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Jane Friedman

@janefriedman.com
9K followers 194 following 13K posts

I report on the publishing industry through my paid newsletter, The Bottom Line, and educate writers on the business of authorship in THE BUSINESS OF BEING A WRITER (University of Chicago Press).

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Jane Friedman @janefriedman.com · 23h
You could say merely that a character loves dogs … or you can show that she breeds pointers; or that she rescues hard-to-place injured strays; or that she trains problem animals that shelters give up on. That’s the power of specific context.  Insight from @tiffanyyatesmartin.bsky.social
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The More Specific Your Characters, The More Universal They Become | Jane Friedman
Specific context about your characters helps readers understand them within the backdrop of their lives, bringing your stories fully to life.
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Jane Friedman @janefriedman.com · 22/09/2026
If you intend to get serious about writing powerful essays, you should familiarize yourself with three structural components that you’ll tie together to make a cohesive whole: 1. Form 2. Voice 3. Outcome Insight from @amylbernstein.bsky.social
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3 Structural Components of Essay: Form, Voice, and Outcome | Jane Friedman
The essay is like any other literary genre: There are guidelines worth following, and style choice dictates different points of view and structures.
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Jane Friedman @janefriedman.com · 17/09/2026
There’s nothing wrong with imitation when learning an art form. It's an effective way to master your craft. But in the age of AI, the threat has shifted—AI’s ubiquitous use is flattening voices so that you sound like everyone else. @lisacooperellison.bsky.social discusses how to avoid this fate.
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Find Your Memoir Voice Before AI Flattens It | Jane Friedman
A standout writing voice is a mixture of your natural style and sentence-level decisions that bring who you are to life.
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Jane Friedman @janefriedman.com · 16/09/2026
A business book author spent $3,100 on book proposal help: — $500 on a freelance editor (not all that useful) — $2,500 on a literary agent who also offers paid services (some usefulness but not for that money) — $100 on a class with me (the author's proposal was an example I chose to analyze)
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My Untraditional Path to Traditional Publishing | Jane Friedman
A debut nonfiction author examines the path by which an initial idea was honed through beta readers and proposal writing into a contracted book.
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Jane Friedman @janefriedman.com · 15/09/2026
It’s becoming ever more predictable: Q&A times at writing conferences are filling with AI-specific questions, especially when conference programming doesn’t officially address AI. Is your event prepared?
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Writing Conferences Shouldn’t Ignore AI in Their Programming | Jane Friedman
Conference attendees have many questions about AI, and organizers would better serve their audience by engaging with intent and clarity.
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Jane Friedman @janefriedman.com · 14/09/2026
This Friday: I'm discussing the most notable publishing industry developments of 2026, what they mean for writers and publishers, and what to watch for in 2027. Recorded if you can't make it live, but join live if you want to ask questions.
us02web.zoom.us
Welcome! You are invited to join a webinar: Publishing Industry Update with Jane Friedman. After registering, you will receive a confirmation email about joining the webinar.
Jane has been reporting on the publishing industry since 2015. Join her over your lunch hour to discuss the most notable developments of 2026, what they mean for writers and publishers, and what to wa...
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Jane Friedman @janefriedman.com · 11/09/2026
The biggest questions I get about AI: How do I protect myself from an agent or publisher (or other publishing professional) using AI on my work? How do I protect myself from a false accusation of AI use? Unfortunately, these questions don’t have straightforward answers, but here I try my best.
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Writers' AI Fears Often Run Ahead of the Facts | Jane Friedman
The panic that’s expressed online bears little resemblance to what’s happening at literary agencies and publishing houses.
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Jane Friedman @janefriedman.com · 10/09/2026
Over the last week I spent considerable time analyzing agent claims in the Anthropic case since authors are finding them listed as claimants on their Anthropic settlement titles. So many authors felt quite uncomfortable reaching out to their agents about this, which I can understand.
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Jane Friedman @janefriedman.com · 09/09/2026
This is a terrific and straightforward explanation for partnering with a bookstore, and it's similar to the process I followed. It's most likely to work if you have a traditional publisher but I've seen it work for indie authors, too. From M. Stevenson.
