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Richard O'Brien

@notrockyhorror.bsky.social
1.8K followers 2.8K following 499 posts

Assistant Professor in Creative Writing at Northumbria University and lapsed early modernist. Working on poetry, novels, & a music memoir/podcast about the Mountain Goats: thirtyyearslater.substack.com. I make music as Groundbird, groundbird.bandcamp.com.

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Richard O'Brien @notrockyhorror.bsky.social · 02/10/2026
[Tom Petty if he was a pirate]: Now I’m keel… I’m keel-haulin’
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Richard O'Brien @notrockyhorror.bsky.social · 29/09/2026
Updated my LinkedIn profile for the first time in a decade, for my (Linked)sins: www.linkedin.com/in/richard-o...
linkedin.com
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Richard O'Brien @notrockyhorror.bsky.social · 18/09/2026
Very funny when you copy too many images at once into PowerPoint (2) and it says 'Sorry, no design ideas for this slide.' Is it that easy to stump you? I'll do it myself then!
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Richard O'Brien @notrockyhorror.bsky.social · 16/09/2026
Gen Z bluesman: I Can’t Quiet Quit You Baby
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Richard O'Brien @notrockyhorror.bsky.social · 10/09/2026
They rejected me from the prestigious literary magazines. I’m persona non Granta
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Richard O'Brien @notrockyhorror.bsky.social · 01/09/2026
Canon Alberic’s Macbook
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Richard O'Brien @notrockyhorror.bsky.social · 18/07/2026
Joe and the Juice is short for Joseph and the Juiceph
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Richard O'Brien @notrockyhorror.bsky.social · 11/07/2026
I’m in London with my fellow Bus Poet Adam Dixon running a table at the South Bank Poetry Zine Fair to hawk our poetry and local history collage zines - come say hi! www.southbankcentre.co.uk/whats-on/poe...
southbankcentre.co.uk
Poetry International Festival Zine Fair | Southbank Centre
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Richard O'Brien @notrockyhorror.bsky.social · 10/07/2026
[Tenderly, closing your eyes] You’ve read your last free article
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Simon Kővesi @kovesi.bsky.social · 23/06/2026
Inordinately excited about this year's forthcoming John Clare Society Journal, featuring cover art by Tracey Bush, & new writing from @victoriaxiaoxiaoma.bsky.social, Richard O'Brien - @notrockyhorror.bsky.social - Martin Kratz, Cassie Falke, Jens Peters, & an index of publications, & reviews.
Art by Tracey Bush called "Dandelion" from her Nine Wild Plants Project. Tracey explains that ‘this is an ongoing exploration of consumerism and lost knowledge. The project began after reading ecological thinkers, including Paul Hawken, who notes that the average Western adult can recognise over 1000 brand names or logos, but fewer than ten local, indigenous plants. Nine life-size collage drawings from my list of most recognised wild plants, include the Lesser Celandine, Lawn Daisy, Field Poppy, Cowslip, Dandelion, Meadow Buttercup, Dog Daisy, Dog Rose and Hybrid Bluebell. My own herbarium sheets, made from wild plants collected on road verges and other “edgelands”, were the templates for hand drawn silhouettes. I
then collaged fragments of found materials illustrating hundreds
of brands and logos. A new set of drawings with branded paper
packaging collage is featured in the curated exhibition Flowers
Forever in the München Kunsthalle der HypoKulturstiftung
(with catalogue). The exhibition tours to Hamburg, Rome and is
currently on exhibition in the Kunsthal Rotterdam’.Contents List of the John Clare Society Journal, July 2026:

Trans-species Empathy in John Clare’s ‘The Pettichaps Nest’ and Anna Letitia Barbauld’s ‘The Caterpillar’ by Cassandra Falke

Anxious Tree s Give Leaf: Reading John Clare in Lockdown by Martin Kratz

John Clare Reaches the Pacific, poem by Richard O’Brien

The Phenomenology of Walking in John Clare’s Poems by Xiaoxiao Ma

‘When silence husheth other themes’: John Clare, Annette von Droste-Hülshoff and the heath by Jens Peters

