iiinova — where your digital self keeps evolving

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 04/10/2026

Be interested to hear your thoughts on it.

Reposted by ǝoɔsoᴚ ǝʇɐN

Michael's Movie Group @michaelcinemagroup.bsky.social · 12/09/2026

Today in 1992 we lost Anthony Perkins. His career became so heavily associated with Norman Bates that we could almost forget how good he was in other roles. Two of the best: a jittery Josef K in Welles’ The Trial and a Coke-sniffing Mr. Hyde in Edge Of Sanity. Flamboyant or subdued, Tony ruled.

2174

Reposted by ǝoɔsoᴚ ǝʇɐN

Tom Reagan’s Witch’s Hat @rufustsuperfly.bsky.social · 31/08/2026

It was a mistake colourising Nosferatu

4477

Reposted by ǝoɔsoᴚ ǝʇɐN

BOOlian Singleton 🎃👻 @juliansingleton.bsky.social · 27/08/2026

"What makes BOORMAN AND THE DEVIL so damn special is how it borrows documentary tactics usually reserved for canonizing beloved classics–and turns them instead toward an autopsy and a resurrection of a film most wouldn't think deserves either." Review on @cinapse.bsky.social + now out in theaters!

033

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 06/08/2026

Share a horror movie title that begins with the letter “P” 🎥

160

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 02/08/2026

Ditto! But I’m refusing to watch the trailer. I wanna go in blind.

010

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 31/07/2026

‘The Sound of Music’ (1965) / ‘Opera’ (1987)

041

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 31/07/2026

‘The Sound of Music’ (1965) / ‘Opera’ (1987)

041

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 28/07/2026

Happy Birthday, Michael! What a lovely family you have.

110

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 26/07/2026

Ha! Good job I checked on here. Received a DM from ‘you’ earlier today… 😝

110

Reposted by ǝoɔsoᴚ ǝʇɐN

pauline kael bot @paulinekaelbot.bsky.social · 14/07/2026

Shelley Duvall melts indifference. You're unable to repress your response; you go right to her in delight, saying "I'm yours." (1974)

0326

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 15/07/2026

Between Dick Harris’ frigid scowl, the sedate disquietude of Ted Moore’s lensing, and a score so sorrowful it deserves its own funeral cortège, Michael Anderson’s ‘Orca’ feels less a riff on ‘Jaws’ than a briny counterpart to the metaphysical strangeness of Bergman or Rollin. Released #OTD, 1977.

051

Reposted by ǝoɔsoᴚ ǝʇɐN

pauline kael bot @paulinekaelbot.bsky.social · 15/07/2026

In COMA, Geneviève Bujold, with her piquant features, her waif's face and sharp jaw, is like a soft little furry animal—a mink—with a dirty mind. (1978)

161

Reposted by ǝoɔsoᴚ ǝʇɐN

Columbo: Just one more frame... @justonemoreframe.bsky.social · 15/07/2026

Columbo #S04E06 A Deadly State of Mind 00:25:48

032

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 15/07/2026

051

Reposted by ǝoɔsoᴚ ǝʇɐN

Charlie Largent @charlielargent.bsky.social · 14/07/2026

Hitchcock's Torn Curtain - Boston premiere this day in 1966 - French release poster

Paul Newman and Julie Andrews peer through a curtain that has been torn with a knife (get it?)

0317

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 15/07/2026

I’ll never forget my dad renting this for me when I couldn’t decide on a video. It had a ‘15’ cert. here; I must’ve only been about 8 or 9, so was pretty thrilled—my mum, on the other hand, was not! (Though tbf she did let me watch it.)

010

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 14/07/2026

Twenty-seven years ago, ‘The Blair Witch Project’ (1999) completely overhauled the way we approach, consume, and engage with the medium of film. That nothing else since has managed to outvie its anarchic vision, rough-hewn feel or chasmic cultural footprint, is testament to the pic’s enduring power.

081

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 14/07/2026

081

Reposted by ǝoɔsoᴚ ǝʇɐN

Melanie Lynskey @melanielynskey.bsky.social · 14/07/2026

I won an award at Sundance years ago and Sam Neill, whom I did not know, tweeted to me “we’re all so proud of you, sweetheart”. I can’t even express what that meant to me. That our most beloved national treasure, a man I worshipped, would take the time to write to me!

6711614798

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 13/07/2026

Isabelle Adjani gets the bulk of the praise for ‘Possession’ (1981) but Sam Neill matches her beat for fucking beat, his sweatily deranged corkscrew into psychosis—a perf at once volatile and vulnerable, frenzied and forlorn—the capstone of a richly eclectic career. RIP, legend.

