iiinova — where your digital self keeps evolving

Lee Krasner Steps Out From Pollock’s Shadow www.artsy.net/article/arts...

Identifican un dibujo a tiza de un niño como una obra perdida del pintor francés Édouard Manet www.eldiario.es/spin/identif...

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Museo Reina Sofía @museoreinasofia.es · 25/09/2026

“El color es la materia prima de la emoción” #TalDíaComoHoy en 1903 nacía Mark Rothko, figura clave de la pintura de campos de color. 🎨 Sin título (Naranja, ciruela, amarillo), 1950. Óleo sobre lienzo

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Santiago Pérez @primerborrador.es · 24/09/2026

ESTAMPA 2026: nuevas sendas del coleccionismo masdearte.com/estampa-2026...

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Santiago Pérez @primerborrador.es · 24/09/2026

How Madonna Became an Art World Icon www.artsy.net/article/arts...

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Santiago Pérez @primerborrador.es · 20/09/2026

Obras en torno a la migración del colectivo "Todo por la praxis" artishockrevista.com/2026/09/19/t...

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Museo Reina Sofía @museoreinasofia.es · 15/09/2026

Una obra. Una sala. Todo el tiempo para mirarla👀 ‘Pieza Única’ vuelve al #Reina con ‘Personaje caído I’ (1970) de Manolo Millares, en el año en que celebramos el centenario de su nacimiento👇🧵

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Arti🟠facts @rickcainejourno.bsky.social · 12/09/2026

The Space in Which We Travel Calida Rawles 2019 Acrylic on canvas 7 x 12 feet (218.6 × 366.08 × 5.08 cm) LACMA Los Angeles, California Photo: April 5, 2021

Color photo of hyper-realistic depiction of figures submerged in luminous, rippling water. Two young girls submerged are making a figure eight, infinity symbol, with their arms. They’re wearing white dresses.

For years, Rawles put her personal painting aspirations on the backburner, working as a graphic designer. In 2004, after moving to Los Angeles, finally took a risk on her dream. She made a formal pact with her husband: she would rent a studio space and spend one full year painting without any expectations of financial return or pressure to sell her work, simply to find her visual voice.

During this journey, she began using swimming pools to photograph Black subjects underwater, translating the distorted light, ripples, and bubbles into massive, hyper-realistic portraits.

Years later, writer Ta-Nehisi Coates was about to publish his debut novel, The Water Dancer. The book tells the story of an enslaved man who possesses a magical, water-based power of teleportation rooted in ancestral memory. When Coates happened upon Rawles' submarine portraits, he recognized a mirror of his literary vision. The two bonded, and Coates chose one of Rawles' underwater paintings for the cover art for his novel.

Rawles begins every painting by a series of underwater photographs. She hires models, rents a swimming pool, and uses underwater housing for her cameras. For many of her works, she worked closely with her daughters—her eldest daughter helped shoot the reference photographs of her younger daughters submerged in the water.

Because a single photo rarely captures the perfect emotional expression alongside the ideal water ripple, she takes hundreds of photos. She then digitally merges elements from various frames to construct a single, composite reference image.

After mapping out the composition on canvas, she uses tiny brushes (even for massive 12-foot paintings) to capture every complex pocket of air, bubble, and distorted ripple with agonizingly precise acrylic layers.

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Museo Reina Sofía @museoreinasofia.es · 10/09/2026

¿Por qué el 10 de septiembre es una fecha clave en la historia del Museo Reina Sofía? 👀 El regreso del “Guernica” de Pablo Picasso a España y la apertura de la Colección del Museo están unidos por un mismo día, con once años de diferencia.

Portada de Diario 16 sobre la llegada de Guernica

Vista del avión en el que llegó la obra Guernica a España

Guernica en el Pabellón Internacional de Paris en 1937

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Santiago Pérez @primerborrador.es · 08/09/2026

What Sold at Frieze Seoul 2026: www.artsy.net/article/arts...

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Santiago Pérez @primerborrador.es · 07/09/2026

Prorrogada 👉🏻 primerborrador.es/index.php/20...

