iiinova — where your digital self keeps evolving

Reposted by Laura Rascaroli 🇪🇺

Javi Pérez-Osorio ⚡️ @javiperezosorio.bsky.social · 13/11/2025

Thanks to all the authors, the peer reviewers, and our amazing editor-in-chief, Laura Rascaroli (@alphavillej.bsky.social). It has been a treasured project for both of us, and we hope you accept the invitation to “come” to Latin America with us. www.alphavillejournal.com/Issue2930.html

alphavillejournal.com

Alphaville Issue 29-30, Coming to Latin America: Moving Image Encounters, Non-Latin American Practitioners. Table of Contents

Issue 29-30 - Latin America has long been a region marked by the arrival of foreign actors. Especially since the landing of Europeans in the fifteenth and sixteenth centuries, the whole continent has ...

011

Reposted by Laura Rascaroli 🇪🇺

Fragments - A Journal of videographic form and method @fragmentsjournal.bsky.social · 28/05/2025

We are delighted to launch ‘Fragments’, a new journal of experimental videographic form and method. Please enjoy our first collection of fragments and check out our evolving manifesto to learn a little more about our ambitions for this journal. fragments.video

13918

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

In “Decolonising Through Co-Curation” Rachel Johnson @universityofleeds.bsky.social traces “the complex relationships between curation, funding, placemaking and labour” in reference to the “Women Creators of the Future” programme doi.org/10.33178/alp...

032

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

In “Documenting the Territory in Saint-Louis (Senegal)”, Laura Feal Sánchez interviews Mamadou Sellou Diallo, exploring his work in the creation of “audiovisual projects” that “document a space in all its complexity” doi.org/10.33178/alp...

022

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

In “Tigritudes: A Subjective Anthology of Pan-African Cinema to Decolonise the Gaze” Estrella Sendra interviews Dyana Gaye about her project Tigritudes @kingscollegelondon.bsky.social doi.org/10.33178/alp...

031

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

In “Stories Are in Our Bones!” From mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart” Janine Windolph and Sheila Petty @PettySheila join together to map out, probe, two Indigenous focused film festivals in Saskatchewan – mispon (2006-2018) and Ācimowin (2024-)”

041

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

In “The Muestra de Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice” Claudia Lora et al analyse “the curatorial work and collective exhibition of the Muestra de Cinea Afrodescendencias doi.org/10.33178/alp...

042

Reposted by Laura Rascaroli 🇪🇺

Alphaville: Journal of Film and Screen Media @alphavillej.bsky.social · 19/02/2025

Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...

0127

Reposted by Laura Rascaroli 🇪🇺

X-Ray Eyes @xrayeyes.bsky.social · 05/02/2025

«When most people go to the movies, the ultimate compliment for them is to say: “We didn’t notice the time pass!” With me, you see the time pass. And feel it pass. You also sense that this is the time that leads towards death. And that’s why there’s so much resistance» Chantal Akerman, Paris, 1979

0197

Reposted by Laura Rascaroli 🇪🇺

tnyfrontrow.bsky.social @tnyfrontrow.bsky.social · 09/02/2025

Catherine Tanvier, the former tennis star who appears in Film Socialisme, has written a book, "Un film à Rolle," about working with Godard ("I'm not an actress." "But who asked you to be an actress? Be yourself.") and details his elaborate exercises for the cast... www.liberation.fr/culture/livr...

liberation.fr

Dans «Un film à Rolle», jeu, fête et match avec Godard

L’ex-tenniswoman Catherine Tanvier raconte dans un livre le tournage de «Film Socialisme» (2008) avec le pape de la Nouvelle Vague en tête chercheuse déroutante, mais aussi prévenant, solidaire, facét...

1142

Reposted by Laura Rascaroli 🇪🇺

Philip Leventhal @philipleventhal.bsky.social · 08/02/2025

"My book aims to change how we look at films ... by starting first with all the extracted materials that filmmaking required and the industries that were required..." Brian Jacobson discusses his new book THE CINEMA OF EXTRACTIONS. bit.ly/4hK84Aa @bleudeciel.bsky.social @columbiaup.bsky.social

1313

Reposted by Laura Rascaroli 🇪🇺

J.A.Tallon @tallon.bsky.social · 08/02/2025

King Vidor (with scenes from his film "Beyond the Forest" featuring Bette Davis) - BOTD

0306

Reposted by Laura Rascaroli 🇪🇺

Slow Moving Pictures @lewisbeerblog.bsky.social · 09/02/2025

In Red Desert, when Giuliana walks against the flow of the striking factory workers, the image recalls a pivotal scene in Agnès Varda’s Cléo from 5 to 7. Cléo’s path intersects with a stream of pedestrians – they are almost like a funeral procession, resonating with her thoughts of mortality.

Giuliana walks against the flow of the striking workers: she moves from right to left, they from left to right.

Cléo walks against the flow of the pedestrians crossing the road: she moves from right to left, they from left to right.

Another image of Giuliana walking against the flow of the striking workers.

Another image of Cléo walking against the flow of the pedestrians.

2102

Reposted by Laura Rascaroli 🇪🇺

scmsurbanism.bsky.social @scmsurbanism.bsky.social · 23/01/2025

Only three more days until our virtual event! We are delighted to be joined by @larascaroli.bsky.social, @annaviolasborgi.bsky.social, and more! lu.ma/sm2kv17l

033

Reposted by Laura Rascaroli 🇪🇺

Transnational Spaces in Contemporary Cinema @spacescinema.bsky.social · 16/01/2025

We're hosting the conference "Real & Imagined Spaces in Film" at the University of Zaragoza's newly renovated Faculty of Arts on May 29-30, 2025. Submit your paper by February 3rd! CFP: eventos.unizar.es/126084/detai...

