Creepiness. Guest editors: Laura E. Ludtke, Joshua Phillips & Mar A. Rodda. Volume 31, Issue 3-4 of Angelaki

Published in Angelaki: Journal of the Theoretical Humanities (Vol. 31, No. 3-4, 2026)

Published in Angelaki: Journal of the Theoretical Humanities (Vol. 31, No. 3-4, 2026)

Professor Jenny Richards reflects on the 'Humanities and STEM: Skills/competencies workshop' which she convened on 6 May 2026.

Published in Angelaki: Journal of the Theoretical Humanities (Vol. 31, No. 3-4, 2026)

This essay reads contemporary fascist performances in Britain, including protests at the Bell Hotel in Epping Forest and the ethnonationalist Woodlander Initiative in Wales, alongside Robert Louis ...

ALT: Iridescent Geode Rock

In the context of a declining avian soundscape, this research investigates poetic mimicry as a species-specific method of sympoiesis, or making-with, the Eurasian jay. The work emerges at the inter...

This article examines the creepy poetic potential of the spillage. Corporeal spillages can encroach and stain, signal the threatening vulnerability of the body, and challenge normative boundaries. ...

Is Virginia Woolf creepy? If so, how does she creep? In what ways or directions do her works creep? Is this creepiness a transitive property – a creeping-out? Creepiness, or, perhaps the creepy, be...

This article proposes a reading of Vita Sackville-West’s writing through a binary trans ecological poetics, focusing on her posthumously published memoir “Portrait of a Marriage” (1921) and The Lan...

This paper is a field guide to the haunted shtetl. I analyse S. Ansky’s stage play The Dybbuk and the religio-social phenomenon of spirit possession in early modern Judaism through the lens of Cree...

This article examines the creepiness of the doll as a figure in modern literature and culture. It focuses on Djuna Barnes’s 1936 novel Nightwood and relevant intertexts because they pre-date a wide...

Published in Angelaki: Journal of the Theoretical Humanities (Vol. 31, No. 3-4, 2026)