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The Paris Review

@parisreview.bsky.social
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Quarterly literary magazine founded in 1953. www.theparisreview.org theparisreview.substack.com

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The Paris Review @parisreview.bsky.social · 2h
“What a story is, is devious.” —Joy Williams buff.ly/8GchaHx
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Joy Williams, The Art of Fiction No. 223
“I think the writer has to be responsible to signs and dreams. If you don’t do anything with it, you lose it.”
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The Paris Review @parisreview.bsky.social · 18h
“I’ve come to think the good is simply more resilient than the bad.” —Jan Morris buff.ly/zkcF3fS
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Jan Morris, The Art of the Essay No. 2
“[Imperialism] allowed people to break away from shackling old traditions and heritages. It introduced the world to fresh ideas and new opportunities. These are the contributions that matter for the…
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The Paris Review @parisreview.bsky.social · 20h
“Fiction is meant to illuminate, to explode, to refresh.” —John Cheever buff.ly/pCWRwPR
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John Cheever, The Art of Fiction No. 62
“Fiction is meant to illuminate, to explode, to refresh. I don’t think there’s any consecutive moral philosophy in fiction beyond excellence.”
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The Paris Review @parisreview.bsky.social · 22h
“It’s rare that I think something is perfect when I finish it. I usually think, Ah, that line could be better. Or, Something’s wrong here.” —Louise Glück buff.ly/Pumo7yZ
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Louise Glück, The Art of Poetry No. 115
“Anyone who writes is a seeker. You look at a blank page and you’re seeking. That role is assigned to us and never removed.”
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The Paris Review @parisreview.bsky.social · 04/10/2026
“I feel a faintly physical vertigo when I hear of jets that fly faster than sun-time—or in the opposing direction. It ain’t natural.”—Wright Morris buff.ly/1nwkX7d
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Wright Morris, The Art of Fiction No. 125
“My guess would be that our folly lies not in what threatens us, or even what eludes us, but in our inability to adapt to it.”
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The Paris Review @parisreview.bsky.social · 04/10/2026
“For me, writers are what the priest has been throughout history, this person we pay to talk about spirituality.” —Dany Laferrière buff.ly/82NUQmv
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Dany Laferrière, The Art of Fiction No. 237
“Writers are what the priest has been throughout history, this person we pay to talk about spirituality.”
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The Paris Review @parisreview.bsky.social · 03/10/2026
“If society abolishes poetry it commits spiritual suicide.” —Octavio Paz buff.ly/c4lp8qx
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Octavio Paz, The Art of Poetry No. 42
“I didn't set out to be a troublesome writer, but if that's what I've been, I am totally unrepentant.”
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The Paris Review @parisreview.bsky.social · 03/10/2026
“I like the feeling of being able to confront an experience and resolve it as art.” —Eudora Welty buff.ly/A0MGjos
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Eudora Welty, The Art of Fiction No. 47
“Once you're into a story everything seems to apply—what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet part of your story.”
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The Paris Review @parisreview.bsky.social · 03/10/2026
“Real avant-garde writing today would frame and reflect our misuse of the world, our destruction of its beauties and wonders.” —Joy Williams buff.ly/dlqSfGr
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Joy Williams, The Art of Fiction No. 223
“I think the writer has to be responsible to signs and dreams. If you don’t do anything with it, you lose it.”
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The Paris Review @parisreview.bsky.social · 03/10/2026
“Process is a mechanism, something that teases the possibility of cause and effect.” —Frank Bidart buff.ly/jvDmFRH
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Frank Bidart, The Art of Poetry No. 105
“I don’t think one really gets permission to do things. You do them because you have to do them, and nothing else will do.”
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The Paris Review @parisreview.bsky.social · 03/10/2026
“One can’t write unless one lives, and living means also dealing with the post-office employees, driving in the rush hour, facing up to the demands of daily life.” —Tahar Ben Jelloun buff.ly/woAYXOv
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Tahar Ben Jelloun, The Art of Fiction No. 159
“There is an important erotic element in A Thousand and One Nights, which is one of the keys to understanding the Orient.”
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The Paris Review @parisreview.bsky.social · 02/10/2026
“Everybody’s in the middle of a story. So you just have to write the ending.” —Paula Fox buff.ly/oboXsnq
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Paula Fox, The Art of Fiction No. 181
“I recall lying on a bed, looking at a manuscript on the floor as I reached to turn pages, and thinking to myself, I must mean everything I say, every word.”
