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Philip Clark

@musicclerk.bsky.social
1.4K followers 737 following 84 posts

Author-journalist (Prospect, NYRB, Spectator, The Wire); Brubeck biographer; new book “Sound and the City" 2027, White Rabbit & Hachette; Eccles Centre & Hay Festival Writer's Award Winner, 2022. Info: curtisbrown.co.uk/client/philip-clark Oxford/London

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Philip Clark @musicclerk.bsky.social · 23/09/2026
Bernstein at the Vanguard - My piece for the @leonardbernstein.com newsletter about Bernstein’s encounters with Miles Davis, John Coltrane and Morton Feldman, whose centenaries all fall this year - Coltrane’s today! leonardbernstein.com/news/blog/33...
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Philip Clark @musicclerk.bsky.social · 08/09/2026
Thoughts about Miles Davis and John Coltrane, and their spirit of renewal for @thespectator1828.bsky.social spectator.com/article/how-...
spectator.com
How Miles Davis and John Coltrane changed jazz forever
Why does the jazz world still feel so bedazzled by trumpeter Miles Davis and saxophonist John Coltrane? This year marks the centenary of their births, and even those who consider jazz marginal to thei...
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Philip Clark @musicclerk.bsky.social · 21/08/2026
I’m on the radio on Sunday evening talking about Edgard Varèse should anyone fancy it.
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Philip Clark @musicclerk.bsky.social · 14/08/2026
Oh, hi.
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Philip Clark @musicclerk.bsky.social · 15/07/2026
Jeremy Hunt v Arnold Schoenberg…
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Philip Clark @musicclerk.bsky.social · 07/07/2026
For @prospectmagazine.co.uk - a piece about slowly reconciling myself to Keith Jarrett, which doesn't mean I can stomach the Köln Concert (sorry). www.prospectmagazine.co.uk/culture/7402...
prospectmagazine.co.uk
Reassessing Keith Jarrett’s famous Köln Concert
It produced one of the most significant recordings of the 20th century, celebrated in two films this year. But our fussy veneration of that evening go...
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Philip Clark @musicclerk.bsky.social · 05/07/2026
For @nybooks.com - a piece about the mighty Liza Lim, how to write ‘memory theatre’ instead of opera and the art of rescuing instruments from extinction. www.nybooks.com/online/2026/...
nybooks.com
The Grain of the Note | Philip Clark
The carnyx is an ancient bronze trumpet, once used by Iron Age warriors who relied on its otherworldly blood-curdling cry to fill their opponents with the
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Philip Clark @musicclerk.bsky.social · 14/05/2026
For this week’s @thespectator1828.bsky.social, I wrote about Roberto Gerhard, visions of sunrise at 30,000 feet, and how electronics can help make the atonal symphony fly. spectator.com/article/the-...
spectator.com
The British modernist who was airbrushed from history
Elsewhere in British music in 1960: William Walton was writing his Symphony No 2, Benjamin Britten his opera on Midsummer Night’s Dream and Michael Tippett was about to start King Priam. Meanwhile in ...
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Philip Clark @musicclerk.bsky.social · 30/04/2026
A piece for the weekly @prospectmagazine.co.uk culture newsletter about the late great Mike Westbrook, Soho now and then, overpriced cheese baguettes as a metaphor for music, and the wisdom, or not, of performing classical music at Ronnie Scott’s. www.prospectmagazine.co.uk/culture/the-...
prospectmagazine.co.uk
The decline of Soho
Ronnie Scott’s new classical night is pleasant enough—but it’s a far cry from the cultural free experimentation of the past
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Philip Clark @musicclerk.bsky.social · 01/04/2026
I’ve written a review, in brief, of Paul Morley’s new book about Yoko Ono and the New York avant-garde for the latest issue of @prospectmagazine.co.uk, out today.
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Philip Clark @musicclerk.bsky.social · 26/03/2026
My piece for @thespectator1828.bsky.social about Nicholas Boggs' exceptional new biography of James Baldwin. spectator.com/article/jame...
spectator.com
James Baldwin – dogged by painful uncertainties throughout life
James Baldwin, like many American novelists before him, F. Scott Fitzgerald and John Dos Passos included, spent his formative years flitting restlessly between New York and Europe – New York being a s...