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How to Partner with a Bookstore for a Preorder Campaign | Jane Friedman
In this excerpt from It Depends: An Author’s Practical Guide to Debut Year, M. Stevenson shows how indie shops can contribute to a traditionally-published book’s launch strategy.
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Jane Friedman @janefriedman.com · 06/09/2026
"The best, little-understood argument for writing these stories is that they aid in your development as a writer," says @maggielangrick.bsky.social
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Yes, Write About Your Trauma, But Not for the Reasons You Might Think | Jane Friedman
Whether or not your memoir is published, it’s important to get it off your chest before the rest of your life’s work can come through.
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Jane Friedman @janefriedman.com · 05/09/2026
I would like to report on the literary agents who are claiming a percentage of their clients' Anthropic settlement. But I need some authors willing to share info about who these agents are (privately - no need to go on the record). Reach out: hello@janefriedman.com
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Courtney Milan @courtneymilan.com · 03/09/2026
Hi! Anthropic Q&A re:rights reversion and publisher claims. This is not legal advice; I can't give you legal advice. What I can do is tell you what I would do under certain circumstances.
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Victoria Strauss @victoriastrauss.com · 03/09/2026
I know I already posted about this...but to reiterate: Anthropic copyright settlement authors, PLEASE contact me (Writer Beware) if your publisher is making a claim on a book whose rights have reverted, or claiming anything other than a 50/50 split on an in-contract book. beware@sfwa.org
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Jane Friedman @janefriedman.com · 02/09/2026
In a nonfiction book, an effective case study supports the overall argument and provides insights that readers can apply in their own lives. Typically case studies are exploratory or explanatory. Book coach Amy Isaman explains.
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Beyond Story: How to Use Case Studies in Your Nonfiction Book | Jane Friedman
An effective case study allows your reader to connect with what works and what’s possible for them, and most importantly, keeps them turning pages.
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Jane Friedman @janefriedman.com · 27/08/2026
Being told to “pick a lane” for your story and revise to fit a genre? Maybe the manuscript doesn’t need to change, but your language for selling it does. @anngarvin.bsky.social shares her personal story of selling a book she was told by agents wouldn't work.
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Being Told to “Pick a Lane” as an Author? Read This | Jane Friedman
Being told to “pick a lane” for your story and revise to fit a genre? Maybe the manuscript doesn’t need to change, but your language for selling it does.
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Jane Friedman @janefriedman.com · 25/08/2026
If you haven’t heard back from an agent and you’re starting to wonder if you ever will, you might consider sending the agent a nudge. Insight from @alyssamatesic.bsky.social & Patrick McDonald of QueryTracker.
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When and How to Nudge Agents | Jane Friedman
If you haven’t heard back from an agent and you’re starting to wonder if you ever will, you might consider sending the agent a nudge. Here’s how.
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Jane Friedman @janefriedman.com · 13/08/2026
Longtime editor & former agent Mary Kole has written a highly informative post about how she handles clients who use AI to generate substantive portions of their manuscript. She generously offers sample contract language other freelancers can adapt for their own purposes.
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After Editing Two AI-Assisted Manuscripts, I Rewrote My Client Agreement | Jane Friedman
Inexperienced authors may believe generative AI use improves their manuscript, but there’s a cost—extra fees charged by freelance editors.
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Jane Friedman @janefriedman.com · 12/08/2026
In queries & book marketing copy, authors often introduce their protagonist with a list of facts: “Mark is a retired FBI agent with PTSD from New York City.” While this offers information, it lacks emotional punch. Instead, try leading with desire, fear, contradiction, or an unusual circumstance.
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Why Your Book Description Feels Flat—and How to Fix It | Jane Friedman
Even though promotional copy (aka blurb) for your novel or memoir is necessarily brief, effective ones can take readers on an emotional journey.
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Jane Friedman @janefriedman.com · 11/08/2026
Lessons learned by the author: — Begin earlier. Six months of pre-launch marketing was valuable, but a year would have been better. — Spend more time building relationships with indie bookstores and historical fiction communities before launch. Learn more from @ashlioc.bsky.social.
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How a Debut Self-Published Novel Earned Five Figures in 10 Weeks Without Kindle Unlimited | Jane Friedman
With no platform and no publisher, one author built a six-month pre-launch plan around a single question: what is your goal?