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The Paris Review @parisreview.bsky.social · 02/10/2026
“The more you write, the bigger the imagined world gets. And the other life stays on the chair, quiet, where the body is still.” —Yu Hua buff.ly/fXB9Pdm
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Yu Hua, The Art of Fiction No. 261
“You live one life of invention and another in reality. As the first grows, the second shrinks—there’s no way around it.”
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The Paris Review @parisreview.bsky.social · 02/10/2026
“I don’t like people who ask you to follow or believe. I like people who ask you to think independently.” —A. S. Byatt buff.ly/mraUVr9
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A. S. Byatt, The Art of Fiction No. 168
“I don’t see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.”
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The Paris Review @parisreview.bsky.social · 01/10/2026
“There are always two people working on a poem, the writer and the reader.” —Louise Glück buff.ly/Pumo7yZ
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Louise Glück, The Art of Poetry No. 115
“Anyone who writes is a seeker. You look at a blank page and you’re seeking. That role is assigned to us and never removed.”
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The Paris Review @parisreview.bsky.social · 01/10/2026
“Craft allows me to open myself to the page—allows the emotions, the confessions, to infuse the work.” —Rita Dove buff.ly/WtGoGuI
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Rita Dove, The Art of Poetry No. 113
“I told myself, Thank goodness those poets proclaimed Black is beautiful, because now I can talk about how Black is everything.”
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The Paris Review @parisreview.bsky.social · 01/10/2026
“A poem is essentially embedded in a matrix of silence. So that even if the words celebrate what is, each line end acknowledges what is not.” —Rosmarie Waldrop buff.ly/veoFLnv
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Rosmarie Waldrop, The Art of Poetry No. 117
“It puzzles me that people say my work is difficult. If you read it, it’s very simple.”
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The Paris Review @parisreview.bsky.social · 01/10/2026
“It’s hard to sincerely occupy feelings that are fully oppositional to yours—to be able to look at yourself from that other position and think, What a twit!” —Mary Gaitskill buff.ly/5Yprure
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Mary Gaitskill, The Art of Fiction No. 257
“I think that if humans are still walking around in fifty years, and still reading fiction, my work will last that long. Beyond that, I don’t know.”
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The Paris Review @parisreview.bsky.social · 30/09/2026
“Poems are bridges whose destinations are themselves.” —Paul Muldoon buff.ly/KlOM3mL
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Paul Muldoon, The Art of Poetry No. 87
“I’m pretty interested in general knowledge, and science and arcane knowledge. Much more interested in that than I am in Literature with a capital L. Or at least as interested.”
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The Paris Review @parisreview.bsky.social · 30/09/2026
“I write to find out what I think about something.” —Anne Carson buff.ly/c0q6qt9
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Anne Carson, The Art of Poetry No. 88
“I write to find out what I think about something.”
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The Paris Review @parisreview.bsky.social · 28/09/2026
“Even when I write what appears to be very personal material, I am writing about a character, one who is sometimes traveling by my name.” —Gary Indiana buff.ly/S8H6meZ
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Gary Indiana, The Art of Fiction No. 250
“I was desperate to write a novel, but I didn’t have a story. Whenever I tried to write fiction it was all about my own inner bullshit.”
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The Paris Review @parisreview.bsky.social · 27/09/2026
“When someone said, This isn’t good, I would say, Well, I actually think it’s brilliant, and the brilliance will be revealed when you’re ready.” —Lynn Nottage buff.ly/inVpsq5
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Lynn Nottage, The Art of Theater No. 19
“I write plays that are architecturally sound but packed with unexpected things.”
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The Paris Review @parisreview.bsky.social · 27/09/2026
“Publication was a form of punishment.” —Enrique Vila-Matas buff.ly/XdPA5TU
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Enrique Vila-Matas, The Art of Fiction No. 247
“Literature is a mirror with the capacity, like some clocks, to run ahead of time.”
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The Paris Review @parisreview.bsky.social · 27/09/2026
This week, we’ve unlocked Gary Indiana’s Art of Fiction interview from the archive, selected by Natalie Shapero, whose poem “The Top of Hell” appears in our new Fall issue. buff.ly/S8H6meZ
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Gary Indiana, The Art of Fiction No. 250
“I was desperate to write a novel, but I didn’t have a story. Whenever I tried to write fiction it was all about my own inner bullshit.”
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The Paris Review @parisreview.bsky.social · 26/09/2026
“Documentary existed from the beginning of film.” —Frederick Wiseman buff.ly/bB3gXSK
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Frederick Wiseman, The Art of Documentary No. 1
“Before the film is finished, I have to be able to put into words why I have selected each shot and the meaning I attach to the order of the sequences.”
