Sign in

Peter Schmader

@jpschmader.bsky.social
114 followers 157 following 554 posts

“I just said that, Mr. Kerby.” | Mrzutý 🧵

PostsRepliesMedia
Peter Schmader @jpschmader.bsky.social · 30/09/2026
“The world feels stressful, so we turn to our tools for artificial intimacy, which make us so ‘accustomed to hearing pleasing nonsense’ that we can no longer handle unpleasant reality.” @jenszalai.bsky.social
nytimes.com
Book Review: ‘Artificial Intimacy,’ by Sherry Turkle
In “Artificial Intimacy,” Sherry Turkle warns that we seek comfort from A.I. devices at the peril of our well-being and even our democracy.
021
Peter Schmader @jpschmader.bsky.social · 26/08/2026
“Wilson takes pains to make clear precisely what she likes about certain translations, and what she doesn't like in those translations, and why. Every single word counts.”
010
Reposted by Peter Schmader
New Left Review @newleftreview.bsky.social · 21/08/2026
Ryan Ruby on Rachel Cusk's Life of M: "Although Cusk is a reliably effective technician, the book's primary value, like so many novels these days, is symptomatic rather than aesthetic." newleftreview.org/sidecar/post...
newleftreview.org
Ryan Ruby, Unhappy Consciousness — Sidecar
Rachel Cusk’s ‘Life of M’.
0105
Peter Schmader @jpschmader.bsky.social · 21/08/2026
“rarefied, cosmopolitan, self-serious, a place where the Wi-Fi doesn’t work. The air up there where Cusk seems to be living and writing these days is gaspingly thin.” @alexandrajacobs.bsky.social
nytimes.com
Book Review: ‘Life of M,’ by Rachel Cusk
Though full of details that echo the life and career of Natalie Portman, “Life of M” remains chilly and abstract.
010
Peter Schmader @jpschmader.bsky.social · 20/08/2026
“like an elegy for a vanishing world.” @jenszalai.bsky.social
nytimes.com
Book Review: ‘The Rise and Fall of the Artificial State,’ by Jill Lepore
In a new book, Jill Lepore examines what happens when we abandon liberal democracy for rule by automation and machines.
000
Peter Schmader @jpschmader.bsky.social · 22/07/2026
“Standing by the rail, I saw her shoot past at close range with an outrider trailing behind her. She was so fast, it seemed like a hallucination—a horse that could never be caught.”
000
Peter Schmader @jpschmader.bsky.social · 22/07/2026
“The best race I saw—the feeling that I suppose people chase at races—was about a week before the track shut down, and it wasn’t really a race. The favored horse, Luckbeourlady, broke loose at the gate. @rebeccamccarthy.bsky.social
newyorker.com
The End of the Aqueduct Racetrack
The closure of the scrappy New York landmark is just one of the signs that U.S. horse racing is running out of track.
100
Peter Schmader @jpschmader.bsky.social · 22/07/2026
“Despite all their riches and technological know-how, they are still afflicted by a condition that is very banal and very old: a poverty of moral imagination.”
000
Peter Schmader @jpschmader.bsky.social · 22/07/2026
“‘Country of Lords’ shows how even some of the most galaxy-brained technokings — who would rather find ways to colonize outer space than pay more taxes — are nevertheless poor laggards when it comes to one thing. @jenszalai.bsky.social
nytimes.com
Book Review: ‘Country of Lords,’ by Kim Phillips-Fein
In a new book, the historian Kim Phillips-Fein chronicles a “shadow tradition” of anti-egalitarians who fought against America’s founding ideals.
100
Peter Schmader @jpschmader.bsky.social · 20/07/2026
“This is bodega realism.” @dwightgarner.bsky.social
nytimes.com
Book Review: ‘Cool Machine,’ by Colson Whitehead
The final installment of his Harlem crime trilogy is full of heists, cultural shifts and nostalgia for 1980s New York.
001
Peter Schmader @jpschmader.bsky.social · 16/07/2026
“Soon after starting her research, she realized that the massacre couldn’t be contained to its particular time period. It had numerous antecedents, and its effects continued to reverberate across generations: ‘The event begged to be examined in its longitudinal fullness.’” @jenszalai.bsky.social
nytimes.com
Book Review: ‘They Stole a City,’ by Lauren Collins
A new book by the journalist Lauren Collins chronicles the ongoing effects of the violent takeover of Wilmington, N.C., on those living in its aftermath.
000
Peter Schmader @jpschmader.bsky.social · 04/07/2026
“you have to tell the audience what people think by means of what they’re not saying, instead of what they are saying.”