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Jane Friedman @janefriedman.com · 05/08/2026
For indie authors, the narrator you cast for your audiobook and the terms you agree will follow your book for its life. Get the narrator right to avoid diminishing returns later. Insight from professional audiobook narrator Hannibal Hills.
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Choosing the Right Voice for Your Audiobook | Jane Friedman
Choosing your audiobook’s narrator has a bigger impact than you might think. Here are casting tips from a veteran narrator and producer.
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Jane Friedman @janefriedman.com · 04/08/2026
Sometimes an author gets so excited by his premise that instead of turning it into a plot, he simply takes the reader on a guided tour as the premise plays out. This tends to be a mistake. Insight from editor Peter Gelfan.
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Your Premise Is Not Your Plot | Jane Friedman
A premise is the seed of a story, not its structure. Learn how to turn a what-if into a plot.
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Jane Friedman @janefriedman.com · 30/07/2026
Authors too often overlook local marketing. But the best way to secure national reach is to start in your own backyard. Insight from longtime marketer and publicist Penny Sansevieri.
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Why You Should Focus on Local Book Publicity First | Jane Friedman
People take pride in supporting someone from their communit, and readers are far more likely to buy a book if they feel a personal connection to the author, even a small one.
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Jane Friedman @janefriedman.com · 29/07/2026
The professional association of literary agents (AALA) has modified its Canon of Ethics to allow agents to earn money in additional ways while still retaining membership. For those seeking an agent, it is more important than ever to critically evaluate the people you're submitting to.
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Agent Business Models May Be Shifting: What I Fear Will Happen | Jane Friedman
When the new AALA Canon of Ethics goes into effect, authors must be more diligent and sharp in evaluating who they partner with.
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Jane Friedman @janefriedman.com · 29/07/2026
I would call this the agent issue if it weren't for the continual drip-drip of AI dramas that require commentary. (Sending today at noon EDT as usual, free & paid editions: janefriedman.com/subscribe-pa...)
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Jane Friedman @janefriedman.com · 28/07/2026
"I ask readers what resonated with them and who they think would enjoy GUARDED. Their answers have become my best marketing research. They continue to surprise me." First-time author Debbie Friedman discusses what's worked.
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How I Sold 1,000 Copies of My Self-Published Memoir in Five Months | Jane Friedman
This debut memoirist kept asking one question: What’s the next thing I can do that puts this book in front of readers?
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Jane Friedman @janefriedman.com · 24/07/2026
The audiobook edition is now available, narrated by Erin Grassie! I know some of you were asking when this would release even before the print edition came out. It's now here. 🥳
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Jane Friedman @janefriedman.com · 23/07/2026
It’s not uncommon for writers to unconsciously align their main character’s perspective with their own. When this happens, protagonists react and make choices not because of the experiences they’ve had, but because that is how the writer would react. Insight from Erin Radniecki.
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Don’t Leave Your Reader Searching for Meaning: The Importance of Protagonist Context | Jane Friedman
Any element of a story has the potential to be positive or negative, helpful or harmful. Your character’s context provides the frame of reference.
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Jane Friedman @janefriedman.com · 22/07/2026
Your memoir may focus on a significant relationship in your life. But if this person looms so large (for good or not-so-good reasons), the book could end up centering them instead of you. Jennifer Landau explains how to avoid that.
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How to Center Your Story When Writing About the People in Your Life | Jane Friedman
When writing about a significant relationship, here are some tips to make sure you don’t end up a supporting player in your own story.
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Jane Friedman @janefriedman.com · 16/07/2026
If you're editing or publishing an anthology, here's how to make it as easy as possible for contributors to market and promote. You can reduce the friction between their desire to help and their ability to actually help. Insight from @patricegopo.bsky.social.
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Working With Contributors: The Power of Many in Anthology Promotion | Jane Friedman
When editors share ideas and provide resources to support that work, they can help activate contributor engagement in ways that matter.
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Jane Friedman @janefriedman.com · 15/07/2026
A New York Times bestselling author who writes books about popular TV shows offers guidance on how to sell these books in an increasingly challenging market. Here’s Jennifer Keishin Armstrong.
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How to Sell a Book About Your Favorite TV Show in 2026 | Jane Friedman
The TV-book subgenre has grown harder to break into as rewatch podcasts and celebrity memoirs crowd out journalists.
