding intellectual credibility and pre-arming AI companies against criticism. With the resources at its disposal, the AI industry can buy anyone it wants, if not with actual currency then with commodities even more valuable to intellectuals: influence, prestige and recognition.

One form this co-option can take is keeping the focus of academic conversation on the moral and metaphysical status of LLMs. This is problematic in itself, but it also carries a devastating opportunity cost. It is much more important to conduct research on the effect of different LLM designs on users. The more models are designed to seem like living beings, or like persons, the less agency users have to decide how they relate to them. The effect is a growing generation of people who make chatbots their most important confidantes, rendering them at the same time more lonely and more dependent on the company’s product.
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Rob Horning @robhorning.bsky.social · 09/07/2026
reading reduced to "skill nostalgia" can become part of the political project of deliteracy; this is why "close reading" needs to be taught as a political practice rather than an exercise in aesthetic appreciation and self-soothing
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Rob Horning @robhorning.bsky.social · 09/07/2026
post-literacy fears can also be seen as "skill nostalgia" and mourning for the bourgeois public sphere; wouldn't be surprised to see tech ideologues argue both that (1) reading is reactionary and (2) reading is an ennobling hobby aeon.co/essays/the-r...
When earlier periods of skilled practice are treated as more fully human, the social order that produced them can easily appear better than what replaced it. The past, then, seems superior to the present. This is why such arguments risk becoming reactionary. When we mourn the uninvention of skills, we may also – unless we are very careful – end up mourning the loss of the social structures that surround them. That slippage is the core mechanism by which skill nostalgia feeds into a longing for a bygone world.
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Rob Horning @robhorning.bsky.social · 06/07/2026
assume also that prediction markets, like crypto, are mainly useful not for "unveiling truth" but for money laundering
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Rob Horning @robhorning.bsky.social · 06/07/2026
"prediction" markets incentivize profiteers to find weak spots in the fabric of reality and reweave it for easy money — a kind of reality arbitrage, at the expense of our collective faith in a shared world www.bloomberg.com/opinion/news...
Prediction markets are “truth machines,” in the sense that they give people incentives to figure out what is true and bet on it. But they are also, obviously and increasingly, falsehood machines, in the sense that they give people incentives to make bets and then distort reality to make those bets pay off. Because of prediction markets, it is now lucrative to figure out what song will be the most popular, but it is even more lucrative to make a different song look most popular. Prediction markets can make it harder to know what is true.
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Rachel Coldicutt @rachelcoldicutt.bsky.social · 22/06/2026
One of the really difficult lessons of the last 100 years is that convenience - drawing on mass market capabilities to do things faster - is isolating and individualising. We become one in relation to the market rather than one in relation to other people. GenAI is the peak expression of that.
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Rob Horning @robhorning.bsky.social · 17/06/2026
"knowing things" then must come to be understand as pleasurable not for instrumental or invidious reasons—but capitalist society can only see that as mysticism or a kind of hobby-like foolishness. to capitalist society, "knowing things" means you are prone to wasting your boss's time
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Rob Horning @robhorning.bsky.social · 17/06/2026
also, being a person "who knows what they are talking about" seems to be a pointless or phony identity; "mastery" of a subject becomes a false pretense in a world dominated by ubiquitous LLMs
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