#LFF
The Beloved - Sorogoyen’s anti-Sentimental Value weaponises film techniques to portray a family whose worlds have been shaped by cinema for the worst. Luengo is at her very best; Bardem is so tormented, you’d think home is where he truly belongs. A brutal look at pasts that can never be erased.
![“And few have forgotten that the theatrical movies Skydance did on its own—with David [Ellison] demanding final cut, no less—were failures.”](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ekiz27ndgr6423zlzxocfdzo/bafkreigaq6skncytd4wpoi7y6zbppfkygqdo65vkssljtff5qzkizya3qy)
