Sign in

Para

@parakerman.bsky.social
416 followers 1.2K following 1K posts

they/them ~ writer ~ horror fiend 🦇

PostsRepliesMedia
Reposted by Para
brah @monolithbrah.bsky.social · 17h
nw: je tu il elle (1974) dir: chantal akerman dp: bénédicte delesalle, renelde dupont, charlotte szlovak
je tu il elle (1974) 📽️je tu il elle (1974) 📽️je tu il elle (1974) 📽️je tu il elle (1974) 📽️
0103
Para @parakerman.bsky.social · 29/09/2026
Rose of Nevada (2025, dir. Mark Jenkin)
000
Reposted by Para
pang @birthbydrip.neocities.org · 29/09/2026
birthbydrip.neocities.org/reviews/supe...
birthbydrip.neocities.org
birthbydrip - Super Monkey Ball
174
Para @parakerman.bsky.social · 28/09/2026
Nightshift (1981, dir. Robina Rose)
030
Para @parakerman.bsky.social · 27/09/2026
190
Para @parakerman.bsky.social · 26/09/2026
checked the silent hill: townfall credits and there's an overlap in artists between it and alien: isolation. i guess that's the push to finally play that game!
160
Reposted by Para
Ripley🪽 @skullingway.bsky.social · 25/09/2026
Happy birthday to the best to ever do it #silenthill2
1287
Para @parakerman.bsky.social · 21/09/2026
watched Alice in Dreamland (2015, dir. Kentarô Hachisuka) and i like how this adaptation has Umineko energy
030
Reposted by Para
Para @parakerman.bsky.social · 01/12/2025
umineko predicted discord
042
Reposted by Para
Cat @superbiasedcat.itch.io · 20/09/2026
Yesterday I made a game about returning a book to the library, it will take only a few minutes to play and features Larry. You should check it out, see some of the other games from the jam and then make your own. superbiasedcat.itch.io/i-must-retur...
superbiasedcat.itch.io
I Must Return My Library Book by SuperBiasedCat
I Must Return My Library Book
0127
Reposted by Para
Mizna Wada 和田みずな @miznawada.bsky.social · 13/10/2025
Viy (1967) #MovieMonday
1188
Para @parakerman.bsky.social · 18/09/2026
Dellamorte Dellamore / Cemetery Man (1994, dir. Michele Soavi)
020
Para @parakerman.bsky.social · 17/09/2026
The Mastermind (2025, dir. Kelly Reichardt)
030
Para @parakerman.bsky.social · 17/09/2026
josh o'connor in the mastermind saying "i'm in there too often. i'm too recognizable"
040
Para @parakerman.bsky.social · 17/09/2026
Evergrace dungeons got me feeling like "where did my 🍂 🎃 go"
050
Para @parakerman.bsky.social · 16/09/2026
a character from So Vam (2021) directed by Alice Maio Mackay saying "Bram Stoker was queer"
0111
Para @parakerman.bsky.social · 15/09/2026
Muse (2025, dir. Paweł Pawlikowski)
020
Para @parakerman.bsky.social · 15/09/2026
The Day of the Locust (1975, dir. John Schlesinger)
050
Para @parakerman.bsky.social · 15/09/2026
day of the locust (1975) ends in a fiery, surreal sequence: hollywood burns
040
Para @parakerman.bsky.social · 14/09/2026
donald sutherland telling karen black about the importance of bread and butter
010
Para @parakerman.bsky.social · 14/09/2026
the week is already off to a great start. new ex:re single!!!!! youtu.be/XTApTIg4qO4
youtu.be
Ex:Re - Radio Station (Official Video)
YouTube video by Ex:Re
120
Reposted by Para
✧ crimebird ✧ birdtat ✧ @crimebird.bsky.social · 11/09/2026
good morning gay transgender people in my phone. check out this tattoo i did yesterday
3399
Para @parakerman.bsky.social · 11/09/2026
Dersu Uzala (1975, dir. Akira Kurosawa)
120
Reposted by Para
fray @demonrice.bsky.social · 17/08/2026
8839343
Para @parakerman.bsky.social · 10/09/2026
september game club line-up is Peret em Heru: For the Prisoners + Evergrace 🍂🍁
030
Para @parakerman.bsky.social · 10/09/2026
Don’t Look Now (1973, dir. Nicolas Roeg)
040
Para @parakerman.bsky.social · 10/09/2026
Kate Winslet photographed by Helmut Newton, 1996
040
Para @parakerman.bsky.social · 10/09/2026
if you know you know music.youtube.com/playlist?lis...
music.youtube.com
Discovering The Waterfront
Album • Silverstein
010
Para @parakerman.bsky.social · 09/09/2026
Bullet Ballet (1998, dir. Shinya Tsukamoto)
050
Para @parakerman.bsky.social · 09/09/2026
slayyyter talking about being an Old Hollywood girlie & her Marlene Dietrich poster 🥰
030
Para @parakerman.bsky.social · 08/09/2026