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The Paris Review @parisreview.bsky.social · 26/09/2026
“I don’t feel right having a picture of a person be different from what they were. I think there’s something interesting about reality, the things people really say.” —Sharon Olds buff.ly/KOckEaP
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Sharon Olds, The Art of Poetry No. 114
“I think it shows in the poems that the author didn’t ask ­permission of the parents to publish them.”
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The Paris Review @parisreview.bsky.social · 26/09/2026
“Even a musician with the most modest career in some local bar is to me more glamorous than the most glamorous writer.” —Mary Gaitskill buff.ly/5Yprure
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Mary Gaitskill, The Art of Fiction No. 257
“I think that if humans are still walking around in fifty years, and still reading fiction, my work will last that long. Beyond that, I don’t know.”
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The Paris Review @parisreview.bsky.social · 26/09/2026
“I love immersing myself in the universe of a novel for years. There is never a time when I am more alive.” —Arundhati Roy buff.ly/ADU8YMk
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Arundhati Roy, The Art of Fiction No. 249
“I love immersing myself in the universe of a novel for years. There is never a time when I am more alive.”
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The Paris Review @parisreview.bsky.social · 26/09/2026
“Revision is heartbreaking.” —Shelby Foote buff.ly/2h84udG
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Shelby Foote, The Art of Fiction No. 158
“The institution of slavery is a stain on this nation's soul which will never be cleansed . . . There's a second sin that's almost as great, and that's emancipation.”
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The Paris Review @parisreview.bsky.social · 25/09/2026
“Love at first sight—or first reading—has to contend with the real world at some point.” —Maxine Groffsky buff.ly/47aPugC
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Maxine Groffsky, The Art of Editing No. 3
“I know some people downtown assumed I was just a party girl, but I did get up early each morning.”
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The Paris Review @parisreview.bsky.social · 25/09/2026
“Try to be better than yourself.” —William Faulkner buff.ly/BsM4PJp
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William Faulkner, The Art of Fiction No. 12
“Don’t bother just to be better than your contemporaries or predecessors. Be better than yourself.”
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The Paris Review @parisreview.bsky.social · 24/09/2026
“There are moments, as the poet said, when the blind captain dreams of the sea.” —James Salter buff.ly/q3RVlAL
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James Salter, The Art of Fiction No. 133
“The real event of the 1980s was . . . the emergence of great looting fortunes . . . which made us revise the value of everything—not to the benefit of society . . . ”
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The Paris Review @parisreview.bsky.social · 24/09/2026
“Graduate school had been disappointing for me, because I thought I was going off to fifth-century Athens, and instead I was dunked in this kind of country club environment in which everyone was manufacturing intelligence for the Vietnam War.” —Robert Hass buff.ly/SCKltRq
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Robert Hass, The Art of Poetry No. 108
“The foregrounding of artifice—dwelling on the making of the poem, in a poem—seems to go to the core of what poetry is, doesn’t it?”
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The Paris Review @parisreview.bsky.social · 23/09/2026
“I suppose one develops a number of personas and hides them away, then they pop up during writing. The exertion of control comes later.” —Louise Erdrich buff.ly/QiQKEyh
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Louise Erdrich, The Art of Fiction No. 208
"It’s because you’re always fighting sentiment. You’re fighting sentimentality all of the time because being a mother alerts you in such a primal way."
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The Paris Review @parisreview.bsky.social · 23/09/2026
“I went to the library several times a week to borrow more books, and I cleverly wrapped them in the paper we used for schoolbooks so it would look like I was doing my homework, studying like hell!” —Dag Solstad buff.ly/U3H9SIL
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Dag Solstad, The Art of Fiction No. 230
“Before you have the assumptions implicit in the first sentence, anything could happen. But once you have that sentence, you’ve narrowed your options down to a point where there really isn’t that…
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The Paris Review @parisreview.bsky.social · 23/09/2026
“Rhythm is deep and it touches us in ways that we don’t understand.” —Philip Levine buff.ly/NEmJyYh
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Philip Levine, The Art of Poetry No. 39
On having his testimony discounted in court: “How can a poet or fiction writer tell the truth in court if he or she can't present the events in a meaningful sequence, which is what a story is? The…
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The Paris Review @parisreview.bsky.social · 22/09/2026
“I had to go through the formalities of putting my work into the outside world for readers to look at.” —J. H. Prynne buff.ly/xcaytU0
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J. H. Prynne, The Art of Poetry No. 101
“Writers had better not be too cocksure that they’ve got inspiration on their side.”
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The Paris Review @parisreview.bsky.social · 22/09/2026
“There’s no private world that doesn’t include the dynamics of my political and social world.” —Claudia Rankine buff.ly/xgFJvap
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Claudia Rankine, The Art of Poetry No. 102
“I think of America as my audience, and inside that space are white people as well as people of color.”