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Santiago Pérez @primerborrador.es · 06/09/2026

"Los profesionales que sobrevivan a esta criba no serán los más hábiles ni los más productivos, sino los que tengan algo que decir que no quepa en un prompt" 👇🏻 www.jotdown.es/2026/09/arte...

jotdown.es

El arte en la era de la inteligencia artificial - Jot Down Cultural Magazine

¿Está el arte amenazado por la inteligencia artificial? Nuestra actualidad vomita esta pregunta subrayada por la angustia de quienes creen proteger algo

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captanovious.bsky.social @captanovious.bsky.social · 06/09/2026

Jazz I (2013) Acrylic on canvas 120 x 30cm Artist´s collection, on loan (Oldenburg)

Upper portion of Jazz I, a tall vertical abstract painting with a textured white central column showing warm yellow, orange, gold and red bars, flanked by turquoise and teal bands with textured olive, magenta and gold detailing, with transluscent olive and tourmaline ribbons at top and bottom.

Lower portion of Jazz I, a tall vertical abstract painting with a textured white central column showing warm yellow, orange, gold and red bars, flanked by turquoise and teal bands with textured olive, magenta and gold detailing, with transluscent olive and tourmaline ribbons at top and bottom.

Close-up portion of Jazz I, a tall vertical abstract painting with a textured white central column showing warm yellow, orange, gold and red bars, flanked by turquoise and teal bands with textured olive, magenta and gold detailing, with transluscent olive and tourmaline ribbons at top and bottom.

Tall vertical abstract painting with a textured white central column showing warm yellow, orange, gold and red bars, flanked by turquoise and teal bands with textured olive, magenta and gold detailing, with transluscent olive and tourmaline ribbons at top and bottom.

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Santiago Pérez @primerborrador.es · 05/09/2026

Tania Candiani: Escuchar lo que vive bajo la superficie - Artishock Revista artishockrevista.com/2026/09/01/t...

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Santiago Pérez @primerborrador.es · 29/08/2026

Musashi plain by Yokoyama Taikan

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Séamas Aloysius @seamusaloysius.bsky.social · 28/08/2026

Ernie Barnes "The Sugar Shack" (1976) Acrylic on canvas | 36 x 48 in. Museum of Fine Arts, Houston (MFAH) #ArtSky #Barnes #AfricanAmericanArt

"The Sugar Shack" (1976) by the renowned African-American artist Ernie Barnes. It is a celebrated 36 x 48 inch acrylic on canvas painting that capturing the essence of Black life, dance, and rhythm.
Painting Details
Artist: Ernie Barnes (1938–2009)
Title: "The Sugar Shack"
Year: 1976
Medium: Acrylic on canvas

Cultural Impact: Famously featured in the closing credits of the 1970s sitcom Good Times and used as the cover art for Marvin Gaye's 1976 album, "I Want You"
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The Scene
The painting depicts a crowded, high-energy dance hall filled with Black men and women moving intensely to music. The room has a rustic, wooden structure with exposed beams. Hanging from the ceiling are large banners reading "The Sugar Shack," "Welcome to the Sugar Shack featuring Big Daddy Rucker," and a sign for the radio station "WMPG."
The Figures and MovementThe hallmark of Ernie Barnes' style is elongated, fluid anatomy. The dancers possess stretched limbs, exaggerated muscles, and highly expressive poses.
The central focus features a man and woman locked in a passionate, rhythmic dance. The woman wears a form-fitting blue dress that accentuates her movement, while the man matches her energy, bending his body fluidly.
To the right, a man in a light blue suit and hat leans deeply backward, completely swept up in the rhythm.
Almost every figure in the room has their eyes closed. Barnes deliberately painted his figures with closed eyes to signify that they are not just looking at their surroundings, but deeply feeling the music and the spirit of the space.
Lighting, Color, and Atmosphere
The color palette is warm and vibrant, dominated by rich earth tones like deep browns and yellows, juxtaposed against the bright blues, oranges, and whites of the dancers' clothing. The lighting feels atmospheric and dramatic, cutting through the crowded hall to cast sharp highlights on the moving muscles, sweat, and fabric, emphasizing a collective, uninhibited joy.

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Museo Reina Sofía @museoreinasofia.es · 25/08/2026

🖼️ ¿Interior o exterior? En "La fenêtre ouverte" (1921), Juan Gris rompe los límites del espacio integrando el paisaje de Bandol-sur-Mer (localidad de la Provenza francesa) con el entorno doméstico. A diferencia de otros pintores como Matisse o Delaunay, aquí ambos mundos dialogan en total igualdad.