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Philip Clark @musicclerk.bsky.social · 24/03/2026
For @prospectmagazine.co.uk I met up with Will Self to talk about life-changing illness, making characters piss themselves in front of Prince Philip, and the death of satire. www.prospectmagazine.co.uk/culture/7279...
prospectmagazine.co.uk
Will Self, satire’s elegist
The novelist has battled—is battling—death. His latest book is funereal in more ways than one
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Philip Clark @musicclerk.bsky.social · 04/03/2026
I didn't much care for Robin Holloway's odyssey, while Elizabeth Alker's new book has its moments - my review for the latest issue of @prospectmagazine.co.uk, published today. www.prospectmagazine.co.uk/culture/7256...
prospectmagazine.co.uk
The great discordance: where does classical start and end?
Two new books approach music in very different ways. In one, it’s a strictly bounded realm. In the other, there’s glorious spillover
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Philip Clark @musicclerk.bsky.social · 26/01/2026
THRILLED to be in this month’s @tonyhancock.bsky.social newsletter - stone me!
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Philip Clark @musicclerk.bsky.social · 13/01/2026
My review of Jon Fosse's time-looping, mesmerising Vaim spectator.com/article/jon-...
spectator.com
Jon Fosse’s Scandi-lit revival
Jon Fosse, the Norwegian novelist who won the 2023 Nobel Prize in Literature, has sat center stage in the recent revival of interest in Scandinavian literature. Fosse’s one-time creative-writing stude...
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Philip Clark @musicclerk.bsky.social · 08/01/2026
A piece about the interlocking labyrinths, lyrical soul and Larry David wit of Morton Feldman for this week's @thespectator1828.bsky.social spectator.com/article/the-...
spectator.com
The genius of Morton Feldman
To accompany an exhibition of paintings by Philip Guston at the Royal Academy of Arts in London in 2004, a performance was arranged of Morton Feldman’s composition written in homage to Guston, for whi...
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Philip Clark @musicclerk.bsky.social · 24/12/2025
From Liza Lim's String Creatures to Xhosa Cole's Thelonious Monk, via Michael Tippett, Meredith Monk, Brahms and Ben LaMar Gay - my top ten classical and jazz albums of 2025 for @prospectmagazine.co.uk www.prospectmagazine.co.uk/culture/7195...
prospectmagazine.co.uk
Classical & Jazz Albums of the Year: 2025
Our critic picks his top ten from the past 12 months
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Philip Clark @musicclerk.bsky.social · 11/12/2025
No political party comes out of this covered in any glory - my piece for the @prospectmagazine.co.uk culture newsletter about copyright and those AI jerks who feel entitled to steal music. Also contains gratuitous dig at Nick Clegg. www.prospectmagazine.co.uk/culture/the-...
prospectmagazine.co.uk
The silence of Paul McCartney says a lot
The former Beatle has joined other famous musicians to make a stand against AI
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Philip Clark @musicclerk.bsky.social · 29/11/2025
My new piece for @nybooks.com profiling the music and fortunes of Steely Dan. Dildos, drum machines, Doctor Wu and Duke Ellington - all life is here. www.nybooks.com/online/2025/...
nybooks.com
The Dude Ranch Above the Sea | Philip Clark
As a teenager, growing up in New Jersey during the 1960s, the pianist Donald Fagen routinely took a bus into Manhattan to hear his jazz heroes in the
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Philip Clark @musicclerk.bsky.social · 27/11/2025
For this week's @thespectator1828.bsky.social my piece about ragas, rituals, Rubber Soul and Ravi Shankar - and listening to Vivaldi's Winter in suffocating summer heat. www.spectator.co.uk/article/indi...
spectator.co.uk
Indian classical music's rebellion against modernity
When Gurdain Ryatt, Ojas Adhiya, Milind Kulkarni and Murad Ali Khan take to the stage at Milton Court this Sunday they will be united by a common language: the tradition of Hindustani Indian classical...
