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女同 ⚢

@imaginarydesert.bsky.social
566 followers 152 following 796 posts

Asian Lesbian (女同). Politics free zone. Just here for quiet enjoyment. I love art and beauty ⚢

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Reposted by 女同 ⚢
Georgia O'Keeffe @gokeeffe.bsky.social · 18h
Calla Lily Turned Away www.wikiart.org/en/georgia-o-keeffe…
Calla Lily Turned Away
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 4h
CajsaStina Åkerström (Swedish, born 1967) "Indian Cress (Nasturtiums)", 2021. Oil Pastels/Color Pencils on Paper, 40 × 56 cm. Private Collection. #art #painting #artist #BlueSkyArt
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The Historian’s Hut @thehistorianshut.bsky.social · 7h
This painting, by the Italian artist Camillo Miola (also known as Biacca, c. 1840-1919), depicts an ancient Greek priestess, serving as a prophetess in a temple. For more on the art and the history that inspired it, read our article here: thehistorianshut.com/2021/06/09/t... #art #history
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Gary Buckley @garybuckley.bsky.social · 8h
© Vincent Giarrano. 'Drawing Her Bath.' Oil on canvas, n.d. 20 x 16 inches.
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Gary Buckley @garybuckley.bsky.social · 05/10/2026
© Hubert-Denis Etcheverry. 'The Lady in Pink.' Oil on canvas, 1928.
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Georgia O'Keeffe @gokeeffe.bsky.social · 14h
Mule Skull with Turkey Feather www.artic.edu/artworks/117310
Margaret Fisher Endowment
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女同 ⚢ @imaginarydesert.bsky.social · 16h
🤣
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Meg @roaringmeg.bsky.social · 23h
Design for Warshaw Residence, Los Angeles (unbuilt). Rudolph M. Schindler. 1937. #Architecture #Design
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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 17h
Aphrodite - Greece - 3rd Century BC.
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Asian Elegance INC. @asianelegance-inc.bsky.social · 18h
#asianbabe #asiangirls #asianbeauty #asianmodel #asian #asiangirl #asianbabes #asianhottie #asiansexy #asianwomen #asianmodels #beautiful #model #hotasian #sexy #beauty #asianbooty #asianwoman #asiancutie #hotasiangirls #asianhot #asianboobs #asianbeauties
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女同 ⚢ @imaginarydesert.bsky.social · 17h
Wow!
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女同 ⚢ @imaginarydesert.bsky.social · 17h
🫶. Good morning ☀️
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The Kimono Gallery @roger1952.bsky.social · 23h
From Autumn to Winter . Japan. Photography by zeissizm on Flickr
Crouched low against the cool stone pavement, a young woman curls inward to shield herself from the gathering chill, her arms wrapped tightly around a heavy, charcoal-knit sweater. Her long dark hair cascades forward like a gentle veil over her brow, while scattered, pale autumn leaves lie dotted across the weathered concrete beneath her. The shallow depth of field softens the urban backdrop—a stone doorway and worn building steps—into a quiet, painterly blur of mossy greens and muted slate. The photograph evokes a deeply evocative sensory atmosphere: the sharp, biting draft of early winter wind sifting through dark fabric, the dry, papery rustle of fallen leaves drifting across cold stone, the tactile contrast of coarse wool against chilled skin, and the quiet, solitary refuge of turning inward as the natural world slumbers.   Created by the photographer known as zeissizm on Flickr, this atmospheric portrait captures the distinctive optical rendering associated with classic Zeiss lenses, celebrated for their three-dimensional subject separation, subtle micro-contrast, and smooth, painterly bokeh. In Japanese cultural consciousness, the passage of seasons (kisetsukan) carries profound emotional weight, where the melancholic transition from late autumn (aki) into winter (fuyu) marks a period of introspection and stillness. The composition captures this subtle seasonal threshold, framing the human figure not in opposition to the elements, but as a vulnerable, delicate participant in nature’s annual decline.
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女同 ⚢ @imaginarydesert.bsky.social · 05/10/2026
You are off to a good start
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Gary Buckley @garybuckley.bsky.social · 05/10/2026
© William Merritt Chase. 'Girl with a Book.' Oil on canvas, 1902. 70 x 40 inches.