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Santiago Pérez @primerborrador.es · 25/08/2026

"It is also tempting to view Bosch as a kind of proto-Surrealist, or a trippy eccentric on a wild ride. But to do so is to fundamentally misunderstand his intentions. Bosch’s paintings were, in fact, deeply moralizing and pessimistic about human nature." 👉🏻 lithub.com/what-hierony...

lithub.com

What Hieronymus Bosch’s Fantastical Triptychs Reveal About the Artist’s Worldview

While Giotto sought to communicate the Christian messages that he had been commissioned to depict by encouraging his viewers to empathize with the characters in his realistic scenes, Hieronymus Bos…

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fravery.bsky.social @fravery.bsky.social · 24/08/2026

Grey Day in Town Mark Grantham Acrylic on Canvas

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Santiago Pérez @primerborrador.es · 22/08/2026

Camisetas de rayas, peces de colores y nostalgia analógica: el universo marino según Yanzo www.jotdown.es/2026/08/el-u...

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Reilly Fitzgerald @reillyfitzgerald.bsky.social · 19/08/2026

"Rose Blanche Lighthouse" (2023) 17 X 23” acrylic on paper painting by Reilly Fitzgerald. Newfoundland and Labrador Original painting available

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Santiago Pérez @primerborrador.es · 21/08/2026

Una interpretación personal (y hasta cierto punto clandestina) no tiene nada de inofensivo.

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Santiago Pérez @primerborrador.es · 21/08/2026

Olvida el papel del público. La obra abstracta exige un público comprometido con un posible significado (o con ninguno), al contrario que la obra figurativa, que tiende a acomodar el pensamiento y la sensibilidad.

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Santiago Pérez @primerborrador.es · 20/08/2026

Os traigo esto de mi archivo. Lo monté hace cuatro años pero hoy me sigue emocionando igual que entonces, no solo por la pintura, también por lo bien que compaginan los cuadros escogidos con el "Arabesco" de Debussy. Espero que os guste. buff.ly/S4gKeOn

youtu.be

La playa en el arte

La playa aparece representada en la historia del arte de diferentes maneras. Esta es una selección de algunos de los cuadros que la eligieron como motivo. El vídeo ha sido realizado por el sitio web…

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Reilly Fitzgerald @reillyfitzgerald.bsky.social · 17/08/2026

"Danielle" (2016) 24 X 24" acrylic on canvas by Reilly Fitzgerald. Newfoundland and Labrador Private Collection

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Santiago Pérez @primerborrador.es · 13/08/2026

The South Ledges, Appledore by American painter Childe Hassam (1859-1935)

Painting The South Ledges, Appledore by Childe Hassam (1859-1935)

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Santiago Pérez @primerborrador.es · 12/08/2026

Puestos a elegir, el de Gustavo Torner.

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nina theda black @ninathedablack.bsky.social · 11/08/2026

12x12 paper collage on wood

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José Arturo Hinojos (Artista Plástico) @josearturohinojos.bsky.social · 11/08/2026

Titulo: Familiarizado en lo lúgubre Técnica: Oleo sobre tela Medidas: 210 x 130 cm Autor: José Arturo Hinojos Año: 2026 www.instagram.com/p/Db6RBDDvqjG/

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Santiago Pérez @primerborrador.es · 11/08/2026

Bathing at Bellport, Long_Island by American painter William Glackens (1870-1938)

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Reilly Fitzgerald @reillyfitzgerald.bsky.social · 18/07/2026

"Red Shed Stage and Boat in Moonlight" (2026) ~20" X 15" acrylic on watercolour paper painting by Reilly Fitzgerald. Original painting available #ReillyFitzgerald Newfoundland and Labrador art and artist.

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nina theda black @ninathedablack.bsky.social · 10/08/2026

8x10 mixed media on canvas

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Santiago Pérez @primerborrador.es · 10/08/2026

Maremi Andreozzi, ‘Genevieve Estelle Jones’, 2026, Painting, Acrylic on Cradled Panel, Adah Rose Gallery (Our Favorite Artworks under $2,500 at Foundations) www.artsy.net/article/arts...

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Santiago Pérez @primerborrador.es · 09/08/2026

Beach cyclists by danish painter Einar Hein (1875 – 1931) #art #arte

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Museo Reina Sofía @museoreinasofia.es · 05/08/2026

🎨 Tres metros de lienzo, colores intensos y dos figuras que parecen salirse del cuadro. En este vídeo, Menchu Lamas nos habla de O siameses do círculo, una obra de 1985 en la que las formas figurativas y abstractas se mezclan con la monumentalidad y la fuerza cromática propias de su pintura.

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Guillermo Fesser @guillermofesser.bsky.social · 28/07/2026

“A 55 Millas por Hora” En librerías el 1 de octubre. Ya en pre venta.

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