042

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 13/07/2026

042

Reposted by ǝoɔsoᴚ ǝʇɐN

Tom Reagan’s Witch’s Hat @rufustsuperfly.bsky.social · 13/07/2026

That’s what I loved about Sam Neill as an actor: no macho crap. Just played the humanity of the character. www.hollywoodreporter.com/movies/movie...

233166

Reposted by ǝoɔsoᴚ ǝʇɐN

Daniel Benneworth-Gray @danielgray.com · 13/07/2026

Sam Neill on tackling depression and imposter syndrome when you’re between jobs.

65107543680

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 12/07/2026

Flirting for the umpteenth time with the idea of starting a film podcast. Older cinema, obvs, with an emphasis on the peculiar. Would anyone be interested in playing co-host? Preferably somebody with a smidgen of technical prowess. Lemme know if interested!

240

Reposted by ǝoɔsoᴚ ǝʇɐN

Cinema Strikes Back @cinemastrikesback.bsky.social · 07/07/2026

Oh man, RIP Louise Lasser. You want to see some truly next level shit. Watch her in Blood Rage, my god.

avclub.com

R.I.P. Louise Lasser, star of Mary Hartman, Mary Hartman

3368

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 07/07/2026

Whoa! I’ll be first in line to purchase this 🤩

010

Reposted by ǝoɔsoᴚ ǝʇɐN

Hysteria Lives! @jakerswell.bsky.social · 06/07/2026

When John Waters' SERIAL MOM was in development at Columbia Pictures in 1992, it was touted as a "thriller" in the vein of From Hell movies such as FATAL ATTRACTION and SINGLE WHITE FEMALE. Although ultimately a satire of true crime obsession, it still retains enough ... (1/2)

3163

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 04/07/2026

Aspire as it may to be a prickly morality piece on journalistic rectitude & society’s thirst for bloodshed, this sweat-beaded serial killer caper soars when leaning into its potboil thrills, the deft—often daft—stylistic flounce working in sync w/ game Russell to ensure things stay goofily gripping.

‘The Mean Season’ (1985) theatrical one-sheet.

050

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 01/07/2026

Melding ethereal fantasy-horror with forlorn Gothic romance, Curtis Harrington’s woozily ambient ‘Night Tide’ conjures an oblique, visually exquisite seaside noir, its folkloric framework the ruse to style a poetic treatise on the perils of loneliness and infatuation. Released on this day, 1961.

0123

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 01/07/2026

0123

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 01/07/2026

I’ve been doing it pretty consistently for months now and there’s still not a single fucking part of me that enjoys it. Isn’t it supposed to release endorphins or something? Pfft. I’m so envious of people that get genuine gratification from it. Weirdos.

110

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 04/05/2026

Knowing Me, Knowing You: ‘Persona’ (1966) / ‘Muriel’s Wedding’ (1994) #SideBySide

161

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 16/06/2026

Excellent film! Head and shoulders above most of its ilk from that era.

110

Reposted by ǝoɔsoᴚ ǝʇɐN

Mattie Lee 🎶 @mattielee.bsky.social · 15/06/2026

Name an actor who was perfectly cast in a role. My choice is Shelley Duvall as Olive Oyl.

Robin Williams and Shelley Duvall as Popeye and Olive Oyl

6495286349

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 16/06/2026

I wrote something a little bit soul-baring five years back about my childhood obsession, ‘Jaws 2’ (1976), and how its ruminative narrative mirrors some of my own personal struggles. Seems fitting to dust it off today—the film’s 48th anniversary—and reshare it.

trashtotarkovsky.com

Second Time Unlucky: The Ripples of Post-Traumatic Stress in ‘Jaws 2’

If there was one thing that hounded me in the weeks and months following the miseries I endured whilst in the ensnarement of a manipulative abuser, it was the fear of not being believed. A fear so …

1151

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 20/05/2026

‘Mary Poppins’ (1964) / ‘Exorcist II: The Heretic’ (1977) #SideBySide

0225

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 20/05/2026

‘Mary Poppins’ (1964) / ‘Exorcist II: The Heretic’ (1977) #SideBySide

0225

Reposted by ǝoɔsoᴚ ǝʇɐN

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 08/05/2026

“I saw the title as a way of conditioning the audience, so that when the film [began], viewers would already have an emotional resonance with it.” Be it his trendsetting title sequences or inimitable one-sheets, nobody set the mood for a motion picture like Saul Bass (8 May 1920–25 April 1996).

062

Reposted by ǝoɔsoᴚ ǝʇɐN

Michael Warburton @michaelwarburton.bsky.social · 08/05/2026

Just 6 of the many wonderful Film posters designed by the legendary SAUL BASS — born 106yrs ago today.

321066179

ǝoɔsoᴚ ǝʇɐN @nateroscoe.bsky.social · 08/05/2026

062