Her Private Hell (2026, dir. Nicolas Winding Refn)
010
Para @parakerman.bsky.social · 08/09/2026
011
Reposted by Para
cheseely 🖤 @cheseely.bsky.social · 08/09/2026
oc🖤
3354115
Para @parakerman.bsky.social · 07/09/2026
La Belle et la Bête (1946, dir. Jean Cocteau)
031
Para @parakerman.bsky.social · 07/09/2026
"This Kind of Stuck is Forever" 2026, Hannah Banciella
020
Reposted by Para
Willa Bloomfield-Rowe @thewillarowe.bsky.social · 22/08/2026
They made a final fantasy canonically about the inherent revolutionary act of queer love and it’s power to destabilize fascist governments and then never cooked again
Fang and vanille in final fantasy 13
3617
Reposted by Para
pang @birthbydrip.neocities.org · 07/09/2026
work has kept me from writing much and I needed a break from the constant game reviews, so I'm offering today a critique of Shinichi Ishizuka's Blue Giant as I promised back in spring. rereading it has really let me fall in love with the art and the minutiae here... link below!
first paragraph of link below: Shenmue understands the inherent arrogance of its protagonist Ryo Suzuki’s quest — in brief moments, tucked away behind a web of other cascading events, it shows the perspective of those left behind by his decisions, who seek to pull him back from the brink of revenge. These perspectives only appear in glimpses due to the weight that Suzuki exerts as the playable character, however. Shenmue’s exploration of minutiae trawls these people’s schedules yet closes them off from Suzuki; the attention to detail only glances beyond human bodies moving with purpose on a map, to canned conversations and little of the world interaction that Suzuki feasts upon. Thus, the ultimate perspective is warped around Suzuki’s quest playing out in your hands, justifying his arrogance. Blue Giant sows the same field — a man on the cusp of adulthood throwing himself towards passion in a foreign city — but it has a far keener eye for the engine that powers such arrogance, that both fuels it and harvests it, those who gain confidence from it and those who spurn it. It grips the arrogance much tighter and assumes it is elemental, feeling it wriggle and documenting every facet of it.
264
Para @parakerman.bsky.social · 06/09/2026
I Walked with a Zombie (1943, dir. Jacques Tourneur)
070
Reposted by Para
dreadfully queer chimera @jayveesto.bsky.social · 06/09/2026
average digimon digivolution line
12810
Para @parakerman.bsky.social · 05/09/2026
wrote a piece on the fabulous somnabuster and its approach to fantasy and finding meaning within it bckl.gg/wniJ
bckl.gg
chimaera's review of SomnaBuster | Backloggd
somnabuster is situated within the common fantasy of a protagonist miraculously plucked from their rote day-to-day and dropped into a fantastical world. equally in awe as they are confused, desperatel...
0184
Para @parakerman.bsky.social · 04/09/2026
Zabriskie Point (1970, dir. Michelangelo Antonioni)
030
Reposted by Para
てーけ @nzwixbydhknxjlw.bsky.social · 04/09/2026
#silksong 1周年おめでとうございます🎉
09238
Para @parakerman.bsky.social · 04/09/2026
Favourite first watches in August: - Maddie's Secret (2025) - Variety (1983) - Evil Does Not Exist (2023) - Pictures of Ghosts (2023)
070
Para @parakerman.bsky.social · 03/09/2026
Ghost Dog: The Way of the Samurai (1999, dir. Jim Jarmusch)
171
Para @parakerman.bsky.social · 03/09/2026
omg, loving the suggested autumnal/horror games for the next game club round already. exciting!!!
020
Reposted by Para
xiri @akaxiri.bsky.social · 02/09/2026
Bring back Llum from the infected comfort of his memories. Velvet Shedding is now available to wishlist on Steam. store.steampowered.com/app/3913350/...
62819
Para @parakerman.bsky.social · 02/09/2026
Dangerous Game (1993, dir. Abel Ferrara)
030
Para @parakerman.bsky.social · 02/09/2026
started reading the Cybersix comics. I didn't expect to be hit with *this* level of gender/identity rumination. incredible
0177
Para @parakerman.bsky.social · 01/09/2026
new gits episode, new reaction images
051
Para @parakerman.bsky.social · 31/08/2026
Variety (1983, dir. Bette Gordon)
030