13019

Reposted by Laura Rascaroli 🇪🇺

scmsurbanism.bsky.social @scmsurbanism.bsky.social · 08/01/2025

Our next virtual event is coming up on January 24th! Please join us for a virtual talk featuring the editors and contributors of Alphaville's Home as a Site of Resistance lu.ma/sm2kv17l

lu.ma

*Alphaville: Home as a Site of Resistance* SCMS U/G/A SIG 24-25 Virtual Events · Zoom · Luma

The Urbanism, Geography, and Architecture Scholarly Interest Group at the Society of Cinema and Media Studies (SCMS) invites you to its third online event of…

212

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 09/01/2025

Can't wait to be in Paris for this exciting conference on Michelangelo #Antonioni iicparigi.esteri.it/fr/gli_event...

050

Reposted by Laura Rascaroli 🇪🇺

Glen W Norton @glenwnorton.bsky.social · 08/01/2025

LIVED MOMENTS: PHENOMENOLOGY, NEOREALISM, AND THE NEW WAVE, now available from McGill-Queen's University Press: www.mqup.ca/lived-moment... #Godard #Antonioni #DeSica #Rohmer #Rossellini #Phenomenology #Modernism #NewWave #Neorealism #FilmPhilosophy

0143

Reposted by Laura Rascaroli 🇪🇺

Comparative Cinema @comparativecinema.bsky.social · 21/11/2024

📣 FROM OUR LATEST ISSUE 📣 With "Voicing the Border: On Some Spectral Essay Films", @larascaroli.bsky.social proposes "an acoustemology of spectral border essay films" Read more here: raco.cat/index.php/Co...

183

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 21/12/2024

Rennie Ellis, Melbourne Out Loud State Library Melbourne

000

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 15/12/2024

Dora Maar was a gifted and politically motivated photographer. Seemingly, however, the most important fact in her life is that she was betrayed by Picasso. 🙄😩

010

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 15/12/2024

I do like my Lumière right next to Camille Pissarro National Gallery of Victoria

020

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 08/12/2024

Nice! Programme of 2nd edition of Home Movie Days – sessions are online! www.reframinghomemovies.it/doc/HomeMovi... www.reframinghomemovies.it/hmd/2

000

Reposted by Laura Rascaroli 🇪🇺

The Nitrate Diva @nitratediva.bsky.social · 01/12/2024

On this day in 1945, DETOUR hit theaters. No matter how many times I revisit it, Edgar G. Ulmer's bleak, grimy noir masterpiece and Ann Savage's go-for-broke performance as Vera remain startlingly, perversely enthralling.

1120042

Reposted by Laura Rascaroli 🇪🇺

Alexandra Juhasz @mediapraxis.bsky.social · 21/11/2024

I'm so thrilled to begin sharing some of the inspiring and beautiful AIDS videos by so many stellar artists and friends, now digitized from their VHS shells: activismvhs.omeka.net/home. There will be a hybrid option to participate via Zoom. If you are interested reach out to me.

Invitation to World AIDS Day event sharing digitized AIDS videos originally stored on VHS.

12811

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 22/11/2024

A gorgeous book of brilliant poems – I loved M Jay Smith’s striking Antonioni-inspired images!

020

Reposted by Laura Rascaroli 🇪🇺

Pasquale Iannone @pasqualeiannone.bsky.social · 21/11/2024

The new episode of Edinburgh Film Podcast is out now! It’s the first of two episodes on Film Phenomenologies, a ground-breaking collection of essays from @edinburghup.bsky.social exploring work by filmmakers such as Céline Sciamma + Barry Jenkins from a variety of phenomenological perspectives.

1134

Reposted by Laura Rascaroli 🇪🇺

Alexandra Juhasz @mediapraxis.bsky.social · 20/11/2024

On “The Clock,” Twice: Digital labor, handicraft & locomotion at another frequency and duration: the blog as work, over years of self-produced and deepening context, authored and anchored most usefully, it seems now, for myself; the blog as time. aljean.wordpress.com/2024/11/20/b...

093

Reposted by Laura Rascaroli 🇪🇺

Maggie Hennefeld @hennefem.bsky.social · 21/11/2024

Looking forward to this!! 'Sun Dogs' by Liquid Music: a trifecta of filmmaker/composer collaborations, with works by Mati Diop, Josephine Decker, & Apichatpong Weerasethakul!! 🎶🎞️ www.northrop.umn.edu/digital-prog...

2131

Reposted by Laura Rascaroli 🇪🇺

The HoMER Network @homer-network.bsky.social · 19/11/2024

HoMER 2025 Conference: Cinema and Conflict. Dates: 8-11 July 2025. Location: Galatasaray University, Istanbul, Turkey. Proposals deadline: 19 January 2025. Letters of acceptance/rejection: 17 February 2025. More details: homernetwork.org/annual-confe... Submission: docs.google.com/forms/d/199RW_

homernetwork.org

Annual Conference 2024

HoMER 2025 Conference: Cinema and ConflictDates: 8-11 July 2025Location: Galatasaray University, Istanbul, TurkeyDeadline for proposals: 19 January 2025Letters of acceptance/rejection: 17 February …

0159

Reposted by Laura Rascaroli 🇪🇺

Dr. Elle, Her Celestial Majesty ✨👑🌌 @abstractica.bsky.social · 19/11/2024

💜🦉🌲 Sweet Babys I love them. Owls are so beautiful ㅤ

59684668

Laura Rascaroli 🇪🇺 @larascaroli.bsky.social · 20/11/2024

Looking forward to presenting AGATHA AND THE LIMITLESS READINGS by Marguerite Duras at the 2024 French Film Festival, IFI Dublin this Sunday - hope to see you there! ifi.ie/film/french-...

002