With audiences expecting instant global information, and broadcasters competing against social platforms that deliver clips within seconds, the race is on to deliver ultra-low latency (ULL) as a compe...

To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean...

AI was largely sidelined at the annual RTS gathering where the fate of public service media took precedence. Adrian Pennington reports.

Speaking at the RTS London Convention, BBC Director General Matt Brittin argued that while the BBC remains one of the world's most trusted media institutions, the broadcaster must adapt rapidly to a m...

AI is reshaping the global media industry from the inside out but executives driving that change say the transition is proving more complex, more expensive, and more culturally disruptive than expecte...

At IBC, Blackmagic's Glenn Lightbody explains why DaVinci Resolve keeps AI as an assistant, plus URSA Cine 17K 65 stage-capture news.

The creator economy is no longer a sideshow in Free Ad-Supported Streaming TV (FAST) but a core channel segment with platforms actively competing for content.

European public service media have taken a significant step toward a shared cloud future. A new feasibility study revealed for the first time at IBC, confirmed that a pan‑European cloud ecosystem is a...

At IBC2026, Guy-Laurent Epstein, Executive Director, Marketing, UEFA, explored how he has optimised the organisation’s workflows for live sports to drive growth for UEFA national and club competitions...

Netflix is expanding its media production suite (MPS) to third‑party tools, marking a significant shift in how the streamer works with technology vendors and production partners worldwide. The move, a...

Godox brought the 6K RGB MG6KR, PaletteLab color fixtures, an inflatable soft-light mat and a 1.9 GHz intercom to IBC 2026. Full specs and pricing inside.

Teradek's Colin MacDonald explains how Bolt 7 pairs zero-delay video with a dedicated 900 MHz radio for wireless camera control and data.

AJA Video System's Abe Apt talks FS8 hybrid SDI/IP processing, audio matrixing and IPMX readiness in this RedShark interview from IBC 2026.

Canon talks the R6 V and its latest Cinema EOS firmware updates with RedShark, live from the IBC2026 show floor.

The number one creator in the world is MrBeast, right? Wrong. It is Blair Imani who tops the 100 Creators on the Planet, according to the Affinity Score unveiled exclusively at IBC.

Atomos CEO Peter Barber on the Shinobi 7 II's Ethernet camera control and FSI's expanding role in Atomos' pipeline strategy.

Alex Charalambides, Senior Vice President, Chief Technology Officer, CNN, brings digital reinvention to the IBC2026 stage.

When speaking at the IBC2026 conference, it became clear that YouTube is now a TV‑first cultural stage, and broadcasters, operators, and platforms should rethink collaboration rather than competition.

Sony tells us at IBC that the Sony FX5 delay comes down to demand, with roughly 7000 pre-orders still queued ahead of October shipping.

IPMX and ST 2110 both transport media over IP, but they serve different user communities. Learn how they diverge and where each one fits.

Eluvio CEO and co-founder Michelle Munson says the streaming industry is entering a new phase where ultra-low-latency performance is no longer a niche requirement but a fundamental expectation for glo...

FNV has announced a nationwide public transport strike. The strike will take place on 9 September 2026 and will last 24 hours.

With the Edinburgh TV Festival’s Global Icon Award in hand, Sir Gary Oldman delivered a candid acceptance speech, revealing how his unique techniques, mindset, and early experiences in the industry br...

The ability to stream alternative animated and video game versions of a live sports event have taken a step closer with tests involving EA Sports, broadcaster Sky, and German premier soccer league Bun...

The UK is positioned to lead in creative AI and legal frameworks, according to senior figures from across the UK's television and creative industries at the Edinburgh TV Festival.

As the main keynote at the Edinburgh TV Festival 2026, YouTube's European and Middle East Chief Pedro Pina emphasised the strength and resilience of UK creativity.

As part of its drive to generate more content with the same or fewer resources, the Bundesliga conducted a live test of a fully automated pan-tilt-zoom camera system incorporated into the live host fe...

Introducing the Bundesliga’s latest showcase of technological innovation, Deutsche Fußball Liga (DFL) CEO Steffen Merkel put the emphasis firmly on AI. “AI is not just another tech trend for us,” Merk...

Go behind the scenes of Hacks with cinematographer Adam Bricker, ASC, exploring the visual language, lenses and creative workflow behind all five seasons

Speed, flexibility, and reliability – that’s the dream for many a live production. However, when public network coverage is patchy, what’s a broadcaster to do? The 2026 Accelerator Project, Network Co...

Aaron I. Butler, ACE, reveals how the Euphoria editing team shaped Season 3 through bold storytelling, collaboration, experimentation, and documentary instincts.

A new technology being developed by BBC Research & Development aims to reclaim attention by bringing interaction back to the TV screen itself. Signals made a public debut as a test during the BBC's re...