An Index of Significant Publications on John Clare, 2023–2025 edited by Andrew Hodgson and Erin Lafford
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Richard O'Brien @notrockyhorror.bsky.social · 19/06/2026
Opening a roastery opposite the Family Court called Grounds For Divorce
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Richard O'Brien @notrockyhorror.bsky.social · 15/06/2026
I’m pleased to announce my next poetry pamphlet, coming out in February 2027 from @brokensleepbooks.bsky.social. COTERIE emerges from a challenge I set myself in April last year, to write a poem almost every day of the month in response to ‘commissions’ from my friends. People gave me requests [1/3]
A mock-up cover to advertise a poetry pamphlet. It's two facing pages: on the right, an early modern title page for 'The Countess of Pembroke's Arcadia' from 1590-something. On the left it says 'Coterie. Written by Richard O'Brien for his mates. Broken Sleep, Feb 2027'
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Richard O'Brien @notrockyhorror.bsky.social · 13/06/2026
Fired from the socialist bookshop for questioning why we keep buying expensive first editions of conservative novelists from the 1930s. ‘Funny,’ I yell as they boot me through the stockroom, ‘how there’s always money for Waaaauuuugh—‘
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don't hug me I'm porksweats @porksweats.bsky.social · 11/06/2026
fucked me up to find out the doobie brothers? they actually dontbe brothers at all
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the Mountain Goats @themountaingoats.bsky.social · 11/06/2026
seeing myself discussed or even namechecked in academic publications is for me what appearing on TV is for normal people ❤️
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Richard O'Brien @notrockyhorror.bsky.social · 11/06/2026
A few ‘flowers that grow up from the earth’ to celebrate some exciting post today: the first time my writing about @themountaingoats.bsky.social has appeared in an academic publication! This chapter looks at John Darnielle’s use of Edmund Spenser in ‘Minnesota’ and his varied approaches to the past.
The Routledge Companion to Early Modern Music and Literature - a hardback book held aloft in a small but lush backyard.The first page of an essay titled ‘Early Modern Poetry and the Uses of the Past in John Darnielle’s Songwriting’A later page from the same essay discussing ‘Tollund Man’
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Dr J. M. Wall @cemeteryresearcher.bsky.social · 10/06/2026
I have such a soft spot for the Vittoria Restaurant. I'm glad that 'A Cliff, A Centre' is still there for everyone to read because I think it does a wonderful job of capturing the place the cemeteries have in the lives of the JQ. For those curious: cemeteries.jewelleryquarter.net/a-cliff-a-ce...
cemeteries.jewelleryquarter.net
A Cliff, A Centre - Jewellery Quarter Cemeteries Project
Perhaps, past-struck, a horse-drawn hearsehas pulled you up the hill to here;or, in some census, scanner-smeared,his name, her job, fuzzy and terse; or nothing as old or grand as grief.A sandwich to b...
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Richard O'Brien @notrockyhorror.bsky.social · 10/06/2026
Lovely to have the opportunity to reflect on my time as Birmingham Poet Laureate (2018-20) for a great new arts site in the city, Concrete, and republish some occasional poems. (Thanks to @jonathandavidson.bsky.social et al for the job in the first place!) concretebrum.wordpress.com/2026/06/10/i...
concretebrum.wordpress.com
I Spent Two Years as the Birmingham Poet Laureate – The Rest of my Sentence I Served on Parole
Richard O’Brien reflects on his time as Birmingham’s Poet Laureate, complete with selected poems.
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Richard O'Brien @notrockyhorror.bsky.social · 29/05/2026
Check out our symposium STAVE/OFF! Geared towards establishing a network of scholars in the North East, we welcome contributions from all kinds of music thinkers, makers, and facilitators who are interesting in mulling over non-traditional modalities of musical training in popular musics.
STAVE/OFF: Non-traditional Modalities of Musical Training in Popular Musics
One-day symposium at Northumbria University, Newcastle, UK
15 July 2026CALL FOR CONTRIBUTIONS

Laying the groundwork for an emerging regional network of scholars, this one-day symposium seeks to examine what musical ‘training’ means outside of the traditional binary of reading vs not reading music notation. With an emphasis on popular musics, we invite all kinds of music thinkers, makers, and facilitators to submit an abstract for a 15-minute talk, workshop, or demonstration. STAVE/OFF will be a jam-packed day of networking and brainstorming.

Some musicians with the popular image of being ‘self-taught,’ like Daniel Johnston, who in fact grew up in musical families with access to sheet music and lessons. Kate Bush and Tori Amos actively resisted sight-reading during their childhood training in favour of ear-led creativity. Scores of the biggest names in music consider sight-reading somewhat antithetical to their image or artistic process — from The Beatles and Hans Zimmer, to Arethra Franklin and Jimi Hendrix.
STAVE/OFF will consider how the narratives constructed around ideas like ‘self-teaching’ and the aural transmission of traditional repertoire are reflective of broader discussions of class, elitism, learning styles, technologies, and authenticity in the music industry, with implications for how arts funding is distributed across grassroots projects and conventional conservatoire frameworks. Delineating the many heritages of popular musics, the relationship between experimental, improvisational performance and contemporary art music may also be explored, looking at questions of training, programming, and composition. Nancy Kerr Elliott (Lecturer & Researcher in Folk & Traditional Music, Newcastle University) will deliver the keynote address.Contributions could include (but are not limited to) the following:
biographical approaches to particular musicians, scenes, or genres;
analyses of particular recordings or performances;
reflections on songwriting practice;
theoretical approaches to informal/autodidactic music education, and modes of musical training/knowledge exchange that take place outside of prestige institutions like music schools and conservatoires (e.g. sessions, jams, improv events, self-tuition via YouTube, Ultimate Guitar, etc);
reflections on the socioeconomic frameworks of the music industry and arts funding;
histories of non-conventional musical learning;
performances and demonstrations pertinent to the conference themes.Submission