000
Peter Schmader @jpschmader.bsky.social · 30/06/2026
“the injustice on display will frequently make you sick to your stomach.” @dwightgarner.bsky.social
nytimes.com
American Music and American Prisons Overlap More Than You Know
000
Reposted by Peter Schmader
The Paris Review @parisreview.bsky.social · 16/06/2026
“Men together wrecking New York, filling it with entrepreneurs, influencers, suburbanites, personal trainers, mindfulness nitwits, selfie-takers, self-improvers, and food-avoiders. What are they doing in New York?” From “MT” by Lucy Ellmann in our new Summer issue. buff.ly/akcoKZ9
043
Peter Schmader @jpschmader.bsky.social · 15/06/2026
(And me, I felt happy when the editor gave a pica rule and sizing wheel, my very own.)
000
Peter Schmader @jpschmader.bsky.social · 15/06/2026
“what a relief to be invited onboard the optimism train.” @alexandrajacobs.bsky.social
nytimes.com
A Spunky History of Newspapers Adds Color to the Black and White
110
Peter Schmader @jpschmader.bsky.social · 08/06/2026
“He’s in sync with men who are on casual terms with their demons.” @dwightgarner.bsky.social
nytimes.com
This Garbage Collector Loves His Job but Has a Few Bones to Pick
000
Peter Schmader @jpschmader.bsky.social · 01/06/2026
“You feel you are in good hands from the start.” @dwightgarner.bsky.social
nytimes.com
Inside the Mind of the ‘Man Who Read Everything’
000
Peter Schmader @jpschmader.bsky.social · 21/05/2026
“During the Q&A someone asks what Toby would do if he couldn’t be a writer. “A long, perplexed pause. “‘I would be very sad,’ he finally says.”
000
Peter Schmader @jpschmader.bsky.social · 21/05/2026
“be kind, pay attention, err on the side of generosity.”
100
Peter Schmader @jpschmader.bsky.social · 21/05/2026
“Live in such a way that, when neighbors walk by your house months after you’re gone, they can’t help but blurt out something affectionate.”
newyorker.com
My Writing Education: A Time Line
Why do we love our writing teachers so much? Why, years later, do we think of them with such gratitude?
100
Peter Schmader @jpschmader.bsky.social · 20/05/2026
“Later LaBarge quotes Samuel Beckett saying the task of the artist is ‘to find a form that accommodates the mess.’”
000
Peter Schmader @jpschmader.bsky.social · 20/05/2026
“Language, for LaBarge, offers both constraint and possibility. In an epigraph, she includes a line from the critic Vivian Gornick: ‘The trick, she saw, was to pay strict attention to one’s actual experience and then find a way to make the writing accommodate it.’
100
Peter Schmader @jpschmader.bsky.social · 20/05/2026
“It’s a testament to LaBarge’s gifts as a writer that she can make even the most complex and cerebral ideas feel urgent and alive.” @jenszalai.bsky.social
nytimes.com
‘That Awful Thing That Happened’ Is Now a Stunning Memoir
100
Peter Schmader @jpschmader.bsky.social · 20/05/2026
“The Weathermen’s disdain for their privilege is what made them so unnerving to the establishment. That and all the bombs.”—Dana Spiotta
nytimes.com
A Searing Memoir of Being Raised by Radicals on the Run
000
Peter Schmader @jpschmader.bsky.social · 14/05/2026
In London now. Jet lagged. And this line lifts me from it. It’s the kind of moment I wait for in an @alexandrajacobs.bsky.social book review: “and one thumb drive does a lot of work.)”
nytimes.com
Who’s Been Taking Notes at Our Bedroom Door?
010
Peter Schmader @jpschmader.bsky.social · 14/05/2026
“you’re not writing an essay to give a résumé of the plots. You choose to write because you think you have something fresh to say on a topic. That is, if you’re writing from choice and not just as a journeyman doing a job.”
000
Peter Schmader @jpschmader.bsky.social · 11/05/2026
“Later I discovered that Cioran and Roland Barthes were there too.”
000
Peter Schmader @jpschmader.bsky.social · 11/05/2026
“I read Valéry for a while. I was not the only one to be taken by Valéry—it was a phenomenon of the era. When I arrived in Paris in November of 1943 I rushed to hear Valéry’s lectures at the Collège de France. We were not many in the auditorium, and I did not know anyone.
100
Peter Schmader @jpschmader.bsky.social · 11/05/2026
“like Saturday night on an early Wednesday morning.”—Manny Fernandez
nytimes.com
What Do You Expect for $99.23 a Night? (Published 2005)
000
Peter Schmader @jpschmader.bsky.social · 02/05/2026
“one of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand—it has to be able to change almost without your being aware that it’s changing.”