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Philip Clark @musicclerk.bsky.social · 06/11/2025
In which I write about the new Alan Partridge series & conclude all paths in British comedy lead back to Tony Hancock. Subscribe to @prospectmagazine.co.uk culture newsletter - www.prospectmagazine.co.uk/newsletters Online link: www.prospectmagazine.co.uk/culture/the-... @tonyhancock.bsky.social
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Philip Clark @musicclerk.bsky.social · 27/10/2025
A memory of the great and irreplaceable Jack DeJohnette for @theguardian.com music www.theguardian.com/music/2025/o...
theguardian.com
Jack DeJohnette was more than a jazz drummer – his staggering range made him a superhuman force in music
With a complex playing style that was nevertheless generous towards other musicians, the US musician was in a category all of his own
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Philip Clark @musicclerk.bsky.social · 07/10/2025
My piece about Francesca Wade's thoughtful Gertrude Stein biography - not that Stein made life easy for her biographers. thespectator.com/book-and-art...
thespectator.com
Francesca Wade’s Gertrude Stein biography is a study in frustration
This new Stein biography by the British writer Francesca Wade unfolds as a study in frustration. Wade divides the book down the middle.
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Philip Clark @musicclerk.bsky.social · 30/09/2025
Some thoughts about Mingus in Argentina: The Buenos Aires Concerts and the perfect imperfection of jazz. www.spectator.co.uk/article/the-...
spectator.co.uk
The very essence of jazz: Mingus In Argentina reviewed
Grade: B Charles Mingus arrived in Buenos Aires at the start of his 1977 Argentinian tour with aching joints, an ominous first sign of the muscle-wasting Lou Gehrig’s disease that would claim his life...
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Philip Clark @musicclerk.bsky.social · 01/07/2025
"A novel that speeds away in a thousand directions at once - a free improvisation sprawling over nearly 400 pages." My piece about that other great 1925 American novel, John Dos Passos' Manhattan Transfer, for @prospectmagazine.co.uk
prospectmagazine.co.uk
The other great American novel of 1925
You can’t miss the centenary celebrations for ‘The Great Gatsby’. But what about John Dos Passos’s compulsive, cacophonous ‘Manhattan Transfer’?
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Philip Clark @musicclerk.bsky.social · 12/06/2025
The compositional mysteries and acoustic splendour of Palestrina - my piece for this week's @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
spectator.co.uk
The Renaissance master who rescued polyphonic music
Last month I watched conductor Harry Christophers blow through what sounded like an arthritic harmonica but in fact was a pure-toned pitch pipe, which handed the singers of his vocal group the Sixteen...
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Philip Clark @musicclerk.bsky.social · 03/06/2025
Ian Penman on Erik Satie. My review for Spectator World. thespectator.com/book-and-art...
thespectator.com
Erik Satie was an inadvertant innovator
The music critic Ian Penman has structured his new book about the great French composer and rascally agent provocateur Erik Satie in three
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Philip Clark @musicclerk.bsky.social · 28/05/2025
A little memory of interviewing the great Per Nørgård, who died today aged 92. www.spectator.co.uk/article/rip-...
spectator.co.uk
RIP to new music's gentle, smiley radical
Danish composer Per Norgard – whose death at the age of 92 was announced this morning – was a towering presence in European new music, and the shine-bright timbres and heady narrative drive of his eig...
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Philip Clark @musicclerk.bsky.social · 22/05/2025
Does Arnold Schoenberg matter? You bet he does! My essay for the latest issue of New York Review of Books, @nybooks.com, published today. www.nybooks.com/articles/202...
nybooks.com
The Atonal Genie | Philip Clark
Arnold Schoenberg's music still challenges listeners, but his twelve-tone technique also turns up in all sorts of unexpected places, from horror film scores to cartoons to jazz.
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Philip Clark @musicclerk.bsky.social · 06/05/2025
A piece about Charles Ives, how his work changed ideas about ways in which music could be recorded, how he queried the boundaries of symphonies and sonatas, and about why he still matters, inspired by an essential recent box set of his music. thespectator.com/book-and-art...
thespectator.com
Charles Ives was a composer before his time
Ives left his distinctive mark on the form, yet paradoxically barely any of the material in the symphony was his. The Second Symphony operated
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Philip Clark @musicclerk.bsky.social · 24/04/2025
My review of @reversediorama.bsky.social's tasty new collection of music journalism. www.spectator.co.uk/article/my-a...
spectator.co.uk
My adventures in experimental music – by David Keenan
David Keenan acquired his craft as a music writer, he says, from reading the crème de la crème of critics who milked rock music for all it was worth during the 1970s – Lester Bangs, Griel Marcus, Paul...
