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René Magritte @renemagritte.bsky.social · 13h

Music score: "Green. Op 16" (music by J. Le Febvre) - 1933 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 16h

Alice au pays des merveilles / Alice in wonderland - 1946 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 18h

Dialogue dénoué par le vent / Dialogue ravelled by the wind - 1928 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 19h

The Catapult of the Desert (1926) demonstrates a key element of Magritte's emerging method: the enigmatic title. Language and image were now working in tandem — not to explain, but to estrange the viewer from the ordinary. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 20h

Music score: “Pour tes dents de nacre” (music by A. De Boeck) - 1933 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 23h

Le paysage de Baucis / Baucis's landscape - 1966 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 13/10/2026

La saveur des larmes (III) / The flavour of tears (III) - 1946 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 13/10/2026

The Disguised Symbol (1928) pairs a dark balcony with a nude torso — two panels, two forms of concealment. The work captures Magritte’s suspicion that symbols are never transparent: they wear costumes, mislead the eye, and mask their own meaning. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 13/10/2026

In memory of Mack Sennet / In memoriam Mack Sennett - 1936 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 13/10/2026

Stimulation objective / Objective stimulus - 1938 or 1939 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

La saveur des larmes / The flavour of tears - 1938 or 1939 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

The Interpretation of Dreams (1927) brought words to the canvas, deliberately mislabelling objects to expose the gap between seeing and naming. This foundational idea would later influence his famous work, The Treachery of Images (1929). #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

La forêt de Paimpont / Forest of Paimpont - c. 1964 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

Untitled / [Interior with pictures and hexagonal drum] - 1935 or 1936 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

À la suite de l'eau, les nuages / After the Water, the Clouds - 1926 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 12/10/2026

La légende des siècles / The legend of the centuries - 1952 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 11/10/2026

La double méprise / The double mistake [Crescent Moon surrounded by leaves] - 1955 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 11/10/2026

Composition on a Seashore (1935) belongs to a period when Magritte treated painting as a philosophical problem. By placing a sculpted figure, bells, and a framed stormy sky against the Belgian coast, he turns a familiar landscape into a strange paradox. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 10/10/2026

Le printemps éternel / Spring eternal - 1936 or 1937 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 10/10/2026

La reconnaissance infinie / Reconnaissance without end - 1946 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 10/10/2026

The Portrait (1935) shows a table setting of wine, cutlery, and a slice of ham with an eye at its center. The image turns the meal into a portrait, suggesting that the viewer is somehow watched by, or through, what they consume. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 10/10/2026

Les derniers beaux jours / The last fine days - 1940 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

L'empire des lumières / The dominion of light - 1958 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

Donna (1923) shows Cubism reaching its limit for Magritte. He'd been reading Dadaist pamphlets, and his friend E.L.T. Mesens was guiding him toward radical circles. The formal vocabulary that had shaped his early work was becoming a cage he'd soon break open. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

L'homme et la forêt / Man and the forest - c. 1965 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

Music score: "Second minuet of the graces of yesteryear" (music by A. De Boeck) - 1933 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

Une simple histoire d'amour / A simple love story - 1959 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 09/10/2026

Music score: "Oh! Oh! I didn't know that" (music by P. Magritte) - 1926 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

La catapulte du désert / The catapult of desert - 1926 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

L'art de la conversation / The art of conversation - 1956 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

Les bijoux indiscrets / Talkative jewels - 1963 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

The Birth of the Idol (1926) sets a bilboquet-like figure against a turbulent sea. De Chirico’s influence is still discernible here, and the painting has a rawness that Magritte would later refine into a cooler Surrealism. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

Travail préparatoire pour une gouache inachevée / Preparatory work for an unfinished gouache painting - 1967 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 08/10/2026

La femme ayant une rose à la place du cœur / Woman with a rose instead of a heart - 1924 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 07/10/2026

Image à la fenêtre / Image in the window - 1944 #artbots #magritte

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