Please send an overview of what you would like to talk about (this could take the form of a standard 300-word abstract [.docx/.pdf] or a more informal approach via email) along with a short biography of about 100 words. If you are including a performance, please make this clear. We will put together a range of panels and informal roundtable discussions based on the nature of the submissions we receive. Please note that in aiming to create a relaxed and productive environment of knowledge exchange, spaces will be very limited. Participants will be selected both on the strength of their submission and with an aim of assembling a varied programme.
A limited number of travel bursaries are available — please let us know in your application if you would like to be considered for one of these, along with where you will be travelling from. Priority will be given to postgraduate students, early-career scholars and contributors without institutional funding. There will be no registration fee. Lunch and refreshments will be provided.
Submit your proposals together to Richard (r.obrien@northumbria.ac.uk) and Anika (anika.babel@northumbria.ac.uk) with the subject heading ‘STAVE/OFF’ by 19 June 2026. Results: 26 June 2026.
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Richard O'Brien @notrockyhorror.bsky.social · 27/05/2026
They call it the cold open because it’s a great time to crack open a cold one
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Richard O'Brien @notrockyhorror.bsky.social · 19/05/2026
[Wes Streeting’s parents after email was invented]: This Streeting could have been an email
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Richard O'Brien @notrockyhorror.bsky.social · 15/05/2026
A quick reminder to followers in the North East - the last in the current series of Songwriters in Conversation events, on theme of History, takes place this Sunday in North Shields! Pre-booking tickets really helps, and you'll get to see some cool harp looping: www.eventbrite.com/e/songwriter...
eventbrite.com
Songwriters in Conversation #6 (Aurora Engine, Detroit Tourist Board)
Performances by Aurora Engine and Detroit Tourist Board, followed by a Q&A with the songwriters discussing history, nostalgia and memory.
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Richard O'Brien @notrockyhorror.bsky.social · 27/04/2026
At a showcase this Wednesday, Northumbria undergrad and MA Creative Writing students will have excerpts from their prose, poetry and scripts performed by professional actors at Live Theatre. It should be a lovely event and a great opportunity for our writers! www.mynewsdesk.com/uk/northumbr...
mynewsdesk.com
Celebrate the next generation of creative talent at Northumbria graduate showcase
Northumbria University’s annual REVEAL degree shows spotlight the exceptional work of graduating students across the arts, design, fashion, architecture and...
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Richard O'Brien @notrockyhorror.bsky.social · 14/04/2026
55 BURGERS 55 FRIES
Advert in a shop window for ‘10 Takeaway Coffees’
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Richard O'Brien @notrockyhorror.bsky.social · 14/04/2026
What are the unique things music can do to explore and evoke the past? Is writing a song set in 1985 any different from writing one set in the 19th century? Join Aurora Engine, Detroit Tourist Board and me to discuss songwriting and history on May 17th: www.eventbrite.com/e/songwriter...
eventbrite.com
Songwriters in Conversation #6 (Aurora Engine, Detroit Tourist Board)
Performances by Aurora Engine and Detroit Tourist Board, followed by a Q&A with the songwriters discussing history, nostalgia and memory.
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Richard O'Brien @notrockyhorror.bsky.social · 13/04/2026
[Gorbachev’s therapist]: Mr Gorbachev, tear down these walls!
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Richard O'Brien @notrockyhorror.bsky.social · 05/04/2026
Can’t even go to wizard school on your home island of the Earthsea archipelago anymore. Because of Roke
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Richard O'Brien @notrockyhorror.bsky.social · 01/04/2026
Rejected by the New Generation Thinkers scheme for the final year I was eligible, so pleased to announce that I’m now actually the mid-career establishment and my Thinking is already hegemonic so it’s fine actually :)
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Richard O'Brien @notrockyhorror.bsky.social · 30/03/2026
The Loneliness of the All-Staff Email
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Richard O'Brien @notrockyhorror.bsky.social · 29/03/2026
M. R. James-ass headline
Church dismantles a huge pipe organ and finds an older history [screenshot of BBC article]
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Richard O'Brien @notrockyhorror.bsky.social · 25/03/2026
Fun dinner party fact for the vegetarians in your life: Quorn is often assumed to be an English company but it was actually founded in Ireland in 1985, by Mike O’Protein
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Richard O'Brien @notrockyhorror.bsky.social · 23/03/2026
Bartleby the Rizzler
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Richard O'Brien @notrockyhorror.bsky.social · 20/03/2026
