iiinova — where your digital self keeps evolving

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Rabih Alameddine @rabihalameddine.bsky.social · 12/07/2026

Mesopotamian Elephant, 3400-3000 BCE

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interiors by gregory @interiorsbygregory.bsky.social · 02/07/2026

The Smoky… Dry gin, splash of scotch, stirred Martini’s Seafood House, Fredericksburg, Texas

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interiors by gregory @interiorsbygregory.bsky.social · 10/06/2026

Vintage McGuire table base as sculpture plinth… #chairish #chairishfind #plinth #umlauf #austinstyle Austin, Texas 2026

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Melissa @2023chastete.bsky.social · 06/06/2026

23:23 😴

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interiors by gregory @interiorsbygregory.bsky.social · 22/04/2026

Seeing Hockney . . . & Van Gogh. Museum of Fine Arts, Houston, 2021 #hockney #vangogh #mfah

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interiors by gregory @interiorsbygregory.bsky.social · 04/04/2026

The Good News…aka Corpse Reviver #2. #Eastercocktail #corpsereviver#2

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Melissa @2023chastete.bsky.social · 26/03/2026

A Summer Garden Party (1937) by Robert Panitzsch

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Michael @mdstamper.bsky.social · 27/02/2026

“Dos Mujeres” (Two Women) by Diego Rivera (Mexican) - Oil on canvas / 1914 - Arkansas Museum of Fine Arts (Little Rock, Arkansas) #WomenInArt #DiegoRivera #Rivera #ArkansasMuseumofFineArts #ArkMFA #Cubism #PortraitofWomen #art #AMFA #artText #BlueskyArt #MexicanArt #CubistArt #pintura #MexicanArtist

Mexican artist Diego Rivera painted this in Paris during his Cubist period, and it is also a candid portrait of his life there. A standing woman is his first wife, the artist Angelina Beloff, speaking with their friend and fellow artist Alma Dolores Bastián (nicknamed “Moucha”), who is seated. The setting is tied to their Montparnasse building at 26, Rue du Départ for an everyday studio world reframed through the avant-garde grammar of multiple viewpoints and flattened space.

The two women fill a tall canvas built from crisp, interlocking planes. At left, Alma, in a white dress, reclines in a chair. Her bent arm and hands gather around a small book, its warm cover a rare block of earthy color amid cool grays. At right, Angelina, in a deep blue dress, leans slightly forward, hands clasped at her waist as if pausing mid-thought. Their faces, hair, and bodies are “broken” into facets with cheeks, collarbones, and sleeves suggested through angled shapes rather than smooth contour … so we experience them as both people and architecture. Behind the two ladies, a simplified Paris skyline rises in stacked blocks, turning rooftops and walls into a rhythmic backdrop. The mood is intimate but unsentimental showing two artists sharing space, attention, and conversation inside a modern city that feels close enough to press against the figures.

The Arkansas Museum of Fine Arts notes Rivera looked out on a “vast sea of rooftops” with a “rumble of trains” nearby, a sensory detail that fits the painting’s angular pulse of city and motion. The work’s comparatively lighter palette hints at Rivera’s next turn when he moved away from abstraction and toward socially legible imagery. Within a few years, shaped by revolution and the impact of Italian frescoes, he redirected his ambition into murals meant for broad public audiences, carrying this hard-won modern structure into storytelling about workers, politics, and Mexican history.

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interiors by gregory @interiorsbygregory.bsky.social · 06/02/2026

“Austin” Chapel by Ellsworth Kelly Blanton Museum of Art Austin, Texas 2025 #ellsworthkelly #austinchapel

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Josiah Hawthorne @josiahhawthorne.bsky.social · 30/06/2025

“From The Depths,” William Balfour Ker

“From the depths” by William Balfour-Ker. A lavish party of the wealth is interrupted by an upraised fist breaking through their dance floor; underneath we can see the entire party venue is built on the shoulders of the marginalized and lower classes.

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Tiffany Muller @tiffanymuller.bsky.social · 21/01/2026

Watch Senator Mark Kelly break down what the Citizens United ruling is all about and how the ruling got us to where we are today.

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2️⃣0k Paris 😊 @parispaname.bsky.social · 21/01/2026

Le 21 janvier, Le roi de France Louis XVI est guillotiné place de la Révolution (place de la Concorde).

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Melissa @2023chastete.bsky.social · 18/01/2026

Three Little Fields (1991) by Eyvind Earle

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Dee Lilley🔻 @deelilley.bsky.social · 08/12/2025

Farm near Duivendrecht, Piet Mondriaan 1916

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Melissa @2023chastete.bsky.social · 08/12/2025

Her Sadness (1923) by Tamara de Lempicka

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Paul Cezanne @cezanne.bsky.social · 24/11/2025

View of L'Estaque, 1883 botfrens.com/collections/43/content…

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Melissa @2023chastete.bsky.social · 07/12/2025

Geraniums (1960) by Andrew Wyeth

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Nothings Monstered @nothingsmonstrd.bsky.social · 07/12/2025

The Speed and Daring of Juanito Apiñani in the Ring of Madrid — Francisco Goya, 1815-16 Etching and aquatint

Monochrome art of a man in an arena sort of pole vaulting over a bowl he is using the pole to LEAP up and over the charging Bulls horns

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Richard Morris @ahistoryinart.bsky.social · 26/11/2025

'Dora in an Interior.' (1957) John Koch worked within a genre of American realism that includes Winslow Homer and Edward Hopper as its luminaries, an intimism invariably painted within the glow of what Dorothy Parker called 'the autumn of the day, the late afternoon.'