iiinova — where your digital self keeps evolving

Today I deleted my WhatsApp account and am now free of Meta. Others will follow.

Reposted by Jens Windolf

www.slowtravelberlin.com @slowberlin.bsky.social · 16/10/2026

Gm to Naomi Klein and Astra Taylor and a big 🙏 to them for writing this new book, which outlines our current global predicament and reminds us this is not a dress rehearsal: this is happening. It makes some good and positive arguments for why we need to get out there and fight for what’s right.

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Jens Windolf @jnswndlf.bsky.social · 16/10/2026

I've just come back from the bookshop. Thanks for letting us know.

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Jens Windolf @jnswndlf.bsky.social · 15/10/2026

I've just realised that saying something into the void is the same as posting it on social media.

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Jens Windolf @jnswndlf.bsky.social · 30/09/2026

I remember being very impressed by Fingertips and listening to them a lot.

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Jens Windolf @jnswndlf.bsky.social · 29/09/2026

»Eins + eins ist eins zwei. Zwei ist eins zwei. - Das ist meine Urthese für alle Gesetze, die bei mir mathematisch durchlaufen. Ich schreibe mathematische Literatur und mathematische Musik.« HANNE DARBOVEN

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Jens Windolf @jnswndlf.bsky.social · 26/09/2026

On Kawara painted this day by hand, in layers, before midnight, or destroyed it. Today it turns forty. A date is the most generic image there is. A day counts because someone spent it making it count. #OnKawara #ConceptualArt #Time Sept.27,1986 (Saturday) acrylic on canvas 25,5 x 33 cm

A small charcoal-grey canvas on a rough white plaster wall. Centered in bold white sans-serif capitals: "SEPT.27,1986". Matte, even paint with the canvas weave faintly visible; letters crisp enough to look printed, though hand-painted. On Kawara, "Today" series.

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Jens Windolf @jnswndlf.bsky.social · 26/09/2026

„All my ducklings (Alle meine Entchen)“ A drawing I did several years ago for my daughter.

A loose pencil drawing on off-white paper. In the centre, a small upright piano drawn in thin grey lines: a flat lid slightly overhanging the body, a rectangular front panel, and a keyboard with a few short black keys marked in darker strokes. The piano stands on two long, thin legs ending in small circular casters, with a curved pedal shape between them. On top of the lid sits a tiny duckling in soft yellow-orange, the only colour in the image. Below, handwritten in grey pencil: "all my ducklings – piano". Wide empty space surrounds the drawing, giving it a quiet, provisional feel.

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Jens Windolf @jnswndlf.bsky.social · 26/09/2026

Julius von Bismarck's "Die Mimik der Tethys" brings the open ocean's mood indoors: hypnotic, calm, and quietly unsettling.

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Jens Windolf @jnswndlf.bsky.social · 26/09/2026

Ask not what you can do with AI — ask what you can do without AI. #ai

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Jens Windolf @jnswndlf.bsky.social · 19/09/2026

Ich hatte gestern einen kleinen Betrag via Paypal @realalbundy.bsky.social gesendet. Betreff: Jürgen Laptop. Ist das angekommen?

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Jens Windolf @jnswndlf.bsky.social · 19/09/2026

Doing good is not a feeling kept indoors. It's an errand, a body moving toward another body. Care as praxis, not sentiment: to look out for one another means showing up, again and again. #Solidarity #EverydayEthics

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Jens Windolf @jnswndlf.bsky.social · 19/09/2026

Lately I've been shopping at a supermarket where I don't actually need anything. I only do it so I can ask a young man sitting outside with his dog whether I can bring something back for the two of them.

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Jens Windolf @jnswndlf.bsky.social · 17/09/2026

Schwarz Sauer. I lived around the corner when it opened in 1992 or 1993.

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Jens Windolf @jnswndlf.bsky.social · 16/09/2026

Quiet, content-first, gallery-like aesthetic. I really like it.

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Jens Windolf @jnswndlf.bsky.social · 15/09/2026

Nationalists can easily be spotted by their poor command of their mother tongue.

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Jens Windolf @jnswndlf.bsky.social · 15/09/2026

Iss Fisch, Fisch isst disch nischt, Nischt Fisch isse Fisch nischt. Fass! #poetry

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Jens Windolf @jnswndlf.bsky.social · 15/09/2026

What a Mess / Was für ein Durcheinander Dafi Kühne (*1982) Näfels (Schweiz / Switzerland) 2017, Linolschnitt/Linocut Inv.-Nr. EP2021.246 Eigentum der / Property of the Stiftung Hamburger Kunstsammlungen

Framed black-and-white typographic art print reading 'paperless wireless cashless shameless powerless hopeless pay less what a mess.' in bold serif type, with a torn-paper effect at the bottom edge and gray abstract shapes in the background.

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Jens Windolf @jnswndlf.bsky.social · 13/09/2026

Im Windschatten eines Baums vom Regen geschützt sein.