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Edward Elderman @elderman.bsky.social · 04/10/2026
Clara Bow 1932
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Miss Kimmi Kitty Mama @miss-kimmi.bsky.social · 05/10/2026
Sveta Dorosheva
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Nothing like a kiss 💋
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Ri🅱️aude ♥️. @ladyfugace.bsky.social · 04/10/2026
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The Zen of True Art @thezenoftrueart.bsky.social · 04/10/2026
Kawase Hasui, "Morning at Ao Marsh, Ura Heights," woodblock print, 1949. #art #arte #kawasehasui #hasuikawase #japan #japaneseart #woodblockprint #japanesewoodblockprint #printmaking #autumn #fallcolor #fallleaves #autumnleaves #fallscene #museum #artgallery
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Tomb Heintjes @hogansalley.bsky.social · 04/10/2026
Fritzi and Nancy Before Sluggo (“Fritzi Ritz” strips from September 25-30, 1933):
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The Kimono Gallery @roger1952.bsky.social · 04/10/2026
Meiji Era Beauty Contest Shimbashi / Tamagawaya Tamakiku (17 years old). This hand-colored albumen portrait belongs to the iconic 1891 Tokyo Hyaku-Bijin ("One Hundred Beauties of Tokyo") photographic contest organized for the grand opening of the Ryōunkaku
Standing gracefully within a studio setting designed as a seaside veranda, seventeen-year-old Tamakiku of the Tamagawaya house in Shimbashi poses in a light sky-blue silk kimono paired with a richly patterned brocade obi tied high at the waist. In her left hand, she holds a white oval fans (uchiwa) inscribed with sweeping calligraphic script, while her right hand rests lightly on the wooden frame of a sliding reed screen (yoshizu). The composition is framed by traditional architectural elements: a hanging paper lantern (chōchin) decorated with flying birds, a yellow folding fan (sensu) adorned with purple silk tassels attached to a cedar pillar, a round latticed window (enmado), a delicate bonsai tree, and a low tea service set upon a woven tatami floor beside a purple cushion (zabuton). In the lower-right corner, a small portrait inset identifies her entry in the competition ballot. The image radiates an exquisite sensory atmosphere: the cool maritime breeze sifting through woven reeds, the crisp rustle of trailing silk across straw matting, the faint aroma of freshly steeped green tea, and the quiet, composed poise of a young woman capturing the artistic imagination of Meiji-era Tokyo.   This hand-colored albumen portrait belongs to the iconic 1891 Tokyo Hyaku-Bijin ("One Hundred Beauties of Tokyo") photographic contest organized for the grand opening of the Ryōunkaku—Tokyo’s pioneering twelve-story skyscraper in Asakusa. Photographed by pioneering studios such as Ogawa Kazumasa and Suzuki Shin'ichi, the exhibition displayed portraits of the city's most celebrated geisha, allowing visitors to vote for their favorites. As a representative of Shimbashi—the premier hanamachi (flower district) favored by Meiji statesmen, intellectuals, and artists—Tamakiku embodies the legendary sophistication and trendsetting sartorial style of her quarter.
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
😘
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
2 is certainly prime 💕
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
We can start with Prime Numbers: 1, 2, 3…
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
🫶😘
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Amazing space
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Good morning ☀️
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phoenixrising @mmcarthur.bsky.social · 04/10/2026
Walter Gropius : Tea Set TAC, for Rosenthal, 1963 When Walter Gropius conceptualized the architecture for the Rosenthal porcelain factory in 1963, he also became interested in the subject of porcelain and created the multi-award winning tea set TAC.
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Georgia O'Keeffe @gokeeffe.bsky.social · 04/10/2026
The Shelton with Sunspots, N.Y. www.artic.edu/artworks/104031
“I went out one morning to look at [the Shelton Hotel] and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky,” said Georgia O’Keeffe, recalling the precise moment that inspired her to paint The Shelton with Sunspots. Although her depictions of flowers and the southwestern landscape are powerful and evocative, O’Keeffe painted a group of cityscapes in the 1920s that are no less intriguing. She married the photographer and dealer Alfred Stieglitz in 1924, and the following year they moved into the Shelton, a recently completed skyscraper. O’Keeffe was fascinated by the soaring height of the building and emphasized its majesty in this painting by rendering it from the street below. In the glaring light of the emerging sun, the building becomes an abstracted series of rectangles arranged in the center of the composition. Yet the hard edges of the Shelton are softened by the numerous circular sunspots and wavy, flowing lines of smoke and steam, suggesting that despite her urban subject matter, O’Keeffe nevertheless sought to unify man-made and organic forms, just as she would in her southwestern paintings such as Black Cross, New Mexico .

