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Inga Luchs

@lynxlynxly.bsky.social
336 followers 681 following 1 posts

PhD Candidate at Rijksuniversiteit Groningen | Editor at meson press | Digital Culture, Machine Learning, Big Tech Critique

PostsRepliesMedia
Reposted by Inga Luchs
Information, Communication & Society @icsjournal.bsky.social · 02/10/2026
#OutNow in #iCS In this article, the author proposes a media-genealogical approach to situate the claim of ‘democratization’ within a broader development in the infrastructuralisation and platformisation of computing. www.tandfonline.com/doi/full/10....
tandfonline.com
Taking artificial intelligence from the ‘priesthood’ and providing it as a service: a media-genealogical perspective on big tech’s AI platformisation
Recently, Amazon, Microsoft, and Google have been positioning artificial intelligence as a utility that should be accessible to everyone. At the same time, they promote their cloud platforms as a m...
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Inga Luchs @lynxlynxly.bsky.social · 29/09/2026
Google's AI for Everyone? My media-genealogical analysis of big tech's AI platformization efforts is now published open access in IC&S! www.tandfonline.com/doi/full/10....
tandfonline.com
Taking artificial intelligence from the ‘priesthood’ and providing it as a service: a media-genealogical perspective on big tech’s AI platformisation
Recently, Amazon, Microsoft, and Google have been positioning artificial intelligence as a utility that should be accessible to everyone. At the same time, they promote their cloud platforms as a m...
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Reposted by Inga Luchs
meson press @mesonpress.bsky.social · 16/09/2026
🚀 Digital version is out! 🚀 BUT we do think this one 📕 is so beautiful thanks to the 💨 cover pic by Trevor Paglen @paglen.studio -> everyone should get the real thing. 📚 @zentralwerkstatt.org @uminnpress.bsky.social also Leo Impett & Johanna Drucker meson.press/books/vector...
Three different books of Meson Press series "In Search Of Media". On top 'Vector Media', and in the background 'Digital Theory' and 'Neural Networks'.
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Reposted by Inga Luchs
Roland Meyer @bildoperationen.bsky.social · 18/05/2026
Are different ways of developing machine learning possible? Maybe, but hardly under current political and economic conditions. Many critiquing AI remember the promises once attached to the open web – actively destroyed by the very same actors now pushing AI 6/
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Roland Meyer @bildoperationen.bsky.social · 18/05/2026
In its current form, what is called AI – again, not reducible machine learning technologies – is a product of platform capitalism, and its large-scale implementation is used to solidify dominant and increasingly monopolistic power and property relations. Of course, this has to be rejected 5/
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Roland Meyer @bildoperationen.bsky.social · 18/05/2026
What is called AI today is, in some ways, the combination of big data, machine learning and the ideology of scaling. In this respect, AI is not merely a technology (that would be machine learning), but an assemblage of cultural, economical, infrastructural and ideological dimensions 3/
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Centre for Digital Cultures @cdcleuphana.bsky.social · 03/04/2026
Join us this summer semester for an exciting new series of lectures and workshops (both online and offline)! All events are open for anyone to join, no registration needed.
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Centre for Digital Cultures @cdcleuphana.bsky.social · 10/11/2025
On Tuesday, November 18, our next Climate Futures Workshop takes place! The workshop presents a media ecological approach to climate sensitivities. With talks by Ayesha Omer and John Shiga. Moderation by Maren Haffke and Vera Tollmann. Find more info here: www.leuphana.de/en/research-...
The image contains the core info on the event: 
18.11. / 2 – 4.15 pm / C40.530 and Zoom / Climate Futures Workshop

Heat: A Media Ecological Approach to Climate Sensitivities

Talks by Ayesha Omer (York University, Toronto) and John Shiga (Toronto Metropolitan University).