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Philip Clark @musicclerk.bsky.social · 20/04/2025
Massively excited to be in the latest @sherlockholmesmag.co.uk!
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Philip Clark @musicclerk.bsky.social · 13/04/2025
My piece about Mahan Esfahani @mahanesfahani.bsky.social and the harpsichord past, present and future, from JS Bach to George Lewis, for New York Review of Books @nybooks.com www.nybooks.com/online/2025/...
nybooks.com
All the Stops | Philip Clark
During an afternoon concert in Cologne in 2016, an audience that had been expecting Baroque classics hissed and booed when the harpsichordist Mahan
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Philip Clark @musicclerk.bsky.social · 10/04/2025
Thoughts on Pierre Boulez, how not to review concerts, and the politics of modernism for the @prospectmagazine.co.uk weekly culture newsletter, which you can sign up for here - prospectmagazine.co.uk/newsletters
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Philip Clark @musicclerk.bsky.social · 10/04/2025
I wrote about Erik Satie, slithery chromatic rabbit holes, the difference between 'place and plaice', and foxtrotting to free jazz for @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
spectator.co.uk
The unnerving world of Erik Satie's 20-hour composition
Once Igor Levit starts playing Erik Satie at 10 a.m. on 24 April at the Queen Elizabeth Hall, he can expect to be there for a long time. Satie’s Vexations is a piece that looks innocent enough, like b...
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Philip Clark @musicclerk.bsky.social · 06/03/2025
“Duke Ellington, the core of everything” - a short piece for @londonsymphony.bsky.social about jazz and the soundscape of New York City. www.lso.co.uk/the-sound-of...
lso.co.uk
The Sound of New York: Marsalis and Ellington | London Symphony Orchestra
Philip Clark explores Wynton Marsalis and Duke Ellington's depictions of New York City
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Philip Clark @musicclerk.bsky.social · 29/12/2024
Jean-Philippe Rameau to Mary Halvorson and Helmut Lachenmann, via Elaine Mitchener, Robert Schumann and Alice Coltrane - my ten albums of the year for @prospectmagazine.co.uk www.prospectmagazine.co.uk/culture/6895...
prospectmagazine.co.uk
Classical & Jazz Albums of the Year: 2024
From elusive melodies to swooping harps, here’s our critic’s top ten for the year
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Philip Clark @musicclerk.bsky.social · 19/12/2024
@artreview.bsky.social asked me to watch Johan Grimonprez's new film Soundtrack to a Coup d’Etat and I didn't much care for it. artreview.com/soundtrack-t...
artreview.com
‘Soundtrack to a Coup d’Etat’ Loves Politics and Butchers Jazz
The temptation to selectively build a narrative from the various fragments of footage and sound ultimately patronises the era’s Jazz titans
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Philip Clark @musicclerk.bsky.social · 19/12/2024
“Nothing says Christmas in my house like Jon Fosse.” A Christmas recommendation for the seasonal @prospectmagazine.co.uk culture newsletter. Good stuff too from @katemaltby.bsky.social, @alexlarman.bsky.social et al.
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Philip Clark @musicclerk.bsky.social · 17/12/2024
For @prospectmagazine.co.uk I talked to legendary filmmaker Ken Burns, @kenlburns.bsky.social, about his new Leonardo da Vinci documentary, now showing on BBC4, about Donald Trump and Kamala Harris - and about America's instinct for improvisation. www.prospectmagazine.co.uk/culture/6885...
prospectmagazine.co.uk
“This situation is a greater crisis, I fear, than the Civil War”
The great US documentarian’s latest film is about Leonardo da Vinci. We spoke to him about genius, AI—and the state of American democracy
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Philip Clark @musicclerk.bsky.social · 10/12/2024
I spoke to the excellent @jonathancoe.bsky.social for @prospectmagazine.co.uk about his latest novel, Liz Truss, Kwasi Kwarteng, Morecambe & Wise and Roy Jenkins' trousers. www.prospectmagazine.co.uk/views/people...