Gift of Leigh B. Block
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Roona @roonaradka19991224.bsky.social · 24/09/2026
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Some things just never go out of style
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Good morning
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Math is awesome
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 04/10/2026
Anna Maria Lindholm Rogberg born 1972 Swedish artist Heathland - 2026 Oil - 110 x 110 cm #art #painting #artist #BlueSkyArt
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 04/10/2026
Persimmon, 1972 Maki Haku is the artistic name of Maejima Tadaaki Japanese, 1924-2000 woodblock print with embossing on paper 40.96 × 29.84 cm Carnegie Museum of Art #art #painting #artist #BlueSkyArt
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 04/10/2026
Pierre Bonnard (French, 1867-1947), Half-Nude Woman or Nude Combing Her Hair, c. 1915. PAINTING. Oil on canvas, 60.1 x 37.5 cm. #art #painting #artist #BlueSkyArt
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 04/10/2026
William Merritt Chase (American, 1849–1916), Girl with a Book, 1902. Oil on canvas, 70 in. x 40 in. (177.8 cm x 101.6 cm). Montgomery Museum Of Fine Arts. #art #painting #artist #BlueSkyArt
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Olivier de Saint-Aubin du Pressoir @chrisoligh.bsky.social · 03/10/2026
William Russell Flint (1880-1969)
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Gary Buckley @garybuckley.bsky.social · 04/10/2026
© Stelios Petroulakis. 'Woman Reading in Sunlight.' Oil on canvas, 2020. 80 x 60 cm.
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
😂
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
I guess so
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
Wow
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Jay Troyer @gr8flbluejay.bsky.social · 03/10/2026
Allan Douglas Davidson, British (1873-1932), The Sorceress, 1912, oil on board, 30 x 23.5 cm, private collection
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女同 ⚢ @imaginarydesert.bsky.social · 04/10/2026
One of my favorite numbers
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Taiwan Cambot @taiwan-cambot.bsky.social · 04/10/2026
Taiping Sky Bridge Chiayi County, Taiwan #Taiwan
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Edward Elderman @elderman.bsky.social · 03/10/2026
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USA @usamailbox.bsky.social · 03/10/2026
#Art #African #ceramic clay #3D
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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 03/10/2026
Queen of Clubs, 1909, by Margaret Macdonald, Art Nouveau pioneer and Glasgow School Artist #WomensArt
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The Kimono Gallery @roger1952.bsky.social · 03/10/2026
By contemporary artist Yu Miyazaki, this evocative portrait demonstrates a masterful continuation of Japanese figurative painting (bijin-ga)
Framed within a curtain of cascading lavender wisteria (fuji) blossoms, a young woman gazes downward in quiet, introspective contemplation. Her alabaster skin, subtly flushed with delicate rose tones around the eyelids and lips, is gently cradled by long, slender fingers held near her face. Strands of fine, dark hair flow across her shoulders, partially draped in delicate white lace trim while pale purple petals cluster softly against her forehead and cheeks. The portrait evokes an exquisitely fragile sensory atmosphere: the sweet, lingering perfume of spring wisteria suspended in still air, the soft touch of cool petals brushing against warm skin, the gentle rustle of delicate lace, and the breathless, intimate hush of a private, unspoken moment.   Created by contemporary artist Yu Miyazaki, this evocative portrait demonstrates a masterful continuation of Japanese figurative painting (bijin-ga), bridging traditional sensibilities with modern psychological nuance. Wisteria has long held a cherished place in Japanese literature and visual culture, celebrated since the Heian period in classical waka poetry and kabuki theater as an emblem of refined elegance, tender longing, and quiet devotion. Miyazaki’s meticulous paint application reflects the core spirit of monozukuri (artisanal mastery and material reverence), layering fine mineral pigments and translucent glazes to achieve the luminous depth of the subject's complexion alongside the intricate, individual threads of her dark hair and woven lace.
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