Moderated by Maren Haffke and Vera Tollmann (Leuphana University of Lüneburg).
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Reposted by Inga Luchs
Centre for Digital Cultures @cdcleuphana.bsky.social · 13/10/2025
Join us for our first event this winter term! In her talk on Oct 21, 2-4 pm, Lisa Moravec explores how (self-)critical professional artists, working within and for the theatre have critically responded to what she terms the 'AI-isation' of societal operations. www.leuphana.de/en/research-...
key information on the event
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Reposted by Inga Luchs
Centre for Digital Cultures @cdcleuphana.bsky.social · 06/10/2025
To all friends of the CDC: This semester, we are again organizing a series of lectures and colloquia (both online and offline) that may be of interest to you – we hope to see many of you there!
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Reposted by Inga Luchs
ReDICo @redico.eu · 02/10/2025
Episode 2 of our new podcast season "Internet Futures" is now live. Listen to “Back to the Future? The Vernacular Web” with @nathaliefridz.bsky.social and @anya-shchetvina.bsky.social to learn about the Yesterweb, nostalgia-tinged imagining of Internet futures and more. letscast.fm/sites/redico...
letscast.fm
S2E2: “Back to the Future? The Vernacular Web”
In the second episode of the series Luisa Conti and Fergal Lenehan, from the Centre for Digital Interculturality Studies, talk to Nathalie Fridzema from the University of Groningen in the Netherlands ...
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Centre for Digital Cultures @cdcleuphana.bsky.social · 25/06/2025
Join us for the next CDC Climate Futures Talk, "Common-Sensing: The Politics of In/Visibility in an Age of Planetary Crisis", with @delfrothe.bsky.social on July 1, 2 to 4 pm in C40.530 at #Leuphana and on Zoom (contact us for details)! More information at: www.leuphana.de/en/research-...
The image presents the key information also visible in the text.
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Platforms & Society @platformsnsociety.bsky.social · 08/04/2025
Sharing an opportunity to publish in our journal. Check out this call for papers led by @silvertje.bsky.social Rianne Riemens Donya Alinejad @juikei.bsky.social "Greening the Digital Society: Platforms, Sustainability & the Climate Crisis." Deadline: 23.05 journals.sagepub.com/page/pns/cal...
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Subscription and open access journals from Sage, the world's leading independent academic publisher.
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Reposted by Inga Luchs
Nathalie Fridzema @nathaliefridz.bsky.social · 02/04/2025
FOMO was growing... decided to join blue sky 🦋🦋
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Nicolas Gäckle @nfgaeckle.bsky.social · 17/12/2024
Call for Papers: @kawezel.bsky.social and myself are organizing an early career workshop on 'International Political Sociologies of Planetary Crises' - please send us your abstracts and share widely!
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Reposted by Inga Luchs
Eryk Salvaggio @eryk.bsky.social · 12/12/2024
A frustrated letter from the Library of Congress asking Norbert Weiner what section of a library his book is supposed to be in (1949).

DEWEY DECIMAL CLASSIFICATION
LIBRARY OF CONGRESS WASHINGTON, D. C.
Dec. 2, 1949
Dr. Norbert Wiener
Mass. Institute of Technology Cambridge, Nass.
My dear Dr. Wiener:
The publication of your book on Cybernetics has caused the editorial staff which is in charge of the revision of the Dewey Decimal Classification considerable difficulty. We are in the position of being asked by sincere inquirers as to how to classify the book and by less sincere people who like to confront supposedly expert classifiers with problems which they are quite certain are beyond our capabilities. Quite frankly, cybernetics is. We have read and reread reviews and explanations of the content of your book and have even tried to understand the book itself, only to become more uncertain as to what field it falls into. I am appealing to you as the one person who should be able to tell us.
Possibly you already know that the Dewey Decimal Classification attempts to assign a number to the subject content of books. Generally speaking, a book can only be assigned one number and consequently we cannot take care of the many aspects that certain works cover. The problem must be simplified and consequently, is your book such as to place it in psychology? Does it belong in the field of electronic computation devices or does it belong in mathematics?
If we were not somewhat desperate about this particular problem, I should hesitate to bother you with it.
Cordially yours,
Esther P. Potter
Director
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