000
Peter Schmader @jpschmader.bsky.social · 26/04/2026
“On a day he chose, when he and Betty were at their house on Nantucket, he went into the ocean and swam in one direction away from the island until he could swim no longer. On a table on their porch, Betty found his clothes, each garment neatly folded, and understood what he had done.”
000
Peter Schmader @jpschmader.bsky.social · 26/04/2026
From John McPhee, kind, generous man: “In the nineteen-eighties, Pepper developed Alzheimer’s disease, the synecdoche in those days for all forms of dementia. As a physician, he had followed the disease to its conclusion and could time his expectations.
newyorker.com
Tabula Rasa: Volume Six
A project meant not to end.
100
Peter Schmader @jpschmader.bsky.social · 26/04/2026
“It has the practiced Perrotta polish; an easy shrug about how it will be received or remembered.” @alexandrajacobs.bsky.social
nytimes.com
He’s Written Great Books About Sex in Suburbia. This One’s a ‘Ghost Town.’
011
Peter Schmader @jpschmader.bsky.social · 22/04/2026
“I do like to write dialogue, intense forms of which I admire in Henry Green's novels, for instance, or in Ivy Compton-Burnett's: it's a matter of developing the ear.”
000
Peter Schmader @jpschmader.bsky.social · 16/04/2026
“They can’t believe you can use five minutes here, ten minutes there, fifteen minutes at another time. Yet it’s only a question of training to learn that trick. If they had to do it that way, they’d be able to . . .”
000
Peter Schmader @jpschmader.bsky.social · 16/04/2026
“Lots of writers have to have whole days or nights to get ready to write; they like to be by a fire, with absolute quiet, with their slippers on and a pipe or something, and then they’re ready to go.
110
Peter Schmader @jpschmader.bsky.social · 14/04/2026
“‘See You on the Other Side’ is a landslide of unironic conspicuous consumption. You can almost hear the beep of bar code scanners as characters move into rooms . . .” @dwightgarner.bsky.social
nytimes.com
A Brand-Name Novelist Revisits His Old Friend and Alter Ego
000
Peter Schmader @jpschmader.bsky.social · 11/04/2026
“The family assigns unfair roles, and never forgives the one who does not fulfill them.”
010
Peter Schmader @jpschmader.bsky.social · 08/04/2026
“Like a warm summer night or a third cocktail, Lemann lulls and envelops you.” @brandyjensen.bsky.social
newyorker.com
The Patron Saint of Oddballs and Delinquents
The New Orleans writer Nancy Lemann conjures scenes of booze-soaked calamity, where everyone and everything is on the verge of rot.
010
Peter Schmader @jpschmader.bsky.social · 06/04/2026
“‘The Oyster Diaries’ is remorseful and melancholy, and it leaves a wide wake. . . . It’s an epic of disgruntlement that’s in touch with life’s little moments of grace.” @dwightgarner.bsky.social
nytimes.com
A New Orleans Heroine Who’s Uneasy in the Big Easy
000
Peter Schmader @jpschmader.bsky.social · 04/04/2026
"Please, Jim," she said. "Please. They'll hear us." “Who'll hear us? Emma can't hear us." "The radio." "Oh, I'm sick!" he shouted. "I'm sick to death of your apprehensiveness. The radio can't hear us. Nobody can hear us. And what if they can hear us? Who cares?"
010
Peter Schmader @jpschmader.bsky.social · 04/04/2026
“Hemingway was really early. I probably started reading him when I was just eleven or twelve. There was just something magnetic to me in the arrangement of those sentences. Because they were so simple—or rather they appeared to be so simple, but they weren’t.”
110
Peter Schmader @jpschmader.bsky.social · 04/04/2026
“Did laboratory studies affect my poetry? I am sure they did. . . . Precision, economy of statement, logic employed to ends that are disinterested, drawing and identifying, liberate—at least have some bearing on—the imagination, it seems to me.”
000
Peter Schmader @jpschmader.bsky.social · 02/04/2026
“You’re looking for some one person out there somewhere who will one day hear your voice and suddenly write back.”
000
Peter Schmader @jpschmader.bsky.social · 30/03/2026
“I think in fictional terms—memory transmuted by observation and experience.”
000
Peter Schmader @jpschmader.bsky.social · 29/03/2026
“like a powerlifter hoisting a Magic 8 Ball . . .” @alexandrajacobs.bsky.social
nytimes.com
A Novel as Slim as an iPhone Has a Lot to Say About Technology
021
Peter Schmader @jpschmader.bsky.social · 23/03/2026
For the Keepers file: “Earth has not anything to show more fair than the crust on a chicken potpie.”
000
Peter Schmader @jpschmader.bsky.social · 23/03/2026
“Here is the land of blur.”—Anthony Lane
newyorker.com
How Bad Is Plagiarism, Really?
From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry.
100