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Jane Friedman @janefriedman.com · 14/07/2026
“He got dressed, brushed his teeth, grabbed his keys, and drove to work.” Meanwhile, the reader grew bored with such tedious, empty details, put the book down, and chose another off their shelves. @tiffanyyatesmartin.bsky.social helps you avoid clunky and meaningless transitions.
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Why Your Story Feels Choppy (Even When the Plot Is Solid) | Jane Friedman
Transitioning from one scene to another may seem trivial, but it’s crucial to help orient readers and conduct them smoothly through the story.
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Jane Friedman @janefriedman.com · 09/07/2026
Ironically, fiction has to be more credible than real life. Anecdotes tend to say, “You’re not going to believe this one,” and we’re not entirely sure we do. We believe stories b/c they go deeper and don’t end neatly. Insight from @lesleykrueger.bsky.social on turning real life into fiction.
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How to Turn an Anecdote Into a Story | Jane Friedman
For an anecdote (“You won’t believe what I saw!”) to grow into an impactful story, a surprise element isn’t enough—real change needs to occur.
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Jane Friedman @janefriedman.com · 08/07/2026
Is it OK to have a prologue? How many points of view are too many? Is my work literary, suspense, horror? Is it allowed to be more than one thing? Am I allowed to tell this story the way it wants to be told? Alexandra Burt discusses the problems with permission seeking.
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Why Artists Owe the Work and Not the World | Jane Friedman
The artist’s responsibility is not to repeat what’s been done, but to become fully themselves by following wherever the work leads.
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Jane Friedman @janefriedman.com · 07/07/2026
I address the biggest question I get from writers these days.
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Should You Use Substack for Your Email Newsletter? Or Something Else? | Jane Friedman
Should authors use Substack for their newsletter? It depends on your purpose—strengthening ties with existing readers, or reaching new ones.
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Jane Friedman @janefriedman.com · 01/07/2026
Should authors pitch themselves for podcasts? Self-pitching often works best when the author already has a relationship with the host. Otherwise, the risk is that the author pitches the book rather than the topic or conversation inside the book, which is what podcast hosts typically care about.
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Podcast Publicity for Authors and Publishers: What's Working | Jane Friedman
Industry experts share pitching strategies: start early, target niche shows, research hosts, build relationships first, and prepare authors thoroughly.
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Jane Friedman @janefriedman.com · 30/06/2026
When you tell a story from a distance, it’s much harder to convey the full emotional impact of it. But when you become an expert observer of emotions and can stay with them long enough to capture them in words, there’s no story you can’t write, says April Davila.
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How Stillness Can Help Us Write Powerful Scenes | Jane Friedman
Sitting still with minor physical discomforts builds mental strength that, applied to your writing, helps you write emotionally difficult scenes.
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Alex Slater @abuckslater.bsky.social · 25/06/2026
This interview with Yahdon is required reading for publishing people: lunch.publishersmarketplace.com/2026/06/ask-...
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Jane Friedman @janefriedman.com · 25/06/2026
I know how tempting it is to play designer, especially if it’s an enjoyable distraction from the writing. Why you should resist, from @sandrawendeleditor.bsky.social and @paulnylander.bsky.social.
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Your Creative Team Wants You to Stop Formatting and Just Write the Darn Book | Jane Friedman
Learn how to prepare clean Word manuscripts and mark PDFs for book production—avoiding unnecessary formatting and using styles correctly to save time.
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Jane Friedman @janefriedman.com · 24/06/2026
If you don’t know your “why me, why now,” then using an LLM can do more harm than good, advises author Tawny Lara.
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Finding Your Voice as a Writer in the Age of AI | Jane Friedman
Life experiences are what create your voice, brand you as an author, and make your writing worth reading.
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Jane Friedman @janefriedman.com · 23/06/2026
Deciding how to start and end your novel is not as simple as picking a starting point and an end point at will. The same is true for memoir, I'd argue. Insight from Miranda Keskes.
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Start With the End: A Simple Bookend Structure for Novelists | Jane Friedman
Before writing your novel, imagining just the first and last scenes can help clarify the story’s point and the reader’s emotional journey.