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The Paris Review @parisreview.bsky.social · 22/09/2026
“The world’s anguish is caused by people between twenty and forty.” —William Faulkner buff.ly/BsM4PJp
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William Faulkner, The Art of Fiction No. 12
“Don’t bother just to be better than your contemporaries or predecessors. Be better than yourself.”
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The Paris Review @parisreview.bsky.social · 20/09/2026
We at the Review mourn the loss of Annie Dillard (1945–2026). In celebration of her life and work, we’ve unlocked “For the Time Being,” Dillard's 1998 piece about the life of the French priest and scientist Pierre Teilhard de Chardin, from the archive. buff.ly/SxIquAa
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The Paris Review @parisreview.bsky.social · 19/09/2026
“Everything you write is autobiographical, even science fiction and the Planet Ork.” —Paula Fox buff.ly/qzYz8Iq
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Paula Fox, The Art of Fiction No. 181
“I recall lying on a bed, looking at a manuscript on the floor as I reached to turn pages, and thinking to myself, I must mean everything I say, every word.”
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The Paris Review @parisreview.bsky.social · 19/09/2026
“Finding an idea for a play is like picking up a shell on a beach.” —Tom Stoppard buff.ly/xuWH4ED
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Tom Stoppard, The Art of Theater No. 7
“On Broadway, only the fire doors separate you from the sidewalk and you're lucky if the sound of a police car doesn't rip the envelope twice a night.”
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The Paris Review @parisreview.bsky.social · 18/09/2026
“When holes appeared in my underwear, I knew that I had a case of moths.” From “My Larval Roommates” by Sarah Nicole Prickett, published today on our website. buff.ly/gJ8gca6
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My Larval Roommates by Sarah Nicole Prickett
September 18, 2026 – “When holes appeared in my underwear, I knew that I had a case of moths.”
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The Paris Review @parisreview.bsky.social · 18/09/2026
“I tell people, Make a list of ten things you hate and tear them down in a short story or poem. Make a list of ten things you love and celebrate them. When I wrote Fahrenheit 451 I hated book burners and I loved libraries. So there you are.” —Ray Bradbury buff.ly/i5O3KkG
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The Paris Review @parisreview.bsky.social · 16/09/2026
Stephen King on the Chattanooga Choo Choo: “It’s daddy-cool.” buff.ly/Z3iVC1E
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On the “Chattanooga Choo Choo” by Stephen King
September 16, 2026 – “Lately, though, I have become fascinated by the so-called big bands on the SiriusXM station called ‘40s Junction.’ ”
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The Paris Review @parisreview.bsky.social · 16/09/2026
“Anything, anything can change a writer, if one is open to it.” —Suzan-Lori Parks buff.ly/YsNAyri
theparisreview.org
Suzan-Lori Parks, The Art of Theater No. 18
“All writing, for me, is a relationship. I don’t feel like I can do whatever I want with whomever I want. It’s call-and-response.”
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The Paris Review @parisreview.bsky.social · 15/09/2026
“All my books were conceived by the time I was twenty.” —Marguerite Yourcenar buff.ly/CcpPylx
theparisreview.org
Marguerite Yourcenar, The Art of Fiction No. 103
On her refusal to publish with Virago Press: “I did not want to be published by them because they publish only women. It reminds one of ladies' compartments in nineteenth-century trains . . . ”
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The Paris Review @parisreview.bsky.social · 15/09/2026
“All I need to write is to run in the morning, to have coffee and a Coke at hand, and to be able to take a nap. The siesta is crucial.” —Javier Cercas buff.ly/U8hB0RG
theparisreview.org
Javier Cercas, The Art of Fiction No. 264
“Literature is pleasure and knowledge, like sex. It’s useful only so long as one doesn’t set out to make it useful.”
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The Paris Review @parisreview.bsky.social · 15/09/2026
“Anytime I’m not actively composing a little bit every day, I’m afraid that I will stop writing, and I don’t feel good if I don’t write.” —Alice Notley buff.ly/VyAhv3O
theparisreview.org
Alice Notley, The Art of Poetry No. 116
“Writing is not therapy. That’s the last thing it is. I still have my grief.”
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The Paris Review @parisreview.bsky.social · 13/09/2026
“You might think, with sixteen books to my credit, that I’ve just loved every hour of writing. No.” —Gerald Murnane buff.ly/6Z01QaV
theparisreview.org
Gerald Murnane, The Art of Fiction No. 266
“A fatal question—what are people reading these days? Never mind what people are reading these days. What should I be writing about is the fundamental question.”
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