For sale: poetry library, never read
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alina pleskova @alinapleskova.bsky.social · 12/03/2026
today's info that i came across & have no use for beyond a briefly satisfying spiritual ripple is that winona ryder's ringtone was, for a time, leonard cohen's "i'm your man"
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Richard O'Brien @notrockyhorror.bsky.social · 07/03/2026
[Tom Petty if he was a seagull]: Cause I’m woooorm… worm-charmin’
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Richard O'Brien @notrockyhorror.bsky.social · 06/03/2026
Leaving Gafcon in protest at this to start a new even smaller splinter group called IDGAFCON www.christiantoday.com/news/gafcon-...
christiantoday.com
Gafcon elects council instead of figurehead to rival Archbishop of Canterbury
The Gafcon movement had been widely expected to appoint a primus but has instead chosen a "conciliar structure".
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Richard O'Brien @notrockyhorror.bsky.social · 05/03/2026
Telling my cat she used to be a wolf. They don’t know different
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Richard O'Brien @notrockyhorror.bsky.social · 02/03/2026
Haha yes.. sickos..
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Richard O'Brien @notrockyhorror.bsky.social · 23/02/2026
The Libraro prize is a competition 'giving readers an active role in championing emerging talent.' My entry is THE YEAR'S DEEP MIDNIGHT: a literary mystery following a dropout from a Catholic seminary who solves a murder with the help of the elderly Graham Greene: app.libraro.com/manuscript/d...
app.libraro.com
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Richard O'Brien @notrockyhorror.bsky.social · 20/02/2026
For the last five years, I've been writing 'a memoir in Mountain Goats songs,' looking at every year in my life 1990-2020 through the lens of a song by @themountaingoats.bsky.social. That project comes to an end today with two final episodes, one for 2020 and an epilogue. Links for both below!
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Richard O'Brien @notrockyhorror.bsky.social · 16/02/2026
Delighted to be in the new issue of @popmusicjournal.bsky.social RIFFS with a piece on 'Jeffrey Lewis's Model of Art-Making: Between Amateur and Auteur,' looking at Lewis, Daniel Johnston, and the ways artists in lo-fi traditions position their own practice: riffsjournal.org/2026/02/12/r...
riffsjournal.org
Richard O’Brien – Riffs
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Riffs @popmusicjournal.bsky.social · 13/02/2026
NEW ISSUE: Riffs 9.1: Pop! Art School Reunions Edited by Ed McKeon The pieces in this issues of Riffs reflect on the relationships between pop music, pop art, art school, and experimental music and performance. Available to read Open Access: riffsjournal.org/volume-9-iss...
riffsjournal.org
Volume 9, Issue 1 – February 2026 – Riffs
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Richard O'Brien @notrockyhorror.bsky.social · 15/02/2026
2019 episode of my @themountaingoats.bsky.social now up! Two more to go - 2020 & and epilogue. Today's episode (which I'm not posting on a workday) is about a strong homemade edible, meeting the President of Ireland, and making the art you love your own. thirtyyearslater.substack.com/p/2019-up-th...
thirtyyearslater.substack.com
2019: 'Up the Wolves' (Live, 2019-11-15)
There’s gonna come a day when you feel better.
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Richard O'Brien @notrockyhorror.bsky.social · 10/02/2026
Today's episode of my @themountaingoats.bsky.social newsletter/podcast is about self-reference, expanding ambition, and being further along in your own timeline. Which is really sort of what it's all been about! It's 2018 and the song is 'Younger.' thirtyyearslater.substack.com/p/2018-younger
thirtyyearslater.substack.com
2018: 'Younger'
Now I have everything I need.
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Richard O'Brien @notrockyhorror.bsky.social · 04/02/2026
[Craig Finn voice:] He was always baked but never fried
A red pack of Walkers Baked Ready Salted crisps, showing the caption ‘Always baked, never fried’
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Richard O'Brien @notrockyhorror.bsky.social · 01/02/2026
Those horses running in a circle aren’t even original. That’s just zoeslop
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Richard O'Brien @notrockyhorror.bsky.social · 31/01/2026
Thanks to @andotherpoems.bsky.social for publishing this late last year - sharing in time for tomorrow’s hopefully less intense moon!
God’s own goth orb, 
good or not -
old gong, 
worn tooth, 
gloom-bowl, 
spook glow of 
rooms long lost -
drop by slow, 
doomy drop 
looms low 
on top of Oslo
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Richard O'Brien @notrockyhorror.bsky.social · 23/01/2026
Does the Lionel Bart estate get royalties from all these ice cream trucks playing ‘Food Glorious Food’?
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Richard O'Brien @notrockyhorror.bsky.social · 22/01/2026
They kicked me out of culinary school. I’m persona non gratin
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