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Jane Friedman @janefriedman.com · 19/06/2026
According to Jake Bauman at Sony, the biggest trend in book-to-screen adaptations is the self-publishing and fan-fiction pipeline. “Everyone’s trying to harness the power of those fandoms,” he said. Here's my full coverage from a US Book Show panel, featuring agents, scouts & buyers in Hollywood.
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From Online Fandoms to Blockbuster Films and TV Shows: What Books Get Optioned Now | Jane Friedman
Hollywood scouts and studio execs reveal why book sales don’t always matter, BookTok rules, and how YA isn’t really YA.
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Jane Friedman @janefriedman.com · 18/06/2026
Scenes are great for what Andre Dubus calls vertical moments, or the pivotal moments where change occurs. Insight from @lisacooperellison.bsky.social.
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How Scene Writing Helps You Lose Control (and Find Your Memoir’s Story) | Jane Friedman
Pay close attention to any surprising details or patterns in your memoir’s scenes—they often point to the story that really wants to be told.
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Jane Friedman @janefriedman.com · 17/06/2026
Some authors of children’s books are primarily motivated to create something meaningful for a child they love. Author @barbaraleary.bsky.social suggests not worrying whether the market wants your story and whether there is a child in your life who might treasure it.
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The Value of Legacy: Encouraging the Heirloom Picture Book Author | Jane Friedman
If you’re writing for an audience of one, not thousands, creating a picture book for the child in your life is a goal within reach.
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Jane Friedman @janefriedman.com · 16/06/2026
The lack of story resolution doesn't have to be a bug—it can be a feature. An open ending can lead readers to engage with the story’s main theme, question or dilemma. Insight from Karmen Spiljak.
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Resolution Isn’t the Only Payoff: What Short Stories Teach Us About Endings | Jane Friedman
With other essential elements in place, short story writers can consider leaving an ending ambiguous, with room for the reader to ruminate.
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Jane Friedman @janefriedman.com · 12/06/2026
Character likeability and story relatability are two entirely different things. Important insights here especially for children's and YA authors from Christina Wyman.
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Not All Main Characters Need to Be Likeable | Jane Friedman
Discomfort with “unlikeable” female characters may reflect readers’ own biases and have little or nothing to do with the quality of the writing.
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Jane Friedman @janefriedman.com · 10/06/2026
If you spend enough time talking to publishing service providers, you will hear the same phrase repeated again and again: “We have distribution.” Sometimes that statement is misleading or inaccurate.  Learn what meaningful distribution is about from Tanya Hall, CEO at Greeneleaf.
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One Way to Tell If a Publisher Actually Has Distribution | Jane Friedman
When working with a small press or hybrid publisher, it’s crucial to understand the difference between mere availability and true distribution.
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Jane Friedman @janefriedman.com · 09/06/2026
For nonfiction authors: not only must you validate the reader’s problem and offer solutions, you must also share the promise you’re making. The promise: what the reader will be able to do and how they will feel different. Insight from Marisa Solis and Elizabeth Dougherty.
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What Promise Does Your Book Make? | Jane Friedman
Not only must nonfiction books offer solutions, they must also share the promise being made—the emotional outcome the reader will achieve.
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Jane Friedman @janefriedman.com · 04/06/2026
How to recover an optimistic disposition toward writing and publishing: the simple idea of play. Insight from Alexander Lewis.
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Be So Good the Robots Are Irrelevant | Jane Friedman
It’s easy to become nihilistic and pessimistic when thinking about the arts and AI. To recover your optimism, return to the simple idea of play.
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Jane Friedman @janefriedman.com · 03/06/2026
It will likely take a month (or more) to fully understand what’s working best for your book, and what you need to improve on for sales and marketing. Insight from novelist @susannecraignyt.bsky.social.
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Launch Day Is Not Judgment Day | Jane Friedman
When a traditionally-published author made the switch to self-publishing, she found that success reveals itself in months, not days.
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Jane Friedman @janefriedman.com · 02/06/2026
Sartre didn’t write BEING AND NOTHINGNESS as a craft guide for novelists, but it turns out his insights are valuable for writers.
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From Personnage to Personne: Creating Character Authenticity | Jane Friedman
When building a character, roles can be efficient shorthand—hard-boiled detective, dutiful nurse—but the best characterizations require going deeper.
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