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Jens Windolf @jnswndlf.bsky.social · 13/09/2026

Macht braucht selten Intelligenz, um sich fortzupflanzen; sie braucht Gehorsam, der sich als Kompetenz maskiert. Dummheit ist kein Versagen der Macht, sondern ihr liebstes Alibi. #Machtideologie #Verdummung

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Jens Windolf @jnswndlf.bsky.social · 13/09/2026

Call it artificial intelligence running amok if it comforts you. What it really documents is natural intelligence running short: a species that built a mirror clever enough to reflect its own incoherence, then called the mirror the problem. #Cognition #AICritique

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Jens Windolf @jnswndlf.bsky.social · 13/09/2026

The trailer's Harlequin gives a thumbs-up before you've paid, before the show exists — an image advancing credit against a spectacle not yet incurred. Fairground economics, painted: promise now, deliver never, believe anyway. #Spectacle #VisualCulture #PublicSpace

Side panel of a white fairground trailer, painted with a harlequin figure in white clown makeup, red lips, and a quilted green-and-gold diamond costume, giving a thumbs-up over a painted white picket fence. Behind him, a red stage curtain trimmed in gold, scattered gold stars, and the partial figure of a man in a blue military-style uniform with gold braid. A yellow oval bears a red letter "V." Rows of round bulb lights, unlit, line the trailer's edge and roofline. In the foreground, a black trailer hitch rests on wet grey asphalt; a hazy row of modern office buildings sits under an overcast white sky in the distance.

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Jens Windolf @jnswndlf.bsky.social · 13/09/2026

The panic about AI spinning out of control says less about circuits than about us: what we call losing control is often just a clear view of the limited, undisciplined thinking that built the machine in the first place. #Cognition #AICritique

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Jens Windolf @jnswndlf.bsky.social · 06/09/2026

A chair built for the eternity of good taste, teal velvet now flanked by raw timber and a shipping carton — three states of matter awaiting the same verdict: use, or discard. Furniture doesn’t age here, it gets sentenced. #ObjectHistory #Obsolescence #MaterialCulture

A worn teal velvet mid-century cocktail chair with tapered wooden legs stands on a stained, water-marked concrete floor against a rough white plastered wall. To its left leans a raw, unfinished wooden plank with a scrap of cardboard wedged at its base. To its right, a large taped cardboard shipping box bears shipping labels, barcodes, and handwritten numbers in red marker.

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Reposted by Jens Windolf

Bandcamp @bandcamp.com · 03/09/2026

Buying music on Bandcamp = supporting artists. Tomorrow is Bandcamp Friday! From midnight to midnight Pacific Time, we’ll waive our revenue share and pass the funds directly to artists and labels. What will you be adding to your collection? bit.ly/4qGpq6G

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Jens Windolf @jnswndlf.bsky.social · 02/09/2026

Please don’t be angry with me, but I don’t like ads.

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Jens Windolf @jnswndlf.bsky.social · 02/09/2026

Eben im Lieblinscafé hat ein Gast vor mir bestellt und der Barista hat meinen Espresso ohne Worte direkt mitgemacht. Aus Dank habe ich draußen nicht geraucht, weil ich die anderen Gäste nicht stören wollte. Alles ist im Gleichgewicht.

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Reposted by Jens Windolf

Jason Koebler @jasonkoebler.bsky.social · 01/09/2026

went and tried the shirt that hides you from AI surveillance cameras, made this little video about it: www.404media.co/this-digital...

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Jens Windolf @jnswndlf.bsky.social · 31/08/2026

Two of these orange booths had their mouths torn out, only perforated mesh remains, a face reduced to static. The third still speaks. Infrastructure never dies evenly; it rots the way memory does, in patches. #PublicSpace #Obsolescence #VisualCulture #Milan

Three identical orange payphone booths mounted on a weathered grey concrete-textured wall, each set on a narrow grey pedestal. The two booths on the left have had their telephone units removed, leaving only perforated metal mesh panels and empty mounting holes, along with a faded instruction sticker in each. The booth on the right still contains its telephone: a dark grey rotary-style unit with a keypad, small display, and handset hanging on its cord. Weathered posters and torn paper scraps cling to the booth interiors. The wall's coarse, mottled texture contrasts with the smooth concrete floor below.

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Jens Windolf @jnswndlf.bsky.social · 31/08/2026

Architecture is never mere statics — it’s ideology cast in concrete. Every façade asserts an order of things before a single body has passed through it. The space is already thinking while we’re still hesitating. #Architecture #SpatialTheory #SocialCritique

Brutalist concrete architecture of the Barbican Centre in London, showing stacked geometric volumes, exposed board-marked concrete surfaces, and a stepped, ziggurat-like structure typical of 1970s Brutalism.

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Reposted by Jens Windolf

God @thegodshow.com · 25/08/2026

Dear Humanity, I sincerely apologize for taking the wrong person again. I will be going on a listening tour to hear from the community and promise to do better in the future. Thank you, God

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Jens Windolf @jnswndlf.bsky.social · 20/08/2026

In Hamburg werden die ersten Grabsteine für verstorbene Parkplätze aufgestellt. Eine großartige Aktion auf dem Weg zur autofreien Stadt! #hamburg #autofrei