“Ah! He just ran over my fucking foot!”

Blair McClendon on Boots Riley’s I Love Boosters, Riley joins The Film Comment Podcast, Erika Balsom on the films of Lucrecia Martel, Devika Girish interviews Martel about Our Land, Amy Taubin profile...

I’m standing in the much-mythologised screening room of the Rio Cinema in Dalston as projectionist Andrew Woodyatt walks me through its history. In the 1970s, the Rio had a stint as an adult film cine...

Jürgen Habermas may be variously described as the moral conscience of postwar Germany, the last great systematic...

Delta Airlines suspends its special congressional service, while a Senate bill could end the line-skipping perk for members of Congress.

Silent Sundays: Interviews

On the global resurgence of feminist film curating collectives.

A new report co-released by the AAUP and the National Center provides the first in-depth, industry-wide examination of how academic freedom has been written into collective bargaining agreements acros...

Scientists and labour leaders are warning that cuts to Environment and Climate Change Canada could significantly impact the health and safety of Canadians as well as Canada's wildlife and environment.

The mass exodus at the Toronto Film Critics Association is gathering pace after indigenous actress and filmmaker Elle-Máijá Tailfeathers returned her award trophy following the alleged censorship of her video acceptance speech, which included remarks in support of Palestine.

Classic kinos, cult film temples and fabulous picture palaces from across the planet

Vimeo’s layoffs raise dire concerns about what happens to the vast archive of videos the platform has hosted for two decades.

Sometimes in a moment of overwhelming emotion you hear a song. You finally hear it. You don’t just get the meaning of the lyrics, or feel the beats and the rhythm, but you hear the unutterable in t…

It’s based on a beloved, bestselling novel—and it butchers it.