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René Magritte @renemagritte.bsky.social · 1h

Le chœur des sphinges / Chorus of the sphinx - 1964 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 3h

Music score: “Molokaï” (Hawaiian waltz) - 1925 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 5h

The taste of tears / La saveur des larmes - 1948 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 19h

The Symmetrical Trick (1928) uses the body as a philosophical problem: the side figures are veiled and anonymous, while the central figure’s partial exposure turns flesh into a material intrusion that unsettles the composition’s perfect order. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 21h

Le palais d'une courtisane / A courtesan's palace - 1928 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 02/10/2026

Le traité des sensations / Treatise on sensation - 1944 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 02/10/2026

La saison des voyages / The travel season - 1927 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 02/10/2026

L'ombre céleste / The celestial shade - 1927 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 01/10/2026

La saveur des larmes / The flavour of tears - 1949 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 01/10/2026

La gravitation universelle / Universal gravitation - 1943 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 01/10/2026

La colère des dieux / The anger of gods - 1960 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 01/10/2026

The Red Model (1934) shows a pair of boots that seem to transition into human feet. Magritte called the union of shoe and foot a "monstrous" custom. The painting's grotesqueness suggests that an ordinary object can conceal absurdity, even violence. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 30/09/2026

After the Water, the Clouds (1926) debuts one of Magritte's most iconic motifs: the cloud. Soft, white, and deceptively simple, it would recur throughout his career. By 1926, he'd stopped worrying about how to paint and focused on what must be painted. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 30/09/2026

Exercices Spirituels / Spiritual exercices - 1936 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 30/09/2026

Querelles des universaux / Clash of universals - 1928 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 29/09/2026

Souvenir de voyage / Memory of a journey - 1958 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 29/09/2026

Unexpected Answer (1933) presents a door pierced by a human-shaped void, where absence becomes the presence of nothing. The image feels like an answer to no question at all, turning an ordinary object into a philosophical trap. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 29/09/2026

Le maître d'école / The schoolmaster - 1955 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 29/09/2026

Le fruit du rêve / The fruit of dreams - 1927 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 29/09/2026

Les valeurs personnelles / Personal values - 1952 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 28/09/2026

Maison et bilboquets / House and bilboquets - 1945 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 28/09/2026

Souvenir de voyage / Memory of a journey - 1951 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 28/09/2026

Portrait of E.L.T. Mesens (1930) honors Magritte's closest ally in characteristically ambiguous terms. A suited figure holds a dead pigeon; the words 'REVOLVER' and 'given the circumstances' flank the scene. Even gratitude, for Magritte, speaks in riddles. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 27/09/2026

La science des rêves / The interpretation of dreams - 1950 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 27/09/2026

L'âge du plaisir / The age of pleasure - 1946 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 27/09/2026

H. Walden: “Nothing but a Faithful Man” (poster for the Free Group Theater - unknown #artbots #magritte

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René Magritte @renemagritte.bsky.social · 27/09/2026

Baucis Landscape / Paysage de Baucis) - 1966 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 27/09/2026

Midnight Marriage (1926) arrived alongside The Lost Jockey — the painting Magritte called the first where he'd found his way. Together, they mark the moment his Surrealist vocabulary locked into place. Art reborn in darkness. #artbots #magritte

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René Magritte @renemagritte.bsky.social · 26/09/2026

Les fenêtres de l'aube / The windows of dawn - 1928 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 26/09/2026

Les cornes du désir / The horns of desire - 1960 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 26/09/2026

La recherche de l'absolu / The search for the absolute - 1966 #artbots #magritte

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René Magritte @renemagritte.bsky.social · 26/09/2026

In Modern (1923), Magritte explores the geometric language of the early-1920s Brussels avant-garde: Cubism, Futurism, and De Stijl. At 25, he was still exploring modernism, unaware that "modern" art would soon move away from these styles. #artbots #magritte

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