prospectmagazine.co.uk
Jonathan Coe: When Liz Truss sounds like Trump
The author on his new novel, The Proof of My Innocence, which satirises the world of Truss and Kwasi Kwarteng
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Philip Clark @musicclerk.bsky.social · 05/12/2024
Some thoughts on Helmut Lachenmann and the @londonsymphony.bsky.social at the Barbican last week - a piece for the @prospectmagazine.co.uk weekly culture newsletter, which you can sign up for here - prospectmagazine.co.uk/newsletters
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Philip Clark @musicclerk.bsky.social · 20/11/2024
I wrote about Leonard Bernstein's final stage work - A Quiet Place, and its companion piece, Trouble In Tahiti - for the monthly Bernstein newsletter Prelude, Fugue and Riffs. leonardbernstein.com/news/blog/28...
leonardbernstein.com
Blog | News | Leonard Bernstein
Leonard Bernstein, American composer, conductor, pianist, educator, and humanitarian.
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Reposted by Philip Clark
The Wire Magazine @thewiremagazine.bsky.social · 14/11/2024
Feel the bounce: Roy Haynes (13 March 1925–12 November 2024) The great US drummer died on 12 November aged 99. In 2000, Philip Clark interviewed him, discussing some of the stellar moments in his life in jazz www.thewire.co.uk/in-writing/e...
thewire.co.uk
Feel the bounce: Roy Haynes (13 March 1925–12 November 2024) - The Wire
The great US drummer died on 12 November aged 99. In 2000, Philip Clark interviewed him, discussing some of the stellar moments in a jazz life that traversed the entire history of the music and encoun...
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Philip Clark @musicclerk.bsky.social · 05/11/2024
Some thoughts about Helmut Lachenmann and how to reverse-engineer a symphony orchestra, ahead of the London Symphony Orchestra's performance of Lachenmann's fantastical My Melodies on November 28th. www.lso.co.uk/an-introduct...
lso.co.uk
An Introduction to Helmut Lachenmann | London Symphony Orchestra
Philip Clark explores the fascinating sonic world of German composer Helmut Lachenmann.
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Philip Clark @musicclerk.bsky.social · 24/10/2024
Last week I went to Alexandra Palace, to the @BFI London Film Festival, to see three reconstructed 1920s Sherlock Holmes films flicker back to life - my piece for Prospect magazine’s weekly culture newsletter, which you can sign up for here - prospectmagazine.co.uk/newsletters
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Philip Clark @musicclerk.bsky.social · 27/09/2024
I went to Cafe Oto earlier this month to experience Incapacitants in their full glory - a piece for LRB blogs. www.lrb.co.uk/blog/2024/se...
lrb.co.uk
Philip Clark | Sonic Tirade
According to their publicity material, the Tokyo-based duo Incapacitants deploy feedback, vocals and ‘various...
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Philip Clark @musicclerk.bsky.social · 25/09/2024
For the November issue of Prospect magazine, I spoke to Laurie Anderson about her latest album Amelia, about the terror of piloting an orchestra for the first time, and about her latest stage work ARK. www.prospectmagazine.co.uk/views/people...
prospectmagazine.co.uk
Laurie Anderson: ‘I view my music as a celebration, not a mourning’
The artist on her latest album, an experimental tribute to Amelia Earheart
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Philip Clark @musicclerk.bsky.social · 24/09/2024
My review for Prospect magazine of @tromano.bsky.social's riotous new book on the history and continuing fortunes, or otherwise, of the Village Voice. www.prospectmagazine.co.uk/culture/6798...
prospectmagazine.co.uk
Speaking for NYC
It ain’t what it once was—one of the greatest, most irreverent, most democratic periodicals in history
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Philip Clark @musicclerk.bsky.social · 12/09/2024
How jazz, rock, folk and pop all found their voice in Greenwich Village - my review of David Browne's fine new book for Spectator World. thespectator.com/book-and-art...
thespectator.com
Back to the birth of the Greenwich Village music scene
Rolling Stone writer David Browne’s latest book, chronicling the history of Greenwich Village music, pivots around 1961. This was the year
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